Continental Europe - Nude Paintings

The book of filling, 2024 by Les Panchyshyn Painting: Acrylic on Canvas 93 x 72 x 2 cm

Geometric Female Nude in Pink and Mauve – circa 1970 Medium: Tempera on cardboard Dimensions: H 65 cm x W 33 cm approx. Description: The female body is reimagined through a composit...

Title: The Powerful Vagina Artist: Nerea Caos (Nerea Sánchez Castro) Medium: Oil on canvas Dimensions: 50 x 50 cm (19.7 x 19.7 in) Format: Unframed Year: 2025 Signature: Signed on th...

Was born in 1993 in the city of Marganets, Ukraine. Artist Gorbachenko Multiple participants of group and solo exhibitions and Art Fair Vilnius. The artist's works are in private col...

At night. Paper, mixed media, 14.5x8 cm watercolor, ink on paper. Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives give his...

Work on wood Black wooden frame 77 x 55 x 2 cm

Singularity. Natalia Pustovit. Fhenomenal artwork concept Singularity is the point at which a mathematical function tends to infinity. A woman is that point, which is the conduc...

In Silent Solitude, French contemporary artist Natalya Mougenot captures the quiet poetry of the female form—an introspective study that transcends traditional portraiture to become ...

Tattoo me 3 2002., Cardboard, mixed media, 153x117 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, socially a...

Tattoo me 1 2002., Cardboard, mixed media, 153x117 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, socially a...

Tattoo me 2 2002., Cardboard, mixed media, 153x117 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism, socially a...

Gustl Stark (1917 Mainz - 2009 ibid.), Small Nude, 1946. Oil on canvas, marouflaged, 54 x 25 cm (picture), 30 x 60 cm (frame), signed "Stark" top left, verso twice signed "Gustav Stark", inscribed by hand as "Small Nude" and dated by hand "1946". With label of the exhibition of the Bundeshaus Bonn from 1956. - Rubbed area in the lower third of the body, at the same level a retouch in the ochre background. I provisional frame. - Abstract Figurativity - About the artwork During the war, Gustl Stark suffered a particularly severe blow for an artist: he lost his right arm. Nevertheless, he continued to devote himself to art, and the painting, created in 1946, immediately after the end of the Nazi reign of terror, testifies to the dawn of a new era. At the same time, the work is a rare example of the artist's early figurative work, as Stark turned entirely to abstract painting as early as 1950. And even this painting is by no means purely figurative; rather, it already illustrates Stark's turn toward abstraction. We see a female nude, but one that remains faceless. This can be read symbolically and in relation to the immediate past epoch, which, in the face of horrors, silences and blinds - literally renders faceless. In this sense, the figure is positioned to 'look back'. But she does not look. While this meaning may resonate and make the painting an important work of the immediate postwar period, Gustl Stark is primarily concerned with something else here, namely art itself. The absence of the face leads to the body becoming something flat. Due to the de-individualization, we do not see a concrete person with his individual features, but a body surface. And indeed, the body is constructed through an extremely planar design. Even the contour lines that form the corporeality have a planar rather than a linear character, especially where they merge into shadow zones of almost the same color. And the surfaces themselves are not modeled. The incarnate parts do not show any plastic gradations; the corporeality is completely withdrawn into the plane, which is also true for the hair. In addition, there is no uniform background against which the figure could appear; rather, the area next to the hair is kept bluish, creating a succession of earth-toned colored areas, which again binds the figure to the surface. Last but not least, the flatness is also forced by the painting technique. Gustl Stark paints directly, a la prima, onto the coarse canvas, whereby the structure of the painting support remains visible in the picture, and in places - around the hair, for example - the canvas itself can be seen. This structural all-over lends the picture a certain flatness. Gustl Stark thus uses the very motif that stands for the corporeality of art par excellence - the female nude - to transform the spatiality of the traditional picture into a flatness characteristic of modern art. And yet, a strong impression of corporeality is created, without being produced by a painterly modeling of the body. The oscillation between flatness and corporeality creates the intense tension of this groundbreaking painting. In Gustl Stark's oeuvre, as a consequence of the abstraction we see here, the figurative is completely stripped away in a further step, which is also a loss when looking at this early key work. About the artist Gustl Stark was the son of a woodcarver and, after an apprenticeship as a decorative painter, attended the State School of Arts and Crafts in Mainz from 1936 to 1937. Although he was severely wounded in the war and lost his right arm, he studied at the Würzburg School of Painting and Drawing from 1943-1944 and then at the Academy of Fine Arts in Nuremberg from 1944-1948. He won a state scholarship at the state art competition in Bad Ischl. Numerous study trips to Sylt, Paris, Switzerland, Austria, Italy, Holland and Belgium followed. Gustl Stark worked in Mainz and was the first artist there to focus on abstract painting. His work quickly gained international recognition, including the Salon Réaliés Nouvelles in Paris. From 1963-1970 he taught at the State University Institute for Art and Work Education in Mainz and from 1970-1975 at the Johannes Gutenberg University. Gustl Stark became particularly famous for his color embossed prints, for which he invented his own technique. Gustl Stark received numerous awards for his work. He received the Art Prize for Painting of the City of Mainz in 1962, the State Prize of Rhineland-Palatinate in 1984, and the Gutenberg Bust of the City of Mainz in 1987. Selected Bibliography Hans Vollmer (Hrsg.): Allgemeines Lexikon der bildenden Künstler des XX. Jahrhunderts, Vierter Band, Leipzig 1958, S. 344. Hans H...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

