Continental US - Landscape Drawings and Watercolors

"Basilica" is a graphite and watercolor painting of an architectural detail of the San Marco Basilica in Venice, Italy. This piece is 20.5 by 16.25 inches framed. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect with McAlpine and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...

This surreal landscape comes from the inner sanctum of artist Christina Haglid. Two paper orbs combine and reveal a portal to another dimension. The artist invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Meticulous in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75. Christina Haglid Nest, 2020 watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH051 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

Based in the Bay Area following studies at Stanford University, Pinkusevich works as a painter and multidisciplinary artist. Born and raised in the USSR, her understanding of rules, ...

Artist: Don Davis Title: Bus Stop Medium: Watercolor on paper, signed lower right Image Size: 27.5 x 19.5 inches Frame Size: 35 x 27 inches This watercolor by American artist Don Da...

mixed media on paper; unframed full sheet 22.5 x 30.25 inches signed, dated and titled on lower right Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint ...

Jehudith Sobel (1924-2012 ) Polish/Jewish artist (also known as Judyta Sobel) Judith Sobel was born in Lwow, Poland in 1924. After Word War II she attended the Academy of Fine Arts in Lodz, Poland from 1947-1950, where she studied with the famous Abstract Constructivist, Wladyslaw Strzeminski and Stefan Wegner from whom she learned the principles of Modern Art as per the European Cubists. She was also part of the First Exhibit of Modern Art in Krakow in 1948/1949. From Poland she emigrated to Israel, where she exhibited and was collected by the major art museums of Israel including the Museum of Modern Art at Haifa. In 1956, Sobel came to New York on a scholarship and before that she lived in France for two years. Same year she received the First Prize at the Exhibition in the Saks Gallery...

Lighthearted Illustration of Outdoor Pursuits This one being a Skiing scene, a boy and a girl on skis. signed W. Steig Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist Edward Sorel...

"Willow Shadows at Chenequa" is an original pastel drawing on canson paper by Peggy Leonard. The artist signed the piece lower left. It depicts a row of willow trees with deep shadows. The artist used variations of green and blue. 12 3/4" x 19 1/2" art 18 3/4" x 26" frame Peggy Leonard received her BFA in painting and drawing and an associate’s degree in nursing from Miami University in Oxford, Ohio. She is both a registered nurse, and accomplished artist, residing in Milwaukee, WI. From the artist: “These paintings are my prayers,” muses Leonard, reflecting on her driving need to express herself through her art. “We are made of the stuff that requires us to respond with our hearts and hands. Often, it requires terrible sacrifice and suffering, something not everyone can understand. But it is done with reverence of life, not irreverence.” Leonard’s pastels and oil paintings capture her reverence of life and reflect her own life’s journey, including earlier forays into the wilderness. Her venture into art began in early childhood, as childless neighbors nurtured her natural ability to draw; concurrently, Leonard’s parents instilled a respect for academic excellence and the higher order of nurturing others. As a young nurse, Leonard “heard and saw poignant messages to travel while one was young and free…while one had one’s health.” Consequently, she took to the open road and public lands, camping across America for months at a time. During these years, her “celebration of the natural splendor of this country” helped shape her sense of artistic expression. She was moved by such sights as the sunset on St. Mary’s Lake...

