Continental Europe - Gueridon

19th Century Tilt Top Table with Marquetry, Italy

Elegant English pedestal table called tripod table in solid mahogany with a mechanism circa 1800 Superb one-piece table top in solid mahogany with a diameter of 80cm. Tripod base...

Elegance, charming, beauty, are the adjectives to attribute to this tea table or side table, handmade in the Northern part of Italy, Lombardia, in the Early 19th Century. The walnut ...

Black and white enameled earthenware and black metal . DaLo's creation , one of a kind by the french ceramists. Price is for one (4 gueridons availables).

Unique signed console by Jörg Pietschmann Materials: Poplar, Europe walnut Measures: H 93 x W 174 x D 60 cm Polished oil finish In Pietschmann’s sculp...

Round Wooden Side Table with Leg in the Middle

Pair of important Italian neoclassical gueridons sculpted, lacquered and gilded wood. Faux marble top, Late 18th century.

Unique signed console by Jörg Pietschmann Console. Beech, smoked oak, circa 1176. Measures: H 99 x W 263 x D 20 cm Wild colorful piece of an old beech t...

Stone Age gueridon with a brass structure and base made of semi-precious stone Jasper from Madagascar, designed and produced by Studio Superego. With the possibility to choose differ...

A tripod gueridon in gilded bronze attributed to F. Barbedienne, decorated with palm-leaves and standing on lion’s feet. The black marble top is decorated with an antique chariot...

Marble phasme side table by Mydriaz Dimensions: Diameter 42 x height 70 cm Materials: Brass, marble Finishes: Golden-plated or varnished brushed brass, white nickel finish on bru...

Human Element, Excavation II, 2017 Granite and gypsum cement Measures: 80 x 32 x 48 cm Edition - Unique work ‘Human Element’ is a project that explores the influence material has on the human condition and how our consciousness is derived from our relationship with materials. By using cement and anchoring forms to stone, he wants to create a sense of familiarity and comfort. Through the manipulation of form, balance, and texture, Collin Townsend Velkoff wants his sculptures to convey a feeling of unease and tension which communicates our relationship with materials and our dependency on the environment. For these sculptures, he has developed a sand casting technique that allows him to cast unique cement forms onto organic stone forms buried beneath the sand. After the cement cures the two materials are locked together and the object is then dug out by hand. Stones are selected from nature and construction sites, these stones dictate the shape, color, and forms on the cement pieces that will cast onto the stones. Each piece is unique. Collin Townsend Velkoff Williamsport, Pennsylavnia Lives and Works in Helsinki,Finland Education: 2014-2018 Aalto University - Helsinki, Finland 2007-2011 Pratt Institute - Brooklyn, New York Selected exhibitions: 2018 Sacred Simulations - Galleria Huuto - Helsinki, Finland (Solo, Upcoming) REFORM 18 Design Biennale - Munkeruphus - Munkerup, Denmark A Passing Permanence - Vappan Taiteen Tila - Helsinki, Finland 2017 Side Show - Paja & Bureau Gallery - Helsinki, Finland 2016 Nothing to Declare - Tulli & Pakkahuone - Helsinki, Finland Noni - Ventura Lambrate - Milan, Italy Näyttely - A-Space - Espoo, Finland Dean’s Circle Exhibition - Aalto University - Helsinki, Finland Mitä Tuli Tehtyä -Näyttelyn Avajaiset - Creat Space - Helsinki, Finland Chair Noir - Stockholm Furniture Fair - Stockholm, Sweden 2015 Table Talks - Design Museum Arabia - Helsinki, Finland 2011 Playtime - Picaflor - New York, New York Pratt Show - The Manhattan Center - New York, New York 2010 Pucci + Paper + Pratt - Ralph Pucci Showroom - New York, New York 2009 Glass Exhibition - Kalmar Castle - Kalmar, Sweden Publications: 2018 TZVETNIK - ‘A Passing Permanence’ A Group Show at Vapaan Taiteen Tila Helsinki - 7.5.2018 2017 Kristen de la Valliere - Sayhito_Mag - 5.12.2017 La Rocca, Francesca - ‘Design on Trial. Critique and Metamorphosis of the Contemporary Object” This is Paper Magazine - 08.08.2017 Leo Lei - Leibal - 06.14.2017 Prodeez - 04.07.2017 Said Ali - Style & Decor Magazine Moritz Firchow - Arcademi - 10.02.2017 2016 Prodeez - 07.04.2016 Yatzer - Yatzer Round-Up #4 Editor’s Picks - 26.06.2016 Ignant - Showcasing of Emgering Finnish Design Talent - 03.04.2016 2011 Konahrtist - Empty Kingdom - 06.12.2011 Awards and Residences: 2018 Jingdezhen Ceramic Insitute - Residency - Jingdezhen, China 2017 Seine Art...

