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Item Ships From: Continental US
Where a Mermaid Goes... - Vibrant Seascape Still Life Painting on Handmade Paper
Located in Los Angeles, CA
Michaela Jean is an accomplished painter, devoted gardener, and mother from Southern California (USA). Her lifelong passion for art and nature began in childhood, inspired by her gra...
Category

2010s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Ink, Mixed Media, Acrylic, Watercolor, Handmade Paper, Color Pencil

Magical Life Below - Ocean Landscape Fish Still Life Painting on Handmade Paper
Located in Los Angeles, CA
Michaela Jean is an accomplished painter, devoted gardener, and mother from Southern California (USA). Her lifelong passion for art and nature began in childhood, inspired by her gra...
Category

2010s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Ink, Mixed Media, Acrylic, Watercolor, Handmade Paper, Color Pencil

'Golden Irises', St. Martin's School, California Woman Artist, Santa Cruz
Located in Santa Cruz, CA
A substantial and vibrant, botanical watercolor by this well-listed and widely exhibited California woman artist. Signed lower right 'Sally Bookman' (Bri...
Category

1990s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

Patch of Light - Havana Cuba Watercolor of Architecture Building
Located in Morgan Hill, CA
"Patch of Light" is a watercolor by award-winning L.A. artist and architect Thomas W. Schaller. The painting depicts the weathered facade of a historic building in Havana, Cuba draped with sporadic cast-shadows and a tangle of powerlines stretched across the foreground. Look closely to see the dog peering from the doorway. This watercolor painting of architecture is primarily painted in tan, brown, purple, and navy colors. For more works by Thomas Schaller...
Category

2010s Contemporary Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Whalers Shack on the Northern California Coast - Watercolor Seascape
Located in Soquel, CA
Serene depiction of a Whaling shack circa 1900 near Davenport, California attributed to Lillian Josephine (Dake) Heath (19th century). Monogram on Verso "J. H. 1900". Dated and initialed on verso "J. H. Feb. 1900" Presented in a new white mat with foam core backing. Mat size: 14"H x 18"W Paper size: 9.25"H x 13.25"W Lillian Heath was one of the Jolly Daubers at the turn of the 19th-century and as a young student, married the senior artist and instructor, Frank Heath...
Category

Early 1900s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor, Archival Paper

Coastal Trees Landscape in Watercolor on Paper
Located in Soquel, CA
Coastal Trees Landscape in Watercolor on Paper A vibrant watercolor landscape of towering coniferous trees against a bright blue and cloudy sky, by California artist, Lucile Marie Johnston (1907-1994, American). Signature in bottom right corner. Presented in a new soft grey mat with foam core backing. Paper size: 16.5"H x 21.5"W Mat size: 20"H x 26"W Born in Santa Rosa, California on May 26, 1907, Lucile Johnston settled in Glendale 1930-1939, later moving to Carmel and then Pacific Grove in Monterey County, California where she remained. she managed Marsh's Oriental Antiques Shop...
Category

20th Century American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Norman Barr, Coney Island (New York City)
By Norman Barr
Located in New York, NY
An idyllic scene at New York City's favorite beach, Coney Island. Before the year was over Barr was in the Army. It is ink and litho-crayon. Barr liked that medium because it didn't ...
Category

Mid-20th Century Ashcan School Continental US - Landscape Drawings and Watercolors

Materials

Mixed Media

Summertime - Martha's Vineyard - Sunset Golden Sky and Red Lighthouse
By Millard Sheets
Located in Miami, FL
Summertime in Martha's Vineyard is drenched in saturated yellows and reds. People in the foreground look out to the sea. Two people on horseback are masterfully rendered in a loose ...
Category

1960s Post-Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor, Board, Pencil

Factory XI: modernist urban architectural collage on monoprint in red, framed
Located in Bryn Mawr, PA
This framed work is one-of-a-kind colored pencil & collage on archival pigment print. The work itself is 20" x 16", and it is framed to 26" x 20" in a contemporary, simple white wood...
Category

