Israel - Furniture

The IOTA Saddle Swings are lightweight and compact. They are good for enjoying the outdoors and kids love them too. You can easily take the hammock like swing with you to hang during...

This round, low pouf is the nonchalant seat you’ve been looking for. 100% handmade from UV protected acrylic, this pouf is suitable for both indoor and outdoor, complete with a handl...

Iota swings take the user to a wild, natural, fantastic place. These swings work great in living rooms, spacious bedrooms or hotel lobbies and suites. They are an elegant yet bold ch...

The IOTA Saddle Swings are lightweight and compact. They are good for enjoying the outdoors and kids love them too. You can easily take the hammock like s...

The classic crochet granny square takes a contemporary twist in this large floor cushion. One large square forms the cushion which is then sewn together with bespoke outdoor webbing....

This pair of armchairs by Adriano Piazzesi, crafted in 1970s Italy, embodies the designer’s mastery of form and function. Upholstered in their original brown velvet fabric, they offe...

The classic crochet granny square takes a contemporary twist in this large floor cushion. Two squares form the cushion which are than sewn together with bespoke outdoor webbing. It e...

The iota outdoor swing is inspired by climbing plants and branches in the summer, when the weather is dry. The colors are inspired by a Scandinavian pallet, dunes and naked trees. Th...

iota swings take the user to a wild, natural, fantastic place. These swings work great in living rooms, spacious bedrooms or hotel lobbies and suites. They ...

Iota swings take the user to a wild, natural, fantastic place. These swings work great in living rooms, spacious bedrooms or hotel lobbies and suites. They are an elegant yet bold ch...

These elegant Art Deco Italian armchairs from the 1950s blend classic design with modern sensibilities. The rich, curved bentwood frames highlight the craftsmanship of the era, while...

The classic crochet granny square takes a contemporary twist in this large floor cushion. One large square forms the cushion which is then sewn together with bespoke outdoor webbing....

Lameice, a versatile designer hailing from Palestine, is currently based between Jerusalem and Milan. Her creative pursuits center around the fascinating intersection of art and int...

This rare and exceptional George III teapot is the work of preeminent Georgian silversmith Paul Storr, it is one of his earliest works, the date mark on this pieces of the year 1793 which is the first year Storr marked items with his own initials (P S) The teapot is designed in the neoclassical taste with some Chinese influences, or Chinoiserie taste, though the decoration shows signs of later 19th century enhancement in the technique and style of the chasing. It is very hard to impossible to find works from this early period with this interesting Royalty provenance. The family crest on the front is of the Tollemache family, and dating of The teapot indicate It belonged and probably commissioned by or as a gift to William Manners Tollemache, Lord Huntingtower, William, On 12 January 1793, at the Age of 26, he was created a Baronet, of Hanby Hall in the County of Lincoln. So this teapot was commissioned to celebrate the occasion. William Manners Tollemache: Lord Huntingtower (19 May 1766 – 11 March 1833), known as Sir William Manners, Bt, between 1793 and 1821, was a British nobleman And Tory politician. Born William Manners, he was the eldest son of John Manners and Louisa Tollemache, 7th Countess of Dysart. On 12 January 1793, at the age of 26, he was Ceated a Baronet, of Hanby Hall in the County of Lincoln.On his mother's Succession to the earldom in 1821, he was styled Lord Huntingtower, and adopted The surname of Talmash or Tollemache Paul Storr: (baptised 28 October 1770 in London – 18 March 1844 in London) was an English goldsmith and silversmith working in the Neoclassical and other styles During the late eighteenth and early nineteenth centuries. His works range from Simple tableware to magnificent sculptural pieces made for royalty Paul Storr was England's most celebrated silversmith during the first half of the Nineteenth century and his legacy lives on today. His pieces historically and Currently adorn royal palaces and the finest stately homes throughout Europe and The world. Storr's reputation rests on his mastery of the grandiose neo-Classical Style developed in the Regency period. He quickly became the most prominent Silversmith of the nineteenth century, producing much of the silver purchased by King George III and King George IV. Storr entered his first mark in the first part of 1792, which reflects his short-lived partnership with William Frisbee. Soon after, he Began to use his PS mark, which he maintained throughout his career with only Minor changes. His first major work was a gold font commissioned by the Duke of Portland...