Human element, Excavation III, 2017 Granite and gypsum cement Measures: 25 x 21 x 75 cm. Edition - Unique work ‘Human Element’ is a project that explores the influence material has on the human condition and how our consciousness is derived from our relationship with materials. By using cement and anchoring forms to stone, he wants to create a sense of familiarity and comfort. Through the manipulation of form, balance, and texture, Collin Townsend Velkoff wants his sculptures to convey a feeling of unease and tension which communicates our relationship with materials and our dependency on the environment. For these sculptures, he has developed a sand casting technique that allows him to cast unique cement forms onto organic stone forms buried beneath the sand. After the cement cures the two materials are locked together and the object is then dug out by hand. Stones are selected from nature and construction sites, these stones dictate the shape, color, and forms on the cement pieces that will cast onto the stones. Each piece is unique. Collin Townsend Velkoff Williamsport, Pennsylavnia Lives and Works in Helsinki,Finland EDUCATION 2014-2018 Aalto University - Helsinki, Finland 2007-2011 Pratt Institute - Brooklyn, New York SELECTED EXHIBITIONS 2018 Sacred Simulations - Galleria Huuto - Helsinki, Finland (Solo, Upcoming) REFORM 18 Design Biennale - Munkeruphus - Munkerup, Denmark A Passing Permanence - Vappan Taiteen Tila - Helsinki, Finland 2017 Side Show - Paja & Bureau Gallery - Helsinki, Finland 2016 Nothing to Declare - Tulli & Pakkahuone - Helsinki, Finland Noni - Ventura Lambrate - Milan, Italy Näyttely - A-Space - Espoo, Finland Dean’s Circle Exhibition - Aalto University - Helsinki, Finland Mitä Tuli Tehtyä -Näyttelyn Avajaiset - Creat Space - Helsinki, Finland Chair Noir - Stockholm Furniture Fair - Stockholm, Sweden 2015 Table Talks - Design Museum Arabia - Helsinki, Finland 2011 Playtime - Picaflor - New York, New York Pratt Show - The Manhattan Center - New York, New York 2010 Pucci + Paper + Pratt - Ralph Pucci Showroom - New York, New York 2009 Glass Exhibition - Kalmar Castle - Kalmar, Sweden PUBLICATIONS 2018 TZVETNIK - ‘A Passing Permanence’ A Group Show at Vapaan Taiteen Tila Helsinki - 7.5.2018 2017 Kristen de la Valliere - Sayhito_Mag - 5.12.2017 La Rocca, Francesca - ‘Design on Trial. Critique and Metamorphosis of the Contemporary Object” This is Paper Magazine - 08.08.2017 Leo Lei - Leibal - 06.14.2017 Prodeez - 04.07.2017 Said Ali - Style & Decor Magazine Moritz Firchow - Arcademi - 10.02.2017 2016 Prodeez - 07.04.2016 Yatzer - Yatzer Round-Up #4 Editor’s Picks - 26.06.2016 Ignant - Showcasing of Emgering Finnish Design Talent - 03.04.2016 2011 Konahrtist - Empty Kingdom - 06.12.2011 AWARDS & RESIDENCES 2018 Jingdezhen Ceramic Insitute - Residency - Jingdezhen, China 2017 Seine Art...

Pierre Lottier, important gueridon in the style of Rococo, Sculpted and gilt wood, natural wood tabletop, Sculpted feet and struts decorated with foliage and "rocailles" Spain, circ...

Art Deco wrought iron gueridon, lacquered wooden tray, circa 1940.

Rare Stitched Leather table by Jacques Adnet Model not very common Great dimensions.

Gueridon, granite top and iron, circa 1970, France. Measures: Height 75 cm, diameter 80 cm.