Christopher Ganz La Salute, Venice 2015 intaglio on chine colle, ed. II/VI 11h x 7w in 27.94h x 17.78w cm Frame: 21.25h x 18.25w in CG0035 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching, Invitational Print Portfolio Monoprint, “The Mind’s Eye" displayed at Mid America Print Council’s National Conference, Southeast Missouri State, Cape Girardeau, MO, Nov. 1 – 3 Contemporary American Realism: Fort Wayne Museum of Art 2012 National Biennial, Fort Wayne, IN, Aug.11-Oct. 28 32nd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 13 – May 23 Juror: Ladislav Hanka, internationally exhibiting printmaker International Expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, “The Enigma” on display in Ann Nathan Gallery space, April 20-23 Spring Group Show, drawings, “Checking Out” and “The Enigma” displayed, April – May 2 Ann Nathan Gallery, Chicago 2011 Prints U.S.A. 2011 – National Juried Exhibition Springfield Art Museum, Missouri, Nov. 18 – Jan. 8 Juror: Elizabeth Wyckoff, Curator of Prints, Drawings & Photographs, St. Louis Art Museum International expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, Checking Out on display in Ann Nathan Gallery space, April 14-17 2010 Contemporary American Realism: Fort Wayne Museum of Art 2010 National Biennial, Fort Wayne, IN, Sept. 3 – Nov. 7; two pieces accepted Cultural Baggage, Invitational Print Portfolio Intaglio print, Super-Heroes go to Hell, after Dore’ displayed at Mid America Print Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct. 13-16 Art Chicago: International Fair of Contemporary and Modern Art Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2 30th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 16 – May 26 Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH 2009 Are you looking at me? Invitational Print Portfolio Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19 Art Chicago: International Fair of Contemporary and Modern Art Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4 Identification Please, Invitational Print Portfolio Intaglio print, Good Cop/Bad Cop displayed at Southern Graphics Council National Conference, Columbia College, Chicago, March 25 – 29 Boston Printmakers 2009 North American Print Biennial – National juried printmaking exhibition Juror: Rebecca Waddell, Curator of Prints at the New York Public Library Boston University’s 808 Gallery, Boston, MA, Feb. 15 – March 30 22nd Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.18 - Feb. 19 Juror: Professor of printmaking at the University of Wisconsin - Parkside Portraits and Beyond, Ann Nathan Galley, Chicago, IL, Jan. 9 - Feb 19 2008 Contemporary American Realism: Fort Wayne Museum of Art 2008 National Biennial, Fort Wayne, IN, Sept13 – Nov. 2; two pieces accepted 28th Annual National Print Exhibition at Artlink - National Juried Exhibition 2008 Artlink Gallery, Fort Wayne, IN, April 11 – May 21 Juror: Mark Pascale, Printmaking Faculty, School of the Art Institute of Chicago and Curator of Prints and Drawing, Art Institute of Chicago “No Danger” - Invitational Portfolio Folded paper airplane lithograph, “The Dream of Flight” displayed at Richmond International Airport as part of the Southern Graphics Council National Conference Virginia Commonwealth University, Richmond, VA, March 26 – April 26 21st Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.20 - Feb. 21 Juror: Karla Hackenmiller, Printmaking Chair and Associate Professor, School of Fine Arts, Ohio University 2007 Singularities – Invitational group exhibit Joan Resnikoff Gallery, Roxbury Community College, Boston, MA Nov. 2 – Dec. 17 Hong Kong Graphics Art Festival 2007: Crossing Boundaries - Invitational international printmaking exchange exhibition School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong, China, Nov. 1 – Nov. 16 27th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley State University Boston Printmakers 2007 North American Print Biennial – National juried printmaking exhibition Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1 Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, New York 2006 The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition National Juried Printmaking Exhibition Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS Aug. 11 - Sept 15 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln 2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006 Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted 26th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History at the University of Toledo 19th University of Dallas Print Invitational - Traveling national invitational exhibition Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007 Juror: Juergen Strunck, Professor of Art, University of Dallas A Mammalian Future? - Invitational Portfolio Intaglio print Jonas Ark displayed at Southern Graphics Council National Conference University of Wisconsin-Madison, University of Wisconsin-Madison, April 5 – 9 Paper in Particular - National Juried works on paper exhibition Larson Gallery, Columbia College, Columbia, MO, Feb. 5 - March 5; two pieces accepted. Juror: David Morrison, Professor of Printmaking, Herron School of Art and Design, Indianapolis, IN 19th Parkside National SmallPrint Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.15 - Feb. 16 Juror: Rudy Pozzatti, Professor Emeritus, Indiana University - Bloomington 2005 18th Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.14 - Feb. 22 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska-Lincoln 2004 Exchange! A Survey of International and National Exchange Print Portfolios Visual and Performing Arts Center, Main Gallery, Purdue University, Feb. 1 - 15 Juror: Kathryn Reeves, P rofessor of Art, Purdue University 2003 23rd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 16 - July 2, 2003 Border to Border – National Juried Drawing Exhibition Trahern Gallery, Austin Peay State University, Clarksville, TN, March 3 - 30 Juror: Jim Cantrell, independent studio artist, Bardstown, KY On/Of Paper – National Juried Exhibition Clyde Snook Gallery, Adams State College, Alamosa, CO, March 3 - April 11 Juror: Dale Leys, Professor of Drawing, Murray State University, Murray, KY Emerging Artists 2003 – National Juried Exhibition Limner Gallery, New York, NY, Feb.12 – March 1 Jurors: Tim Slowinski...

acrylic on archival Canson watercolor paper Mauricio Trenard is an artist, educator and arts activist. He says this series is of great interest to him, as it offers the potential ...

"Country Farmhouse" is a 9 x 10.5 inches, watercolor on paper painting by American illustrator, Henry James Soulen. The landscape is signed "H J Soulen" in the lower left, it is newl...

Renelio Marin is a visual artist with a diverse range of influences and styles. Born in Cuba, he received his graduate degree from the San Alejandro School of Fine Arts in Havana in ...

An original watercolor by Ohio artist Joseph Koch who was affectionately known as Koco during his long life of almost 105 years. This beautiful watercolor painting titled "Winter's ...