2010s Contemporary Continental US - Landscape Drawings and Watercolors

Materials

Ink, Archival Paper, Handmade Paper, Monoprint, Monotype

Untitled IV
Located in San Francisco, CA
This artwork "Untitled IV" 1993 is a large graphite drawing on two sheets of paper by Japanese/American artist Tadashi (Tagashi) Hayakawa, b.1941. It is hand signed and dated at the lower right corner by the artist. The artwork size is 23.5 x 37.5 inches, framed size is 32.75 x 46.75 inches. Custom framed in a wooden black frame, with fabric matting. It is in excellent condition. About the artist: Tadashi Hayakawa...
Category

Late 20th Century Modern Continental US - Landscape Drawings and Watercolors

Materials

Graphite

Blind Mans Buff, British Couple walking in a landscape in Edwardian dress
By John Strickland Goodall
Located in Woodbury, CT
John Strickland Goodall John Strickland Goodall was born in Heacham, Norfolk on 7 June 1908. He was the son of a famous heart specialist who boasted seven generations of medics, and...
Category

1980s Victorian Continental US - Landscape Drawings and Watercolors

Materials

Paper, Gouache

"Bathers" American Scene Social Realism 20th Century Modernism Ashcan Fauvism
By Charles Demuth
Located in New York, NY
"Bathers" American Scene Social Realism 20th Century Modernism Ashcan Fauvism Charles Demuth (1883-1935) "Bathers" 10 1/2 x 8 1/4 inches watercolor on paper, c. 1930 Signed lower le...
Category

1930s American Modern Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

A 1926 Ink on Paper Drawing of a Cedar Tree & Lake by Artist Harold Haydon
By Harold Haydon
Located in Chicago, IL
A 1926 ink on paper drawing of a Cedar tree and northern lake by artist Harold Haydon. Artwork size: 12" x 9". Archivally matted to 14" x 16". Harold Emerson Haydon was born in F...
Category

1920s American Modern Continental US - Landscape Drawings and Watercolors

Materials

Paper, Ink

"Welsh Coast at Ogmore" by the Sea Original Watercolor
Located in Soquel, CA
"Welsh Coast at Ogmore" by the Sea Original Watercolor Grey tones dominate this rocky coastal painting by John Addyman (Wales, 1929-2006), characterized by his use of muted tones, pr...
Category

1980s Expressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor, Laid Paper

The Nailsmith Houses, Late 19th Century Rattenberg Austria Historical Landscape
Located in Soquel, CA
The Nailsmith Houses, Late 19th Century Rattenberg Austria Historical Landscape Exquisitely detailed 1888 watercolor of The Nailsmith Houses, a historical building in Rattenberg, A...
Category

1880s Realist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Illustration Board

ALPSPITZE #3 (with Zabriskie Gallery Label), original pencil drawing of Bavaria
By Marsden Hartley
Located in New York, NY
Marsden Hartley ALPSPITZE #3 (with Zabriskie Gallery Label), 1933 Pencil on cream wove paper. In original vintage frame with Zabriskie Gallery label Sticker label, framed with Zabris...
Category

1930s Modern Continental US - Landscape Drawings and Watercolors

Materials

Pencil

Waves
By Oscar Bluemner
Located in New York, NY
Waves 1913 Inscribed in ink and pencil, recto; Extensive notes in pencil, verso Watercolor and graphite on cream wove paper 3.5 x 5.5 inches This work is offered by ClampArt in N...
Category

1910s Contemporary Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Graphite

"Sesarma" Colorful Village Scene with Figures and Cow, Large-Scale Watercolor
By William Howard Knowles
Located in Soquel, CA
Beautiful large-scale figurative landscape watercolor of a vibrant village scene with several people and a cow amongst interesting architecture by William Howard Knowles (American, 1...
Category

Late 20th Century American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

German late 19th century children flying in a plane in an early plane
Located in Woodbury, CT
Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and Josef Mathias Trenkwald. He wo...
Category

