Continental US - Landscape Drawings and Watercolors

"Cityscape with Tree & Fireworks" is an original watercolor painting by David Barnett. The artist signed the piece. This artwork features an abstract, Cezanne-inspired landscape in b...

'Siena Building' is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that shape Lueck's portfolio serve as windows into the artist's world...

Renelio Marin is a visual artist with a diverse range of influences and styles. Born in Cuba, he received his graduate degree from the San Alejandro School of Fine Arts in Havana in ...

"Snapshot Taken of a Saucer Touchdown" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece lower right and dated it on the back. It dep...

This piece is framed measuring 17 by 14 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism....

"Smile Park" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece lower right and dated it on the back. It features fall foliage on the ...

"Normandy Farmhouse" is an original pastel drawing signed by Michael DeFrancesco. It depicts a red-roofed barn in a wide farm landscape. 6 1/2" x 19 1/4" art 13" x 26" frame "As I progress in my painting, I hope to say more with less ... to leave the obvious vague ... and to paint only that which is essential ... this is my goal as an artist." Michael Defrancesco received his Fine Arts degree from the American Academy of Art in Chicago. While at the Academy, he was fortunate to have studied under some wonderful instructors such as Bill Parks, Vern Stake, Eugene Hall, Fred Berger, and the renowned watercolorist Irving Shapiro...

"Space Sense" is an original oil pastel drawing on illustration board. The artist signed the piece lower right. It features three distinct scenes--a green rainy scene with two figure...

This artwork "Barn and Carriage" 1989 is a watercolor by noted Chinese/American artist Jake Lee, 1915-1991 It is inscribed Jake Lee and dated 89 on the back. The image size is 6 x 7.75 inches, framed is 13.35 x 14.65 inches. It is custom framed in a wooden gold frame, with gold color spacer and fabric matting. it is in excellent condition. About the artist. Jake Lee is emerging as the visual chronicler of the Chinese American past, especially the daily life in San Francisco Chinatown. No other artist, of any background, has presented that history as richly and as evocatively as Lee did in his many, striking compositions. Completed over a lifetime of work, Lee's paintings of historical sites, moments, and experiences give us an artistic vision. For much of his life, Lee was known primarily as a commercial artist who completed arresting illustrations for travel magazines, greeting cards, and book jackets. He was an art teacher, with many students who learned the use of water-soluble pigments to depict the many landscapes of mid-20th century California. Less well-known were his representations of the many places historically linked to the Chinese of the state and the West. To this day, few in America know about Chinese work in the fisheries, in the early wine industry, in 19th century urban industry, and in the colorful cultural life of San Francisco in the years before the Great Earthquake. At a time when most Americans thought Chinese Americans had just been laundrymen, houseboys, or Charlie Chan, characters they saw on television. As a visual historian, he connected us with the past, but foremost he was an artist. He presented appealing scenes for the visitor to San Francisco who wanted a visual memento. He mastered Western...

This artwork "The Old Barn" 1989 is a watercolor by noted Chinese/American artist Jake Lee, 1915-1991 It is inscribed Jake Lee and dated 89 on the back. The i...

This artwork "The Gazebo" 1989 is a watercolor by noted Chinese/American artist Jake Lee, 1915-1991 It is signed and dated at the middle right corner by the artist. The image size is 14 x 17 inches, framed is 22.75 x 25.5 inches. It is custom framed in a wooden gold frame, with gold color spacer and fabric matting. it is in excellent condition. About the artist. Jake Lee is emerging as the visual chronicler of the Chinese American past, especially the daily life in San Francisco Chinatown. No other artist, of any background, has presented that history as richly and as evocatively as Lee did in his many, striking compositions. Completed over a lifetime of work, Lee's paintings of historical sites, moments, and experiences give us an artistic vision. For much of his life, Lee was known primarily as a commercial artist who completed arresting illustrations for travel magazines, greeting cards, and book jackets. He was an art teacher, with many students who learned the use of water-soluble pigments to depict the many landscapes of mid-20th century California. Less well-known were his representations of the many places historically linked to the Chinese of the state and the West. To this day, few in America know about Chinese work in the fisheries, in the early wine industry, in 19th century urban industry, and in the colorful cultural life of San Francisco in the years before the Great Earthquake. At a time when most Americans thought Chinese Americans had just been laundrymen, houseboys, or Charlie Chan, characters they saw on television. As a visual historian, he connected us with the past, but foremost he was an artist. He presented appealing scenes for the visitor to San Francisco who wanted a visual memento. He mastered Western...

