Continental US - Figurative Paintings

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Susan McDonnell's "Blue Jay," created in 2021, is a masterful oil on panel that captures the vibrant essence and lively demeanor of its avian subject. Measuri...

Female nude figurative painting depicting a young bride to be - oil and lace on treated paper, professionally framed under plexiglass. The painting is 17 x 22 1/2 inches and the oute...

Original oil painting on canvas. Hand signed on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Stretched. All reasonable offers will b...

Artist: Oleg Kateryniuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2022 Style: Figurative Art Title: Mo...

Jesus Ortiz Tajonar (1919-1990) Mexican Boy with Papier-Mâché Animal Warrior Mask c.1950s Fantastic mid century modern oil painting by listed Mexican artist Jesus Ortiz Tajonar. W...

Provenance: Santambrogio Antichità, Milan; sold, 2007 to: Filippo Pernisa, Milan; by whom sold, 2010, to: Private Collection, Melide, Switzerland De Primi Fine Art, Lugano, Switzerland; from whom acquired, 2011 by: Private Collection, Connecticut (2011-present) Literature: Ferdinando Arisi, “Ancora sui dipinti giovanili del Panini,” Strenna Piacentina (Piacenza, 2009): pp. 48, 57, 65, fig. 31, as by Panini Ferdinando Arisi, “Panini o Ghisolfi o Carlieri? A proposito dei dipinti giovanili,” Strenna Piacentina, (Piacenza, 2010), pp. 100, 105, 116, fig. 101, as an early work by Panini, a variant of Panini’s painting in the Museo Cristiano, Esztergom, Hungary. This architectural capriccio is one of the earliest paintings by Giovanni Paolo Panini, the preeminent painter of vedute and capricci in 18th-century Rome. The attribution to Panini has been endorsed by Ferdinando Arisi, and a recent cleaning of the painting revealed the artist’s signature in the lower right. Like many of his fellow painters working in Rome during his day, Panini was not a native of the Eternal City. He first trained as a painter and stage designer in his hometown of Piacenza and moved to Rome at the age of 20 in November 1711 to study figure painting. Panini joined the workshop of Benedetto Luti (1666-1724) and from 1712 was living on the Piazza Farnese. Panini, like many before and after him, was spellbound by Rome and its classical past. He remained in the city for the rest of his career, specializing in depicting Rome’s most important monuments, as well as creating picturesque scenes like this one that evoked the city’s ancient splendor. The 18th century art historian Lione Pascoli, who likely knew Panini personally, records in his 1730 biography of the artist that when Panini came to Rome, he was already “an excellent master and a distinguished painter of perspective, landscape, and architecture.” Panini’s earliest works from this period still show the evidence of his artistic formation in Piacenza, especially the influence of the view painter Giovanni Ghisolfi (1623-1683). However, they were also clearly shaped by his contact in Rome with the architectural capricci of Alberto Carlieri...

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

"A Shot to the Heart" is an exquisitely detailed contemporary still life by Karina Rodríguez, rendered in oil on panel in 2024 and depicts a box of crayons. This artwork is framed in...

Josh George's (US based) "Only A Cadillac Will Do" is an original, handmade mixed media painting that depicts an urban cityscape, of buildings extending into the sky. A black Cadilla...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vibrancy and movement. Kory consid...

Vaudeville Theatre by Edouard Cortes was painted circa 1955-60 and signed lower left. It is oil on canvas measuring 13x18 in original unlined condition. The piece is included in the ...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Bibliography Art in America, April 1951, p.78 About this artists: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Karen Offutt approaches Fading 30 x 30, oil on panel with an atmospheric sensitivity combining shape, tone line, and color. Karen is best known for her figurative paintings. Karen...

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found and nurtured his passion for miniature sailboats...

Danny McCaw's (US based) "Figure with Textures" is an oil painting with impasto brushstrokes that depicts an abstracted figure in an interior with a grey and red background. Bio/ar...