Early 1900s Victorian Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Late 19th Century Boats at San Francisco Port Seascape Drawing
By Raymond Dabb Yelland
Located in Soquel, CA
San Francisco moorings, a late 19th century double-sided pencil sketch by Raymond Dabb Yelland (American, 1848 - 1900), 1987. Signed "R.D. Yelland" lower right. Dated "87" lower left. Drawing on both sides of paper. Wood frame. Image size, 8.5"H x 12"L. A master marine painter, Yelland painted in Gloucester Harbor. He sailed to San Francisco in 1874 to take a teaching position in art at Mills College in Oakland. From 1877 to 1894, he taught at the California School of Design. He was a decisive influence on a younger generation of California artists. Full Bio: Raymond Dabb Yelland was born in London, England on February 2, 1848. At the age of three, he immigrated with his family to New York City where he was raised and attended public schools. By the age of twelve, he had settled on art as a career. He was born as Raymond Dabb, but due to the negative connotation of his name, his mother's maiden name, Yelland, was added. After serving under Sheridan in the Federal Army during the Civil War, Yelland attended Pennington Seminary in New Jersey. He studied art at the National Academy of Design from 1869 to 1871 with Page and Brevoort, and then taught at the Academy for one year. With his new bride, he sailed around the Horn in 1874 to San Francisco where he would assume the position of an art instructor at Mills College in Oakland. In 1877, he traveled to England, and later continued his studies in Paris with Luc Oliver Merson. Upon his return to California, Yelland became assistant director of the San Francisco School of Design, and in 1888, assumed its directorship. While at that school, he also taught at the University of California, Berkeley, for many years. His many pupils included Homer Davenport, Alexander Harrison...
Category

1880s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Pencil

Landscape with Figures in the English Countryside
Located in Fairlawn, OH
Landscape with Figures in the English Countryside Pen, ink and graphite with gray and brown washes on laid watermarked paper, c. 1740 Signed by the artist lower left of image: "Chate...
Category

1740s Romantic Continental US - Landscape Drawings and Watercolors

Materials

Ink

"Boats Amongst the Mangroves, " Watercolor & Gouache on Paper signed by Doris Lee
By Doris Lee
Located in Milwaukee, WI
"Boats Amongst the Mangroves" is an original watercolor and gouache painting on paper by Doris Lee. The artist signed the piece lower right. It depicts boats and other objects on a f...
Category

1930s American Modern Continental US - Landscape Drawings and Watercolors

Materials

Watercolor, Gouache

Djibouti, African Landscape Original Israeli Watercolor Cityscape Painting
Located in Surfside, FL
Subject: Cityscape, signed in Hebrew Medium: Watercolor Surface: Paper Shmuel Katz (Hebrew: שמואל כ"ץ‎) (August 18, 1926 – March 26, 2010) was an Israeli artist, illustrator, and car...
Category

20th Century Modern Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

'Early Queenstown', New Zealand Plein Air, Queen Elizabeth II Collection
Located in Santa Cruz, CA
Signed lower left, 'D. Badcock' for Douglas Badcock (New Zealander, 1922-2009) and painted circa 1948. Preferring to paint en plein-air, Douglas earned a reputation as one of New Ze...
Category

1940s Modern Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Winter Landscape
By Raphael Senseman
Located in San Francisco, CA
This artwork "Winter Landscape " c.1930 is a watercolor by noted American artist Raphael Senseman, 1870-1966 It is signed at the lower left corner by the artist. The artwork size is ...
Category

Mid-20th Century American Realist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Boat at the Dock, Alviso Bay Area Tonalist Landscape Watercolor by Iku Nagai
By Iku Nagai
Located in Soquel, CA
Boat at the Dock, Alviso Bay Area Tonalist Landscape Watercolor by Iku Nagai Lovely Tonalist watercolor landscape of Alviso, California by Iku K. Nagai (Japanese/American, b. 1932)....
Category

1980s Tonalist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor, Laid Paper

'Tropical Lagoon', Impressionist Landscape with Palm Trees and Bougainvillea
Located in Santa Cruz, CA
Signed lower center, 'B. Metcalf'; additionally signed verso and painted circa 1975. An idyllic tropical landscape showing palm trees and scarlet bougainvillea in the foreground wit...
Category