Unique signed console by Jörg Pietschmann Materials: bog oak, curupay Measures: H 81 x W 136 x D 60 cm Polished oil finish In Pietschmann’s sculptures, trees that for centuries we...

Stool or side table, modernist in solid wood, circa 1960.

Pair of gilt bronze guéridon with a veined and crystalline peach-colored onyx top, is supported by three pairs of faux-bamboo ormolu legs...

Pair of oxidized ellipses table signed by Pia Chevalier Oxidized steel. Dimensions: Large 60 x 27 cm H. 45 cm Small 40 x 18 cm H. 40 cm Pia Chevalier is a French contemporary ...

Pair of contemporary guéridons - Sebastian Herkner The salute table exists in 3 sizes, 3 different marbles for the column and 4 different finishes for the tray for a virtually end...

Pair of Ellipses tables signed by Pia Chevalier Also available in oxidized steel. Dimensions: Large: 120 x 40 cm h. 40 cm Small: 90 x 30 cm h. 35 cm Exists also in smaller ver...

Unique signed console by Jörg Pietschmann Console · Beech root, walnut H 75 X W 194 x D 34 cm Curved piece of beech root on scissors stand of Europe...

Inspired by the feeling of weightlessness and its connection to the space, crafted entirely in laminated stone. This advanced technique allows us to get an ultra-thin and high resistant marble table top. The tables are light, simple, easy and multipurpose, connecting with you and your style no matter what it is. Pure Black Sahara marble...

Directoire style athenienne stand table in chiseled and gilt bronze composed of a tripod fluted and tapered support on lion’s paw feet. They’re joined bottom by a concave stretcher f...

Inspired by the feeling of weightlessness and its connection to the space, crafted entirely in laminated stone. This advanced technique allows us to get an ultra-thin and high resist...

Superb service trolley / gueridon / side table / rolling bar for winter garden or veranda. Wrought iron structure with green patina. Trays in white marble stone (travertine). 4 wheel...

Collide Aged brass side table by Pietro Franceschini Sold exclusively by Galerie Philia Materials: Aged brass Dimensions: W 19cm L 19cm H 73cm Origin: Italy Manufacturer: Fonde...

Dichroic side table - Rona Koblenz Measures: 49 x 50 x 30 cm "A spectrum (plural spectra or spectrums) is a condition that is not limited to a specific set of values but can vary infinitely within a continuum". - Rona Meyuchas-Koblenz is inspired by reflection and refraction, absorbent and repellent. The studio’s continuous interest to create a timeless dialogue from past to future through presently active living, has been expressed in its current work, ‘Spectra’, using Dichroic finished glass as a dominant material. The environment we live in is affected by a spectrum of different conditions. Kukka chose to use Dichroic glass to help express the significant conditions affected by light and time, reflection and refraction. Similar to the social behavior expressed through social media channels and the internet: absorbing and repelling, yet the glass, a modern material used since the Roman empire, has its own structural, solid properties. The quartz is an abundant mineral in earth. The slabs are solid, reflecting physical, stable and timeless design. "I am particularly interested to create timeless design by using simple geometry and basic materials . The dialogue between the two is expressed in Spectra" - Rona Meyuchas-Koblenz Rona Meyuchas-Koblenz Born in Tel-Aviv, Rona is an internationally acclaimed product designer, art director and researcher. She graduated in 1999 with a Master degree from the Scuola politecnica di design in Milan and started her career by working in different design consultancies in Milan and London. Rona's experience in design and manufacturing then motivated her to create products under her own label, and her first collection was released in Milan during Salone del Mobile 2007 at Spazio Romeo Gigli. The following year she was approached by the British embassy in Milan to exhibit selected products at The Galleria d’Arte moderna in Milan, an exhibition curated by Sir Paul Smith and Moroso. The minimalist democratic approach and an honest design are most recognized with Rona’s style and work. In 2010, she created the brand kukka, which works for architects, interior designers, private clients and retailers such as Conran, Paul Smith, La Rinascente, Selfridges, or De Padova. The studio, underpinned by creative stimulation, specializes in experimenting with materials, manufacturing methods and technology. Rona is also a visiting lecturer (V&A, LFA, Design Museum talks, ICFF, Shenkar College, Plymouth university) a writer (BVD Magazine) , tutor (Domain Boisbuchet, Shenkar College) and the founder of Designers in the Middle. Exhibitions 2018 Contemporary Tapestry for i-mesh - Salone Del Mobile, Milan ALCOVA 2017 Fresh Paint art fair - Blinds, Spectra - Steinhardt Museum of Natural History 2017 Fresh Paint art fair - amphitheatre, Mega Block installation - Steinhardt Museum of Natural History Tel-aviv 2016 Design Museum talks program, London Design Festival - presenting Designers in the Middle 2016 Spectra with Frame Magazine...