Spotlight. 2021. Paper, mixed media, 61x43 cm Act. On the artwork other side lithograph

In the recent years Maris Abilevs has been exploring the beauty of female shapes by using mixed media and various drawing techniques raging from expressive sketching to neat lines. T...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

In the recent years Maris Abilevs has been exploring the beauty of female shapes by using mixed media and various drawing techniques raging from expressi...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

Act 96. 2021. Paper, mixed media, 61x43 cm on the backside of the artwork lithography

Dawn. 2021. Paper, mixed media, 97x67 cm Act with the mirror

What will you say? 2021. Paper, mixed media, 97x67 cm Act on yellow background

I miss you. 2021. Paper, mixed media, 61x43 cm Act

Norina. 2021. Paper, mixed media, 97x67 cm Act on blue background

More than a simple artistic representation, this painting serves as a study of the human figure, characterized by a loose and quick execution technique. The choice of ochre tones for...

Dawn. 2021. Paper, mixed media, 61x43 cm Act

The beauty of curvature. Paper, mixed media 16x12 cm watercolor and pen on paper Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his rel...

Flowers. 1996, oil on canvas, 69x57 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis...

Mélodie (Melody) Ink on paper 53 x 53 cm A rare square-format nude ink drawing on paper by Grégoire Mathias, perfect for adding a pop of color and movement to compact spaces, art cl...

This Sculpture is made by Jos de Wit. It is made of mahogany wood. The pedestal is made of mahogany and maple wood. In the not of the fish there is a piece ...

The night is coming. 2011, oil on canvas, 50x35 cm Three women with the moon Kristine Kvitka (1983) Kristine Kvitka is a Latvian artist, born in Riga in 1983, currently lives and w...

Was born in 1993 in the city of Marganets, Ukraine. Artist Gorbachenko Multiple participants of group and solo exhibitions and Art Fair Vilnius. The artist's works are in private col...

Impresionist woman nude figure

Was born in 1993 in the city of Marganets, Ukraine. Artist Gorbachenko Multiple participants of group and solo exhibitions and Art Fair Vilnius. The artist's works are in private col...

Reinterpretation of the artwork “Relojes” by Salvador Dalí at the request of a commercial venture and businessman.

With this figure painted directly from life, and then using reference photos, I made a deliberate effort to keep the colours muted and harmonious - hence the title - and I think I ha...

"Dreaming" work in progress Original, unique painting. 70x60cm / 27.5x23.5in Part of the "Nude in Interior" solo show. Shipped stretched ready for display.

"Nude in the Mirror 2 " work in progress Original, unique painting. 70x60cm / 27.5x23.5in Part of the "Nude in Interior" solo show. Shipped stretched ready for display.