1970s Post-Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor, Laid Paper

L'Escalier, Watercolor Painting by Guy Dollian
Located in Long Island City, NY
Artist: Guy Dollian (1887 - 1964) Title: L'Escalier Date: 1926 Medium: Watercolor on paper, signed and dated lower left Image Size: 18.5 x 11.5 inches Frame Size: 27 x 19.5 inches
Category

1920s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Abstract Cityscape Watercolor
By Les Anderson
Located in Soquel, CA
Abstract cityscape watercolor with loosely defined landscape elements and geometric shapes by Les (Leslie Luverne) Anderson (American, 19...
Category

1980s Abstract Expressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Mid Century Modernist French Painting Landscape With Forest, River, Path
By Roger Etienne
Located in Surfside, FL
Beautiful gouache on paper, Moody atmospheric landscape in shades of black, blue green and gold by French artist, Roger Etienne Everaert Ret, signed on top right. Roger Etienne, Fren...
Category

20th Century Modern Continental US - Landscape Drawings and Watercolors

Materials

Gouache

Seashells 6, Beach-strewn seashells from Sanibel Island, Graphite on Paper
By Mary Reilly
Located in New York, NY
This drawing reveals the artist's mastery of the medium and her connection to her subjects. In this one, we peek beach-strewn seashells from her travels to Sanibel Island boast bubbl...
Category

2010s American Realist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Graphite

Misty Dunkeld Scotland Hills w. Sheep, Late 19th Century Scottish Landscape W/C
By H. L. Radford
Located in Soquel, CA
Stunning late 19th century landscape of misty purple hills dotted with small sheep in the Scottish highlands near Dunkeld by Boston artist Miss H. L. Radford (19th Century). Signed a...
Category

1890s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Mid Century Modern East Bay IV Abstracted Landscape by Erle Loran
By Erle Loran
Located in Soquel, CA
Mid Century Modern East Bay IV Abstracted Landscape by Erle Loran Dynamic mid century abstracted geometric landscape drawing of the East Bay California landscape by Erle Loran (American, 1905-1999), circa 1950. From a collection of estate of Ruth Loran (wife of artist). Presented in mat. Unframed. Image size: 13"H x 16"W. Provenance: This piece was from Erle Loran's sketch book and this drawing was then matted, purchased from the Erle Loran estate and the Carlson Gallery, Carmel. Erle Loran was a modernist of urban-coast views and geometric painting. Loran was born in Minneapolis, Minnesota in 1905. He attended the University of Minnesota for a while before studying at the Minneapolis School of Art, under Cameron Booth...
Category

1950s Abstract Expressionist Continental US - Landscape Drawings and Watercolors

Materials

Charcoal, Laid Paper

Untitled
Located in Fairlawn, OH
Untitled Watercolor on paper, c,. 1890 Unsigned Provenance: Estate of the artist Image/Sheet size: 3 1/4 x 4 1/8 inches From Wikipedia "Francis Augustus Lathrop (June 22, 1849 – Oct...
Category

1890s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Mid Century Carmel Valley Adobe Landscape
Located in Soquel, CA
Elegant mid century landscape by Sidney Williams (American, 20th century). Signed "Sidney Williams" and dated '62 in the bottom left corner. Image size, 16"H x 23"L. A Carmel area wa...
Category

1960s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
By Max Kuehne
Located in New York, NY
Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
Category

1910s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

1940s WPA Era American Modern Colorado Mountain Landscape Watercolor Painting
Located in Denver, CO
This original watercolor painting by American artist Edgar Britton captures the serene beauty of a Colorado mountain landscape. Created in 1946, this piece showcases soft, airy tones...
Category

1940s American Modern Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

"Morning Dew"
By Doris Howard
Located in Soquel, CA
Detailed and vibrant depiction of a spider web by Doris Howard (American, b. 1935). Signed "Doris Warner" in the lower left corner. Tag on verso from the "Harvest of Colors" exhibition at Roberts Field...
Category

