Continental US - Abstract Drawings and Watercolors

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene face on a mat board in w...

Let’s play- Line Drawing Woman Body with red “Playboy” Bunny mask, 2025. Interior design paintings. The artwork was done with watercolor on watercolor paper 300g. The works are 15 by...

Kenny Scharf Original drawing on Tony Shafrazi poster, signed and inscribed to Andy Warhol's last boyfriend Jon Gould, 1984 Permanent marker drawing on Kenny Scharf Tony Shafrazi Gallery exhibition poster (hand signed and inscribed by Kenny Scharf) Boldly signed and inscribed to Andy Warhol's last boyfriend Jon Gould Frame included: Framed in a museum quality wood frame with UV plexiglass. Measurements: Frame: 35 x 28.5 x 1.5 inches Print 28.25 x 22 inches Own a piece of Pop Art history! This is a unique drawing hand signed and inscribed by Kenny Scharf, done on a vintage collectible 1984 poster from the legendary Tony Shafrazi Gallery. If you saw "The Andy Warhol Diaries" on Netflix, you'd know about Warhol's relationship with Jon Gould - Andy's last boyfriend; tragically, Warhol would become Gould's last boyfriend as well, when, soon after, Gould would die of AIDS at the young age of 33 Kenny Scharf created an original drawing, done in marker, and inscribed it to Jon Gould (featured prominently in Andy Warhol's Diaries and the eponymous Netflix series) - and it had not been seen since the 1980s. Jon Gould was a New England educated former Vice President of Corporate Communications at Paramount Pictures - a Boston Brahmin whose real claim to fame was as Andy Warhol's last boyfriend. This work was acquired from the widely publicized sale of the collection of Jon Gould - -a treasure trove of valuable gifts and art works by Warhol and others like Kenny Scharf, Basquiat and Keith Haring to Gould - that had not been seen in nearly four decades. This is one of the works from that impressive sale. Below are links to two of the many articles about the collection of Jon Gould in the New York Times, Artnet News and the New York Post respectively. About Kenny Scharf: Kenny Scharf (b. 1958, United States) is a renowned artist affiliated with the 1980’s East Village Art movement in New York. Scharf developed a distinct and uniquely personal artistic style in paintings as well as sculpture, alongside his mentor Andy Warhol, and contemporaries like Jean-Michel Basquiat and Keith Haring with whom he pioneered contemporary street art. References to popular culture reoccur throughout his works, such as appropriated cartoon characters from the Flintstones and Jetsons, as well as imagined anthropomorphic creatures. Through ecstatic compositions and a dazzling color palette, Scharf presents an immersive viewing experience that is both intimate and fresh. Scharf’s multifaceted practice—spanning painting, sculpture, installation work, murals, performance and fashion—reflects his dedication to the creation of dynamic forms of art that deconstruct existing artistic hierarchies, echoing the philosophy of Pop artists. Yet Scharf’s artistic significance expands beyond the art historical terrain of Pop Art; the artist instead coined the term “Pop Surrealist” to describe his one-of-a-kind practice. His inclusion in the 1985 Whitney Biennial marked the start of his international phenomenon, a reputation that continues to thrive today. Courtesy of Almine Rech MORE ABOUT JON GOULD: Warhol wrote extensively on Jon Gould in his diaries. In July, 2022, when the Netflix series "The Andy Warhols Diaries" came out, the New York Post (among many other publications) ran a major feature article on Warhol's relationship with Gould and on this very sale: It reads, "When Harriet Woodsom Gould died in 2016 in her nineties, she left behind a trove of family heirlooms dating back to the 1700s in her Amesbury, Mass., home. Yet in her attic, she had a secret veritable shrine to pop art. There, she had stashed her late son Jon Gould’s belongings for decades since his death in 1986 from AIDS. He had vases painted by Jean-Michel Basquiat, works by Keith Haring and dozens and dozens of gifts — photos, valentines, sketches, letters and more — from pop god Andy Warhol. “My mother kept everything,” Jon’s twin brother, Jay Gould, told The Post. Jay knew his brother “had some type of relationship” with Warhol in the 1980s, though Jon always remained discreet about it. “We were very close, identical twins, but we never talked a lot about his sexuality,” Jay, now 68, explained. “It was a different time.” Yet, he was still stunned to read the poetry and love notes Jon wrote to the older artist. “I didn’t realize the relationship was as deep as it was.” Actually, no one really knew. Gould was Warhol’s last romance, a young Paramount executive with floppy hair and preppy good looks who died tragically at 33. And though Warhol frequently mentioned him in his famed diaries, published posthumously in 1989, the artist’s dashed-off musings gave the impression that Jon was more of a crush than a genuine partner...Gould didn’t so much enter into Warhol’s life as Warhol willed him into it. It was April 1981, and Warhol, then 52, was still reeling from his breakup with Jed Johnson... Jed left that December, and that spring Warhol confessed to feeling lonely: “I’ve got these desperate feelings that nothing means anything. And then I decide that I should try to fall in love, and that’s what I’m doing now with Jon Gould.” Gould was a 26-year-old Paramount exec: a New England WASP with a lithe, strong physique and charismatic personality, who looked straight. Warhol reasoned: “Jon is a good person to be in love with because he has his own career, and I can develop movie ideas with him, you know? And maybe he can even convince Paramount to advertise in Interview, too. Right? So my crush on him will be good for business.” Warhol began courting Gould with a vengeance, sending extravagant bouquets of roses to his office at Paramount. He even offered their mutual friend, the photographer Christopher Makos, a fancy watch if he could get Gould to be his boyfriend. “I guess he never got loved,” Makos says in the series. “Because I didn’t get my watch.” (Jay Gould also tells the camera that his brother had admitted that he was in a relationship but that he said they didn’t have sex.) At first, Gould resisted Warhol’s attention, but eventually the two began spending a lot of time together, though Gould would frequently pull away if things got too intense, and he often would tell Warhol not to write about him in his diary. “I think my brother was concerned about his career at that time,” Jay Gould said. But the younger man attended parties and art events with him, invited the artist skiing with his family in Aspen and even for a time moved into his place on 66th Street. “I love going out with Jon because it’s like being on a real date,” Warhol wrote early in their relationship. “He’s tall and strong and I feel like he can take care of me.” Yet it turned out that Warhol would have to take care of Gould. On Feb. 4, 1984, Jon was admitted to New York Hospital with pneumonia — though it was understood that he had AIDS. Warhol stayed with him in the hospital every night for the 30 days he was there, despite his fear of hospitals since getting shot and his fear of getting AIDS. (Warhol couldn’t bring himself to talk about Gould’s illness in the diary, but his editor notes that when Gould was released March 7, Warhol instructed his housekeepers to wash Jon’s clothes and dishes “separate from mine.”). Around 1985, Warhol began working on his massive series of 100 works based on Da Vinci’s “The Last Supper...