Genre: Modern Subject: Landscape Medium: Oil Surface: Board Country: United States Dimensions: 30" x 22" EMANUEL ROMANO Rome, Italy, b. 1897, d. 1984 Emanuel Glicenstein Romano was born in Rome, September 23, 1897. His father Henryk Glicenstein was a sculptor and was living in Rome with his wife Helena (born Hirszenberg) when Emanuel was born. His father obtained Italian citizenship and adopted the name Enrico. Emanuel was brought up in Italy, Switzerland, Germany, England and Poland. In 1926 Emanuel and his father sailed for New York. They briefly visited Chicago. Romano's sister, Beatrice, and mother only joined them in New York years later. Romano changed his name on his arrival to America and some have erroneously speculated that this was to avoid antisemitic discrimination. In truth, as the son of a highly-regarded artist, Romano changed his name to ensure that any success or recognition he would later attain, would be the result of nothing other than his own merit as an artist, and not on account of his father's fame. In 1936 Romano was worked for the Federal Art Project creating murals. During and immediately after World War II, Romano created a series of allegorical works depicting graphic holocaust images that were held closely by the family until after his passing. One of these works is now on permanent display in the Florida Holocaust Museum in St. Petersburg Florida. Emanuel's father died in 1942 in a car accident before they could realize their shared dream of visiting Israel. In 1944 Romano, having completed his degree at the Pennsylvania Academy of Fine Arts and the Art Institute of Chicago, began teaching at the City College of New York. Romano moved to Safed, Israel in 1953 and established an art museum in his father's memory, the Glicentein Museum. COLLECTIONS Indianapolis Museum of Art Metropolitan Museum of Art Boston Fine Arts Museum Fogg Museum Musée Nacional de France Recently his work has been added to the Florida Holocaust Museum collection. His notable works include his holocaust themed allegorical paintings as well as portraits of Marianne Moore, his father and William Carlos...

5-3180a Acrylic on artist board signed Millian Image size 6.5x9" Set in a vintage wood frame

Artist: Cornelius van Fulpen– American (1905 - 1987) Title: Silence Year: 1984 Medium: Oil on Canvas Size: 19.5 x 23.75 inches Framed size: 25.5 x 29.75 inches Signature: Signed, da...

In "Marilyn Yellow Abstract," a captivating artwork by Daniel Maltzman, a contemporary vision of Marilyn Monroe emerges. Adorned with reflective sunglasses that mirror the observer's...

Signed lower left, 'P. Lagiere' (French, 19th century) and dated, '1868'. After 'La Jeune Courtisane', 1821, by Xavier Sigalon (French, 1787–1837), held in the permanent collection o...

Theatre de Sara Bernhart et Place de Chatelet by Edouard Cortes was painted circa 1935-40 and signed lower right. It is an oil on canvas measuring 13x18...

After Francisco Goya (Spanish, 1746-1828), "The Duke and Duchess of Osuna and Their Children", Oil on Canvas, 19th century, unsigned, giltwood frame. Image: 25.5" H x 17.5" W; frame:...

Lazzaro Donati (Italian, 1926-1977), "Signora dal Cappello," oil on panel, signed lower left, signed, titled and dated verso, overall (with frame): 22.5"h x 24.5"w Lazzaro Donati wa...

1940s New York Interior -- An Evening Scene of Artist and His Wife Wonderful moody 1940s New York interior and figurative oil painting in Ashcan Schoo...

This artworl "Landscape" c. 1935 is an oil painting on hardboard by renown California artist Frank Joseph Girardin, 1856-1945. It is signed at the lower right corner. The hardboard size is 20 x 30 inches, framed size is 30.5 x 40.5 inches. Framed in a wooden beige frame, with fabric liner. It is in excellent condition. About the artist: Born in Louisville, Kentucky in 1856, Frank joseph Girardin began his art instruction in 1870 under Frank Noble and later Frank Duveneck at the Cincinnati Art Academy. A semi-pro baseball player in Cincinnati, he was best known for his beautiful landscapes of both Indiana and California. An extremely active participant in the development of the Art Association of Richmond and original member of the local Sketch Club, he served on the Board of Directors of Art Association for several years. He was considered ranked next to the late John E. Bundy in talent and skill by the former Art Association Director, Mrs. Ella Bond Johnston. It was during his time in Indiana, that he received the most recognition for his work. In 1903, he won first prize for his painting, "Lingering Snow" at the Cincinnati Art Club Show. This would be one of numerous prizes and awards the he would receive during his time in Indiana, including the coveted Mary T...

Jed Jackson was born in Fayette, Arkansas. Throughout his education, he studied under artists such as Janet Fish, Fairfield Porter, and Leland Bell, and reaps influence from the “gri...

Acrylic and ink on canvas

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

J. C. Morey is a Spanish artist from the province of Alicante. He was born into a family of artists and connected to the art world since the 60s, which gave him the opportunity from ...