Early 2000s Contemporary Continental US - Landscape Drawings and Watercolors

Materials

Paper, Pastel, Watercolor, Gouache

Vue of Chiloa Bridge, Japan
Located in San Francisco, CA
This artwork "Vue of Chiloa Bridge, Japan" c.1950 is an watercolor on paper by noted American artist Joseph Morgan Henninger, 1906-1996 It is signed at the lower left corner by the artist. The artwork size is 21 x 28.65 inches, framed is 28.5 x 35.85 inches. Framed in original wooden gold frame, with fabric liner. It is in very good condition. About the artist: Joseph Morgan Henninger (May 15, 1906 – March 7, 1999) was an American artist and illustrator. He was born in Elwood, Indiana and died In Pacific Palisades, California. Joseph Henninger...
Category

Mid-20th Century American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

#159
By Russ Havard
Located in Fairfield, CT
Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish under desolate circumstances. The seemingly bleak, the empty...
Category

21st Century and Contemporary American Realist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Mid Century Country House Landscape
By Rene Weaver
Located in Soquel, CA
Vivid watercolor of a country house and grove of trees in a rural landscape of rolling green hills, with farm animals in the distance, by California artist Rene Weaver (American, 189...
Category

1940s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

San Gabriel Mountain Landscape in Black and White - Graphite Pencil on Paper
By Ralph Holmes
Located in Soquel, CA
San Gabriel Mountain Landscape in Black and White - Graphite Pencil on Paper Detailed mountain landscape by Ralph Holmes (American, 1876-1963). Signed lower right corner "Ralph Hol...
Category

1940s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Pencil

Mid Century Mazatlan Beach Catamaran Figurative Landscape Watercolor
By William A. Corbett
Located in Soquel, CA
Vibrant figurative seascape of a beach in Mazatlan, Mexico with several figures and a catamaran reflecting beautifully in the shallow water by William A. Corbett (American. 1914-1960). Titled "Beach- Mazatlan" on verso. Signed "William Corbett" in lower left corner. Presented in a simple wood frame, with a double mat of off-white silk and royal blue with plexiglass. Image size: 22”H x 14.75”L William A. Corbett began drawing at an early age. He constructed signs and displays for theaters and nightclubs around Pittsburg. He studied art with Vincent Nesbert at the Pittsburg Art Institute and with Robert Gwathmoy, Roy Hilton, and Robert Laper at the Carnegie Institute of Technology. He also studied painting and sculpture at the Louisville Art Center. Corbett was in the Army Engineers at Fort Knox, Kentucky where he studied, practiced, and had exhibits with army artists there from 1941-1943. He was very much interested in materials and technique, content and style in painting. His favorite Artists were El Greco, Leonardo, Rembrandt, Renoir, Burchfield, and Andrew Wyeth, Jr. He studied two years at Boston museum School with Karl Zerbe, Daivid Aronson and others. He later designed and did art work for General Outdoor Advertising Co. In 1943, he married Ruth Osborne of Louisville and they had one son, Michael. In 1951 he moved to Fort Lauderdale, Florida with his family. Exhibitions: Army Art Show--- 1st Prize in Landscape, 1942 Kentucky & southern Indiana Exhibition-- Honorable mentions for Fisherman's Curse 1949, Don Q...
Category

1960s American Realist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

High Fashion Paris Women, Framed Watercolor Painting by Charles Levier
By Charles Levier
Located in Long Island City, NY
Artist: Charles Levier, French (1920 - 2003) Title: Red Head Year: circa 1965 Medium: Watercolor, signed l.r. Image Size: 19.5 x 15.5 inches Size: 28 x 21.5 inches
Category

1960s Fauvist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

The Blue Street - Monochrome Rural Town Landscape in Colored Pencil on Paper
Located in Soquel, CA
The Blue Street - Monochrome Rural Town Landscape in Colored Pencil on Paper Delicate drawing of a rural street by Alle Wijtze "Charles" de Somer (Dutch, 1869-1919). One of the arti...
Category

