Continental US - Landscape Paintings

Elizabeth Geisler is best known for her dazzling contemporary water reflection paintings that bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet...

David Brayne's lyrical, dreamy and sensitive paintings have long been known to collectors. His paintings include landscapes, interiors, figures, and still-lifes. His rich, imaginary ...

Measures Painting 20 x 25 inches Framed 24 x 39 inches (approximately) This luminist and atmospheric evening seascape by Granville Redmond (1871 - 1935) was painted on Catalina Island off the California coast c.1920. Redmond was a very prominent California Impressionist known for his serene tranquil and mood-filled California coastal paintings bathed in moonlight with waves gently rolling onto the shore. As a deaf mute, he explained that without speech and hearing, his abilities to see things in a detailed and poetic way were much more honed and enhanced. He was renowned for his Impressionist landscapes, particularly those featuring California wildflowers, coastal scenes, and tonal moonlit settings. Despite his deafness from a young age, Redmond achieved significant acclaim for his art and even acted in silent films, becoming friends with Charlie Chaplin, who built an art studio for him on his large movie lot. Redmond lost his hearing due to scarlet fever as a child and later attended the California School for the Deaf in Berkeley, where his artistic talents were nurtured. He studied at the California School of Design in San Francisco before continuing his studies in Paris at the Académie Julian. He became a highly respected landscape painter, shifting between vibrant Impressionist poppy...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..” Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...

Paul Schumann Has been professionally cleaned and framed. 1876-1946 Galveston Artist Image Size: 9 x 12 Frame Size: 13.75 x 16.75 Medium: Oil "Crashing Waves" Paul Richard Schumann (December 13, 1876 – April 29, 1946) was a Texas...

A stunning jewel and pertinent example of Berthelsen's charming New York City scenes. Here we find a The Plaza hotel and the Manhattan buildings depicted in the far background with pops of colors shinning through the lights and magic of the city. The artist was truly a master of capturing New York in all of its glory throughout the seasons. This piece is executed whimsically, yet dramatically evoking an emotion of wonder and beauty. This piece is signed lower right by the artist and it also bears the reproduction right's stamp on the reverse. It is titled on the back and it comes housed in a beautiful French giltwood frame with linen liner and hanging wire on verso ready to be displayed. Art measures 6.5 x 8 inches Frame measures 12 x 14 inches Johann Berthelsen was born in Copenhagen in 1883, the 7th of seven children, to Conrad and Dorothea Karen Berthelsen. His parents were involved in artistic and professional circles. In 1890, his mother brought the children to America, settling in Manistee, Michigan, with her sister's family. They would eventually move to Manitowoc, Wisconsin, a city on the shore of Lake Michigan. As a teenager, Johann was actively involved in choirs and singing groups. And he always loved to draw and paint, and while he was too impatient to take well to schoolwork, and never went beyond the 5th grade. Although he worked in several trades, Johann's mind and heart were always with the arts. As his voice matured, he also always wanted to be an actor, and at the age of 18 moved to Chicago where he reconnected with an old friend who was studying voice at the Chicago Musical...

Beautiful double-sided painting of a California nocturnal seascape on one side and a Sierra mountain scene on one side on the other by William L. Hughes. Signed "W. L. Hughes" bottom...

Very impressive signed 1967 abstract landscape. Appears to be an abstract coastal scene. Framed.

This dynamic oil painting by MJ Kotwas captures the energy and speed of a racehorse mid-stride, depicting Cribnote during his victory at Saratoga Race Course on July 27, 2008. The jo...

Impressionist landscape by George Renouard. Beautiful blues and mauves. Oil on academy board. Unsigned. George Renouard, was born in Rochester, New York and lived much of his life ...

Blue, Navy, calm, teal, white, cloud, green, river,landscape 49 x 37" oil on canvas, maple frame Inspired by the drama of nature and light, Cynthia creates abstracted landscapes wi...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

An original mid century impressionist painting depicting midtown Manhattan and a view of the Empire State Building by Chinese American artist Chuck Fee Wong. Benjaman Gallery...

Amazing early 1900s impressionist beach scene of Good Harbor Beach in Massachusetts. Very finely pained with great color and lots of detail and figures. Located on verso. Nicely f...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

"Through the Trees" by Jane Hunt (United States) is a handmade landscape oil painting that is framed and ready to hang. After moving to the US as a teenager, Jane Hunt studied illus...