This artwork titled "The Old Trestle, San Rafael, California" 1986 is a watercolor on paper by noted California artist Arnold A. Grossman, 1923-2016. It is ...

"The Word Came Down On Us" is an original watercolor painting on paper by Reginald K. Gee. It depicts a fall landscape. The artist signed the piece in the lower left. 11" x 15" art...

Purple Haze (Glyph), 2012 ink, watercolor, colored pencil, marker ink and fluid ink on synthetic paper 25 x 38 inches / 635 x 965 mm Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle ships...

This piece is framed measuring 53.5 by 39 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealis...

Marc Swanson In the Garden, 2017 graphite and collage on paper 17 x 14 in (43.2 x 35.6 cm) paper size 24 7/8 x 21 7/8 x 1 1/2 in (63.2 x 55.6 x 3.8 cm) frame size The duality betw...

High contrast landscape of a farm in winter by Dessie Wilcox (American, b. 1948). Signed and dated "Dessie Wilcox '94" in the lower right corner. Presen...

Artist Commentary: Delicate Texas wildflower. Keywords: Landscape and Nature Artist Biography: Judith grew up 15 miles north of Milwaukee in the town of Mequon, Wisconsin, an old ...

Serene watercolor of a stream by an unknown artist named Stow (20th century). Signed "Stow" in the lower right corner. We sourced a group of watercolors by Stow from the Southwest Fl...

Black Sky (The Cave Series), 2, 2015 graphite on paper 77 x 112 cm

Fishing Boats in the Harbor with Monterey Wharf Fish Market, Maritime Landscape Highly detailed watercolor of fishing boats in the harbor along a w...

Coastal Landscape in Watercolor on Paper Serene watercolor of a coastal scene by an unknown artist named Stow. Signed "Stow" in the lower right corner. Presented in a rose mat. No f...

"Desert Mountain Souvenir Paper Clip Cactus" is an original watercolor and ink drawing on hotel stationary by David Barnett, signed in the lower left. The image features an abstracte...

"Diner" is an original signed watercolor by Bruce McCombs. It depicts the front facade of a diner with careful attention to reflection, atmosphere, and light. 22" x 29 1/2" art 25"...

Framed in wood with museum glass to 9" x 11" One of the watercolors says Tweksbury, July (?) 1850 Framed by Commonwealth Print Conservation, Boston in 1988 Very nice watercolor. Par...

"In The Beginning 5" is an original pastel drawing by Victoria Ryan. It depicts lush gardens with flower beds and tree nurseries. The sunlight casts beautiful blue shadows and the sk...

Soft watercolor accents add to the beauty of this unique cyanotype and watercolor landscape of the Point Sur Lighthouse in Big Sur, California by Cheryl Trotter (American, 20th centu...

David Barnett's 'Desert Mountain Paths' is an exercise in using limited materials. Depicting the winding paths of Desert Mountain in Scottsdale, AZ, the composition simulates found a...

"For Beaver Lake Yacht Club Dinghy" is an original watercolor painting by David Barnett, signed in the lower left. This piece was designed for the yacht club's dinghy cover in 2003. ...

"Beaver Lake Beaver with Surround Sound Cows" is an original mixed media piece incorporating watercolor and ink on handmade paper by David Barnett and his daughter, Sarah. They both ...

Having worked from a studio in the Gowanus area of Brooklyn for two decades, Elizabeth O'Reilly is at home in the abandoned precincts of the canal with its solidly geometric shapes. ...

"Campo Dei Gesuiti After Sargent" is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that make up Lueck's por...

Bluemner, Oscar (American, born Germany, 1867-1938). NIGHT IN PORTLAND MAINE - ALLEY. Charcoal on paper, 1919. Signed with the artist's monogram "OFB" ...

Summer Fields Near Dijon" is an original pastel drawing by Michael DeFrancesco. The artist signed the piece in the lower right. This piece depicts an expansive field under a bright blue sky. 17" x 25 1/2" art 27 1/2" x 36" frame "As I progress in my painting, I hope to say more with less ... to leave the obvious vague ... and to paint only that which is essential ... this is my goal as an artist." Michael Defrancesco received his Fine Arts degree from the American Academy of Art in Chicago. While at the Academy, he was fortunate to have studied under some wonderful instructors such as Bill Parks, Vern Stake, Eugene Hall, Fred Berger, and the renowned watercolorist Irving Shapiro...

"Mountain Mystery" is an original signed charcoal drawing by David Barnett. The surrealistic landscape depicts mountainous natural forms with swirling lines and an element of uncerta...