1910s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Color Pencil

Toiler's House Drawing
By George Demont Otis
Located in Soquel, CA
Significant 1940s work titled "Toiler's House" by George Demont Otis (American, 1879-1962). Titled "Toiler's House on the bottom left and signed "George Demont Otis" on the bottom right. Presented in a black wood frame. Image size, 12"H x 18"W. Otis was born in Memphis, Tennessee where he was orphaned at age six and was raised by his grandmother in Chicago...
Category

1940s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Crayon, Pencil

Caribbean Island [untitled].
By Reynolds Beal
Located in New York, NY
The location of this early oil pastel drawing was identified by other pieces from the same drawing book. The oil pastel was a new invention - just on the market in 1921 and it appea...
Category

Early 20th Century American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Oil Pastel

Concours de Chiens au Promenade by Otto Eerelman
By Otto Eerelman
Located in New Orleans, LA
Otto Eerelman 1839-1926 Dutch Concours de Chiens au Promenade Watercolor on paper Signed “O. Eerelman 1904” (lower left) A tour de force watercolor by celebrated Dutch artist Otto Eerelman, one of 19th-century Europe's most popular and important animal portraitists, this charming composition captures a bustling cross-section of fashionable elites walking their equally fashionable canine companions. Eerleman takes care to render the detailed attire of his subjects, complete with plumed hats and layers of lace trim. The artist paints the plethora of pets in equally painstaking detail, capturing the nuances of each different breed represented. Eerelman mastered the art of depicting not only the dogs’ physical characteristics but also their unique expressions and personalities. His wealthy clientele would bring their pets to his home in The Hague where they would live for a period of time while having their portraits done, allowing for a remarkably true-to-life portrayal. This energetic watercolor, with its profusion of color and texture, harnesses the affluence of its subjects and the leisurely whimsy of their luxurious lives. Hailing from Groningen, Netherlands, Eerelman was dubbed the “Northern Rembrandt” during his lifetime. He received his artistic training at the Academy Minerva in Groningen, the Royal Academy of Fine Arts in Antwerp and then private lessons in the studio of the great Lawrence Alma Tadema. He successfully captured the attention of the Dutch court, particularly Princess Wilhelmina...
Category

Early 20th Century Post-Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

"SPRINGS FLOWING" CANYON LAKE TEXAS
Located in San Antonio, TX
Edward Lee Reichert (1919-2011) Texas Artist Image Size: 13.5 x 21.5 Frame Size: 22 x 29.5 Medium: Watercolor Dated 1989 "Springs Flowing" Canyon Lake TX Biography Edward Lee Reicher...
Category

1980s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

'Elves, Christmas Village on a Starry Night' San Francisco Post-Impressionist
By James March Phillips
Located in Santa Cruz, CA
Signed lower left, 'James March Phillips' (American, 1913-1981) and painted circa 1965. Born in California, James March Phillips first studied in San Francisco at the Jean Turner Art Academy and, later, under Alfred Owles...
Category

