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Item Ships From: Connecticut
"Golden Crater" Norma Minkowitz, Contemporary mixed media textile sculpture
By Norma Minkowitz
Located in Wilton, CT
This mixed media sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). Minkowitz combined various materials while employing her own i...
Category
Early 2000s Contemporary Connecticut - Abstract Sculptures
Materials
Mixed Media
Fritz Horstman, Five Walls With Openings, 2016, Wood, Walnut
By Fritz Horstman
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category
2010s Conceptual Connecticut - Abstract Sculptures
Materials
Wood, Walnut
Andra Samelson, Microcosm 3, 2016, Canvas, Found Objects, Acrylic Paint
By Andra Samelson
Located in Darien, CT
Andra Samelson’s work explores the relationship of microcosm and macrocosm, the celestial and terrestrial. Her imagery is often associated with molecular and galactic systems. Combin...
Category
2010s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Canvas, Found Objects, Acrylic
Dorothy Mayhall, Monument 1, 1995, Terracotta, Acrylic Paint
By Dorothy Mayhall
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category
1990s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Terracotta, Acrylic
Jo Yarrington, See-matics - Answer, 2019, acrylic, 9 x 22 inches
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...
Category
2010s Conceptual Connecticut - Abstract Sculptures
Materials
Plexiglass
Patricia Miranda, Pearls Before Swine 2020, cochineal dyes, pages, sewn pearls
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Connecticut - Abstract Sculptures
Materials
Thread, Dye, Found Objects
Patricia Miranda, Seeing Red Lace, 2020, egg tempera on panel
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Connecticut - Abstract Sculptures
Materials
Fabric, Plastic, Dye
Patricia Miranda, Florilegium Series, 2016, cochineal dyes, antique books, pearl
By Patricia Miranda
Located in Darien, CT
Patricia Miranda's work includes interdisciplinary installation, textile, paper and books. The textiles incorporated in these new pieces are vintage linens from her Italian and Irish grandmothers and sourced from friends and strangers around the country. Each donation is documented and integrated into the work. Textile as a form that wraps the body from cradle to grave. The role of lacemaking in the lives of women both economically and historically is packed with metaphorical potential. The relationship of craft and women’s work (re)appropriated by artists today to environmental and social issues is integral to the artist's research.
Her work is process oriented; materials are submerged in natural dyes from oak gall wasp nests, cochineal insects, turmeric, indigo, and clay. She forages for raw materials, cook dyes, grind pigments, ecofeminist actions that consider environmental impacts of objects. The process is left visible as dyestuff is unfiltered in the vat and finished work. Sewn into larger works, Miranda incorporates hair, pearls, bone beads, Milagros, cast plaster. The distinct genetics and environmental and cultural history of each material asserts its voice as collaborator rather than medium.
The lace inserts a visceral femininity into the pristine gallery, and exerts a ghostly trace of the history of domestic labor. The combination of earth and lace references human and environmental devastation and the conflation of nature and women’s bodies as justifications for exploitation. Mournful and solastalgic, they are lamentations to the violence against women and the earth.
Patricia Miranda is an interdisciplinary artist, curator, educator, and founder of The Crit Lab, graduate-level critique seminars and Residency for artists, and MAPSpace project space. She has been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah; and been awarded residencies at I-Park, Weir Farm, Vermont Studio Center, and Julio Valdez Printmaking Studio.
She received an Anonymous Was a Woman Covid19 Artist Relief Grant, an artist grant from ArtsWestchester/New York State Council on the Arts, and was part of a year-long NEA grant working with homeless youth.
Miranda currently teaches graduate curatorial studies at Western Colorado University, and develops programs for K-12, museums, and institutions such as Franklin Furnace.
Her work has been exhibited at ODETTA, NYC; ABC No Rio, NYC; Alexey von...
Category
2010s Feminist Connecticut - Abstract Sculptures
Materials
Fabric, Thread, Plaster, Dye, Found Objects
Emily Feinstein, Stillwater, 2016, Poplar, Wood, Paint
By Emily Feinstein
Located in Darien, CT
Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...
