Continental US - Landscape Paintings

"Le Port de Marseille" Eugène Galien Laloue (French, 1854-1941) Gouache and watercolor on paper, original carved and gilded frame. 12 3/8 x 7 3/4 (14 1/2 x 9 5/8 frame) inches Signe...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2025 Style: Impressionism Title: Seascape Size: 17.5" x 23.5" x 0.8''...

Step into the charm of historic Paris with this impressive large-format oil painting depicting a snowy street scene near the Sacré-Cœur Basilica. The romantic Parisian setting featur...

Up for sale is an original large oil painting on canvas, depicting Venice, Italy. Signed in the lower-left corner probably Tom. Presented in a nice wood frame. Condition: The pa...

Abstract Landscape Miriam Bromberg Date: circa 1960 Oil on Masonite Size: 7.5 x 9.25 in. (19.05 x 23.5 cm) Frame Size: 13 x 15 inches

Artist: Guy Harvey (1955-) Title: Marlin Catch Year: Circa 2010 Medium: Acrylic on canvas Size: 40 x 30 inches Condition: Excellent Inscription: Signed by t...

Fog Bank - The painting was created in 2024 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon’s wo...

Artist: Alex Kalenyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2013 Style: Impressionism Title: In the Courtyard, Size: 23.5" x 31...

Original oil and acrylic painting on canvas of a contemporary cityscape.. Signed Lee Reynolds lower right. Vanguard Studio label verso. Circa 1975. Condition is excellent. The pain...

Charles Cobelle, French (1902 - 1994) - Paris Streets with Moulin Rouge 2. Medium: Acrylic on Canvas, signed l.r., Size: 16 x 20 in. (40.64 x 50.8 cm), Frame Size: 24 x 28 inches

Abstracted landscape by an unknown artist (20th Century). The landscape is made up of patches of color, reminiscent of viewing agricultural land f...

Artist: Vahe Yeremyan Title: Purple Grove Medium: Oil on Linen Year: 2025 Style: Impressionism Dimensions: 30" x30" x 1" inch (76 x 76 x 3cm) Presentation: Unframed, Gallery Wrapped ...

Carlos Gamez de Francisco’s "The House at the End of the Road" is a striking blend of hyperrealism, figurative surrealism, and imaginative narrative art. This 12-inch round acrylic p...

Acquired by the gallery directly from the artist UNFRAMED: 16" x 20" FRAMED: 25.5" x 29.5" x 1.75" Exhibited A Journey Along the California Coast, at the California Art Club Galle...

Signed lower left, 'Ventosa' for Jose Ventosa Domenech (Spanish, 1897-1982) and painted circa 1950. A very substantial oil showing a luminous view of the isle of Mallorca with ancient olive groves and mountain cliffs bathed in warm evening light beneath clouded blue skies. A large and rare Mallorcan landscape by this notable Catalan painter. Born in Barcelona, José Ventosa Doménech first attended the San Jorge School of Fine Arts in 1911. He then undertook an extended trip to Brussels where he studied Vanguard painting before returning to Barcelona where he continued his studies with the Realist, Martí Alsina. In 1922, Ventosa worked alongside Eliseu Meifren and Domingo Soler in Ripoll. From 1924, Ventosa exhibited in Barcelona as a member of the "Nou Ambient", the Catalan art...

Wayne Beam Morrell (American, 1923-2013) Untitled (Coastal Scene, Massachusetts), 20th century Oil on board 15 1/2 x 20 in. Framed: 24 x 27 1/3 in. Signed lower right Wayne Morrell ...

Leigh Ann Van Fossan's "Sands of Celia" is an original acrylic painting featuring peaceful blue waters lapping a sandy beach. Van Fossan was born in Vail, Colorado, and began oil p...

A charming depiction of Snow on 5th Avenue New York City with figures walking and taxis in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, white...

Luminous Hudson River School landscape of sunset over water with red buoy in foreground and sailing ships in background in the style of Alfred Thompson Briche...

David Shingler’s "Mt. Evans and Bierstadt, Colorado" (2016) is an original oil painting on wood panel, measuring 16 x 20 inches (40.64 x 50.80 cm). Known for his dynamic landscapes r...

Dynamic California coastal scene by an unknown artist. The orientation of brushstrokes in this piece create a sense of movement in the trees and the grass, hinting at the way the win...

Graham Nickson Orvieto "Black Sun", 2000 Watercolor painting on Lanaquarelle paper Hand signed, titled and dated by Graham Nickson on the back This exquisite watercolor painting dep...

Antique American impressionist beach seascape oil painting. Oil on canvas board. Framed. Measuring 11 by 14 inches overall and 9 by 12 painting alone.

Contemporary naturalistic painting by Texas-based artist Jennifer Lively. The work features a clear, blue pool next to a palm tree. A small white boat can be seen sailing in the back...

Antique elegant Polish beach scene oil painting by Paul Merwart (1855 - 1902). Finely detailed with great color. Oil on canvas. Signed. Framed. Image size, 13L by 16.25H

Impressive early American impressionist coastal seascape oil painting. Feels like a Maine scene with a bustling dock! Nicely framed. Oil on canvas. Signed illegibly. Image size,...

Large, impressive seascape of rolling surf pounding the rocky shore of Capri. Signed lower left by the Italian artist Guido Odierna. Circa 1975. Conditi...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Subject: Meadow, Size: 28" x 39" x 1'' i...