Artist : Ryan Wilks Title: Quarantine Medium: India ink, chalk pastel, graphite on canvas. Year: 2020 Size: 60W" x 72H" Description : This response to Covid...

This artwork titled "Tuscan Roof" 2009, is an oil painting on panel by American artist Annamarie (Anna) Nelson. It is signed at the lower right corner by the artist, also signed, tit...

Judd Mercer's (US based) "026 - Plein Air-Golden, CO" is a gouache painting depicting valley full of vibrant plants and bright green grass. Artist bio/statement Judd Mercer is a c...

Judd Mercer's (US based) "056 - Plein Air-Apex Trail, CO" is a gouache painting depicting a mountainscape. Artist bio/statement Judd Mercer is a contemporary landscape painter and ...

5002 Vintage Impressionist ballet couple oil on canvas .Un framed Signed Robert Yarmola

Swiss artist Edith Konrad paints figurative abstract compositions with mixed media on canvas. She layers her expression of her emotional response to the subjects with dynamic textures and subtle patterns in her artworks. The thick layers of paint add a sculptural and tactile, rich looking feel to her paintings, along with the bodily presence of her subjects. Her works have been exhibited internationally, including Artspace Warehouse Los Angeles and many art fairs such as Montreux, Geneva, Salzburg, Rotterdam, Marbella, Los Angeles, Toronto and Paris. This 34 inch high by 19 inch wide one-of-a-kind textured artwork is composed of oil and mixed media on canvas. It is wired and ready to hang. The artist signs this abstract figurative painting on the front in the lower right corner. Convenient local Los Angeles delivery. Affordable Continental U.S. and international shipping are available. A Certificate of Authenticity issued by the gallery is included. Edith Konrad has studied in numerous master classes with artists from Germany and Italy. She paints in a variety of techniques and particularly prefers the use acrylic on canvas, collage and mixed media. In 2007 her art was acquired by the State Museum Halifax, Nova Scotia, Canada. She won the 2009 Palm Art Award, a Certificate of Excellence for outstanding artistic quality and originality of the work. In 2010 she exhibited at the Salon de la Culture at the Louvre in Paris, France. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2022 Identity With A Chance of Imperfection, Los Angeles, CA 2020 In Search of Principle, Artspace Warehouse. Los Angeles, CA 2019 Something Vague, Artspace Warehouse, Los Angeles, CA 2018 Artspace Warehouse, Los Angeles, CA Opposites Group Exhibition, Hotel Chlosterhof, Stein am Rhein, Switzerland Falcon Gallery, Stein am Rhein, Switzerland K-13 Freiamt, Villmergen, Switzerland 2017 Falkengalerie, Stein am Rhein, Germany Banca intermobiliare di investimenti Lugano, Switzerland Arte Genova 13, Art Fair Genova, Italy 2016 Fugo Diethelm, Mühlau, Switzerland Galerie f 5, Lucerne, Switzerland Kunstsupermarkt Solothurn, Switzerland Kunstwarenhaus Zürich, Switzerland Affordable Art Fair New York, NY Galerie-Beck, Saarbrücken, Germany 2015 Affordable Art Fair Singapore Migros Kulturprozent Zugerland, Switzerland Artspace Warehouse, Los Angeles, California Love Art Fair Toronto, Canada Affordable Art Fair New York, NY LA Art Show International Art Fair, Los Angeles 2014 Artspace Warehouse Los Angeles Houston Fine Art Fair, Texas Kunstwarenhaus Zürich, Switzerland Love Art Fair Toronto, Canada Who’s Who Deutschland (Germany) 2013 Galleria Alter Ego, Ponte Tresa, Switzerland Schweizer Kunstraum, Lausanne, Switzerland Artspace Warehouse Los Angeles, California Kunstwarenhaus Zürich, Switzerland Flussreif in Berikon, Switzerland Ateliernacht im Freiamt, Switzerland Kunst-Supermarkt Solothurn, Switzerland 2012 Affordable Art Fair Los Angeles, CA Artspace Warehouse, Los Angeles Galerie Katapult, Basel, Switzerland 2011 Kunst-Supermarkt Solothurn, Switzerland Kunstwarenhaus Zurich, Switzerland Zugermesse, Switzerland 2010 Kunstwarenhaus, Zürich, Switzerland Ennenda, Switzerland Zentrum Aettenbühl Sins CH Louvre, Salon de la Culture, Paris, France 2009 International Art Fair, Europ Art Geneva, Switzerland Palm Art Award, Leipzig, Germany Kunst-Supermarkt Solothurn, Switzerland Porto Ceresio Italy Galerie Tedden Düsseldorf, Germany Galerie Katapult, Basel, Switzerland Who‘s Who Deutschland (Germany) 2008 Chunschtspycher Bettmeralp, Switzerland Bad Ditzenbach Germany Porto Ceresio Italy Forum Zugerland Migros Kulturprozent, Switzerland Kunst-Supermarkt Solothurn, Switzerland 2007 International Art Fair ROTTERDAM, Holland Kulturachse Horw: art five, Switzerland Acquisition by STATE MUSEUM HALIFAX, Nova Scotia 2301 Art Fair Zug Design, Switzerland Vita Solothurn Gallery, Switzerland 2006 International Art Fair EUROP`Art Genève International Art Fair ART SALZBURG, Austria International Art Fair ART MARBELLA, Spain Müllerhaus Lenzburg group exhibition CH 2005 International Art Fair ART GALLERY Montreux, Switzerland Porto Ceresio Italy Kulturschür Windisch, Switzerland 2004 Bahnhofgalerie, Sins, Switzerland 2003 Keller Galerie, Zürich, Switzerland 2002 Bahnhofgalerie, Sins, Switzerland 2001 Jugendseelsorge, Zürich, Switzerland 2000 Zentrum Aettenbühl, Sins, Switzerland TV & FILM Athena, Amazon Prime...