Gorgeous and compelling modern figural study with two figures by David Hill (American, 20th century). The figures, which are rendered in red and blue, are posed in a dynamic conversa...

Axel Getz's contemplative piece, "Bars," offers a serene exploration of structure through calming vertical bands of cool blues and tranquil teals. While the title might initially sug...

Axel Getz's captivating artwork, titled "Squid," plunges the viewer into a dynamic and brilliantly imagined underwater realm, reinterpreting the enigmatic cephalopod through his sign...

Axel Getz's framed artwork, "Palace," is a vibrant and energetic homage to the magnificent Gyeongbokgung in South Korea. The piece masterfully translates the architectural grandeur, ...

Axel Getz's large framed artwork, "Mischievous Winds," unleashes a captivating whirlwind of abstract energy and fluid motion across the canvas. This striking piece embodies the playf...

This compelling and historically resonant artwork, "No Obits," immediately confronts the viewer with its stark, repeated declaration, drawn from a pivotal moment in LGBTQ+ history. T...

This captivating study by artist Axel Getz, titled "Prism," masterfully translates a dynamic, flowing energy into a captivating linear abstraction that celebrates the full spectrum o...

This charming study by artist Axel Getz translates a dynamic, flowing energy into a captivating linear abstraction. Flowing, horizontal waves of sparkling color animate the piece, vi...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

This multicolored drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Primavera Pop 5 is a geometric flower mandala shape with delica...

Louis Wolchonok, 'Rockport Harbor', gouache, c. 1950. Signed in ink, lower right. A fine, modernist work, with fresh colors, on cream wove drawing pape...

"Dense Route 3" is an original pencil and acrylic on panel artwork by Miriam Singer measuring 8"h x 6"w. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA from...