Landscape with Trees Oil/Canvas 12 x 16 unframed, 21.5 x 25 framed Painting is in good condition, signed bottom left margin with craquelure in the clouds as shown. Housed in beautif...

20th Century New York Cityscape W/ Figures & Flags by Sebastian Oil on canvas Dimensions 20" wide x 24" high The frame measures 22.75" wide x 26.75" high Signed in the lower left...

Lockwood De Forest (American, 1850 - 1932) Signed: L d F May 13 / 07 (Lower, Right) Oil on Paperboard 9 5/8" x 14 1/8" " Point Lobos ", 1907 (Titled, Lower Right) Housed i...

An "AWARD WINNING" acrylic painting on panel by award winning contemporary artist Michael Budden that showcases a gorgeous pair of Wood Ducks in their natural environment created in ...

Jim Beckner's (US based) "Night Out" is an original, handmade oil painting depicting pedestrians strolling down a brightly lit city street at night with motion blur. About the Arti...

John Young was born in Wangqing City, Jilin Province, China in 1970. As a Korean-Chinese artist, His Korean name is Jeon Young Wook and his official Chinese name is Quan Yong Xu. His...

Sandor Bernath (1892-1984). Highland Lighthouse at Dusk, Truro MA. Watercolor on heavy wove paper, 17 x 17 inches; 18 x 18 inches framed. Excellent condition with no fading. Signed lower right. Silver leaf custom frame. Sandor Bernath was known for his stylized watercolors of sailing ships. He was a student of Edward Hopper. Born in Hungary on December 30, 1892, Bernath immigrated in his youth to the United States, and by the early 1920s had begun to establish himself within New York art circles. In January of 1922, he was given a one-man show at Mrs. Malcolm's Gallery on East 64th Street. Although little is known about Bernath's education and early training, this exhibition of nineteen watercolors included works, which suggest that by 1922, the artist had traveled and studied abroad. "Coast of Normandy" and "Shrine, Czechoslovakia" are two works the subjects of which certainly resulted from time spent in Europe. Other paintings exhibited in the 1922 show, such as "Brooklyn Bridge", "Weehawken Freight Yards" and "East River" reveal that on the whole, Bernath's earliest subjects remained those found in New York. After his show at Mrs. Malcolm's Gallery, Bernath became a member of the American Watercolor Society and later that year, showed six works at their annual exhibition. Unlike the works exhibited on East 63rd Street, the watercolors featured at the AWS show, such as "Grand Manan Coast" and "Fishing Boats", reflected a growing attraction to the subjects offered within the Maine landscape, an attraction which truly took hold in the summer of 1922. Like many of his peers, Bernath worked as a teacher and illustrator to support himself. In order to escape the tedium of these dreaded day-jobs, many retreated to the villages of Maine and Massachusetts where artists' communities such as those at Monhegan Island, Gloucester and Ogunquit had sprung from the modern artist's desire to study natural forms. By 1923, Bernath's fascination with these forms becomes apparent with the complete shift in focus of his subject matter from the sights and scenes of his urban surroundings to the land and seascapes of New...

Well painted French late 20th Century Anglo/American Impressionist painter Charles B. Hall. This was painted on a trip to France circa 1988 Hall painted marine scenes, landscapes,...

Sun reflecting on the snowy mountains at Meadows Valley, Idaho in this mid century winter landscape by Violet Root (Esther Florence Violet...

Vintage American school abstract expressionist oil painting. Oil on canvas. Vibrant color and confident composition.

6001 San Martino Hill ,Naples Italy, a 1940's oil on canvas applied on board,displayed in a gilt wood frame.Signed by Ferrara

"Lumberville in Winter" is a 14 x 20 inches winter landscape by American Impressionist painter, Laurence A. Campbell. This regional, Pennsylvania scene is an excellent example of the...

A dramatic, spacious abstract landscape and sky painting. "I feel my boots trying to leave the ground, I feel my heart pumping hard. I want to think again of dangerous and nobl...

J.A.Terry, A scene of the London to Exeter Mail Coach and a road in a landscape. This charming oil painting of the iconic London to Exeter mail coach, by English painter J.A. Terry ...