Calvin Lai's (US based) "A Dream" is an original, handmade oil painting that depicts a nude female figure in a Contrapposto posture turned away from the viewer and clutching her arms...

Thorgrimur Einarsson's "Raven nr. 57" is an original, handmade oil painting that depicts a raven flying through the air. About the Artist: Thorg...

Born in Venezuela and based in San Francisco since 2019, Alexis' paintings showcase an exploration of his innermost self through abstraction. Each canvas or work on paper is a rhythm...

Dorit Levi, Israeli (Born 1952). 'Golden Sounds' Oil on canvas (possible acrylic on canvas or mixed media) Hand signed bottom right and on verso. Measures 20"H x 24"W, framed 33" H x 37" W. Dorit Levi was born in Tel Aviv, Israel in 1952, her Yemenite upbringing and culture playing an important role in her art. Her talent enabled her to study at the prestigious Wizo France Art School in her native city, where she had the great fortune to learn from one of Israel's greatest artists, Edwin Salomon. The artist's personal experiences in Uganda, Africa where she lived for several years, are reflected in many of her paintings. The vast savannas translate into the warm colors of backdrops, and the flow and movement of her vibrant figures are inspired by Uganda's colorful markets and the people in embroidered garb. Dorit's works are remarkable in her use of gold leaf and the enormous attention to detail and complex composition. Each time one looks at a Dorit Levi painting new aspects and new configurations are discovered. More than anything, the collectors of her contemporary artworks remark on the feeling of joy, optimism and peace they inspire. The influences of Bolivian artist Rodo Boulanger, as well as cubist Pablo Picasso, Fernand Leger, and the cubism of Georges Braque are a background for the distinct signature of Levi's lyrical style, forged of her strong artistic vision and of a wealth of personal experiences. She shows at the prestigious Safrai Art Gallery in Jerusalem Israel and has been exhibited with Raphael Abecassis, Ben Simhon, Yosl Bergner, Naftali Bezem , Sami Briss, Amram Ebgi, Alexander Klevan, Gregory Kohelet, Yuvl Mahler, Ran Haya Graetz, Zina Rothman, Michael Rozenvein, David Sharir, Reuven Rubin, Theo Tobiasse, Yuri Tremler, Shraga Weil, Wissotzky and Avigail Yoresh...

Thorgrimur Einarsson's "Raven nr. 56" is an original, handmade oil painting that depicts a raven flying through the air. About the Artist: Thorgrimur is an Icelandic artist...

Provenance: with Leo Blumenreich and Julius Böhler, Munich, 1924 Dr. Frederic Goldstein Oppenheimer (1881-1963), San Antonio, Texas; by whom given to: Abraham M. Adler, New York, until 1985; thence by descent to the present owners While old inscriptions on the verso of this panel propose its author to be Hans Holbein and the sitter Sir John More—a lawyer, judge, and the father of Sir Thomas More—this fine portrait has long been recognized to be by a Flemish hand. Max Friedländer gave the painting to Bernard van Orley (1487/1491 – 1541) in 1924, but did not include it in the volume dedicated to the artist in his Early Netherlandish Paintings...

