Continental Europe - Ceramics

Ceramic hand painted vase by Catalan artist Diaz Costa, circa 1960. In original condition, with minor wear consistent of age and use, preserving a beautiul patina.

Large hand-sculpted ceramic lamp, stylized face with a round of danseurs, stoneware glazed in black enamel. One of a kind handmade piece signed by the French ceramicists Dalo The he...

a set of 12 breakfast plates. Made in high quality glazed porcelain Tor Viking Turi design A typical midcentury design item in scandinavian design. Made in Norway marked on the bott...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

Glass in very good condition. The vase looks like it has just been taken out of the box. No jags, defects etc. Only one unique piece. Murano glass.

Black lion, France, 1920s ceramic. This lion has been made in black, green, and red. This is the black one! Same period as Charles Lemanceau, François Pompon, Lejean, Jean & Jacques ...

Hand painted ceramic by Juliette Belarti. This wall sculpture is made from hand painted ceramic tiles. Beautiful colors and a minimalistic black iron frame. Stands in a good condition.

Glazed ceramic spice rack. Talavera de la Reina, 18th century. Spice rack with three wells in the shape of an equilateral triangle, made of ceramic and decorated with high-temperatu...

Wonderful collection of miniature ceramics. These ones are the work of John Andersson, signed ”JA”, and produced at Höganäs in Sweden. There are two vases and one bowl. The sculpture...

A Roth Keramik vase, orange outlined with black lava. These vases are very sought after. Original sticker/label present.

Handmade stoneware lectern manufactured at the workshop of Apparatu in Barcelona. It serves as a standing desk or pedestal. Different clay bodys are mixed with natural fibers like co...

ST Tropez Mural by Olivia Cognet Dimensions: D 5 x W 320 x H 210 cm Materials: Ceramic. Each of Olivia’s handmade creations is a unique work of art, the snapshot of a precious mome...

Andrea D'Arienzo ceramic vase, Vietri, Italy 1950s.

Enameled earthenware vase. Handcrafted in France, in the potters' region of Puisaye. Dripping glaze and complex texture on its pot-belly. In the style of Jean Carries...

Flower wall stand by Delphin Massier, Vallauris, France, late 19th century. Earthenware. This line of Delphin Massier products is illustrated in 'Massier, L'introduction de la cérami...

Fratelli Fanciullacci Pottery: during the first half of the 20th century the firm slowly branched out into a rich repertoire of artistic products. The family understood the pulse of ...

A lovely set of 10 Art Nouveau majolica plates, made by Villeroy & Boch. Colorful pattern with water lilies. The plates date from circa 190...

A beautiful and unique piece by one of the most talented contemporary ceramic artists in Finland, Heini Riitahuhta, known for her distinctive style and vibrant floral patterns adorni...

French Art Deco Lion Statue by Moulin-des-Loups (Orchies), France, 1920s.This rare and striking ceramic lion statue, crafted by the renowned Moulin...

Beautiful artichoke and leaves 8 pieces crockery /tableware / serveware set. Spain, 1960s This serving set is made in dark green glazed ceramic and it is comprised by: 1 artichoke sugar bowl / sauce tureen with lid+ 1 small serving spoon+ 1 small plate 1 serving small bowl 2 leaf shaped small plates 1 artichoke salt shaker+ 1 artichoke pepper...

Joseph Talbot Art Deco 1940 French pair of vases Brown and black stoneware ceramic galzes colors Original perfect condition Signed under the base Height 24 cm Large 1...

Hand-Painted Ceramic Vase by Catalan Artist Diaz Costa – Spain, Circa 1960 Enhance your home with this exquisite hand-painted ceramic vase, crafted by the renowned Catalan artist Di...

A ceramic vase with a lovely glaze designed by Carl-Harry Stålhane at Rörstrand, it´s 32 cm (12.8") high. It´s in excellent condition, it is marked as 2nd quality because a small whi...

1950s ceramic wall sconce by French ceramicist Marcel Guillot. Original bayonet fitting, stamped indistinctly to the reverse. Since the age of 14, Marcel Guillot was exposed to cera...

Vintage checkers game by the Italian designer Ennio Lucini for Gabbianelli in green and white ceramic. Made in Italy in the 1970s.