"Yin Yang" by Hadley Rampton (United States) is a handmade landscape painting that is unframed, but ready to hang. Hadley Rampton’s paintings are an amalgamation of her love of comp...

Abstract landscape painting of a white cloud in a light blue sky over a dark country field "Hayfield Two Thirty," painted by David Konigsberg in 2019 oil o...

This James Webb English marine painting, circa 1870, is a masterpiece of atmospheric charm and technical precision that would appeal profoundly to an interior designer or fine art co...

Morris Walton Leader (1877- 1966) Morris Walton Leader was born in Marshall, Texas, in 1877. He died in Austin, Texas, where he had lived since he was a young boy. He studied with ...

Luminous Beach - The painting was created in 2025 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon...

This exquisite oil on canvas depicts a mythological scene rendered with great finesse, likely painted during the late 17th century. A reclining nude female figure, partially draped i...

"In the Air" is a 16x20 oil painting on canvas by renowned artist Anne Packard. This expansive beach seascape reaches out towards the horizon.. A moody sky hangs down upon the scene...

A wonderful Impressionist summer pastoral scene of a colorful quaint home and barn in a green pastoral landscape. Willet has portrayed this piece in a most intimate, yet energetic wa...

Provenance Acquired by the gallery directly from the artist Artist Statement "I painted this work on location above Luffenholtz Beach in Trinidad California. Our coastline is stunni...

This is an original oil painting on canvas by European Artist R.Kardau (XX). This painting depicts a vibrant riverside scene, capturing a market bustling with life along a waterfr...

Unknown Artist, Late 19th Century Signed: L.H. (Lower, Right) Along a Winter Path, c. 1880s Oil on Canvas 22" x 36" Housed in a 4" Ornamented Frame Overall Size: 30" x 44" An ...

This artwork "Seascape, California Coast" is an oil painting on canvas by noted California artist Willam Henry Blackman, b.1930. It is signed at the lower left corner by the artist, also stamped signed in the back. The canvas size is 23.75 x 48 inches. It is in excellent condition. About the artist: William H. Blackman was born February 2, 1930 in San Diego. He spent most of his early years in West Los Angeles. He became interested in art at about the age of 12 when he painted his first oil painting. In high school he majored in art so he could experiment with various mediums to find ways to interpret his ideas. In December of 1948 he joined the Navy and was stationed in Hawaii. After his tour of duty he returned to California and attended Woodbury College to learn about advertising and the graphic arts. While there, he met his wife Shirley, who coincidentally came from the Big Island of Hawaii. They were married on June 11, 1955 in her home town of Honokaa. When they returned he began his career in the graphic arts. In 1960 they began their family and moved to a new home in the San Fernando Valley. Meanwhile, Bill had become interested in the fine arts again. His position as an advertising production manger put him in contact with art directors and they would lunch together and then visit various art galleries in the area. He began oil painting again as a hobby. In 1964 he made an important contact through an associate at his agency. This person was a vice-president at Aaron Brothers Galleries and purchased paintings for them. They had showrooms in various major cities and sold original framed paintings to art galleries and furniture stores. He said they could possibly sell some of his seascapes so Bill began painting in his spare time. Gradually, they sold more than he could produce so Bill made the decision to leave the advertising business and devote his time to painting. In 1965 the Blackman's moved to Thousand Oaks, California. He began his career as a fine artist and to this day resides in Thousand Oaks. He contracted with Aaron Brothers to be his exclusive agents and began specializing in seascapes. After a few years he added landscapes and some other subjects. Bluebonnet landscapes and Padre Island seascapes were popular in the Dallas showroom. He and his family vacationed frequently in Hawaii and that became another source of inspiration. There, he was represented by the Davis Gallery in Honolulu. A good relationship with "Barney" Davis continued after the closing of the Aaron Brothers Wholesale Division in 1980. He painted for the Davis Gallery for about 8 years until they closed due to illness. Afterwards, he was contacted by Kobayashi Art Enterprises and has been represented by them. In 1980 he began teaching in private studios around the country, demonstrating his method of painting various subjects. During the latter part of the 80"s he was approached by Susan Scheewe Publishing to author and illustrate a book showing his way of painting. The first was published in 1990 and he has authored four other books since then. He demontrated six different instructional video tapes that were produced by his artist friend Gary Jenkins. Gary, who was helpful introducing Bill to the teaching business, was also an artist for Aaron Brothers Galleries. William Blackman is a published artist. Twenty subjects have been lithographed, six being limited editions, when he was with Aaron Brothers. One of his Hawaiian paintings...