Category
2010s Connecticut - Abstract Sculptures
Materials
Wood, Paint, Poplar
Jo Yarrington, Mute-Ability_Composition 4, 2019_acrylic, steel, player piano rol
By Jo Yarrington
Located in Darien, CT
Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others.
International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia.
Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others.
International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City.
STATEMENT
In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components.
In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...
Category
2010s Conceptual Connecticut - Abstract Sculptures
Materials
Steel
Gil Scullion, Your Existence, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Connecticut - Abstract Sculptures
Materials
Paper
Radiant Afternoon, Plexiglass, Wall Sculpture, Colorful, Dimensional, Unique
Located in Riverdale, NY
Radiant Afternoon by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 16x16x2 created with bright colors and dimension. It is on a wood frame and...
Category
2010s Contemporary Connecticut - Abstract Sculptures
Materials
Plexiglass
Gil Scullion, You Forget, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box
Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category
2010s Conceptual Connecticut - Abstract Sculptures
Materials
Paper
Karen Schiff, Space Eyes, 2016, Wood, Gouache
By Karen Schiff
Located in Darien, CT
Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...
Category
2010s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Wood, Gouache
Karen Schiff, Space Eyes, 2016, Wood, Gouache
By Karen Schiff
Located in Darien, CT
Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...
Category
2010s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Wood, Gouache
Morning Light, Plexiglass, Wall Sculpture, Colorful, Dimensional, Blues, Unique
Located in Riverdale, NY
Morning Light by Neva Setlow is created with layered colored Plexiglass, both flat and round. It is 12x12x2 created with bright colors and dimension. It is filled with blues and y...
Category
2010s Contemporary Connecticut - Abstract Sculptures
Materials
Plexiglass
Diane Englander, White and Yellow Wood 2018, scrapwood and acrylic, 7 x 11.25 in
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition.
Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more.
A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm.
“I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.”
In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time.
She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...
Category
2010s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Acrylic, Wood
Diane Englander, White and Wood 13 2015, scrapwood and acrylic , 7.25 x 12 x 1.25
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires tha...
Category
2010s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Wood, Acrylic
Daniel G. Hill, Sling, 2016, stainless steel wire, music wire, 34 x 24 x 15 in
By Daniel G. Hill
Located in Darien, CT
In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...
Category
2010s Minimalist Connecticut - Abstract Sculptures
Materials
Stainless Steel, Wire
Sylvia Schwartz, 'A Field of Grass', 2014, Plaster, Minimalist
By Sylvia Schwartz
Located in Darien, CT
In Sylvia Schwartz' structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and her own fingerprints.
The h...
Category
2010s Minimalist Connecticut - Abstract Sculptures
Materials
Plaster
Yvette Cohen, Thin Air 2 & 3, 2011, oil, shaped canvas, wood dowel, Minimalist
By Yvette Cohen
Located in Darien, CT
Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...
Category
2010s Minimalist Connecticut - Abstract Sculptures
Materials
Canvas, Wood, Oil
The Time of Our Time Has Come and Gone, 2018, Gaffer tape on floor
By David Borawski
Located in Darien, CT
David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford.
A multi-media installation artist, his work...
Category
2010s Conceptual Connecticut - Abstract Sculptures
Materials
Tape
Karen Schiff, Space Eyes, 2016, Wood, Acrylic Paint, Watercolor
By Karen Schiff
Located in Darien, CT
Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...
Category
2010s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Wood, Acrylic, Watercolor
Emily Feinstein, Barge, 2015, Wood, Paint
By Emily Feinstein
Located in Darien, CT
Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...