Pair of contemporary Gueridons - Sebastian Herkner The Salute table exists in 3 sizes, 3 different marbles for the column and 4 different finishes for the tray for a virtually end...

Inspired by the feeling of weightlessness and its connection to the space, crafted entirely in laminated stone. This advanced technique allows us to get an ultra-thin and high resis...

Pair of Charles X-era guéridons, rosewood veneer richly decorated with fine and elegant lemonwood inlays. Period: first half of the 1800s Measurements: 41 cm diameter - H. cm 112 ...

Low indian green marble contemporary guéridon, Sebastian Herkner Dimensions: D 70 x H 33 cm Materials: Indian Green marble, black metal tray The salute table exists in 3 sizes, ...

High black marquina marble contemporary guéridon, Sebastian Herkner Dimensions: D 42 x H 57 cm Materials: Black Marquina marble, light blue metal tray The salute table exists in...

Superb pedestal in sculpted rock crystal. Creation by Studio Glustin. France, 2023.

Marble "Athos" table - Giorgio Bonaguro. Dimensions: 320 W x 430 H x 340 D. Materials: carrara marble, brazilian granite. Top is also available in Azul Macaubas and the table can be curved. Tribute to Athos Bulcao...

Pair of contemporary guéridons, Sebastian Herkner The salute table exists in 3 sizes, 3 different marbles for the column and 4 different finishes for the tray for a virtually endl...

Unique red marbled salts guéridon, Roxane Lahidji Material: Marbled salts, a unique award winning technique developed by Roxane Lahidji Dimensions: 55 x 35 x 35 cm Unique guéridon...

Freccia table in lacquered wood and silkscreened metal base designed by Alessandro Mendini for Gruppo Alchimia, about 2000. Exhibited at the show Alchimismo, Frigoriferi Milanesi, Mi...

Unique signed console by Jörg Pietschmann Materials: Ash Measures: H 55 x W 97 x D 53 cm Polished oil finish In Pietschmann’s sculptures, trees...

Unique Marbled Salts dining table, Roxane Lahidji Material: Marbled salts, a unique award winning technique developed by Roxane Lahidji Dimensions: 70 x 70 x 70 cm Unique Dining T...

Spectra side table - Rona Koblenz Dichroic glass Measures: 46 x 70 x 70 cm "A spectrum (plural spectra or spectrums) is a condition that is not limited to a specific set of valu...

Medium travertine contemporary guéridon, Sebastian Herkner Dimensions: D 40 x H 46 cm Materials: Travertine stone, light blue metal tray The salute table exists in 3 sizes, 4 di...

Medium indian green contemporary guéridon, Sebastian Herkner Dimensions: D 40 x H 46 cm Materials: Indian Green marble, black metal tray The salute table exists in 3 sizes, 4 di...

High indian green marble contemporary guéridon, Sebastian Herkner Dimensions: D 42 x H 57 cm Materials: Indian green marble, copper The salute table exists in 3 sizes, 4 differe...

