Continental Europe - Figurative Prints

Mel Ramos (born 1935) Coca-Lola No. 4, 2004 Medium: Lithograph in colors Image dimensions: 67.5 x 44.5 cm Sheet dimensions: 88 x 60 cm Edition of 100: Hand signed and numbered “Mr. ...

Salvador DALI Tribute to da Vinci : Oil Catalytic Cracker, 1975 Original etching with stencil Handsigned in pencil Numbered / 450 On Arches vellum 57 x 76 cm REFERENCE : - Catal...

Bildnis mit florentiner Hut. is a beautiful black and white etching on cream-colored and laid paper, realized in 1898 by Hans Thoma. Monogram and Date on p...

Imagerie de Wissembourg Christmas Santa Claus, c. 1906 Lithograph, woodcut and stencil Drawing by C. Burckardt On paper 43 x 32.5 cm (c. 17 x ...

Pablo PICASSO (after) Portrait of a Young Girl, 1974 Lithograph Signed in the plate On Japan paper 38.5 x 28.5 cm (c. 15.2 x 11.2 inches) INFORMATION : Lithograph based on drawings...

Letter Z from Alphabet series is an original lithograph realized by Rafael Alberti in 1972. Hand-signed and dated on the lower margin. Numbered on the lower margin. Edition 10/99...

Fenetre a Tahiti originally realized in 1935, Photolithograph realized in 1993 after Henri Matisse. On Milano handmade paper. Monogrammed on the plate. Good conditions.

Lithograph hand watercolored, realized by Giuseppe Ruo in 1880s. Good condition.

Salvador Dali - Apparition de Dulcinée - Original Lithograph Joseph FORET, Paris, 1957 SIGNATURE : printed in the image LIMITED : 197 copies. SIZE : 41 x 33 cm REFERENCES : Field 57...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Reclining Woman is a beautiful lithograph from the portfolio " Erotica " by Egon Schiele. It is a reproduction of the homonym black crayon drawing, a self-portrait realized by the...

Leonor Fini - Pregnant - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Louis Abel GIRARDOT (1848 - 1937) Oriental Woman (Femme du Riff), 1897 Original lithograph Printed signature in the plate On vellum 40 x 31 cm (c. 16 x 12") INFORMATION : Published...

"BLINDING MIND" Plexiglass Print 55' x 39' in Ed. of 35 by Edyta Grzyb Image form: pigment print behind acrylic glass, glossy, inlaid. On the back with a mounting rail for hanging on the wall. On the back of the work there is a certificate of authenticity with a serial number and the signature of the artist EDYTA GRZYB. Characteristics of a work behind acrylic glass: 2 mm thick acrylic glass Waterproof UV-resistant High depth effect Great, rich colors Clear image details Each print is signed on the bottom margin Year / Title / Signature and has a certificate of authenticity. Edyta Grzyb (born 1984)living in Poland The preferred motif of her work is people; Strictly speaking, she is interested in their emotions, expressing them through contrasting colors, and occasionally blurring the lines between reality and fiction. She is of the opinion that painting lives through vivid colours, stimulating esthetic feelings and emotions in the observer. Through the combination of cool tones and intensive neon colours, she transports her audience into a world of fantasy. Used technique: Acrylics on canvas in Pop Art- Style. Edyta has been painting since 2013 and has specialized in acrylic painting. Many of her works are already in private collections. Since 2015, she has been increasingly involved in group exhibitions in Hamburg, Munich, Warsaw and exhibited at the Art Fairs in New York and Hong Kong. Exhibitions and events 2019: March – AAF Art Fair New York and AAF London Battersea, Mai – AAF Art Fair London Hampstead Mai – ARTMUC Art Fair Munic Nov - AAF Art Fair Hamburg 2018: Nov – AAF Art Fair in Hamburg Sep – Group Exhibition “Golden Age by Bentley” with Galerie Ewa Helena in Hamburg Mai – ARTMUC Art Fair in Munich Mai – AAF Art Fair in Hong Kong March – Group Exhibition, FIBAK Gallery in Warsaw March – AAF Art Fair in Brussel and in New York Feb – Group Exhibition in the Fabrik der Künste Hamburg, Galerie Ewa Helena 2017: Nov – AAF Art Fair Amsterdam Nov – AAF Art Fair Hamburg Jul/Sep – Group Exhibition in the Aqua Lounch – Porto Cervo (Sardinia) Jun – Exhibition by Bartek Janusz (Hair Stylist...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph realized after Fernand Léger in 1959, on Moulin Richard de Bas paper. Monogrammed in the plate. It belongs to the suite "Contrastes", printed by Daniel Jacomet and publi...