Fall (P6.8) Eve Nethercott American (1925–2015) Date: 1951 Watercolor on Paper Size: 18 x 22 in. (45.72 x 55.88 cm)

Artist: Jacques Despierre, French (1912 - 1995) Title: French Countryside Medium: Watercolor on Paper, signed in pencil l.l. Image Size: 10 x 14 inches Frame Size: 16 x 20 inches

In "Firewood Series No. 2," David Morrison uses colored pencils to capture the finest details of a frayed and peeling piece of birch wood. With his careful and methodical handling of...

Artist: Ken Burton (English, 1946-) Title: "Pershore, Worcestershire" *Signed by Burton lower right Year: 1988 Medium: Original Watercolor on heavy wove paper Framing: Not framed, but beautifully matted with hand decorated archival French matting Matted size: 21.25" x 26" Image size: 12.5" x 18.5" Condition: Never framed, has been professionally stored away for decades. In mint condition Notes: Provenance: acquired directly from the artist Burton himself in the 1980's. Pershore is a market town in Worcestershire, England, on the banks of the River Avon. Pershore is in the Wychavon district and is part of the West Worcestershire parliamentary constituency. At the 2011 census the population was 7,125. Biography: Born in Peterborough in 1946, Ken Burton's interest in art began at school and led him to an initial choice of career in design and engraving, in which he trained with Joseph Hules, in London. He left in 1970 to enter public service (The British Police...

This is a one of a kind original impressionist cityscape watercolor painting by southern California artist, Duke Windsor. It is framed as pictured. Its framed dimensions are 8" x 8"....

"Crossroads A-73" by Janet Richardson-Baughman is a pastel landscape drawing. The landscape figures a yellow field in the foreground and a cluster of deep green trees in the middle ground, behind which the tiniest strip of water is visible in light blue. On the distant horizon, a dark green hill meets a serene blue sky. Art size: 16" x 12" Frame size: 29 1/2" x 25 1/2" Framed to conservation standards. Matted with a cream-colored acid-free mat board and glazed in UV Clear Glass that filters 99% of UV Rays to inhibit fading. All this is housed in a traditional moulding in a gold finish. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

This original watercolor painting by Alfred Wands (1904-1998) captures the breathtaking beauty of the Sangre de Cristo Mountain range in Sou...

Annotated with title under the landscape Provenance: James Bakker, Boston James Bergquist, Boston Two images on one sheet: horizontal "Hair Pin" Road; vertical: studies

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...

David Halbach (1931- ) American artist, well represented and winner of multiple awards. Artist is an active member of CAA = Cowboy Artists of Ame...

Shiri Mordechay's paintings are a whirlwind of emotion and complexity, drawing the viewer into a vibrant and dynamic world. Each piece is packed with countless details, your eyes are...

This is a one of a kind original impressionist cityscape watercolor painting by southern California artist, Duke Windsor. It is framed as pictured. Its framed dimensions are 20.5" x ...

Study For Tyvek (2019) by Francesca Reyes Graphite on textured archival paper black and white drawing Architecture study, truck, house, building under construction Study / Drawing /...

It Could Fall Down (2019) by Francesca Reyes Gouache on paper painting, landscape, cityscape, skyscape, sky, yard, urban scene, architecture, buildings Study / Figurative Art / City...

My work is about something I wish I could have seen, imaginary worlds, a commentary on awe that is inspired by nature, science, and history. Objects in my work are a stand in for the...

"CIty Glow" is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that make up Lueck's portfolio serve as windows into the artist's world. Sc...

Coming soon

David Barnett's 'Desert Mountain Paths' is an exercise in using limited materials. Depicting the winding paths of Desert Mountain in Scottsdale, AZ, the composition simulates found a...

Pepper Brown (1926-1999) Alpine Artist Image Size: 9.5 x 9.25 Frame Size: 15.5 x 19 Medium: Ink Drawing Dated 1942 "Boots Mansfield Calf Roping" Tie- Dow...

Idealized landscape painting with a waterfall and mountains fading into the distance. The work is signed by the artist in the bottom corner. It is framed in a wooden frame with black...

Artist: Don Davis Title: Palm Tree Medium: Watercolor on paper Image Size: 23.5 x 17.5 inches Frame Size: 30.75 x 24.75 inches In a classic example of nature vs. the city, a Palm sh...

Matheus is greatly influenced by the city he now calls home -- New York has long been the epicenter of fashion, hip hop, and street art, where he feels his interest in contemporary a...

Neutral tone naturalistic city scene by an unknown artist. The work features a central figure on horseback riding down a village backstreet. The "hostal" street sign overhead indicat...