Traditional Spanish jug vase, circa 1960. Manufactured in Spain. In original condition, with minor wear consistent of age and use, preserving a beautiul ...

Embark on a journey of vintage charm with this exceptional set of tiles, featuring the iconic Michelin Man in a vibrant blue centerpiece, surrounded by original yellow tiles. Crafted...

Cauliflower Tureen Centerpice with Ladle, Majolica, Glazed Ceramic. Spain, 1960s Eye-catching hand painted Manises ceramic cauliflower with leaves ...

container bowl, centerpiece in polychrome ceramic, Dante Baldelli production, 1940s, città di castello - Italy leaf-shaped, in shades of black, light...

A gray / green ceramic vase designed by Berndt Friberg at Gustavsberg in Stockholm, the vase is 22 cm (8.8") high and about 7 cm (2.8") in diameter. It is in very good condition and ...

Ceramic Plate by Mado Jolain, France, 1970s

Vase made in the Tarnowiec Glassworks located in Poland, designed by J. Słuczan-Orkusz. Soda glass, mass-colored, hand-formed. Vintage product from 1970s Dimensions: height 40 cm...

Decorate a shelf or a kitchen counter with this elegant antique milk pitcher. Created attributed to Sarreguemines, France in the 1900s. The milk j...

French Art Deco ceramic skye terrier sculpture by Santiago Rodriguez Bonome, France, 1920s. Height: 9.65"(24.5cm) , Width: 14.2"(36cm), Depth: 5.1"(13cm). Inciseded signature "SR BONOME PARIS" under the belly (see photo). Many works are exhibited in different museums: Paris, National Museum of Modern Art - National Center of Art and Culture Georges-Pompidou La Rochelle Spain, Valle-Inclan Foundation Spain, Museum of Lugo Spain, Caixanova Collection... Spain, Prado Museum in Madrid Born in Santiago de Compostela (Spain) in 1901, son of Evaristo Rodriguez Bréa and Antonia Bonome Pérez, he worked very young in his father's humble cabinetmaking workshop. Little attracted by this job, when his father asks him what he wants to do: "sculptor" he answers. He therefore entered, at the age of 13, in the religious imagery workshop of José Rivas, at the foot of this cathedral which he admired so much, then at the age of 18 in that of Enrique Carballido. "Because he is so, so young, Bonome! Ridiculously young said a critic, who probably did not know that these years of apprenticeship, of real apprenticeship as an apprentice in a real workshop (a saint a day and strongly, for all the processions, all the chapels and all the devotees of the province) are each worth four years -at least- of study in an academy..." Margarita Nelken (Madrid 1932) In 1924, he left for Madrid where he exhibited at the Galician Center, at the National Exhibition and then in La Coruña. In 1925, at the Galicia Center in Buenos Aires he sold almost 30 of his works. From 1926 to 1927 he exhibited in Barcelona, at the Venice Biennale then in Monza (Italy) where he met Pirandello, then in Havana. In 1929 he arrived in Paris where Lucas Moreno...

A bowl in ceramic with handmade silver inlay from the 1930s Argenta collection made by Wilhelm Kåge for Gustavsberg, signature underneath. The now iconic argenta stoneware collecti...

Plate by Gio Ponti from 1930 with a small boat on the waves of the blue sea San Cristoforo

Vintage glass in amazing shape. Highly decorative piece. The sugar bowl looks very good on every style table. Very good original vintage condition. Any damages or chip. Only one un...

Our artisan's pieces are a dream come true, as in Dragon Trainers. This ceramic piece is completely hand-crafted and painted with love and care.  

A vase with a stunning green glaze designed by Gunnar Nylund at Rörstrand of model Granola, the vase is 14 cm (5.6") high and 9 cm (3.6") in diameter. It is in excellent condition an...

Beautiful decorative antique terracotta pots from Burma made of organic clay. They come from a private pot collection of a collector in Thailand...

Mid-century ceramic African woman statue, Germany, 1950s. Measures: Height : 29cm - 11.4 in. ; Width : 14.5cm - 5.7 in. ; Depth : 14.5cm - 5.7 in. Some very slight surface traces of ...