Naiad (work in progress) Original painting. size 39x23in / 100x60cm . Shipped stretched as it is, ready for hanging. "Midday (Nude on Armchair 3") is a striking addition to this se...

Felix Campean's artwork presents a scene of a human body emerging with astonishing anatomical precision, capturing every detail of musculature and skin with hyper-realistic fidelity....

Alex Amann’s oeuvre contains a variety of genres, which are, however, well-coordinated through their design. He devotes himself to still life as well as to landscape painting and fig...

Antique oil painting, Bruno Jüttner, nude of a North African young lady Rare half-nude by the well-known German painter. Age-related condition. A pressure mark in the center left....

Acrylic paint on canvas Unique work Hand-signed by the artist lower left THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures du Duc de Berry...

In this work I present a woman lying down as a study of the female body, the figure is cut on a brownish background, with a very marked texture intentionally based on glazes to highl...

Artwork unframed 60 x 50 x 3 cm What are people's criteria for judging beauty? A beautiful face? A different existence? A feeling of pleasure? Or just follow what others say and make yourself feel the same way? People say the Winged Victory is very beautiful. Admirers come to the Louvre from all over the world. A lot of them just to take a picture to prove they saw it and say to friends, look, this is Winged Victory, how beautiful! Is it really that beautiful in her mind ? not necessarily. If it has head, do you still think it is beautiful? I am afraid many people will have a negative opinion. What is it that blurs the eyes of human beings and makes people's judgments of beauty vary widely? The painting uses knife...

Walter Strobl opens a new chapter in his explorations of the neverending tension between stillness and movement. Strobl´s vibrant nudes capture women in movement: they are there and gone again, letting the pictoral space pulsate with both the presence and absence of the outlines of their bodies. He paints women with a keen interest in the lived experience of the body, avoiding clichees in his depictions. The viewer is excluded from this inner sensation, but it is precisely the privacy of the model`s slumber that permits us to revel in our own proprioception. His cityscapes and still lives tell their...

Contemporary, Pop, Surrealistic, Figurative, Nude

The book of filling, 2024 by Les Panchyshyn Painting: Acrylic on Canvas 93 x 72 x 2 cm

Was born in 1993 in the city of Marganets, Ukraine. Artist Gorbachenko Multiple participants of group and solo exhibitions and Art Fair Vilnius. The artist's works are in private col...

Naked woman painted in a semi-abstract manner in oil and knife on linen canvas. The material is important provided by a succession of layers on the canvas. The artist suggests a woman lying on her side Figurative and abstract mingle in the same canvas. The freedom of the artist in the interpretation of this nude brings a new genre to his work. The material is generous and contrary to his habits, this nude is more abstract. She uses the painting knife to create her flat tints and superimposes the layers to bring strength and vibration. Sophie Dumont...

Acrylic on unmounted canvas. Belongs to a series of works on the nude figure one of her favourite subjects. She enjoys painting the flesh and how light falls on the model. :: Paint...

Hand signed on the back Corine Lescop is a French-Canadian artist born in 1960 who lives & works in Wolowe-Saint-Lambert, Belgium. As visual artist in oil painting & calligraphy, Co...

Acrylic paint and charcoal on canvas Unique work Hand-signed by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly ...

Was born in 1993 in the city of Marganets, Ukraine. Artist Gorbachenko Multiple participants of group and solo exhibitions and Art Fair Vilnius. The artist's works are in private col...

Genesis Oil Painting on Panel Beginning Bible Adam Eve In Stock Tino Luciano (1953, Sardinië) Like most artists, Luciano started painting at an early age. His paintings can be consi...

It is a work that captures the melancholy and inevitable transience of nature. The tree's branches evoke a feeling of desolation and decay. Also, it suggests a reflection on the cycl...

"Look Up" (Schau Aufwärts) is a two-piece work (diptych) of German artist Klaus Heuermann. The artist depicts a female in one work (140 x 100 cm) and a male in the other work (140 x...

Baes Emile Brussels 1879 – 1953 Paris Belgian Painter Female Nude Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 65 x 54 cm Biography: Baes Emile was b...