The Flautist is an Artwork  realized by  the French Artist  André  Derain. Lithograph on paper. Limited Edition of 300, ex. n. 84. The artwork is depicted through soft strokes in a ...

Disparate General- from Los Proverbios is an original black and white etching realized by Francisco Goya (1746-1828). The artwork is the plate n. 9 fr...

Jules Chéret Folies-Bergère (L'Arc-en-Ciel), 1895 Stone ithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 21 of "Les Maîtres...

Via Veneto, Rome is an original modern artwork realized in the half of 20th century. A mixed colored offset depicting one of the most famous street in Rome...

Vintage offset print realized after a watercolor by Giorgio de Chirico in 1962. From the rare portfolio "Greek Mythology" realized for IRI and printed by Stab Salomone. Excellent c...

Untitled is a contemporary artwork realized by Wifred Lam. Mixed colored lithograph. Hand signed and numbered on the lower margin. Edition of 5/30. Some folds and signs of time, ...

Nude is an original lithograph on greenish paper realized in 1946 by the italian artist Oscar Gallo (1909 - 1994). Signed on the lower left and dated. The state of preservation is ...

The Family  is a color lithograph on ivory paper, created by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949). Illustration for “Tales and Short Stories” by La ...

Marc Chagall (1887-1985) The Circus : The Dream of the Bride, 1967 Original lithograph (Mourlot Workshop) On Arches vellum 42 x 32 cm (c. 17 x 13 in) REFERENCE : Catalog raisonn...

Joseph Beuys (German, 1921-1986) Title: Aufbau, 1977 Medium: Offset on grey cardboard, stamped Dimensions: 30.5 x 43 cm Edition of 100: Hand-signed and numbered in pencil Publisher: ...

Henri GUINIER Art Nouveau : Beauty of the Sea, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lith...

Sonia Delaunay - Composition Original Lithograph 1972 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

Pablo PICASSO (1881-1973) Picasso : Self Portrait with a Sailor Shirt and a Cigarette, 1964 Lithograph Unsigned Printed date in the plate On vellum 32.5 x 25 cm (c. 12.6 x 9.8 in) ...

Pablo PICASSO (1881-1973) Diurnes, Man with Cats, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 30 X 40 cm (c. 11.2 X 15.7 in) REFE...

Henri Gabriel IBELS Pantomime : Harlequin and Pierrot, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATI...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Pablo PICASSO (1881-1973) Mother and child Lithograph enhanced with stencil (Jacomet process) after a pastel by the artist Printed signature in the plate On paper 55.5 x 38 cm Authe...

Marc Chagall (1887-1985) The Circus : The Spirit of the Circus, 1967 Original lithograph (Mourlot Workshop) On Arches vellum 42 x 32 cm (c. 17 x 13 in) REFERENCE : Catalog raiso...

Kees Van Dongen (1877-1968) - La Garçonne Original Lithograph, pochoir from 1925. Arches paper (no watermark). Dimensions of work: 23.5 x 18 cm Publisher: E. Flammarion Éditeur. ...

Claudine Loquen is a French artist born in 1965 who lives & works in Paris, France. She depicts portraits, especially women faces as Colette for literature. About artwork : numbered...