Impressionistic landscape watercolor 1960's 19x24 framed 25x30x1 Judith Sobel was born in Lwow Poland in 1924. After World War I...

"On Lake Huron, 1956 B.C." is an original oil pastel on grocery bag by Reginald K. Gee. The artist signed the piece lower right and dated it on the back. It...

Born in Milford, Massachusetts in 1829, Hudson River School artist Albert Fitch Bellows began his career as a student of architecture and was a pr...

Titled, signed, and dated in lower margin. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay. Demanding, but very laid back personally, he expected a lot from Janet, and she grew from his expectations. She joined the National Council for Education in the Ceramic Arts (NCECA) which is a ceramics networking organization. It has a national conference each year where ceramists, educators and studio artists meet. She was on the Board of Directors for two years. Janet received her MFA in 1977. Moving back to Western Michigan, Janet found teaching positions with various colleges and taught art history, ceramics and a myriad of classes. However, she never forgot her mentor's advice, which was to continue her craft. Janet met a businessman/artist, John Baughman, who sold her artwork around the country. Janet bought a studio and her work was selling so well that she no longer needed to supplement her income with teaching. Janet and John had a business relationship for several years until life took one of those magical twists, and their relationship blossomed into much more. Later, the two of them were married. John and Janet bought acreage and moved to the country. Turning one of their buildings into a studio, the pair became extremely successful influencing them to concentrate only on their artwork and discontinue the sales end of his business. Janet says it has been very, very good for them and has caused different things to happen. The challenges of commissions make her think in directions that it is unlikely she would have done on her own. Janet is an extremely talented artist. It is difficult to believe when one sees her pastel, mixed media of pencil, oils and collage landscapes done on paper that this is the same artist that designs and makes very sophisticated and stylized ceramics. The natural beauty that abounds where she lives inspires her artwork. Interestingly, she also derives inspiration from her ceramics for her paintings although the two are quite different in style. Her paintings are stylized and readable, but she does not look for minute detail when she paints. These soft landscapes create a feeling of bucolic peace and serenity although Janet does not consciously paint a message. Janet says of her work, that it is like a dance or conversation in her head, which she expresses through her art. Janet lives an almost idyllic rural existence with her artist/husband who she says is "the love of her life." They work together everyday, and for them it is the perfect partnership because they compliment one another so well. Together they raise and train horses, and are expecting three foals within a year. In addition, she loves to garden and after the tradition of her grandmother and mother, has a huge vegetable garden. She and her husband love to cook. They enjoy golfing together as well. Their three grown children are still very important in their lives, and Janet sews intricate costumes for her daughter when she shows her horse. In the future, Janet thinks that living in Virginia with horses and continuing with her art would be perfect. She, along with her husband, would like to spend a summer in Provence...

"Road I Travel #6" is an original watercolor on paper by Kevin Knopp. The artist signed and dated the piece lower right. This piece features a dirt and gravel road. 6" x 6" art 13"...

"Oasis with Reindeer, Shaman, & Bear Tracks" is an original mixed media piece by David Barnett that incorporates iridescent watercolor, rubber stamps, and a pressed ginko leaf on 100...

Titled, signed, and dated in lower margin. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay. Demanding, but very laid back personally, he expected a lot from Janet, and she grew from his expectations. She joined the National Council for Education in the Ceramic Arts (NCECA) which is a ceramics networking organization. It has a national conference each year where ceramists, educators and studio artists meet. She was on the Board of Directors for two years. Janet received her MFA in 1977. Moving back to Western Michigan, Janet found teaching positions with various colleges and taught art history, ceramics and a myriad of classes. However, she never forgot her mentor's advice, which was to continue her craft. Janet met a businessman/artist, John Baughman, who sold her artwork around the country. Janet bought a studio and her work was selling so well that she no longer needed to supplement her income with teaching. Janet and John had a business relationship for several years until life took one of those magical twists, and their relationship blossomed into much more. Later, the two of them were married. John and Janet bought acreage and moved to the country. Turning one of their buildings into a studio, the pair became extremely successful influencing them to concentrate only on their artwork and discontinue the sales end of his business. Janet says it has been very, very good for them and has caused different things to happen. The challenges of commissions make her think in directions that it is unlikely she would have done on her own. Janet is an extremely talented artist. It is difficult to believe when one sees her pastel, mixed media of pencil, oils and collage landscapes done on paper that this is the same artist that designs and makes very sophisticated and stylized ceramics. The natural beauty that abounds where she lives inspires her artwork. Interestingly, she also derives inspiration from her ceramics for her paintings although the two are quite different in style. Her paintings are stylized and readable, but she does not look for minute detail when she paints. These soft landscapes create a feeling of bucolic peace and serenity although Janet does not consciously paint a message. Janet says of her work, that it is like a dance or conversation in her head, which she expresses through her art. Janet lives an almost idyllic rural existence with her artist/husband who she says is "the love of her life." They work together everyday, and for them it is the perfect partnership because they compliment one another so well. Together they raise and train horses, and are expecting three foals within a year. In addition, she loves to garden and after the tradition of her grandmother and mother, has a huge vegetable garden. She and her husband love to cook. They enjoy golfing together as well. Their three grown children are still very important in their lives, and Janet sews intricate costumes for her daughter when she shows her horse. In the future, Janet thinks that living in Virginia with horses and continuing with her art would be perfect. She, along with her husband, would like to spend a summer in Provence...