The classic crochet granny square takes a contemporary twist in this large floor cushion. One large square forms the cushion which is then sewn together with bespoke outdoor webbing....

Rust Song is a quiet hymn of corrosion, a vessel that seems born from the belly of the earth, carrying the reddish clay and damp marks of autumn rains. It was created as part of the ...

Iota swings take the user to a wild, natural, fantastic place. These swings work great in living rooms, spacious bedrooms or hotel lobbies and suites. They are an elegant yet bold ch...

The IOTA Saddle Swings are lightweight and compact. They are good for enjoying the outdoors and kids love them too. You can easily take the hammock like s...

This beanbag is a cube shaped comfy seating solution. Kids love it and so do adults who prefer a more laid-back seating. It can be a part of your permanent living room layout or a ca...

Designed by Luigi Massoni for Guzzini in the 1970s, this Space Age trolley is a true icon of futuristic Italian design. Featuring a sleek, molded plastic frame with smooth, flowing l...

The classic crochet granny square takes a contemporary twist in this large floor cushion. One large square forms the cushion which is then sewn together with bespoke outdoor webbing....

The classic crochet granny square takes a contemporary twist in this large floor cushion. One large square forms the cushion which is then sewn together with bespoke outdoor webbing....

Mastro chair produced by Molteni design Afra Tobia Scarpa year 1981. Black fire-painted steel structure, seat and back in black stain-resistant fabric. End caps and feet in P.V.C. bl...

The classic crochet granny square takes a contemporary twist in this large floor cushion. One large square forms the cushion which is then sewn together with bespoke outdoor webbing....

The White BUD pendant lamp, designed by Harvey Guzzini for Meblo in the 1970s, is a quintessential example of space-age Italian lighting. Featuring a smooth, milky white acrylic shad...

Iota swings take the user to a wild, natural, fantastic place. These swings work great in living rooms, spacious bedrooms or hotel lobbies and suites. They are an elegant yet bold ch...

This beanbag is a cube shaped comfy seating solution. Kids love it and so do adults who prefer a more laid-back seating. It can be a part of your permanent living room layout or a ca...

This round, low pouf is the nonchalant seat you’ve been looking for. 100% handmade from UV protected acrylic, this pouf is suitable for both indoor and outdoor, complete with a handl...

Diameter: 30cm • A collection of contemporary lighting designs, expertly handcrafted by master artisans on the captivating Murano Island in Venice, Italy. These exquisite pieces are ...

iota swings take the user to a wild, natural, fantastic place. These swings work great in living rooms, spacious bedrooms or hotel lobbies and suites. They ...

The “Metafora” coffee table, designed by Massimo and Lella Vignelli for Casigliani in the 1970s, is a rare and iconic piece t...

The iota outdoor swing is inspired by climbing plants and branches in the summer, when the weather is dry. The colors are inspired by a Scandinavian pallet, dunes and naked trees. Th...

This beanbag is a cube shaped comfy seating solution. Kids love it and so do adults who prefer a more laid-back seating. It can be a part of your permanent living room layout or a ca...

Designed by Adriano Piazzesi in 1970s Italy, this three-seater sofa is a striking example of the era’s bold yet refined design sensibilities. Retaining its original brown velvet upho...

This round, low pouf is the nonchalant seat you’ve been looking for. 100% handmade from UV protected acrylic, this pouf is suitable for both indoor and outdoor, complete with a handl...

This beanbag is a cube shaped comfy seating solution. Kids love it and so do adults who prefer a more laid-back seating. It can be a part of your permanent living room layout or a ca...

The classic crochet granny square takes a contemporary twist in this outdoor rug. Large squares form the rug, framed with bespoke webbing. Handmade from UV protected bespoke iota yar...

The Classic crochet granny square takes a contemporary twist in this outdoor set. This set explores the aesthetics of nomads and wants to live both inside and out. The cushion, ins...

