Belgium Figurative Sculptures

A fragment of a sandstone corbel with flat upper face, moulded transverse ledge and two protruding lobes with reserved trefoil detailing. The lower edge has fine dentiled carving and...

Exceptional altarpiece representing the annunciation circa 1600, fruitwood rare altarpiece from the North of Portugal, unique due to its large size representing the scene of the annunciation, where the Archangel Gabriel (represented on the bottom left), sent by god (represented on the top left) announces to Marie (bottom right) that she will give birth to Jesus. Very good state of conservation, carved on three panels Dimension: Height 1m51 Width 1m03 Very nice colour and exceptional dimensions Restorations of use We placed the altarpiece on a red velvet base and a Spanish occasional...

Circular Marble Chess Set: A Melody of Beige and Terracotta Brown. Discover this magnificent chess set, a true work of art designed to delight both discerning collectors and passion...

Bamileke Decorative Dance Crest, embroidered with European Glass Beads, Grasslands People, Cameroon. Private collection Brussels The raffia splint is covered with cloth and c...

Art Deco Royal Dux hand painted porcelain figurine. Czech Republic, 1940s. Three children making music. Czech Royal Dux polychrome enameled porcelain,...

Godefroid Devreese (19 August 1861 – 31 August 1941) was a Belgian sculptor. He first studied with his father, then continued his studies at the academies in Kortrijk and Bruxelles f...

A great 19th century French marble profile sculpture mounted in a medaillon walnut frame. Beautifully detailed portret of a handsome gentleman. Sign...

Art Deco bronze sculpture seated nude with flutes signed Matto. Pseudonym of Marcel André Bouraine. Marcel Guillemard foundry. Stamped number. Bronze with green patina on a green ma...

Art Deco bronze sculpture standing nude with drape by the French artist Georges Gori with foundry mark Susse Frères, lost wax technique, cire perdue. The ...

Ethiopian Hamar tribal woman sculpture in bronze of a standing female nude in the classical figurative tradition. Height 28 cm.

Rust-effect patinated metal cactus sculpture H:172cm Decoration - Indoor - Wabi Sabi Measures : 50x50cm H:172cm Material : Metal

A, near life-size, 19th century French cast iron statue depicting the Venus de Medici. This statue is a high quality cast after the antique marble Ven...

Group of altarpiece representing the life of a Saint, Saint Renualde? Engraved by the sign of Antwerp hand on the hat of the central character Carved oak, traces of polychromy Fir...

According to the legends, there are two Saint Anthony’s, they can easily be distinguished by their hair. This one is known as Saint Anthony of Padua, he is recognizable by his hair, ...

Followers of Jean de la Huerta, Jean de Blany ? Saint Jerome Limestone Burgundy, second half of the15th century 60,5 cm ALR Ref : S00248050 This exquisite sculpture of Saint Jerome, carved from soft, nearly white limestone typical of eastern France, exemplifies the exceptional craftsmanship of 15th-century Burgundian art. The figure of Saint Jerome, a key figure in Christian history renowned for translating the Bible into Latin, is depicted wearing a cardinal’s hat and holding the Vulgate Bible...

Sculptural wooden Maitrise, France made of Fruitwood, probably a study of a wooden construction of a roof, great scale and remarkable details, great used Patina, 1920.   

Francis of Paola, O.M., (or: Francesco di Paola or Francis the Fire Handler; 27 March 1416 – 2 April 1507) was an Italian mendicant friar and the founder of the Roman Catholic Order ...

These sculptures are considered manifestations of their deceased ancestors and are placed in ancestor shrines.

A statue of a very charming and goodlooking boy, ideal to store your umbrellas or canes. or just as an eyecatcher in the house.

Beautiful large figural wooden sculpture of three naked entwined women by Luigi Conti. Luigi Conti was an Italian artist who was born in 1930. Italy, 1930-1991. Dimensions: H...

Artwork by Spanish artist Diego Cabezas.

lovely pair of Saint Mark in walnut from the 16th century - Venice Very beautiful pair finely carved representing Saint Mark with a book in his hand a lion at his side This is a pen...

A bust of a Congolese Mangbetu woman by F.X. Goddard and A. Nauwelaers. François-Xavier GODDARD (1912-2006) (Belgium) is an artist born in 1912.

A round colorful plaster wall relief of four putti. This beautiful religious artwork comes from an old monastery. Diameter 20.8" - 53 cm. Depth 4.3" - 11 cm.

Ceramic wall art sculpture with birds. Belgium 1960s. Width:55 cm. Height:28 cm. depth:3 cm.

Plaster sculpture, youth and old man, no signature

Contemporary work of art in bronze by Asian artist Chanin Pan, mangosteen fruit.

Two Saints In Polychrome Wood, Portugal, 17th Century Size 1:1

A Set of 3 Anonymus Family Light Sculptures by Atelier Haute Cuisine Dimensions: 180 x 28 cm, 185 x 34, 210 x 41, 170 x 27 cm Materials: Fiberglass, UV, Weather Resistant Topcoat, ...