1960s Realist Continental US - Landscape Drawings and Watercolors

Materials

Gouache, Laid Paper

Mid Century Crashing Surf on Rocks Seascape
By Margaret Esther Rogers
Located in Soquel, CA
Classic mid-century California seascape watercolor of the crashing surf on the rocky coast by Santa Cruz, California artist Margaret E. Rogers (American, 1872-1961), c.1950. Rogers was one of the original "Jolly Daubers" who studied with Frank Heath and took wagon trips to the redwoods and Yosemite to paint. Signed "M.E. Rogers" lower right. Presented in a rustic giltwood frame under glass. Image, 16.5"H x 18.5"L. Margaret Esther Rogers' (1872 - 1961) early childhood was spent in England. The Rogers were a cultured family who came to California for the father’s health and settled on a ranch in the King City area. Margaret grew up in the curiously paradoxical world of early California, breaking her own riding horses and roping cattle during the day, doing a man’s work, riding a man’s saddle, then sitting down to the piano to play classics in the evening after high tea. Margaret’s mother had the only piano for 80 miles around. Her father, Robert J. Rogers, had been an importer of fine tea, coffee, and spices in England. In Monterey County, he raised sheep and cattle and the family lived under comparatively rustic and modest conditions. When Margaret wasn’t riding, tending a herd, plowing a field, or playing the piano, she was painting. Art was an early love. Fame caught up with her early. She was written up in a San Francisco newspaper as “Monterey County’s pretty girl who rides a man’s saddle, marks and brands stock, breaks wild colts, plows and sows, plays classical music and paints in oils.” Margaret’s mother was her first music and art teacher; later she took art lessons from Kate Baldwin in Salinas. She had suitors and several proposals, but never married. In the year 1898, Margaret’s “intended” put in 700 acres of grain, spending all he had plus money he borrowed. Not a spear of grain grew, she wrote, and their plans to marry when the crop was sold dried up with the weather. When her mother died, Margaret and her father moved to Soquel, taking along her favorite saddle horse. Now living in Santa Cruz County, Margaret at once became involved in art circles which were unofficially headed by Frank Heath and his wife, Lillian Dake Heath. Frank Heath and Margaret together founded Santa Cruz Art League in 1919, and a few months later were joined in their efforts by a Dutch woman named Cor de Gavere who arrived in Santa Cruz. The two women artists, Margaret and Cor, became fast friends and remained so until Cor’s death in July 1955, while she was visiting relatives in Holland. They painted together almost every day and shared many meals at each other’s cottages which were just a few blocks apart in the Seabright area. However, those Victorian ladies, raised in the era of rigid social conventions, always addressed each other as ‘Miss Rogers’ and ‘Miss de Gavere’ as long as they lived. Money was never in great supply for either lady, but Cor managed to buy a small automobile, and after six driving lessons the two of them took off for southern California. Cor and Margaret took many camping and painting trips in Cor’s automobile. Sometime later, Margaret herself got brave enough to buy an auto. From 1925 to 1947, Margaret made her home in the basement of the Arts and Crafts Building. She managed the Art League’s first gallery, which was started there. Holding informal court for friends who called, Margaret would open a can of sardines, put out a plate of crackers, and conversation about art or music would follow. During World War II, Margaret raised rabbits in cages. In later years, Margaret purchased a small studio-home on Alhambra Street – still in the Seabright area, which both women clung to as home territory. In 1929, Margaret helped found the Art League’s first Statewide Show, which became an annual event. She served as show chairwoman for more than 20 years. A fine painter of landscapes, Margaret became better known for her strong marine scenes. Once she explained that the ocean was “the real challenge, because it won’t stand still.” She served as president of the Art League from 1925 to 1947. Short, stocky, outspoken and very talented, Margaret gained many honors in her later years. With her short haircut and her dark dresses...
Category

1950s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

French 19th century Pen and Ink landscapes from a sketch folder
By Emile Cagniart
Located in Woodbury, CT
Interesting and well-drawn French late 19th-century landscape sketch in pen and ink . Emile Cagniart was born in Paris where he would remain for his sixty years. Like many young asp...
Category

1890s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Ink

"Monument Valley Arizona" - Desert Landscape
Located in Soquel, CA
Detailed watercolor of Monument Valley by Albert DeRome (American, 1885-1959). The viewer is looking out over the valley from a high vantage point, with towering mesas in the distance. In the foreground, there are some shrubs and a small tree to the right side of the composition. DeRome has created a sense of vast distance by rendering the far background with a hazy quality while keeping the foreground in clear focus. Signed "Albert DeRome" in the lower right corner. Inscription on verso as a gift to the artist's mother. Purchased from the estate of the artist Patterson's Antiques, Los Gatos. Presented in a wood frame with a new white mat. Image size: 5.75"H x 8"W Frame size: 11"H x 14"W Born in Cayucos, California, Albert De Rome (American, 1885-1959) became a California landscape painter, especially of natural landscapes formations, seascapes and marine scenes near Carmel and Monterey. Usually his palette was bright in both oil and watercolor, but he did the occasional nocturne. Scholars have compared his painting style and subjects to those of Thomas Hill and Albert Bierstadt. However, Albert De Rome never affiliated with any formal group of painters, although he had many close friends including Percy Gray, Gunnar Widforss and Will Sparks. As a young man, Thomas De Rome worked at the Congress Spring Hotel in Saratoga, and in San Francisco at the Globe Foundry, owned by an uncle. He studied art under Arthur Mathews, John Stanton and Lorenzo Latimer...
Category

