Buenos Aires - Antiquities
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Item Ships From: Buenos Aires
Traditional Japanese Inro box with five compartments
Located in Autonomous City Buenos Aires, CABA
Traditional Japanese Inro Box with Five Compartments
Traditional Japanese inro box with five compartments. Classic design with dark lacquer and gold ...
Category
20th Century Japanese Japonisme Buenos Aires - Antiquities
Materials
Wood
Decorative Chinese Box
Located in Buenos Aires, Argentina
Decorative Chinese box
origin China, Canton for export
hand painted circa 1930.
Category
1930s Asian Chinoiserie Vintage Buenos Aires - Antiquities
Materials
Porcelain
Antique Chinese Carved Carnelian Mini Vase
Located in Autonomous City Buenos Aires, CABA
Mini Antique Chinese Carved Carnelian Vase
Mini antique Chinese carved carnelian vase. This delicate piece features an intricate design, with floral motifs carved into the surface of...
Category
20th Century Chinese Mid-Century Modern Buenos Aires - Antiquities
Materials
Stone
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Pair of Cloisonné Bronze Vases, Japan, Circa 1900
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Fine Japanese Lacquered Inro with Inlays by Kajikawa
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A Japanese four-case lacquer inro by a member of Kajikawa family circa 19th century (late Edo to early Meiji period). It depicts a nocturnal scenery of a meandering stream surrounded by bush clovers, where a full moon is reflected on the water. It was masterfully decorated in gold and silver maki-e using a combination of techniques including takamakie, togidashi and kirigane as well as aogai (abalone shell) inlays. The stream was set between the slightly elevated banks, adding to this piece a already strong three-dimensional composition. The interior was decorated in gold nashiji. It was signed on the bottom "Kajikawa Zou" (made by Kajikawa and a pot seal centered with "Ei" in Kanji. In one of the compartment, there is a katakana mark, appears to be a name, possibly the owner.
Kajikawa clan was one of the most famous lacquer artisanal family established in the 17th century. Many well known members over the generations produced lacquer art in a wide range of formats, but two third were signed only with the family name such as this one. It is therefore not possible to pinpoint the exact author of this piece.
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