Large West Germany Ruscha Art Pottery Plate, 1950s A stunning vintage ceramic plate by Ruscha, West Germany, handcrafted circa the 1950s. This exceptional piece features a relief-gl...

A beautiful set of three French ceramics by Robert Picault, consisting of small versatile vessels that can be used as candle holders or salt cellars. Each piece features distinctive ...

French Art Deco ceramic sculpture by BERLOT-MUSSIER (Vierzon), France, 1920s. Young Lady among flowers in the style of René Buthaud in colored crackle glaze ceramic. Measures: Height...

Big Tiara Vase by Faina Design: Victoriya Yakusha. Dimensions: D 30 x W 56 x H 58 cm. Materials: Ceramic. Weight: 23 kg SKARB [ukrainian for treasure] I turned to the theme of trea...

Traditional Catalan ceramic planter, circa 1960. Manufactured in Spain. In original condition, with minor wear consistent of age and use, preserving a beautiful patina. Mate...

Earthenware and metal Sculpture "BIRD", one of a kind 2023 creation signed by French ceramicist Dominique Pouchain Dark patina on gray ceramic / Dimensions : H 115 cm x L 70 cm X L 5...

Donburi Bowl Distinguished by an astonishing texture highlighted with a shaded, spiderweb motif that is the singular result of the Japanese Raku firing technique, these ceramic bo...

18th century Spanish "Puente del Arzopispo" Mardrid hand painted earthenware "salvilla" dish, a type of plate which stands on a pedestal and was used to hold and display smaller reci...

This Jug has a great old Patina. It is from France made in the 18th Century. The material is Pottery and the condtion is Fair. the decor is "fleur de Lys".

Ceramic hand painted plate artwork by Catalan artist Diaz Costa, circa 1960. In original condition, with minor wear consistent of age and use, preserving a beautiful patina. Ma...

Ceramic Tissue Box Square in brushed White Designed by Project 213A in 2023 Artisanal ceramic tissue box created by skilled artisans in Project 213A's own ceramic workshop. The tiss...

Ceramic Mask, Accolay, France, 1960s Accolay was a pottery center in France, north of Burgundy, founded amongst others, by 4 students of Alexandre Kostanda. Active between 1945 and ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Elegant and refined English octagonal ceramic tray; on the white background, soft and rich blue decorations have been executed using the transferware method; in the center we find the poetic and graceful representation of the Severn River and the town of Bridgnorth (the name of this decoration is "Severn"), while the edges of the tray are adorned with sumptuous and spectacular flower and leaf decorations. The Severn River is the longest river in the United Kingdom (350 km), rising in Wales and flowing into the Bristol Channel; Bridgnorth is an ancient Saxon settlement; observing the view of the river and town from his castle at Bridgnorth King Charles I Stuart (1600-1649) said "the most beautiful sight in all my kingdom". On the back of the tray there are 3 imprinted marks including one with final number 14, then we find in the center a blue mark, these indicate to us exactly that the tray was produced in Stoke-on-Trent by the Copeland-Spode company in 1914 (see mark no.1079 p.172 of "Encyclopaedia of British Pottery and Porcelain Mark). The Spode firm was founded in the heart of the Potteries - Stoke-on-Trent by Josiah Spode in 1770. Josiah Spode is most famous for developing the specific design technique that meant underglaze transfers could be printed on earthenware. Later, focusing on porcelain production, Josiah Spode pioneered the development of a new form of porcelain, originally called "Stoke China...

Anne Kjaersgaard Realised in la Borne circa 1960 Original stoneware ceramic covered pot or box Signed under the base with black pigment Original perfect condition Heig...

Vintage glass in very good condition. The vase looks like it has just been taken out of the box. Two sketches as shown on pictures. Only one unique piece. .

Light Vase Author: Decorative Glassworks "Makora", Krosno Year of creation: 2nd half 20th century Information: laminated glass, hand-formed, mass decoration with a crack motif. he...

Wonderful largest model of the AXK bowl manufactured in the 1950s at Rörstrand, designed by Gunnar Nylund. The bowl has a wonderful glaze and it lifts the shape of the bowl to a won...