Mother of pearl side table by Marten and Joost Sustainable design: Plastic waste into timeless design...? - Measures: L 40, W 40, H 43.5cm - Recycled polycarbonate - Limited edition of 10 - Signed and numbered - Design: Marten van Middelkoop and Joost Dingemans Plasticiet Plasticiet originated from an idea that was formed during a field trip in India where we saw various micro-economies popping up based on local demographic waste streams such as cotton clothes, plastic bottles and metal parts. All in their own unique way the craftsmen there were able to find their own unique translation of these waste materials into something functional and recognizable with added value. They then made these products available for other local industries resulting in personal revenue and providing means of production for other craftsmen, keeping both industries thriving on a small scale. When we were trying to find solutions for people’s and industry’s disposed of plastics, looking back at the idea we studied in India we knew that the outcome should not be a final product. Inspired by the primal beauty and longevity of natural stone we then aspired to create a sheet material that would inspire other creators to build objects that can last. To make a waste material appealable we underwent a thorough research on how to give these plastic products a distinct super-natural marbled or terrazzo appearance, for if the material isn’t beautiful it won’t sustain. For the past two years we have underwent some challengers working with recycled plastic. Each plastic has a different viscosity even when it’s of the same type. Besides that we often work with plastic that contain some sort of contamination. Hence we always need to test our material intensively before we are able to resell it as a sheet material. This hands-on approach allows for quite a bit of experimentation which gives way for us to broaden our knowledge. Manifesting this collection was about stretching the boundaries of our know-how, creating a craft with a highly industrialized material yet at the same time we wanted to show that plastic waste used as a raw material is able to stand out next to other high-end materials. Given that Plasticiet’s key inspiration always comes from natural stone and rock formations it was only logical to find inspiration in the Neolithicum - the last part of the Stone Age - where our predecessors used more primitive means to come about. The collection currently holds three pieces; a cabinet, stool and chair. Three basic yet essential pieces of furniture that everyone recognizes instantly. To create the marbled or pearlescent design we first melt the material, and then start kneading and mixing it when it’s still warm. The technique we use is very similar to taffy making for sugary candy canes. During this process the material is stretched and folded numerous times, aerating it. The tiny stretched air bubbles captured within the translucent plastic reflect light resulting in an iridescent glow resembling mother of pearl. Every part of the mother of pearl collection is individually moulded and when all the parts are completed they’re joined together. We can create much larger pieces than what the collection currently shows by playing with the composition and holding in mind that polycarbonate is an extremely tough material. Currently the largest single block we’ve made was around 15 kilograms, which is twice the size of the chair’s seat. At that weight it’s quite a tough job stretching and folding the material but we’re planning to go bigger still! Four hands are better than two, so 30kg should definitely be achievable. To source the material we partnered up with several Dutch companies such as LC Plastics, Suez and PRC. We often drive by to visit their shredding facilities to see what’s in stock. Other times we receive a call when a batch of plastic arrived that’s contaminated with leaves, water or a wrong plastic type mixed within; the regular plastic industry can often not deal with this because it will damage their machinery. Normally batches like this end up...

Bianco Statuarietto Refined Contemporary Marble Serving Plate 32/15 Dimensions: Ø 32 x 2 cm H Ø 32 x 15 cm H Ø 24 x 22 cm H Angelo O is the little brother and scale model of the natural stone table Angelo M...

Oak large gueridon designed and made by Vallin in the 1930's

Medium travertine contemporary guéridon, Sebastian Herkner Dimensions: D 40 x H 46 cm Materials: Travertine stone, black metal tray The salute table exists in 3 sizes, 4 differe...

Medium white contemporary guéridon, Sebastian Herkner Dimensions: D 40 x H 46 cm Materials: Pele de Tigre marble, black metal tray The salute table exists in 3 sizes, 4 differen...

Low travertine contemporary guéridon, Sebastian Herkner Dimensions: D 70 x H 33 cm Materials: Travertine stone, black metal tray The salute table exists in 3 sizes, 4 different ...

Low indian green marble contemporary guéridon, Sebastian Herkner Dimensions: D 70 x H 33 cm Materials: Indian Green marble, light blue metal tray The salute table exists in 3 si...

Medium Indian green contemporary guéridon, Sebastian Herkner Dimensions: D 40 x H 46 cm. Materials: Indian green marble, light blue metal tray. The salute table exists in 3 size...

With application in gilded bronze, topped in marble Noir de Belgique.     

Dichroic side table, Rona Koblenz 49 x 50 x 30 cm "A spectrum (plural spectra or spectrums) is a condition that is not limited to a specific set of values but can vary infinitely...

High indian green marble contemporary guéridon, Sebastian Herkner Dimensions: D 42 x H 57 cm Materials: Indian Green marble, black metal tray The salute table exists in 3 sizes,...

High white marble contemporary guéridon, Sebastian Herkner Dimensions: D 42 x H 57 cm Materials: White Pele de Tigre marble, copper The salute table exists in 3 sizes, 4 differe...