In this drawing, Sylvia Spicuzza presents the viewer with a lakeside cabin under the shade of a massive tree. This drawing is reminiscent of the work done by her father Francesco, wh...

A captivating midcentury cityscape titled "Denver Skyline", this original 1950s watercolor and graphite painting offers a rare industrial-era view of lower downtown Denver, Colorado....

This original circa 1910 graphite landscape drawing is a rare and intimate work by renowned Colorado artist Charles Partridge Adams (1858–1942), celebrated for his mastery of the Ame...

13x22" image size monotype, unframed. Shrink-wrapped on poster board, paper size total 22x30". I document the essence of the landscape everyday. I am interested in those untouched v...

13x22" image size monotype, unframed. Shrink-wrapped on poster board, paper size total 22x30". I document the essence of the landscape everyday. I am interested in those untouched v...

13x22" image size monotype, unframed. Shrink-wrapped on poster board, paper size total 22x30". I document the essence of the landscape everyday. I am interested in those untouched v...

18 x 26" image size watercolor, unframed. Shrink-wrapped on poster board. I document the essence of the landscape everyday. I am interested in those untouched views of our landscape...

Graphite and charcoal on paper signed by the artist. 7.38" x 8.63" 16.75" x 15.5" frame Framed to conservation standards. Float mounted on 100% cotton matboard and glazed in UF5 Plexiglass that filters 99% of UV Rays to ensure the preservation of the piece. All housed in a bold miter jointed bevel frame in distressed silver finish with reflective accents. Francesco J. Spicuzza, born in Sicily on July 23, 1883, came to America at the age of 8. He supported himself as a fruit peddler until a newspaperman gave him $4 a week to go to school. He attended classes at the Milwaukee Art Students League, where he studied under Alexander Mueller. There he learned to paint in the then-fashionable "Munich School" technique, with detailed realism in heavy browns and grayed-out hues. Spicuzza completed eight grades in four years, and then in 1911, three businessmen advanced him enough money to allow him to study in New York under artist and teacher John Carlson. It was during this time that Spicuzza changed his style of painting, developing an impressionistic use of color, form and atmospheric renditions. After a period of grinding poverty, one of Spicuzza's pictures won a major New York competition. It was the first of 60 wins, both in the U.S. and Paris. He became a fashionable painter, and many of the leading collections have his work. Spicuzza's typical works were beach scenes, still life, landscapes and portraits done in pastels, oils, ink, charcoal and watercolors. Much of his work traced the history of Milwaukee in the early 1900s. He was probably best known for his scenes of women and children splashing in the waves...

'Warehouses' is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that make up Lueck's portfolio serve as windows into the artist's world. S...

'Side Canal with Bridge' is an original watercolor on Holbein watercolor paper by Craig Lueck. These petite watercolors that shape Lueck's portfolio serve as windows into the artist...

"Farewell Ave in Winter" an original watercolor by Julia Taylor. This artwork shows a winter scene on Farwell Avenue in Milwaukee, Wisconsin. At the end of the street one can see the...

"Cloudy Day - Venice" is an original watercolor painting on Holbein watercolor paper signed in pencil lower right and titled in pencil lower left. These petite watercolors that make ...

Dream Catchers, Original Contemporary Impressionist Landscape Painting, 2020 8" x 8" (HxW) Pastel on Paper Hand-signed by the artist. An impressionist, almost abstract, landscape pa...

"Boats at Anchor After Sargent" is an original watercolor on Holbein watercolor paper by Craig Lueck. The artist signed the piece lower right and titled...

Medium: Watercolor over pencil on card Signature: Signed and Dated Lower Right