Bamileke Decorative Dance Crest, embroidered with European Glass Beads, Grasslands People, Cameroon. Private collection Brussels The raffia splint is covered with cloth and colou...

motherhood ... plaster decorative figure of a Madonna, made in the 1970's in France ...

Set of two ceramic lions.

This bronze statuette of striking modernity,in a minimalist and refined style is part of an eminently small corpus. The fluidity of the forms and the remarkable purity of the figurin...

These backrests were exclusively used by Dignitaries of the Mongo people in DRC. The diamond design on the seat can also be found on the Kuba tissues called "Velours du Kasai.".

Fine Vintage porcelain sculpture - Girl reading a book. Hand-painted. Stamped and numbered. Germany There are some traces ...

niche in gilded wood from the 17th century from Italy Lovely niche with a carved wood in its center from the Italian Renaissance Beautiful original gild wood Dimensions excluding ba...

A gaper is a stone or wooden figurehead, often depicting a Moor, Muslim, or North African. The figurehead first appeared in the late 16th century as a hangout sign used outside the storefronts of drug stores in the Netherlands. The meaning of gaper is the same in English; the figurehead is always displayed with an open mouth, sometimes with a pill resting on his tongue. The gaper's gaping tongue could represent the intake of medicine and grimace represents the bitter taste of the medicine. The gaper takes on various appearances that are symbolic of the origin for the pharmacist...

Porcelain statue of 3 dancing ladies. Mounted as a lamp High quality glazed porcelain Period 1930-1940 Fraureuth Kunstabteiling Germany Signed on the bottom of the piece Height ...

Ceramic Sculpture

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

The highly detailed German biscuit porcelain figurine. Early 20th century. Very rare and outstanding hard-to-find figurine. This beauti...

This vessel vividly illustrates anthropomorphic design through its bold depiction of a human-like figure. The spout is sculpted as an open-mouthed face, complete with stylized eyes a...

Fluid Complexity Bronze Sculpture by Gardeco Objects Limited Edition Of 75 Pieces. Designed by Kris Demuelenaere. Dimensions: D 26 x W 32 x H 24 cm. Materials: Bronze. Gardeco stand...

Bamileke Decorative Dance Crest, embroidered with European Glass Beads, Grasslands People, Cameroon. Private collection Brussels The raffia splint is covered with cloth and colou...

Steel sculpture, Janos Maróti, Hungary, 1984 Material: Chromium Length: base 32,5 x 29,5cm Width: 44,5cm Height: 48,5cm

White Craquel skin 22 sculpture by Vica Ceramica Materials: high temp. ceramic Dimensions: D 4 x W 21 x H 25 cm VICA CERÁMICA-STUDIO is a design and sculpture studio establishe...

Italian porcelain sculpture. Measures: Height 56 cm. Width 26 cm. Depth 22 cm.

A large scale of a nude exotic woman. Possibly an Indonesian woman because of the colonial past of the Netherlands with Indonesia. Oil on hardboard signed Gerard Westerman, 1880-1971. Gerardus Bernardus Josephus Westermann Leeuwarden, December 25, 1880 - Amsterdam, February 2, 1971 was a Dutch painter. Westermann was a student of Johannes Hendricus...

Silver-Plated Bronze Sculpture Representing Diane De Gabie

Fountain with Noir Belge by Pierre De Valck. Dimensions: W 70 x D 70 x H 90 cm. Materials: Patinated brass with Noir Belge. Weight: 65 kg. Each pie...

Cambio Direzione Bronze Sculpture by Gardeco Objects Limited Edition Of 75 Pieces. Designed by Armando di Nunzio. Dimensions: D 39 x W 24 x H 38 cm. Materials: Bronze. Gardeco stand...

Corvus 4 sculpture by Vica Ceramica Dimensions: D 17 x W 21 x H 33 cm Materials: high temp. ceramic VICA CERÁMICA-STUDIO is a design and sculpture s...

Rare pair of monks from the 18th century-Ayutthaya-Thailand Superb pair of large lacquered and gilt bronze monks very beautiful face and expression ...

Beautiful African tribal vase with a face; the piece is very well done. Very cool unique piece. Measures: Height 52 cm. Diameter 14 cm. Weight ...

A large carved oak tondo, measuring 73 cm in diameter, representing Maria Magdalene as a penitent, contemplating on a skull and with her attribute: The ointment pot. Flanders, 18th c...

Gloire, Art Deco sculpture designed by Pierre Le Faguays ca. 1930. Seated man holding a palm leaf. Patinated Art metal on a black marble base. Contemporary cast at the Max Le Verr...

Bronce skin sculpture by Vica Ceramica Materials: High temp. Ceramic Dimensions: D 34 x W 21 x H 5 cm VICA CERÁMICA-STUDIO is a design and sculpture studio established in Mexic...

Christ from the 18th century in oak -France Very fine work of good quality Beautiful patina and in perfect condition.

Top of a scepter sculptured in bronze alloy finial with two identical faces on both sides. Nice natural use patina. Base included in the price.

This small head of a ceramic figure with a bird headdress is probably Pre-Columbian. It seems to originate from the territory of present-day Mexico. Fur...