Excellent example of Cortès Paris scene. Provenance: Galerie Haussmann, Paris.Herbert Arnot, Inc., New York, New York (May 29, 1964).Country Store Gallery, Austin, Texas (February 2...

Contemporary abstract geometric painting by Houston-based artist Holland Geibel. The work features layered abstract shapes in bright pink, blue, green, and orange tones. Signed, titl...

Very finely painted early 1900s American impressionist beach scene. Oil on board. Framed. Signed verso. Great colors and very well painted. Excellent ready to hang condition.

Artist: Vahram Meliqsetyan Title: Fall Medium: Oil on Canvas Year: 2024 Style: Impressionism Dimensions: 23.5" x 16.5" x 0.8" inch (60 x 42 x 2cm) Presentation: Unframed, Gallery Wra...

Nestor Fruge (1916-2012). Courtyard, French Quarter, New Orleans, ca. 1970. Watercolor on paper, 12 x 16.5 inches. Unframed. Excellent condition. Signed lower right. Unframed. Born...

This is a beautiful original oil on linen painting by master painter, Donald Jurney. Reminiscent of Dutch Golden Age works, the landscape shimmers with light. This painting is not cu...

“Young Famer with Draft Horses and Favorite Dog” Paul Junghanns (German, 1876-1958) Oil on Canvas Signed verso 41 1/2 x 33 1/2 Depicted here is one of Junghanns favorite subjects de...

"Passing Through" by Catherine Picard-Gibbs is an emotive, textural oil painting on canvas measuring 24 x 24 x 1.5 inches. Desolate trees form a natural passageway, revealing a lumin...

Paris street scene by a French street artist signed lower right. Label on verso "Angelo Ponza" Art Gallery Naples, Italy. Image, 16"H x 20"W Frame, 20"H x 24"W

Original Antique Western Nevada Desert Oil Landscape by Phoebe K. Higgins A mid-century desert oil landscape of Western Nevada by Phoebe K. Higgins (American, 1895 - c 1960), circa ...

49 x 79 inches framed, thin black painted wood frame 48.5 x 77.5 inches unframed oil on canvas $9,000 Modern, horizontal landscape oil painting of a large volcano, Cotopaxi, in...

Josephine Reichmann Bass Rocks Signed lower right Oil on canvasboard 14 x 16 inches Reichmann was born in 1864 in Louisville, Kentucky. After studying at the School of the Art Inst...

#5-01 Large Scale Persian Hunt, circa 1920's oil painting on canvas depicting hunting scene, displayed in a wood-gesso frame.Image size 39 H X 59.5 W Arti...

This painting is signed and dated by Barnabè on the lower right. In 1959, French art critic Michel Concil-Lacoste, in the newspaper Le Monde, expressed his views on Barnabè: "Barnab...

Highly textured landscape, with thick impasto illustrating a glorious scene of figures swimming in calm waters near large rocks and swaying trees, by Tyler Micoleau (American, 1911-2001). Signed and dated "Tyler Micoleau 1968" in the lower left corner. Presented in a gold colored wood frame. Image size: 12"H x 16"W Tyler Micoleau (American, 1911-2001) was born in Rhode Island but spent most of his life in Nevada County, California. He was a graduate of the Rhode Island School of Design and an instructor at Brown University. Micoleau moved to Nevada City...

Gorgeous mid century San Francisco Bay seascape oil painting by California artist Hartzell Harrison Ray (American, 1896-1991). Signed "H. Ray" lower right and on verso. Texture added...

Antique American school abstract expressionist painting. Oil on board. Signed. In excellent original condition. Nicely framed in a period wood molding. Excellent condition, read...

John Opper (American, 1908-1994) Ninth Avenue El (New York City), c. 1935 Oil on canvas Signed lower left and verso 30.125 x 24 inches The Ninth Avenue El was the first elevated rai...

This oil painting framed is part of my private collection. Lucien Durand was a French painter. I have several of his pieces. HI art work has been offered at auction multiple times.

Donald Vogel was inspired by gardens throughout his painting career. Before moving to Dallas, as a student at the Art Institute of Chicago in the late 1930's, Vogel's studio was a block away from Chicago's Lincoln Park...

"Rain on water" is an ethereal and dreamy atmospheric abstract landscape depicting water and the sea. It has a beautiful textured surface and layers and layers of soft color, with mo...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 25 x 30 Frame Size: 34 x 39 Medium: Oil on Canvas Circa 1950 "Lazy Day Blues" Texas Bluebonnet Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas is in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit, and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Signed and dated K. W. Newhall 1881, this luminous seascape by American painter Kate White Newhall (1840–1917) captures a dramatic coastal scene at sunset with refined academic techn...

A whimsical oil painting depicting a park scene in Paris during spring by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in the first half...

Isabelle Graham Allison (Reese) (1927-2005). Calla Mayor, Venice ca. 1950s. Oil on canvas measuring 12 x 28 inches; 13 x 29 inches framed. Signed lower right. The artist lived and ...

Pauline Ziegen oil, gold leaf, mixed media on panel coral, pink, white gold, teal, aqua, rust, navy, blue Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kans...

Very rare and well painted Formula Two racing painting. Oil on canvas. Unsigned. Nicely framed.

Signed lower right, 'Bickerstaff' for George Sanders Bickerstaff (American, 1893-1954) and painted circa 1950. This California landscape painter was born in Arizona and studied at t...