A whimsical oil painting depicting a Street Scene in Venice of people going about their day by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produ...

Landscape with Temple ruins and figures 19th century Possibly signed lower right Oil on canvas 31 x 40

A Brightly-colored, Mid-Century painting of a red barn & mill scene by notable Illinois artist Stan Dudek. After years of driving from his home in the far west suburbs to his job as...

Gaze shows the famous Texas Longhorn on a Texas ranch. It has an Impressionistic Style as seen in many of Virginia Vaughan's Texas paintings. She is kno...

"Moonrise Over Ram Island" is an Impressionist oil on linen painting by Viktor Butko. It depicts the moon rising over water of Ram Island. There is a boat sailing through the water w...

Alfred de Breanski Sr is one of the finest plein art artists of the Scottish Highlands. Renowned for capturing the fleeting light of sunset and sunrise, de Breanski masters layers an...

Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chicago Galleries Association and titled, 'Sunny Yards' (attached, partial label from original frame) A staunch proponent of pure Impressionism at the turn of the twentieth century, Pauline Palmer influenced the world of American art far beyond her Midwestern art community. Primarily known for her landscapes and portraits, Palmer rejected the waves of modernism that hit the United States in the teens and twenties, remaining true to the traditions of Impressionism. In 1923, she established the Association of Chicago Painters and Sculptors as an alternative to the increasing number of institutions celebrating Abstraction and Cubism. Pauline Palmer was enrolled at the Art Institute of Chicago from 1893 to 1898, and studied with some of the most prominent artists of the period, including William Merritt Chase and Frank Duveneck. Following her graduation, Palmer moved to Paris and attended the Académie de la Grande Chaumiére and the Académie Colarossi, where she studied under Raphael Collin. While in France, she exhibited with success including at the Paris Salon each year from 1903-06 and, again, in 1911. Her principal teacher and friend in Paris was the American Impressionist, Richard Emil Miller, whose shimmering handling of light made a profound impression upon her. Palmer also traveled extensively throughout Europe, a rite of passage for aspiring artists of her time. Returning to Paris, she studied with Gustave Courtois and Lucien Simon, both exemplars of compositional structure. Upon her return to the United States, Palmer set up her first American studio in the legendary Tree Studios building in Chicago. The artist's husband, Dr. Albert Palmer, whom she had married in 1891, both supported and encouraged his wife's artistic development. The couple kept a summer home in Provincetown, Massachusetts, where she made friends with many of the Portuguese fishermen's families, often using their children and the routines of their daily lives as subject matter for her painting. Pauline Palmer exhibited widely and with success, including in Italy, France, Norway and throughout the United States. Her works were shown at the National Association of Women Painters and Sculptors and, beginning in 1899, she exhibited at the Art Institute of Chicago for twenty-seven consecutive years. Over the course of her long career, she exhibited over 250 paintings at the Art Institute of Chicago, including at two solo exhibitions. She was the recipient of numerous prizes, medals and juried awards including nearly all the AIC's major awards, purchase prizes and honorable mention citations. Palmer also received a gold medal from the Colarossi Academy in Paris. Involved in numerous artist organizations, she was a member of the Chicago Municipal Art League, the Chicago Art Guild, the Chicago Arts Club and a charter member of the Chicago Women's Salon. Elected the first woman president of the Chicago Society of Artists, she went on to serve as president of both the Art Institute Alumni Association and the Chicago Association of Painters and Sculptors. Considered by the Modernists of her day to be a traditionalist, Pauline Palmer remained true to her artistic vision and she continues to be regarded as one of the leading women of American Impressionism. Her light-filled, colorful compositions captured landscapes and scenes of American daily life with unusual freshness and seeming effortlessness. Celebrated during her life as "Chicago's Painter Lady," Palmer was honored twelve years after her death by a posthumous retrospective at the Art Institute of Chicago and the establishment of an annual scholarship awarded in her honor by the Art Institute of Chicago. (with thanks to Hali Thurber) CHRONOLOGY 1867, Born in McHenry, IL 1885, Moves to Chicago to teach art 1891, Marries Dr. Albert Elwood Palmer 1893, Exhibits, World's Columbian Exposition, Chicago 1896, First exhibits at the Art institute of Chicago 1898, Exhibits at Exposition in Omaha, NE 1899, First exhibit, Pennsylvania Academy of Fine Arts 1900-1902, Studies with various artists in Paris 1901, Exhibits at Exposition in Buffalo 1903-1906, Exhibits at Paris Salon 1904, Exhibits at Universal Exposition in St. Louis, 1907, Four prizes at the Art Institute of Chicago 1911, Exhibits at the Paris Salon 1911, Exhibits at the Expositione de Belle Arti, Naples 1913, Solo exhibition, Art Institute of Chicago 1915, First prize, Society of Western Artists 1917, Opens first American studio in Chicago 1918, First woman president, Chicago Society of Artists 1918-1929, holds position of president for 11 years 1918-1921, Silver medals, Society of Chicago Artists 1921, Silver medal at Peoria Society of Allied Artists 1927, President, The Art Institute Alumni Association 1929-1931, President, Chicago Association of Painters and Sculptors 1938, Dies, Trondheim, Norway AWARDS 1904, Universal Exposition in St. Louis, bronze medal 1907, Art Institute 's Chicago Artists' Exhibition 1915, Society of Western Artists exhibition, first prize 1918, Society of Chicago Artists, silver medal 1921, Peoria Society of Allied, silver medal Solo Exhibitions: 1913, Art Institute of Chicago 1939, Art Institute of Chicago, memorial exhibition Union League Club of Chicago, memorial exhibition Group Exhibitions: 1893, World's Columbian Exposition in Chicago 1896, Art institute of Chicago 1898, Exposition in Omaha, NE 1899, Pennsylvania Academy of Fine Arts 1899-1926, Art Institute of Chicago 1901, Exposition in Buffalo 1903-06 Paris Salon 1904, Universal Exposition in St. Louis 1911, Paris Salon 1911, Expositione de Belle Arti, Naples 1915, Exposition in San Francisco 1950, Chicago Galleries Association 1984, Lakeview Museum of Arts and Sciences, Peoria Memberships: 1918-29, First woman President,Chicago Society of Artists 1927, President of The Art Institute Alumni Association 1929-31, President of Chicago Association of Painters and Sculptors Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. X, page 523; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. XXVI, page 129; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. III, page 2512; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 708; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. II, page 1047; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 326; Pauline Lennards Palmer...