Diameter: 30cm • A collection of contemporary lighting designs, expertly handcrafted by master artisans on the captivating Murano Island in Venice, Italy. These exquisite pieces are ...

This charming piece of jewish history in front of you is a one of kind modern Judaica object, This box used to hold the Etrog To protect the it during the holiday of Sukkot, it is traditionally Wrapped in silky flax fibers and stored in a special decorative box, mostly made from silver. Wolpert designed this amazing hand hammered Bauhaus style box in 1963-1964 while he was Working in New York. all of the boxes we could found from this design made by Wolpert have The upper part inscribed in a simple engraving with the phrase "Pri Etz Hadar" In Hebrew ״פרי עץ הדר״. the box in front of you is the only example in existence as far as we Know where the letters are also repoussé and also engraved, such a beautiful and hard to get Combination, the rest of the box is shaped as a modernistic Etrog, all the body of the box is Skillfully hand hammered in a way it reflects the light in a warm and calm way, a true Masterpiece of modern judaica by the great and important artist Ludwig Yehuda Wolpert. One of the the two great masters of 20th century Judaica. the Box is marked "WOLPERT" AND "STERLING" and the base has the engraved inscription : "ALAN WECHSLER GENERAL CHAIRMAN, ALLIED JEWISH APPEAL OF SOUTHERN NEW JERSEY 1978" Similar boxes can be find in museum collections around the world In the Jewish Museum New York In the North Carolina Museum of Art In The Derfner Judaica Museum Another similar box was featured in the Israel Museum exhibition "Forging Ahead, Wolpert and Gumbel, Israeli Silversmiths for the Modern Age" Ludwig Yehuda Wolpert was born in Hildesheim, Germany, to an Orthodox family. In 1916-1920, He began his studies in sculpture at the Frankfurt School of Art. In 1925-1928, he studied Goldsmithing at the Frankfurt School of Art. Following the presentation of the works in the 1930 exhibition "Kult und Form" ("Ritual and Form") at the Jewish Museum in Berlin, his works became well known in the German Jewish World. His works were greatly influenced by Modernist design, especially the Bauhaus Movement. Wolpert's works avoid decoration, relying on clean, geometric shapes. In 1933, Following the Nazi rise to power in Germany, he immigrated to the Mandatory Palestine with His family. There he worked for two years in the workshop of Bernhard Friedländer, where he Designed and produced silverware and Jewish ceremonial art.Together with Victor Solomon...

This striking table lamp by Paolo Tilche for Arform, designed in the 1950s, exemplifies the sleek, modernist aesthetic of the era. Featuring a sculptural form with clean lines and a ...

This round, low pouf is the nonchalant seat you’ve been looking for. 100% handmade from UV protected acrylic, this pouf is suitable for both indoor and outdoor, complete with a handl...

This exquisite pair of hand-blown glass table lamps, designed by Roberto Pamio in 1970s Italy, exemplifies the era's innovative spirit and craftsmanship. Each lamp features a beautif...

This beanbag is a cube shaped comfy seating solution. Kids love it and so do adults who prefer a more laid-back seating. It can be a part of your permanent living room layout or a ca...

