Continental Europe - Figurative Prints

This linocut of cubist influence represents pansies flowers with golden touches on a deep blue background. It was recently exhibited in Dublin, alongside other prints and paintings ...

André Minaux Original Handsigned Lithograph Dimensions: 76 x 54 cm Edition: HC XXI/XXX HandSigned and Numbered Ecole de Paris au seuil de la mutation d...

Pablo PICASSO (1881-1973) Diurnes, Birdman, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFERENCE ...

The arrest of Christ; Judas embraces Christ as a group of soldiers apprehend Him; Christ places His hand on the fearful Malchus who sits on the ground holding a lamp; Peter grips his sword; one of the soldiers holds up a flaming torch; after Karel van Mander The scene is out of a set of 13 engravings "Passion of Christ" Engraving Published by: Jacques de Gheyn...

Yoshitomo Nara (1959, Japanese) Marching on a Butterbur Leaf, 2019 Medium: Offset print on archival quality paper (incl. 5 stickers, as issued) Dimensions: 61 × 45.7 cm (24 × 18 in) ...

Provocative serigraphy by Death NYC. The possibility to buy a street artist still affordable whose coast takes off. Edition: limited to 100 copies. Artist's proof Signed and numbe...

Original Lithograph by Jean Cocteau Title: Europe's Diversity Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sciaky 1961 Jean Coc...

FAILE - RISING Date of creation: 2023 Medium: Archival ink print on Entrada 290gsm Cotton Rag Edition: 350 Size: 101.6 x 81.3 cm Condition: In mint conditions, brand new and never fr...

The revelation is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi(Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by L...

Salvador Dali - Albert Schweitzer - Original Handsigned Engraving Dimensions: 17.5 x 12.5 cm 1970 Signed in pencil EA Jean Schneider, Basel Reference...

Edition of 30 & hand signed by the artist Marco Santaniello is an Italian artist born in 1981 who lives & works in Cosenza, Calabria in Italy. He started his path doing Pop Portrai...

The Lovers is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La F...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Jean Cocteau (1889-1963) Signé Jean Cocteau.sample « Exemplaire d’auteur. « . Conçu en 1958. Partially glazed white earthenware plate. From an edition of 20. Littérature : Annie Guéd...

Original Lithograph by Jean-Gabriel Domergue Title: Naked Signed Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous portfolio "La Parisienne"

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Théo Tobiasse Title: Un Homme Raconte les Matins Signed and Numbered Dimensions: 57 x 76 cm Information : Edition of 175 Condition : Excellent

Original Lithograph by Jean Cocteau Title: Immortal Goat Signed in the plate Dimensions: 38 x 28 cm Edition: 200 1958 Jean Cocteau Writer, artist and film director Jean Cocteau was...

Lithograph realized by Edouard Chimot in 1932. Belongs to the suite "Le Chat", in which the author classifies and represents pubic hairstyles that become progressively more surreal....

Raymond PEYNET Astrology - Zodiac : Taurus, 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76x56 cm (c. 30 x 22 inches) This etching is authentified by the...

Landscape is an original etching realized in the mid-late 20th Century.. Hand-signed, signature unreadable. The artwork is realized in a well-bala...

Lithograph on vélin realized by Giacometti for Derrière le Miroir n. 127, in 1961. Ref. lust 152; ADG (Alberto Giacometti's Database) 334 Very good condition.

Henri Laurens - Ocean - Original Color Linoleum Cut 1938/1959 Medium : Color Linoleum Cut on Montgolfier Canson vellum Dimensions: 32 x 24 cm XXe siècle Henri Laurens was born in Paris in 1885. Impaired by tuberculosis when he was only 17, he is leg-amputated seven years later. First a stone cutter, he then becomes sculptor. In 1899, he studies drawing. Henry Laurens...

Georges Rouault Crucifixion Woodcut and embossing (Raymond Jacquet workshop) Printed signature in the plate On Arches vellum 15 x 11" (38 x 28 cm) INFORMATION : Woodcut published i...

Horses resting at the watering place Oil on canvas by Jules Pierre Van Biesbroeck Jules Van Biesbroeck was born in Italy in 1873 during h...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue "Liebe" (Dear), Text in German on the plate, The drawing created unusually bold erotic subjects through deft strokes. Good conditions. Mihály Zichy...