Category
2010s Connecticut - Abstract Sculptures
Materials
Wood, Paint
Dorothy Mayhall, Monument 4, 1994, Terracotta, Acrylic Paint
By Dorothy Mayhall
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category
1990s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Terracotta, Acrylic
Dorothy Mayhall, Monument 5, 1995, Terracotta, Acrylic Paint
By Dorothy Mayhall
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category
1990s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Terracotta, Acrylic
Dorothy Mayhall, Monument #26, 1993, Terracotta, Acrylic Paint
By Dorothy Mayhall
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category
1990s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Terracotta, Acrylic
Fritz Horstman, Glacier Face, 2016, Wood, Walnut
By Fritz Horstman
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category
2010s Conceptual Connecticut - Abstract Sculptures
Materials
Wood, Walnut
Sylvia Schwartz, 'Brush Stroke, sculptural element in Red Plane', 2016, Resin
By Sylvia Schwartz
Located in Darien, CT
Sylvia Schwartz
In her structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and the artist’s own fingerprints. Leaving the human trace evident through the repetition of shapes and textures in both the natural and man-made elements, provides a measure of stability, a reference point. These manmade and natural forms merge, revealing our inexplicable dependence on nature. Through this melding of two entities, new life is breathed into the art object.
Paper as a primary medium allows Schwartz to sculpt, draw and paint simultaneously. The flow of the pulp (a natural phenomenon in itself) meshes with the molded forms creating a structure that seems to rest on the edge between painting and sculpture. The duality between light and heavy, interior and exterior, planned and accidental, order and chaos, leading ultimately to a sense of life.
Red...
Category
2010s Abstract Expressionist Connecticut - Abstract Sculptures
Materials
Resin, Handmade Paper
Slika #241 IN Painting
By Vasa Velizar Mihich
Located in Greenwich, CT
A great opportunity to own a painting by Vasa Mihich. These works are future forward as they are based on computer-generated programs with a focus on aesthetics. Meaning Vasa wante...
Category
Early 2000s Abstract Connecticut - Abstract Sculptures
Materials
Acrylic Polymer
Richard Bottwin, 'Walnutto', 2015, Wood, Acrylic Paint
By Richard Bottwin
Located in Darien, CT
Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...
Category
2010s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Wood, Acrylic
Karen Schiff, Space Eyes, 2016, Wood, Gouache
By Karen Schiff
Located in Darien, CT
Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...
Category
2010s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Wood, Gouache
Karen Schiff, Space Eyes, 2016, Wood, Acrylic Paint, Watercolor
By Karen Schiff
Located in Darien, CT
Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...
Category
2010s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Wood, Acrylic, Watercolor
Kuu #410, Contemporary Walnut and Maple Japanese Sculpture by Masako Yoshida
Located in Wilton, CT
The constructions Masako Yoshida envisions are built by interlacing sheets of walnut bark with string made of nettle.
Category
Early 2000s Abstract Connecticut - Abstract Sculptures
Materials
Maple, Walnut
Silver Waves, Contemporary Tapestry by Adela Akers
By Adela Akers
Located in Wilton, CT
Silver Waves, Adela Akers, linen, horsehair, paint & metal foil, 63” x 24”, 2014
“There is a mathematical discipline in the way the work is constructed,” ...
Category
2010s Abstract Connecticut - Abstract Sculptures
Materials
Foil
Long Hot Summer, wall sculpture by Merja Winqvist
Located in Wilton, CT
Materials: printed florist paper, woven
Winqvist applies the ideal of functionalism by simplifying the forms as much as possible, while avoiding unnecessary decoration. She has expl...
Category
2010s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Paper
"Last Light" Mary Merkel-Hess, Contemporary Abstract Textile Sculpture
By Mary Merkel-Hess
Located in Wilton, CT
"Last Light" Mary Merkel-Hess, paper, paper chord, 14” x 31” x 15”, 2018.
This colorful contemporary textile sculpture was done by American fiber artist, Mary Merkel-Hess. Merkel-Hess' work is often reflective of the natural landscapes from her childhood in the Midwest. Her work, "Last Light", was specifically inspired by a line from Willa Cather...
Category
2010s Contemporary Connecticut - Abstract Sculptures
Materials
Textile, Paper, Mixed Media
Biagga (Sea Wind), Contemporary Abstract Tapestry Painting, Wall Sculpture
Located in Wilton, CT
Biagga (Sea Wind), painted viscose and linen, 67" x 71", 2010. Contemporary Abstract Tapestry Painting, Wall Sculpture.