Daniel Maffia, French (1937 - ) - Two White Horses, Year: 1984, Medium: Oil and Watercolor on Paper, signed and dated lower right, Size: 30 x 22 in. (76.2 x 55.88 cm), Frame Size:...

Original hand-cut paper and ink on illustration board layered paper sculpture by Charles Clary measuring 12"h x 14.5"w. This piece ships in the pictured black frame. Charles Clary ...

Blown Away 23, 2010, Mixed Media on Paper, 17.5 x 14 Inches (Image), 29 x 22 Inches (Paper) Playful geometric abstraction of multi-layered shapes and swirling linear elements in shades of yellow green, yellow, black, red and white. This is one of 6 works in this series available which work well in conjunction with each other. Nancy Berlin was born in New York City. After graduating from Barnard College, Berlin received her MA in painting and printmaking from Hunter College. She has received grants for her drawings from the Massachusetts Cultural Council, the New York Foundation for the Arts and the Berkshire Taconic Foundation. She has had residencies at the American Academy in Rome, at Centrum in Port Townsend...

A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 36A Year: 1986 Medium: Acrylic on Paper, Mo...

Diana Kurz Still Life, 1966 Signed and dated lower right Pastel on paper 19 3/4 x 25 1/2 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's f...

Modern abstract figurative charcoal drawing of a woman by Texas-born artist Eugene Massin. The work features a central loosely rendered female figure seated in a high-backed peacock ...

Red Grooms Ruckus Rodeo, 1975 Acrylic and felt tip pen on paper Signed and dated in black felt marker Unique work Provenance: Marlborough-Gerson Gallery, with original label verso Fr...

Executed in 1950 during the heyday of Abstract Expressionism and non-representational art, Feininger reduces a landscape to the bare minimums of lines and wash. Moeller Fine Art

This contemporary geometric abstract drawing has a beautiful, soft mottled texture created with Judge's unique powered pigment technique. Pop Flower 48 is a predominately golden yell...

An original mixed media pastel and watercolor on paper by American female artist Adele Becker. This work is currently being offered unframed. Proceeds from the sale of this work wi...

Robert Indiana "My portrait was taken on Coenties Slip"...., 1993 Handwritten letter on an offset lithograph postcard Boldly signed in black marker under the letter 4 2/5 × 7 3/5 inches Unframed Unique one-of-a-kind hand written, hand signed note from Robert Indiana, dated 23 VII '93, written on the postcard depicting Robert Indiana's work "Mother and Father", published by the Farnsworth Museum in Maine. The note, done in black marker, is addressed to Don Allan II of Barrington, N.H. and reads" "DON - MY PORTRAIT IF YOU DO NOT KNOW, WAS TAKEN ON COENTIES SLIP IN NYC". Robert Indiana then signs the note.. (Presumably, the reply is in response to a letter or question this fan sent to the artist asking where Indiana's portrait was taken). Makes a great gift for Robert Indiana fans! Coenties Slip is a historic artist's address in the New York art scene - there was even a book written about it! Coenties Slip is a street in the Financial District of Manhattan in New York City. It runs southeast for two blocks in Lower Manhattan from Pearl Street to South Street. A walkway runs an additional block north from Pearl Street to Stone Street Here's an excerpt from Art in America reviewing the book: "How does specificity of place play a role in art, enough to become more figure than ground, less a context than a character? This is one of the larger questions framing art historian Prudence Peiffer’s momentous new survey The Slip: The New York City Street That Changed American Art Forever. The book vividly documents a moment in the 1950s and ’60s when a cast of artists settled, at staggered intervals, in a three-block area around Coenties Slip, a street on Manhattan’s lower tip. Coenties Slip borrowed its name from one of the “slips”—inlets for the docking and repairing of boats—that once cut sharply into New York’s downtown waterfront, facilitating the busy circulation of fish, freight, and sailors between land and sea. While New York’s status as a maritime trading hub lured fleets of boats, it was the skeletal remains of that activity, by then sharply diminished, that drew artists to Coenties Slip. In place of industry, they found vast and vacant loft spaces, cheap to rent, in which they could both work and live (illegally, owing to zoning laws)....Peiffer’s book arrives nearly 50 years after the earliest attempt to honor the Slip: the 1974 exhibition “Nine Artists/Coenties Slip,” organized for an old downtown branch of the Whitney Museum on Water Street nearby. The exhibition showcased lesser-known inhabitants of the Slip, including Fred Mitchell (the first to settle there), Ann Wilson...