EELUS - CONJURING Date of creation: 2014 Medium: Screen print on Naturalis paper Edition: 175 Size: 70 x 50 cm Condition: In mint conditions, brand new and never framed Observations:...

Salvador Dali - Nude with Guitar - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

This linocut represents an indoor scene in a checkerboard composition, capturing a moment the artist spent with his daughter while she was studying in a coffee shop overlooking the I...

"Untitled 3.18" Photography 24' x 16' inch Edition of 15 by García De Marina García de Marina was born in Gijón (Spain) in 1975. He emerged thru a deep transformation in 2010. A do...

Lithograph realized by Daumier in 1859. Belongs to the Series "Actualités". Ref. Delteil 3228 Very good condition.

Scène Bachique is an artwork realized after Pablo Picasso (Malaga, 1881 - Mougins, 1973) in 1960. Phototype print. Dated, 24.06.60, and signed on the plate. Good condition. Pablo...

Lithograph after Salvador Dali Title: S.N.C.F Stamp Signed Dali Dimensions: 46.5 x 34 cm Edition: /1700 1969 References : Catalogue raisonne Michler & Lopsinger Ref. 1222-1228

Richard Serra (American, b. 1939) Abu Ghraib, 2004 Medium: Lithograph with pencil inscription Dimensions: 50.80 x 36.83 cm (20 x 14 1/2 in) Edition of 250: Hand-signed and numbered C...

MARC CHAGALL, Vitebsk 1887- St.Paul de Vence 1985 David sauvé par Michal, 1960 Original lithograph in colours. Bibliography: Mourlot II.250, Cramer 42. (mm. 354x264). Perfect specim...

Hand signed and numbered. Edition of 200 prints plus 60 prints in Roman Numerals and 5 Artist's Proofs. Specimen in roman numbers, no. 59/60 (LIX/LX) Published in the general catalog...

Alexander Calder - Original Lithograph - Behind the Mirror 1 Original lithograph created in 1976 Dimensions: 38 x 28 cm Source: Derrière le miroir (...

Lotus Flower Handpulled Stone Lithograph In Stock - Edition 12/160 Michael Parkes (1944) studied graphic art and painting at the University of Kansas....

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Jean-Gabriel Domergue Jea...

Joseph Beuys (German, 1921-1986) Initiation Gauloise, 1976 Medium: Lithograph in colors on card stock Dimensions: 55.3 x 75.7 cm (21 3/4 x 29 13/16 in) Edition of 185 + 15 unnumbered...

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

Salvador Dali (after) Les Caprices de Goya, 1977 Lithograph (Desjobert workshop) Printed signature in the plate On heavy paper 65 x 45 cm (c. 18 ...

Pablo PICASSO (1881-1973) Diurnes, Human Shadow, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFER...

Francisco Toledo ( 1940 - 2019 ) - Hand Signed Lithography, 1970 Additional Information: Material: Color lithograph Overall edition of 350 copies Signed in pencil by artist Current...

Etching on paper Overall limited edition of 50 pieces plus 10 PA ( artist proofs ) signed in pencil by artist and numbered as: 28/50 paper size: 70 x 50 cm very good conditions A r...

Francois-Xavier Lalanne (1927-2008) Men (ephebes), 2002 Techniques : etching on paper Hand signed in pencil by François Xavier Lalanne, in perfect condition Dimensions of the pape...

Original poster for "Das Sofortbild", an exhibition about the discovery of photography as an artistic medium. The show took place at Frankfurter Kunstverein in 1980.

Salvador Dali - Old Faust - from "Faust" Original Etching Embossed signature From the edition of 731 Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1 / Michler & Lopsinger 305

Leonor Fini - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsigned and unumb...

Jean Cocteau - King Oedipus - Original Lithograph 1956 Signed in the plate Dimensions: 66 x 50 cm Provenance : Succession Dermit, Cocteau's heir

The Heaven of Venus - from the Series "The Divine Comedy" is a woodcut print realized in 1963. Good conditions. Not signed, as issued. Plate n.9 (as reported on the back of the art...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Original Lithograph by Jean-Gabriel Domergue Title: Red Hair Elegance Signed in the plate Dimensions: 40 x 31 cm 1956 Edition of 197 This artwork is part of the famous portfolio "La ...

Grey Oval is a lithograph realized by Marcello Avenali between the 1960s and 1970s. It is a composition with female legs and shoes and some abstract figures instead of the body.  Ha...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig;...

The Bishop  is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and dated on the right margin....