Amazing and scarce JUDAICA object, we have here one of the most touching jewish objects we had for a long time, this small silver dowry box was made in Algeria in the early 19th century, it is all covered with symbols of jewish faith and of couples, the sliding lid has 2 flanking birds with hamsa (protective hand) on each side and a flower vase in the middle. one side shows two flanking lions with a tree in the middle and the other side shows again two big and two small birds with a flower bowl in the middle, front side has a key hole and next to it there is the Hebrew inscription ס״ט״" which says Siman tov or in English "a good sign" it is taken from the wedding blessing, underneath the lock there is another inscription with the name ״עזיזה בת אברהם בן חמו״ which is the name of the bride, her father and her grandfathers name. the box is full marked a lot of times with the silversmith mark, every side of the box is marked. this box was probably ordered by the grooms family to hold the jewelry they are giving to the bride as dowry, this type of objects are rare and there are just a few of them on museum collections. DOWRY (Heb. נְדֻנְיָה), the property a wife brings to her husband at marriage; the Yiddish equivalent, nadn, is from the same root. The custom of nedunyah became clearly defined and institutionalized only in the talmudic period. In biblical times, mohar (מֹהַר), whereby the groom bought his wife from her father (Gen. 24:53; Ex. 22:15–16; Hos. 3:2), was the accepted practice. It was then customary that the groom give the bride gifts, and that she bring certain property to her husband's home upon marriage: slaves, cattle, real estate, etc. (cf. Gen. 24:59–61; 29; Judg. 1:14ff.; I Kings 9:16). Evidence of the custom of nedunyah is to be found in Tobit (7:14; 8:21) and in the Assuan papyri (Cowley, Aramaic, nos. 15, 18). Gradually, mohar was superseded by the ketubbah custom according to which the husband merely assumed the responsibility of compensation to his wife in case he divorced her: he had to pay her 200 zuzim if she had been a virgin at the time of marriage, and 100 zuzim if a widow or divorcée (see *Ketubbah). By talmudic times, the institution of nedunyah was prevalent; the father gave a dowry to the bride since the daughter was excluded from paternal inheritance. Fifty zuzim (equivalent to the worth of 180 grams of silver) was the minimum amount a father was obliged to give to his daughter (Ket. 6:5). Parents usually gave much more, according to their social standing. Community funds provided the dowry for an orphan or a very poor girl (ibid.; cf. Sh. Ar., YD 251:8). In case of her father's death, the brothers of a minor girl were obliged to give her the minimum dowry, and the court estimated how much her father would have given her above the minimum dowry. The sum was then taken out of the father's estate and given to the daughter upon majority (Ket. 6:6; 68a–69b). In the absence of such an estimate, each daughter was entitled to receive one-tenth of the value of her father's estate in money, or in valuables (Yad, Ishut, 20:4–7; Sh. Ar., EH 113:4). If the father was unable or unwilling to pay the promised dowry at the betrothal ceremony, the groom could refuse to marry his bride (Ket. 13:5; Ket. 108b–109a). Insistence on exact payment of the promised dowry, however, was frowned upon by later rabbinic authorities (Rema to Sh. Ar., EH 2:1). In certain communities it was customary for the groom's father to make a dowry contribution equal to that of the bride's father (Ket. 102b). The dowry, whether given in real estate, slaves, money, or chattel was recorded in the marriage contract (the ketubbah) and in some instances one-third or one-fifth of the actual value of the dowry was added to the sum mentioned in the ketubbah. Based upon a decree enacted by *Simeon b. Shetah (first century C.E.), the Talmud ruled that the husband and his entire property were liable for compensation as stipulated in the ketubbah, either in case he died (when she collected the sum specified in the ketubbah from the heirs) or in case he divorced his wife (Ket. 82b). For the status of the dowry and the husband's rights and obligations, see below. The rabbinic enactments (Takkanot Shum) by R. Jacob *Tam and by the rabbinic synod of the communities of Speyer, Worms, and Mainz (Germany) stipulated that if a woman died...

A single seat pouf, compact, bright and cheeky. Perfect as an additional seat or as a footstool, this pouf is 100% handmade from UV protected acrylic. Use it indoors or carry it outd...

The Classic crochet granny square takes a contemporary twist in this large floor cushion. Two squares form the cushion which are than sewn together with bespoke outdoor...

A beautiful lounge Chair, Laurel's solid wood frames, which fit together and are held together by simple pegs, add a constructivist touch. The handcrafted leather slings, forming th...

Herb Box (Yerbera), Upper Peru, possibly Potosí, c. 1775–90, cast, repoussé, and chased silver, the design is very intricate, with lions, cats and some other animals, and a women on the lid, it is made in a shell shape with a classical women on top of the lid, the body is all hand made with lions and wild cats with leafs designs, the inner part is divided into two compartments, as usually in this type of boxes. lock is not working but it is very nice and "primitive" looking. Boxes have a long history across cultures and time. In Spanish America, containers of many types, styles, and materials were cherished as gifts. Known today as yerberas (herb boxes) or coqueras (coca boxes...