Coloured lithograph on paper, edited in 1970.
 Limited edition of 90 copies, numbered as 27/90 in lower left corner. 
Hand-signed by artist in pencil in the lower right corner. Pape...

Henri AMEDEE-WETTER (1869-1929) Life in the Sea : Mermaid Maternity, 1922 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blin...

Image dimensions: 28 x 33 cm. Fine xilograph hand-printed on tissue-paper, representing a garden. Hand-signed with pencil on lower-right margin. Signed on plate too, lower-right cor...

WE ARE DESTINED TO MEET SOMEDAY! BUT FOR NOW, WE WANDER IN DIFFERENT DIMENSIONS Date of creation: 2017 Medium: Offset lithograph with cold stamp on paper Edition: 300 Size: 68 x 68 c...

Presence is a beautiful offset realized by Franco Fontana . Limited edition of 1.000. good conditions except for some foldimgs. Colored poster from a photograph by Franco Fontana ...

Zolfi is a beautiful colored lithographed original manifesto on cardboard, realized around 1905 by the Italian artist Gian Emilio Malerba (Milan, 1880 - 1926). Printed by Officine R...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Vue de Mantes is a beautiful artwork realized by Charles Pinet after a painting by Camille Corot in the middle of XIX century. This etching represents a natural landscape with some...

Arabian Face is an authentic original colored etching artwork, realized by the Italian artist Giacomo Porzano (1925-2006). Hand-signed on the lower right in pencil and dated, number...

Marc Chagall (1887-1985) The Bible, David and Bethsabée in Love Original lithography (Mourlot Workshop) On paper 37 x 26.5 cm (c. 14.5 x 10.2 in) A second illustration on the back...

Maurice REALIER DUMAS (1860-1928) Art Nouveau Woman in a Garden (Corinne), 1897 Original lithograph (Imprimerie Champenois) Signed in the plate On vellum, 40 x 31 cm INFORMATION: L...

Marc Chagall - Original Lithograph Frontispiece for André Dunoyer de Segonzac, and Julien Cain. "Humanisme Actif: Mélanges d'Art et de Littérature Offerts à Julien Cain." Paris: H...

Elisa and the Dragon is an Etching realized by Leo Guida in 1971s. Good condition, proof artist. Hand signed, titled and dated by the artist with pencil on the lower margin. Artis...

Image dimensions: 16 x 7 cm. Fable and Truth is an original etching on paper, realized by an Anonymous artist of the XX century, titled in French on the bottom center. The State o...

After Pablo Picasso 1881 - 1973 The Dwarf Dancer (Barcelona Series) - 1966 Framed Offset Color lithograph signed, dated and dedicated at the bottom "For L...

Marc Chagall - Original Lithograph The Red Rider From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1957 See Mourlot 191 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Jean Jansem (1920-2013) Deux danseuses, 1995 Lithographie sur papier Arches, justifiée et numérotée EA Signée en bas à droite 22 x 17 cm / 32 x 26 cm Bibliographie: Catalogue raiso...

Ancient Roman Fresco / Naval Battle from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th Century. Signed on the plat...

Étienne DENISSE (1785-1861) Gombeau Edible and Trompette. Collection of the most remarkable Flowers and Fruits, natural size. Two lithographs enhanced with watercolor. Around 1830. F...

Woodcut print realized by Escher in 1931. It belongs to the series "Emblemata". Monogrammed in the plate upper right. Excellent condition. Prov. Collection W.F. Veldhuysen, Baarn...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Belongs to the series "The Bible". Edition of 275+30 out of commerce copies. N...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

Jules Chéret Punch Grassot, 1895 Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 5 of "Les Maîtres de...

Pablo Picasso — L'Atelier du vieux peintre Technique: Original color lithograph on paper, printed in five colors Date: 1954 Publisher/Printer: Mourlot, Paris Unnumbered and unsigne...