"Second Mesa (Hopi Pueblo, Arizona)" is a stunning mixed media artwork by Bert Van Bork (1928-2014), created using watercolor, ink, and charcoal on paper...

"Full Moon #26" is an original graphite drawing on paper by Bill Teeple, signed in the lower right corner of the mat. This small image of the moon over the water is surrounded by a large white mat, isolating this intimate work so that it may be viewed on its own. Art size: 1 5/8" x 2" Frame size: 14" x 11" "I am the Director of Iowa Contemporary Art (ICON) and Bill Teeple Fine Art, in Fairfield. I have been serious about making art for 50 years, with a degree in art from the University of California at Berkeley. I have taught art in Fairfield for the past 15 years." In the ’70s, Bill and his artist partner Lynn Durham were living in California. Their fantasy/fairy art...

'Siena Building' is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that shape Lueck's portfolio serve as windows into the artist's world...

In this work, the artist returns to a favorite spot in Alley Pond Park, Queens, to memorialize the ever-evolving carved names and glyphs in this majestic trunk. She is documenting no...

(I apologize for the reflections on the glass.) A lovely, gentle watercolor of a quiet lake with the fall trees reflected in the water. In the misty distance rises a cathedral above ...

Boris Vassiloff, Russian/American (1906 - 2000) Artist Boris Vassiloff was born on March 24, 1906 to Julia Nikolaevna and Boris Ivanovich Vassiloff in Russia. He died peacefully on D...

Summer Fields Near Dijon" is an original pastel drawing by Michael DeFrancesco. The artist signed the piece in the lower right. This piece depicts an expansive field under a bright blue sky. 17" x 25 1/2" art 27 1/2" x 36" frame "As I progress in my painting, I hope to say more with less ... to leave the obvious vague ... and to paint only that which is essential ... this is my goal as an artist." Michael Defrancesco received his Fine Arts degree from the American Academy of Art in Chicago. While at the Academy, he was fortunate to have studied under some wonderful instructors such as Bill Parks, Vern Stake, Eugene Hall, Fred Berger, and the renowned watercolorist Irving Shapiro...

Scene of Austin, Texas by Tom Shefelman 11" x 15" Watercolor on Paper

Watercolor on paper, 1976 Painted in South Bristol, Maine Signed by the artist lower left Condition: Excellent

Nancy McTague-Stock (American, b. XX), Two Works on Paper, comprising: "Lucca Glow", Oil on Paper, with label to the reverse and "Summer's End" Mixed Media on Paper, 2000, signed in ...

"Rainbow Over Niagara Falls, NY" by John Henry Hill is a breathtaking painting that beautifully captures the awe-inspiring grandeur of one of nature's most magnificent wonders. In th...

A western watercolor depiction of a farm with a cow grazing in front of a brown barn. Created by Rick Morris Patterson, measuring 21" x 29".

Mary Reilly’s laborious method of toning her paper serves as the starting point for her intricate compositions. She begins by covering the entire sheet with up to eight smooth, unmod...

Barr, Wyatt. NEWRY. Drawing, Charcoal and ink wash on Arches 300lb. Hot Press Watercolor paper, 2014. The subject is a hillside next to Step Falls in Newry, Maine. Signed and dated. ...

"Bosque del Apache, NM" is an original pastel drawing on rag paper signed by the artist Peggy Leonard. It depicts an expansive desert landscape underneath a blue sky. 21 1/2" x 29 ...

"Duomo" is a watercolor painting featuring subtle hues of blue and orange. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect with McAlpine and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...

"Looking North II-8" by Janet Richardson-Baughman is a pastel landscape drawing. The work is framed and matted with acid-free mat board. The signature is in the lower right in pencil...

Artist: Ching Jang Yao, Taiwanese (1941-2001) Title: Winston (Madison Square Garden) Year: 1976 Medium: Watercolor on paper, signed and dated ...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a ...

Original watercolor by Edward Lamson Henry looking back at barge travel through small New York state towns. Delaware & Hudson Canal, Ellenville N...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

The loose hash marks come together in this colored pen and conte crayon drawing of the Tuscan countryside with a view into Siena with its fabulous Duomo. This piece is matted with a buttery hued mat and framed in a simple oak colored wooden frame measuring 15h x 18w inches. Christopher Ganz View of Siena with the Duomo colored pens & conte crayon 11h x 14w in 27.94h x 35.56w cm CG0052 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a sense of presence that goes quite beyond words,” writes poet and University of Texas at Dallas professor Frederick Turner in the American Arts Quarterly. Dallas born Weary studied under Olin Travis, Octavio Medellin and Chapman Kelley...

Mary Reilly’s laborious method of toning her paper serves as the starting point for her intricate compositions. She begins by covering the entire sheet with up to eight smooth, unmod...