Emily Mason Untitled (For Douglas), 1990 Carborundum etching and monotype on paper Pencil signed, dated and inscribed "For Douglas" Vintage wood frame included This work was created ...

CYRIL POWER (British 1872-1951) STUDIES FOR THE COLOR LINOCUT REVOLUTION II, 1931 Pencil on thin wove paper. Unsigned. Consists of two 3 inch square pencil drawings on one sheet of thin wove paper 10 x 7 3/8 inches. Preliminary studies for Power's Grosvenor School...

Abstract artwork on paper by a Bulgarian/American artist Iliyan Ivanov. Ivanov continues to treat color in a multilayered approach, introducing a wider palette with brighter and bol...

Abstracted Nude Figurative in Pastel on Paper Vivid abstracted figurative by Black Arts Bay Area artist, Kelvin Curry (American, 20th Century), circa 2000. A woman's profile of her face and her breasts and leg is shown in bold and playful colors of fluorescent purple, orange, pink and yellow. Black outlines of organic and tribal shapes creates even more contrast, making this piece read well from a distance. The tall and thin size of this piece makes this ideal for those difficult and odd sized walls Unsigned Presented "floating" on foam core with black mat surround. Mat size: 38"H x 16"W Paper size: 29"H x 10.75"W Born in Oakland, California Kelvin Curry's creative destiny was clear early in life. Initially using black and white graphite as his medium and later expanding into mixed media to bring about multi-dimension; as well as a sense of rhythm and grace in the abstract female figure. Kelvin Curry studied fine arts at San Jose State University and has been making and exhibiting art all his life. Curry has a keen understanding of the arts, particularly the black arts movement in and around the Bay Area. Kelvin has exhibited his work in hundred of juried festivals, exhibits, and galleries throughout the country. Visitors from countries such as South Africa, Japan, Australia, France, the United Kingdom, and China have chosen his work to adorn their homes in their native lands. Collectors include Randy Crawford, Nancy Wilson...

Survey 1 (Abstract painting) Acrylic on Fabriano paper - Unframed. This work is part of an ongoing series started in 2012 and titled Survey. McGlynn is interested in how a minimal...

Michael Tracy In the Garden of the Hummingbirds, No XIX, 1992 22 1/2 x 30 in (57.2 x 76.2 cm), unframed 25 1/2 x 33 1/2 in (64.8 x 85.1 cm), framed JPHB 5649

This etching is in very good condition, it is signed and numbered by the artist but I was unable to identify the artist. It is a piece from my private collection of artists from the ...

A meticulously rendered skull surrounded by intricate patterns and tiny planets is at the center of this mandala. This drawing is entirely hand-drawn using only pencil and paper. Fr...

Elaine Kaufman Feiner (1922-2018) "Hawaii II" 1993 Oil pastel, paint on paper 30"x40" unframed Signed and dated in pencil lower right, signed, titled and dated on reverse

Robert O'Meara (American, XX-XXI), Abstract Expressionist Composition, Charcoal on Paper, signed lower left, wood frame. Image: 13" H x 10" W; frame: 20.5" H x 16.5" W x 1.25" D. Pro...

Robert O'Meara (American, XX-XXI), Abstract Expressionist Compositions, Charcoal on Paper, signed lower right, wood frame. Image: 13" H x 10" W; frame: 20.5" H x 16.5" W x 1.25" D. P...

Robert O'Meara (American, XX-XXI), Abstract Expressionist Composition, Charcoal on Paper, signed lower left, wood frame. Image: 13" H x 10" W; frame: 20.5" H x 16.5" W x 1.25" D. Pro...

Robert O'Meara (American, XX-XXI), Abstract Expressionist Composition, Charcoal on Paper, signed lower left, wood frame. Image: 13" H x 10" W; frame: 20.5" H x 16.5" W x 1.25" D. Pro...

Robert O'Meara (American, XX-XXI), Abstract Expressionist Composition, Charcoal on Paper, signed lower left, wood frame. Image: 13" H x 10" W; frame: 20.5" H x 16.5" W x 1.25" D. Pro...

Robert O'Meara (American, XX-XXI), Abstract Expressionist Composition, Charcoal on Paper, signed lower right, wood frame. Image: 13" H x 10" W; frame: 20.5" H x 16.5" W x 1.25" D. Pr...

