Continental Europe - Animal Prints

The Rabbit is a lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in 1854....

Masked Gull is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. ...

Original Vintage Airline Poster by the Danish illustrator Otto Nielsen (1916 – 2000). He created several designs commissioned by the S...

Griffon Vulture is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 187...

Great Auk is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London...

Ringed Guillemot is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 187...

Black Giullemot is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870...

The Mouse is a lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was published in 1854. ...

Mangouste A Queue Blanche is a lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was pub...

Sand Martin is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. ...

Portrait is an original woodcut print realized by Mino Maccari in mid-20th century. Good condition. Hand-signed by the artist with pencil. Mino Maccari (1898-1989) was an Italian ...

Artist's proof, hand signed by the Artist. Excellent conditions.

The Frogs is an enchanting lithograph realized in 1940 ca. by Fabrizio Clerici (1913-1993). Hand-signed in pencil, on the lower right. Artist's proof "P.A", on the lower left. The ...

Ancient Roman Daily Life in Herculaneum from the series "Antiquities of Herculaneum", is an original etching on paper realized by Nicola Billy in the 18th century. Signed on the pla...

Fight is an original etching realized by Gérard Cochet in the Early 20th Century. Good conditions. Hand-signed. Numbered. Edition,35/50. The artwork is depicted through soft stro...

Caresses is an original artwork realized by the artist Theo P. Wagner. Lithograph on paper. The title and the monogram of the artist are present on the lower right margin. Very goo...

Little Gull is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. ...

Arctic Tern is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by L...

Black Woodpecker is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 187...

Image dimensions 20.5 x 15.3 cm. Stilt-Walking Shepherds is a fascinating color lithograph realized by an anonymous artist in 1860. Dated 1860 bottom left, p. 23. On the lower le...

Wryneck is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name ...

Yellow Wagtail is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870....

Fishing Nets is an original etching realized by Camille Berg in 1904. Good condition. Hand-signed, dated and numbered by the artist with pencil.

Pine Grossbeak is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870....

Savi's Warbler is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870....

Antelope in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the rare edition of only...

Water Pipit is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. N...

Surf Scoter is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. N...

Seagulls is an original lithograph realized by Giuseppe Viviani in 1962. Hand-signed on the lower right. Condition of preservation is good except for folding which affects the colo...

Gourser is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, 1870. Name...

Red-Breasted Goose is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, published by London, Bell & Sons, ...

Desperate Musical Band of Dogs - La Fourrière is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852...

Homo Ludens is an original hand-colored etching realized by the Italian artist Sergio Barletta (Bologna, 1934). Hand-signed in pencil on the lower right margin, titled "homo ludens"...

Image dimensions: 10x10 cm. Etching hand-signed and numbered with pencil on lower margin. Edition of 100 prints. In Excellent condition. Wonderful print representing an imaginery ...

Ancient Roman painting - The reverence scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Philippus...

Homo Ludens is an original Hand-colored etching artwork, realized by Sergio Barletta. Hand-signed on the lower right in pencil, and titled on the lower center "Homo Ludens". Numbere...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Fernando Strina in the 18th century. Signed on the plate on the lower...

Il Filo Si Spezza is an original black and white etching realized by Leo Guida. Not signed. Title on the bottom center. The state of preservation is good. "INV.C. 149B", on the l...

From the Author's Press is an original etching realized by Leo Guida in the 1970s. Good condition. Hand-signed. Numbered, I/V The artwork is depicted th...

The Tiger is an original modern artwork realized in 1860 by the French artist Emile Henri Laporte (1841 - 1919). Original colored Lithograph on paper. Han...

Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare ...

Alertness is an original etching, realized by Giovanni Battista Quadrone. The state of preservation of the artwork is good. signed on the lower left. The artwork represents an al...

*THE ARTWORKS WILL BE SOLD: UNFRAMED, WITH PASSE-PARTOUT* Beautiful serie of artworks: Swedish Birds by Magnus von Wright Very detailed ornithological prints. Topic: Animals Image ...

Ausgedient (“Obsolete”) is an original artwork realized by Ferdinand Andri in 1917. Lithograph in black over yellow plate on paper. Published in 1917 as part of a Jahresmappe (Annual...

Risciò is an original colored lithograph on Fabriano Cotton watermarked paper realized by Sandro Trotti in the 1970s and published by EuroMuseum Editore, Ancona. Representing a bar...

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

The Woman With Bird is an original colored Lithograph realized by Oscar Pelosi during the 1980s . The artwork is hand-signed in pencil by the artist on the lower right. Numbered, o...

The Speech is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but aged...

Antelope in the Roman Countryside is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate, the contemporary edition...

The Gorilla is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publish...

Hydra is an original etching artwork by Marcel Chirnoaga (Romanian, 1930–2008) one of the most important artists of fantasy painting and mythology subjects in the XX century. The ar...

Hand signed. Artist’s Proof. Very good conditions.

Ancient Roman painting - The reverence scene with the angel from the series "Antiquities of Herculaneum", is an original etching on paper realized by Roccus Pozzi and Nicol Vanni in ...

Bird is an original lithograph by Aldo Turchiaro in 1980. hand-signed on the lower right. numbered, edition XX/XXV. good conditions except for aged margins. The artwork represents a mechanical...

Roman Countryside with the carriage is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition of on...

The Cat is an original etching on paper realized by Gian Paolo Berto. Good conditions. Hand-signed and numbered, 33/40. Image Dimensions: 34.5 x 34.5 cm The artwork represents a c...

Mother is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions but aged. The artwork is depicted through strong strokes with perfect hatching. Jean Ignace Isidore Gérard...

The Family is an original lithograph on paper, realized by Cinzia Iacoangeli in 2003. The status of preservation good. The artwork is depicted skillfully through confident and stro...

Edition of 120 units and several Artist's proofs. Published in the Portafoglio "Tunisiaca 1995: d'aprés Auguste Lumière". Signed and numbered by the Artist in the bottom with pen....

Image dimensions: 11.3 x 15.2 cm. Lo Scarabeo d'oro ("The Golden Beetle") is a beautiful etching realized by Luigi Bartolini in 1936. Titled in pencil on the lower left: Lo scara...