Atlanta Vases

Vintage Swedish Bubble Glass Vase by Erik Hoglund for Boda (1932 - 1998). Slate blue/gray glass. Some of the original label still attached. Eng...

A Very high quality cut crystal and ormolu gilt bronze, France, by Baccarat, 19th century. Scroll handles featuring classic heads at the bottom. Dimensions: Height: 12 1/4" Diameter...

Let your fingers hold a world in your hands. See some small, sophisticated Swedish vases in globe form by Ewald Dahlskog. These earthly vessels transport the viewer elsewhere with ea...

A beautiful, vintage, large green Murano glass vase designed by Karl Springer in the 1980's. "Karl Springer" is etched on the bottom of the vase. The vase stands approximately 21 1...

Collection of seven Japanese and American ceramic vases, 20th century. The Japanese vases are seen along the back row in the first photo and all exhibit sculptural forms and have a w...

Two small nearly identical ceramic vases by Japanese Meiji imperial potter Makuzu Kozan (1842-1916), circa 1890-1900s. The vases were made in the form of jarlet with swelled shoulder...

A black glazed stoneware free form vase with handle by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Akan" and made in 1990. The vessel is one of the classic forms wi...

A beautiful earthenware vase designed by Keith Murray (New Zealand / British 1892-1981) for Josiah Wedgwood & Sons of the Etruria Works in England. The design was Inspired by Scandinavian design and French Art Deco ceramics...

A large sterling silver vessel in an asymmetrical hour-glass vase form with a larger upper conical body balanced on a much smaller base. Crafted by Graziella Laffi (1923-2009), Lima, Peru, Circa 1965. Marked on the rim: G. Laffi, PERU. The vessel was designed as a modern rendition of ancient pre-Columbina drinking vessel used in ceremony. The piece projects a regal and substantial aura due to its thick double wall construction with seamless craftmanship. The exterior surface was decorated with high relief roundels with concentric rings, arranged in geometrical pattern in two difference sizes. It is an impressive presence with its unique form and ornamentation that is modern and ancient at the same time. The vessel weights about 2012 grams. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Sculptural Italian silver plated weed pot or vase, Italy, circa 1950s. In the style of Gio Ponti, unsigned, except for a "Made In Italy" label underneath.

An early ceramic vase in a slightly tapered cylinder form by potter Brother Thomas Bezanson (1929-2007). The minimalistic silouette is striking...

Large scale sculptural ceramic vase, believed to be American, circa 1960s. It is signed with the artist's cipher, but we are unable to research...

A Japanese long neck slender ceramic vase in the style of Mishima, circa 19th century, Meiji period. Mishima pottery was originally imported from three islands in Taiwan and then fro...

An assemble of two stemmed cylinder-shape stoneware vases by American studio potter Warren MacKenzie (1924-2018). The two vases have a complementary form and silouette and display ni...

A tall vintage ceramic vase with handle from Japan (20th century) by Nanba Koyo. Made in the tradition of Bizen ware, the vase has a modern aesthetic with a...

A beautiful blue / green vase designed by Carl-Harry Stålhane (1920‑1990) for Röstrand Procelain Works Stålhand started working for Rorstrand at the age of 18. Initially, he decorat...

A stoneware vessel with glazed and banded stripes design by British studio ceramist John Ward (1938-2023) circa 1980s. The vessel takes its simple but d...

A ceramic vessel in the form of a footed bowl or chalice, studio crafted by Brother Thomas Bezanson (1929-2007) circa 1970s. Covered in a brill...

A spindle form porcelain vase by Brother Thomas Bezanson (1929-2007). As a modern interpretation of "Mei-Ping", a classic form of Chinese vase,...

A free standing glass sculpture in an open vessel form by Kyohei Fujita (1921-2004). The striking piece features an organic body with alternative strips of blue, white and transparent strips with gold sparkle inlays. The rim takes a free biomorphic form that resembles bone structure. It is etch signed underneath. The vessel was made in the earlier period of the artist's career before he dedicated most of his work to the "magical box...

Large green pressed glass "Flora" vase designed by Olle Alberius for Orrefors, Sweden in the 1970's. The vase measures approximately 6 3/8 inches tall and is 7 1/2 inches in diameter...