Manfred Schwartz (American, b. Poland, 1909-1970), Beach Horizontal, Pastel on Paper, signed lower left, in mat, unframed. Image: 9.25" H x 6.5" W; sheet: 11" H x 8.25" W; mat: 17" H...

Manfred Schwartz (American, b. Poland, 1909-1970), The Trapezist, Pastel on Paper, 1953, signed in pencil and dated lower left, in mat, unframed. Image: 9" H x 7.5" W; sheet: 12" H x...

Manfred Schwartz (American, b. Poland, 1909-1970), Beach Seascape, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 19.75" H x 25.25" W. Provenance: From...

Manfred Schwartz (American, b. Poland, 1909-1970), Beach Seascape, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 25.25" H x 19.75" W. Provenance: From...

Manfred Schwartz (American, b. Poland, 1909-1970), Beach Seascape, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 25.5" H x 20.25" W. Provenance: From ...

Manfred Schwartz (American, b. Poland, 1909-1970), Beach Seascape, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 25.75" H x 20" W. Provenance: From a ...

Manfred Schwartz (American, b. Poland, 1909-1970), Beach Seascape, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 20" H x 25.5" W. Provenance: From a 3...

Manfred Schwartz (American, b. Poland, 1909-1970), Rockwall Seascape, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 19" H x 24" W. Provenance: From a ...

Roderick Fletcher Mead (American, 1900-1972) was an important painter and printmaker, best known for his surrealist landscapes and figural compositions reminiscent of Pablo Picasso a...

Finesse and delicateness are what best characterize Antonin Anzil’s artistic practice. Using a sharp tool to carefully pull the fiber of the paper from the front, the artist gives bi...

Interior design paintings. The work was done with acrylic in beige, pink salmon and grey color on a paper. Each work is 24 by 18 inches in size, framed (gold). Mila Akopova is New Y...

"Bourrée Fantasque #4", Pastel on Paper by Artist Francisco Moncion, is a Mid-20th Century fantasy image inspired by George Balanchine's 1949 ballet of the same name for the New York...

Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Burgoyne Diller (1906 – 1965). Born in New York City in 1906, Burgoyne Diller began drawing when he was stri...

Original hand-cut, layered paper and ink on illustration board by Charles Clary measuring 15"h x 12"w. This piece ships in the pictured black frame. Charles Clary was born in 1980 ...

Dorothea Tanning (American, 1910–2012) Initially associated with the Surrealist movement, Dorothea Tanning developed a personal visual language that blurred the boundaries between r...

Stephen Powers Everything is Shit Except You Love (How We Met is Our Story), with unique drawings, 2017 Original graphite drawings on screen print in four colors on 335 gsm Coventry rag paper Pencil signed, numbered 2/100 and with unique pencil drawings and annotations by the artist 12 x 12 inches Unframed Here, the artist has taken one of his most iconic and popular silkscreens "Everything is Shit Except You Love", and added unique, original drawings and text annotations - telling a charming and unique story ideal for any couple's bedroom, living room or dining room. This drawing depicts the image of a pencil, in the midst of writing, with the text "How we met is our story" - and an image of coffee and croissants. There are also stacks of $$ bills, with the commentary "it all evens out", and perhaps most charmingly, the artist has numbered the work 2/50 -- then corrected it to number 2/100, with the annotation "Sorry, wrong number." So, while the published edition of this work is 2/100, the epiphanies, drawings, and text commentary make it entirely unique - and quite romantic too. About Stephen Powers A Fulbright scholar who has been awarded many public commissions and exhibited in major institutions like the Brooklyn Museum.... Born and raised in Philadelphia’s Overbrook neighborhood, Stephen Powers (b. 1968, Philadelphia) moved to New York in 1994, where he gained attention as the publisher of On the Go magazine and the author of the graffiti history The Art of Getting Over. In 1997, Powers undertook an ambitious and far-reaching graffiti campaign of his own, using the official-sounding acronym ESPO (Exterior Surface Painting Outreach) to deflect attention from the illegality of his activities. By 1999, he had covered dozens of storefront grates with giant silver block lettering. Powers gave up street graffiti the following year to concentrate on studio-based projects. Powers’s work typically fuses word and image in paintings and graphics that evoke the bright look of a handmade bodega and fairground...