Ulla-Maija Vikman (b. 1943, Oulu, Finland) is a fiber artist w...
Category
2010s Contemporary Connecticut - Abstract Sculptures
Materials
Fabric, Textile, Tapestry, Paint
HiCy
By Donald Martiny
Located in Westport, CT
Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...
Category
2010s Abstract Connecticut - Abstract Sculptures
Materials
Acrylic Polymer, Pigment
$26,250
Rocks, Post-Modern Abstract Landscape Woven Tapestry, Textile Sculpture
Located in Wilton, CT
Rocks (1985), Wool, Post-Modern Abstract Landscape Woven Tapestry, Textile Sculpture.
Zofia Butrymowicz (1904-1987) was born in Warsaw, Poland.
Artis...
Category
1980s Abstract Connecticut - Abstract Sculptures
Materials
Fabric, Textile, Tapestry, Wool
Archy - #12 P, Sculpture 2024
Located in Greenwich, CT
"My Pop Minimalist collection, “A Small World”, celebrates iconic characters from pop culture, film, music and television by presenting them in a pared-down, regressive form, highlig...
Category
2010s Abstract Connecticut - Abstract Sculptures
Materials
Wood, Acrylic
Archy - #1 M & M (Part One), Sculpture 2024
Located in Greenwich, CT
"My Pop Minimalist collection, “A Small World”, celebrates iconic characters from pop culture, film, music and television by presenting them in a pared-down, regressive form, highlig...
Category
2010s Abstract Connecticut - Abstract Sculptures
Materials
Acrylic, Wood
Staplers (1976), Woven Paper Sculpture by Ed Rossbach
By Ed Rossbach
Located in Wilton, CT
Ed Rossbach was known for experimenting by using unexpected materials and symbols in his baskets, vessels, and assemblages including plastic, cotton balls,...
Category
1970s Pop Art Connecticut - Abstract Sculptures
Materials
Paper
Pathways of Desire, Contemporary Abstract Tapestry, Textile Wall Sculpture
Located in Wilton, CT
Pathways of Desire (2009) - block printed, manipulated, stitched, heat-set polyester, cotton thread. This contemporary abstract tapestry is by UK-based contemporary textile artist, Caroline Bartlett...
Category
Early 2000s Abstract Geometric Connecticut - Abstract Sculptures
Materials
Fabric, Tapestry, Cotton, Thread, Polyester
Warp Ikat Spiral, Mid-Century Abstract Woven Tapestry, Textile Wall Sculpture
By Ed Rossbach
Located in Wilton, CT
Warp Ikat Spiral, weaving, 36"x108", 1962.
This mid-century geometric abstract tapestry was done by American textile artist, Ed Rossbach (1914-2002, Chica...
Category
Mid-20th Century Abstract Geometric Connecticut - Abstract Sculptures
Materials
Fabric, Textile, Tapestry
Hold the Line
By Jim Rennert
Located in Greenwich, CT
Edition of 9
Suitable for outdoors.
Renowned for his suited everyman character, Jim Rennert’s sculptures have graced the New York City streetscape for over a decade as public art in...
Category
2010s Contemporary Connecticut - Abstract Sculptures
Materials
Bronze, Stainless Steel
Joel Urruty - Colomba, Sculpture
By Joel Urruty
Located in Greenwich, CT
"As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstrac...
Category
21st Century and Contemporary Contemporary Connecticut - Abstract Sculptures
Materials
Gold Leaf
Joel Urruty - Lithium
By Joel Urruty
Located in Greenwich, CT
"As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstrac...
Category
21st Century and Contemporary Contemporary Connecticut - Abstract Sculptures
Materials
Wood, Lacquer
Jim Perry - Ebb and Flow, Sculpture 2018
Located in Greenwich, CT
Medium:
Sapele Wood
Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Center ...