A white stoneware vase by American Ceramist Robert Chapman Turner (1913 - 2005). Made between 1970-80s, the group of white-colored vessels with such a funnel form were called either Beach or Shore, obviously inspired by the ocean. Hand sculptured in a simple form with a neck opens to mouth that also can serve as a handle, the surface was always marked with artistic imperfection intended by the artist, such as incision and kiln bubble and burst. On this vase, the artist made several incision lines randomly, and also sparsely applied some tiny sand-like granules, adding a very subtle texture and allude to the scheme of the ocean. Incised signature "Turner" on the base. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. Several examples of this series are illustrated in the book "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn...

Våga vase designed by Swedish artist and ceramist Wilhelm Kåge (3/6/1889 - 11/25/1960) at the Gustavsberg workshop in 1949. Kåge was artist director of Gustavsberg from 1917 to 1949....

A Central African carved wood vessel from the mid-20th century. This vintage vessel from Central Africa is created from a single piece of hallowed t...

A French gilt-bronze two-handled Warwick vase After Clodion. With egg and dart rim, the vessel cast in relief with cherub heads and entwined branch-form ...

A beautifully shaped "Carolina" vase with a blue / black matte feldspar glaze designed by Gunnar Nylund in the 1950's for Rörstrand Procelain Works in Denmark. Gunnar Nylund (1904-1...

A beautiful vase by Paolo Venini for Venini from the mid 1950's. The surface of the vase is "inciso" which in English means engraved or incised, this process is done by hand on a grinding wheel...

A very unique pair of Mid-Century Modern or Art Deco style chrome & black enameled candlesticks / bud vases. Shockingly unmarked. Very cool! Stylistically Gio Ponti but have been una...

A beautiful blue / green vase designed by Carl-Harry Stålhane (1920‑1990) for Röstrand Procelain Works Stålhand started working for Rorstrand at the age of 18. Initially, he decorat...

Miniature 17th century blue and white mallet-shaped vase. This miniature vase was part of a hoard recovered by Captain Michael Hatcher from the wreck of a ship that sunk in the Sou...

DESCRIPTION A blue / grey vase designed by Gunvor Olin-Grönqvist for Arabia, made in Finland. The vase measures approximately 5 3/8 inches in diameter and is 4 7/8 inches tall. Th...

DESCRIPTION A lidded solid brass pitcher design by Tommi Parzinger for Dorlyn Silversmiths. The pitcher is embossed on the bottom “Made by Dorlyn - Silversmiths” with the Tommi Parzinger insignia. The pitcher stands approximately 10 7/8 inches tall and the base is 3 1/8 inches in diameter. BIOGRAPHY OF DESIGNER Tommi Anton Parzinger (1903–1981) was a German interior designer; a lighting, accessories and furniture designer and an artist. Born in Munich in 1903, Parzinger was raised in an artistic family, he studied at the Kunstgewebeschule, focusing his art studies on ceramic, glass, metal and wood crafts , as well as painting. Parzinger immigrated to New York City in 1932, his first job in America was as a designer for Rena Rosenthal, designing metalware and crystel to be sold at her trend setting Madison Avenue shop. During his tenure at Rena Rosenthal Parzinger began creating furniture and accessories to accompany his celebrated work in brass and crystal. His interest in these ancillary pieces grew steadily throughout the 1930’s and in 1938 he took a position designing furniture for Charak in Boston. In 1939 he opened Parzinger Originals, designing custom furnishings for clients and commissioned custom interiors. Parzinger's designs were labeled "high-style modernism", which represented a more idiosyncratic, rarefied midcentury design style. His cosmopolitan designs involved costly, craft-intensive materials and processes using brass accents and lacquer. As his business grew, Parzinger continued his work in graphic design, fashioning packaging, fabrics and wallpapers . He also continued to design furniture, lighting, and accessories for other companies, including Reed and Barton, Lightolier, Salterini Hofstatter, and Dorlyn. In the 1940’s Donald Cameron became his partner and expanded the company with locations at 32 East 57th Street, 601 Fifth Avenue, and 441 Madison Avenue. His designs were used by famous clients such as Billy Baldwin, Marilyn Monroe, members of the DuPont family...

Miniature 17th century blue and white pear-shaped vase decorated with birds and flowers. This miniature vase was part of a hoard recovered by Captain Michael Hatcher...