"The Power (People)" 1970  Olaf Karlsen (b. 1947) Oil on canvas Signed front and back. 28 1/4 x 40 inches (frame) Olaf Karlsen  has managed to remain a m...

Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Artist: Anatoly Borisovich Tarabanov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2011 Style: Figurative Art Title: Painter Size: 27.5" ...

6027 Charming acrylic painting of a young boy with dog fishing under a willow tree Framed Image size 12.5x9.5" Signed lower right

Study for Ruth Gathering Wheat The Painting is monogrammed bottom left side Provenance: Notes: This is the full scale version of Ruth in Pharoah's Fields exhibited at the Royal Academy (now lost). Exhibited at the Bristol Art Museum, Birmingham UK Private Collection, Detroit, MI Description: Sir Edwin Long (1829-1891) was a renowned British painter known for his historical and Orientalist artworks. Born in Bath, England, Long displayed exceptional artistic talent from an early age. He received formal training at the Royal Academy of Arts in London, where he honed his skills and developed his distinctive style. One of Long’s oil paintings...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s w...

Edmond Malassis was pupil of Gustave Moreau, and became a watercolourist. Malassis worked primarily in the first half of the 20th century. He has been Exhibited in many museums Here...

Mixed media on panel. Sprawling cat. Hand signed lower right. Dimensions: (Frame) H 8.25" x W 10.25" (Board) H 5" x W 7" Piero Aversa was born in Asmara, Eritrea, East Africa, educated at the Belle Arte in Rome, and lived and exhibited worldwide. He moved to the US in 1953. Piero Aversa was passionate about many facets of artistic expression. A larger than life Gay Artist, he enjoyed the company of many jet setters in New York City during his Fashion and Interior Design days. Originally from Italy he finally settled in Key West, Florida where the largest collection of his art is displayed. His talents span design in fabrics, wall covering, jewelry and films as well as the fine arts. The exhibition in Rome in 1959, of “The Most Beautiful Women of Rome”, catapulted him to international recognition. In New York, he designed celebrity mannequins for the windows of Saks Fifth Avenue. The depicted “New York's high-born, wealthy jet-setters” included Louise Savitt, Baby Jane Holzer and Wendy Vanderbilt. He is acknowledged for his sensitivity to the different lands he had been inspired by, from the primitive backdrops of Greek Mythology to the botanical lushness of Mexico, Italy, Greece and the Southern United States. He established his own line of wallpapers and fabrics, receiving praise for his interior design of suites at the historic Colony Hotel in Palm Beach, Florida. Aversa was collected by actresses Katherine Hepburn and Agnes Moorehead; diplomat and prominent New York socialite, Francis Kellogg; gallery owner, Julius Fleischmann; society songstress and millionaire industrialist, Mr. & Mrs. David Muss; and American songwriter, Jule Styne. He was also collected by various Italian nobility, Count and Countess Scribani Rossi from Rome, Principessa Niky Boncompagni, and Countess Alicia Paolozzi from Rome. The arrival of Piero in Mykonos, Greece and opening of his bar in the early 70's began a somewhat historical era for the gay community of the time. His work has a Surrealist quality that reminds me of Van Eno another Key West art...

Along the path on a walk, a vivid impressionist oil painting by Carol H. Kelly (American, 20th Century). Signed "C.H. Kelly" and dated "70" lower right. Unframed. Image size, 18.5"H ...

Robert Lebsack creates artworks using mixed media with ink, acrylic and charcoal on archival copies of newspaper, textbooks, or sheet music. His street art tends to focus on social a...

Charles Cobelle (French/American, 1902-1998) Untitled, 20th Century Oil on canvas 24 x 30 in. Signed lower right: Cobelle Born in Alsace-Lorraine, France, and becoming a U.S. citiz...

Dana Hawk (NY, US based) "In and of a Clown World" is an original, handmade oil painting that depicts a female model in profile with red hair. The piece is framed and ready to hang. ...

Calvin Lai's (US based) "Koi Social" is an original, handmade oil painting that depicts koi fish swimming. Artist Bio: Calvin Lai's art is a mixture of medicine, meditation, and p...

Day (Nude on Armchair 1)/ Part of my "Nudeon Armchair" series. Original painting. size 39x23in / 100x60cm . Shipped stretched, as it is, ready for hanging...