Tzedakah box of flattened oviform shape (round fish shape) , amazing sleek and Modernistic design. just a masterpiece of design. Pierced with stylized H...

This set of three bar stools, hailing from 1970s Italy, epitomizes the era's blend of sleek modernism and natural materials. Crafted from sturdy green metal, each stool boasts clean,...

This beanbag is a cube-shaped comfy seating solution. Kids love it and so do adults who prefer more laid-back seating. It can be a part of your permanent living room layout or a carr...

The classic crochet granny square takes a contemporary twist in this outdoor rug. Large squares form the rug, framed with bespoke webbing. Handmade from UV protected bespoke iota yar...

21st century Asian natural cream outdoor indoor rug and bag cushion crochet UV protected yarn set. The Classic crochet granny square takes a contemporary...

the body of this small marvelous vase is painted with a scene of a puppet show vendor with his wood backpack, on top of the backpack there are toys and dolls, he is surrounded with a group of 6 children, and on the background you can see a village. on the other side of the vase there is an amazing painting of flowers and on the sides there are two amazing strong pine trees, the amorphous background is decorated in a "Tortoiseshell" color and design that gives it a real character and which is quite rare to see on satsuma pottery. all the vase is over richly overpainted over the glaze with gold, which gives it its depth and realism. signed Kyoto Kinkozan zo, and sealed Kinkozan zo Kyoto’s Satsuma: The painting technique used in Kyoto’s Satsuma-style ware is said to be the invention of the sixth generation Kinkōzan Sōbei (1824–1884). The Kinkōzan were a famous family of Kyoto Awataguchi potters who made ceramics that were used at Shōren'in, a temple closely tied to the imperial family, and by the shoguns of the Edo government. In fact the shogun is said to have granted them the name Kinkōzan. With the upheavals at the end of the Edo period, however, and the reforms of the subsequent Meiji government, the potters lost their traditional patrons and had to develop new markets. Just at that time, the visit of a certain Westerner is said to have decided them to embark on overseas trade. By 1870, they had perfected Kyō Satsuma...

Cow patterned trio oak wall piece by Daniel Elkayam One of a Kind Dimensions: D 2 x W 100 x H 120 cm Materials: oak wood Daniel Elkayam — Designer Jerusa...

Rare and exceptional example of early russian Judaica, this torah shield or tas is made From 84 silver, has the marks of the city of saint Petersburg, together with the makers Mark of Michael Karpinsky and the date of 1835, Judaica objects from Russia is very rare, Especially from this early date, saint Petersburg jewish community was very small Because of the Jewish settlement was largely restricted. Under Tsar Alexander II upper Class Jews fitting certain criteria were allowed to live in the city, and many other Jews Who did not fit these categories settled illegally. This was is decorated with two flanking lions with the two tablets of stone on which the Ten Commandments were engraved on, the 10 commandments are engraved in Hebrew On this example as long as the two words "torah" and "crown" on the two sides. On the lower part there is the inscription with the donors name which is "Dina Whitenbarch" in Hebrew. the silver work on this was is just exceptional and deep. The crown on the top of the lions is the Russian crown. The back part has two welded silver loops used for hanging the shield on the torah. Measurements : Height : 23 cm / 9 inch Width : 19 cm / 7.4 Jews of saint Petersburg: The history of the Jews in Saint Petersburg (formerly known as Petrograd and then Leningrad) dates back to the 18th century and there is still a Jewish community in the city Today...

The Quadrifoglio Pendant Lamp, designed by Gae Aulenti for Harvey Guzzini in the 1970s, is a striking example of midcentury modern lighting design. Its geometric, flower-like shape, ...

This piece is designed by Lameice Abu Aker a Palestinian designer based in Jerusalem. mouth-blown, lampworked, and shaped, in Jaba' a small village in the Palestinian Territories. pr...

One orange chair available with new rattan seat. • "Trieste" folding Chair attributed to Jacober & d'Aniello for Bazzani, 1960's • The “Trieste” folding chairs, designed by Jacober &...