1950s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

'Hong Kong from Victoria Harbor', Society of Western Artists, Bohemian Club
By William Howard Knowles
Located in Santa Cruz, CA
Signed lower right, 'W.M. Knowles for William Howard Knowles (American, 1909-1998), titled, 'Hong Kong' and painted circa 1965. Born in San Francisco, William Knowles studied at the Masachussets Institute of Technology and, later, at UC Berkeley. He exhibited widely and with success and was a member of the Society of Western Artists, Bohemian Club...
Category

1960s Modern Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

19th Century 1925 California Coast Marine Landscape Watercolor, Rocks & Waves
By Charles Partridge Adams
Located in Denver, CO
American Impressionist California coastal watercolor painting by Charles Partridge Adams (1858-1942), circa 1925. This stunning piece captures the beauty of the coastline with vibran...
Category

1920s American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Watercolor

Watercolor Painting by William Zorach, Titled "Redwoods, Yosemite Valley", 1920
By William Zorach
Located in New York, NY
William Zorach, 1887-1966 Redwoods, Yosemite Valley, 1920 Watercolor and pencil 15 ¾ x 13 ⅜ inches Signed (at lower right): William Zorach WZorach-7 Provenance: Estate of William Zorach Exhibited: William Zorach, 1887-1996, Sculpture, Drawings and Watercolors, Zabriskie Gallery, New York; Feb. 10 – March 14, 1998. William Zorach was born in Lithuania in 1889, and immigrated to the United States with his family in 1893. Settling in Cleveland with his parents, he worked as a lithographer from 1902- 1908, making enough money to study painting with Henry G. Keller at the School of Art. In 1910, Zorach traveled to Paris to study in La Palette, where he was encouraged to develop his own unique style rather than adhere to traditional teachings. Zorach once said, “I began to be conscious of the various modern influences that were invading the art world…I was disturbed and confused, and yet I felt that I was a very young man entering a new age. The forces creating modern art seemed more alive to me than anything I had known or anything being done in America.” 1 Together with his wife Marguerite, William Zorach produced a number of Cubist- style paintings for the American Armory Show of 1913, and the Forum Exhibition in New York in 1916. Around 1917, Zorach followed the lead of cubist artist Pablo Picasso and began experimenting with wood and stone carvings. By 1922, he devoted himself entirely to sculpture, and like Picasso, became fascinated in “primitive art”—the ritual objects and sculpture pieces of Oceanic, Native American and African tribes. Zorach’s work developed in its use of block-like forms with progressive suppression of detail—drawing elements from sources as disparate as the contemporary cubist and modernist movements, and combining them with forms seen in early African sculpture. Though the forms of his sculpture were often abstract, Zorach primarily focused upon a traditional subject matter, producing such well-known sculptures as Young Girl, now in the Whitney Museum of American Art, and Mother and Child, in the collection of the Metropolitan Museum of Art. Today, William Zorach is known as one of the earliest and most influential American artists dedicated to direct carving. Zorach also made an impression as a teacher and writer, facilitating a major change in the aesthetic philosophy and technique of sculpture in the United States. During the summers from 1913 to 1922, Zorach and his wife Marguerite painted...
Category

1920s Continental US - Landscape Drawings and Watercolors

Materials

Watercolor, Pencil

French 19th century Pen and Ink landscapes from a sketch folder
By Emile Cagniart
Located in Woodbury, CT
Interesting and well-drawn group of French late 19th-century landscapes sketch, in pen and ink and sepia color. Emile Cagniart was born in Paris where he would remain for his sixty...
Category

1890s Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Ink

Rowboat Outing - Fall Landscape with Rowboats in Watercolor on Paper
Located in Soquel, CA
Rowboat Outing - Fall Landscape with Rowboats in Watercolor on Paper Serene lakeside landscape by an unknown artist (20th Century). Two birch trees with bright yellow leaves are gro...
Category

Mid-20th Century American Impressionist Continental US - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

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