"Triple Toast" by Amy Dixon – Veuve Clicquot Champagne Painting, Mixed Media on Canvas, 11x14 in Celebrate in style with Triple Toast, an 11x14 inch mixed media painting by Amy Dixon...

Windowsill Richard Mizdal, American (1944) Date: 1985 Oil on Canvas, signed and dated lower right Size: 54 x 40 in. (137.16 x 101.6 cm)

Antique American modernist landscape oil painting. Oil on canvas. Framed. Signed verso.

Antique American school seascape oil painting. Oil on canvas. Framed. Signed. Image size, 30L x 24H.

Two good matched paintings for the price of one! Charming pair of original oil paintings on canvas, the pair is from the 19th century, Victorian era in the Scottish style by Scott...

4095 Covered bridge landscape oil on canvas set on board Image size 20x24" Set in a custom wood frame

A Summer’s Day by William Miller Frazer (1864-1961) depicts a tranquil countryside scene of sheep grazing and resting. Frazer’s sheep find numerous ways to enjoy the pleasantries of ...

Lionel Kalish (American B.1931) "A Villa on the Sea", c. 1980 Oil on canvas Hand signed lower right L.Kalish Bark Frameworks Inc. N.Y. label verso 16" x 24" Lionel Kalish born...

Foster Jewell (American, 1893-1984) Signed: F. Jewell (Lower, Right) " Mission San Juan Capistrano ", circa 1934 Oil on Canvas 21" x 25" Beautifully housed in a 4" Carved Frame ...