Belgium - More Asian Art, Objects and Furniture

20th C., cast stone panels with attractive patina. The panels could be used outdoors or for interior decoration. The back side of the panels have metal wall mounts. Dimensions: 6...

An elegant pair of scissors once used to trim the wick of an opium lamp. Formed of steel and copper, these petite scissors feature gracefully curved handles and short blades engraved...

Late 19th-early 20th century Chinese hand decorated porcelain figure. Beautifully hand decorated Chinese porcelain figure. This stunning colorful finely detailed figurine or sculptur...

Pair of Qing dynasty architecture carving panels, detail carvings with warriors riding horses.

Qing dynasty Kang XI blue and white Chinese porcelain censer with a design of "Antiques" and auspicious objects, the base in clear glaze and the mouth...

This Chinese stackable box made circa 1900-1915 was intended as a wedding basket and is a traditional object of importance within Chinese culture....

Special antique Burmese Buddha statue Material : lacquerware 99,5 cm high 57,5 cm wide and 38 cm deep With traces of 24 krt. gilding Shan (Tai Yai) style Bhumisparsha mudra 18th cent...

Large Zitan Huanghuali hardwood brush pot bitong, Qing Dynasty, 18th century, China Measures: Height 12 diameter 12.75 in.

A well carved Indian white marble Jain temple relief fragment featuring an image of a Jina, circa 12th century, Rajasthan or Gujarat, India. The Tirthan...

Qing dynasty 18th century Chinese twin handled bronze censer bearing XuanDe marks to base , 990 grams , 17cm wide, internal width 10cm , 7cm high.

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

A Chinese Qing Dynasty antique rattan round grain basket from the 19th century, with nice patina. Created in China during the 19h century, this grain basket features a thin lip sitting above a brown woven rattan body. With its rustic appeal and simple lines, this 19th century Chinese grain basket...