Category
2010s Connecticut - Abstract Sculptures
Materials
Wood
Ryan Cronin - Bunny, Sculpture 2010
Located in Greenwich, CT
Bunny
Ryan Cronin
Oil Paint, Wood, and Fiberglass
52" (Height) x 25" (Width) x 12.5" (Depth)
When people look at his work Cronin wants them to feel an immediate impact, even if they...
Category
2010s Abstract Connecticut - Abstract Sculptures
Materials
Oil, Fiberglass, Wood
"Material Pleasures: Artemisia" Lia Cook, Contemporary mixed media textile
By Lia Cook
Located in Wilton, CT
"Material Pleasures: Artemisia", acrylic on linen, dyes on rayon; woven, 53" x 77", 1993.
This contemporary abstract mixed media tapestry was done by California-based American fib...
Category
1990s Contemporary Connecticut - Abstract Sculptures
Materials
Fabric, Tapestry, Thread, Linen, Acrylic
Soul of a Big Blue Bowl, Contemporary Wall Sculpture by Jin-Sook So
By Jin-Sook So
Located in Wilton, CT
Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...
Category
2010s Contemporary Connecticut - Abstract Sculptures
Materials
Silver, Steel, Gold Leaf
Lithoid #66 65 X 21 X 3
By Henry Lautz
Located in West Palm Beach, FL
Lithoid #66
This minimalist Zen like sculpture is formed from Linden wood, also known as Basswood, which was considered sacred in Slavi mythology. I...
Category
2010s Abstract Connecticut - Abstract Sculptures
Materials
Steel
Santiago Medina - INSPIRATION OUTDOOR, Sculpture 2023
By Santiago Medina
Located in Greenwich, CT
INSPIRATION OUTDOOR
Santiago Medina
ITALIAN STAINLESS STEEL
80 X 10.6 X 8 IN WITH BASE. BASE HEIGHT 27 IN.
Edition of 5
All sculptures are made with the highest quality Italian stai...
Category
2010s Contemporary Connecticut - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - INSPIRATION INDOOR, Sculpture 2023
By Santiago Medina
Located in Greenwich, CT
INSPIRATION INDOOR
Santiago Medina
ITALIAN STAINLESS STEEL
80 X 10.6 X 8 IN WITH BASE. BASE HEIGHT 27 IN.
Edition of 5
All sculptures are made with the highest quality Italian stain...
Category
2010s Connecticut - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - FLAME, Sculpture 2021
By Santiago Medina
Located in Greenwich, CT
Italian stainless steel with blue tint.
Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, ...
Category
2010s Abstract Connecticut - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - ZEN SUSPENDED, Sculpture 2023
By Santiago Medina
Located in Greenwich, CT
ZEN SUSPENDED
Santiago Medina
ITALIAN STAINLESS STEEL
71 x 5.5 x 4.5 in
Edition of 5
All sculptures are made with the highest quality Italian stainless steel available and imported ...
Category
2010s Connecticut - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - FUTURA SUSPENDED, Sculpture 2023
By Santiago Medina
Located in Greenwich, CT
FUTURA SUSPENDED
Santiago Medina
ITALIAN STAINLESS STEEL
68 x 5 x 2 IN
Edition of 5
All sculptures are made with the highest quality Italian stainless steel available and imported f...
Category
2010s Connecticut - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - FLAME OF GENESIS, Sculpture 2020
By Santiago Medina
Located in Greenwich, CT
Italian stainless steel that shows the genesis of sculpture from rough unfinished at the bottom to highly polished at the top (unique piece).
Sculptor Santiago Medina Italian stainl...
Category
2010s Abstract Connecticut - Abstract Sculptures
Materials
Stainless Steel
Santiago Medina - UNITY ( OUTDOOR MONUMENTAL), Sculpture 2021
By Santiago Medina
Located in Greenwich, CT
Marine outdoor Italian stainless steel with turquoise tint.
Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, S...
Category
2010s Abstract Connecticut - Abstract Sculptures
Materials
Stainless Steel
