Continental US - Nude Paintings

Austin Surrealist Artist

Zack Zdrale (b. 1977) takes a traditional approach to his work although his subjects and compositions place his work in the present. He is mostly known for...

Beautiful drawing by Jean-Baptiste Valadie, hand-signed, museum frame

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is sretched. Artwork is in excellent condition. Certificate of ...

Medium: Oil on Canvas Signature: Signed Lower Right This painting was reproduced on page 151 of John La Gatta-An Artist's Life by Jill Bossert, Madison ...

Watercolor, mixed media, using resists. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sense of...

'Boy' 2003 by American artist, Kim McCarty. Watercolor on paper, 29.75 x 22.25 in. (framed). This work on paper expresses the fragile vulnerability of adolescence. By using a “wet into wet” watercolor medium, the artist conveys the transitory and emergent state. The figures heads become too large for their small, narrow bodies, their hands too large for their arms. The translucent watercolor expresses both the flaws and perfection. Kim McCarty is known for her nubile and waif-like figurative watercolors in muted hues, which she likens to “blurry afterimages drifting past closed eyelids.” McCarty began working with the medium in 1993, after a fire destroyed her studio and she could no longer find a space with proper ventilation for working with oil paint and became quickly intrigued with watercolor’s transparency, immediacy, and “unforgiving qualities.” She works in a wet-on-wet technique, in which watercolor is applied to a moistened sheet of paper—a technique that allows for very little control over the final image because of the pigment’s tendency to spread. For McCarty, this style corresponds to the longing, loss, and vulnerability embodied in her subjects. A graduate of UCLA (MFA) and the Art Center College of Design, Pasadena (BFA), McCarty has had many solo exhibitions include Morgan Lehman Gallery, New York and David Klein Gallery...

Carlos Enrique Alvarez Delgado (1976, Pinar del Río, Cuba) studied at the E.V.A. Raúl Sánchez (Pinar del Río) and later at the National School of Plast...

Watercolor, mixed media, using resists. This piece is very much about the energy of the body and breath. We are just rediscovering the power of the breath to increase energy and general well being. This work is so important as our society gets more disembodied and broken, we need to come home to our bodies and realize the sacredness of ourselves and every being on the planet. Janet has both shown and taught with Alex Grey...

Watercolor, mixed media, using resists. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sense of humor and spiritual depth s...

Anthony Palliser was born in 1949 of an English father and a Belgian mother. He studied at Downside school and graduated from New College Oxford. In 1...

John Braden (Brady, American, XX), Two Nude Female Figures, Oil on Canvas, depicting one standing and one sitting female figure, signed lower right, signed and marked "Lanning (Eve)"...

Rose Victor (XX) Abstract Seated Nude Woman, Oil on Canvas with Collage Elements, figure in white with one leg up, collaged repeated images of an abstracted figure in hat, signed up...

"The Bronze Emperor" by Igor Samsonov is an Original Surrealist Oil painting that measures 42x53 in. Igor paintings are rich with symbolism and tell st...

Marshall Jones is a realist painter born in Atlanta Georgia, and presently working and living in New York City. From 2008 to 2015 Marshall was the recip...

Richard Hawk calls his works of oil on copper a “co-creation with nature”. Hawk turned to the melding of copper oxidation and traditional oil painting in 2011. His works on canvas, p...

Richard Hawk calls his works of oil on copper a “co-creation with nature”. Hawk turned to the melding of copper oxidation and traditional oil painting in 2011. His works on canvas, p...

Is it discomfort, or excitement, that you feel when you watch these women languidly roust, or subtly drift asleep? Do you happily play the voyeur, seduced by their beauty and the opu...

Romantic and expressionist nude artwork on canvas.

Loretta Hirsch, LOVE CHAINS, ink marker pencil, liquid ink, gold leaf, on German Card stock Paper, 11.70 X 8.30 in, $740.00 (unframed) Born in Oklahoma and educated at the Atlanta C...

Fabry's captures the hight of elegance in his loose style. Conte crayon, watercolor on watercolor paper Signed lower right Private collection Other works by this artist: ca. 1940 - ...

"Flora #13" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of purple, pink, orange, blue and white. Guy Robinson is inspired by ...

Argentine painter. He was born in Buenos Aires on February 21, 1915. He studied at the National School of Fine Arts and then, for two years, at the Argentine Institute of Graphic Arts, guided by the painter Lino Spilimbergo. He exhibited for the first time in 1939 as a member of the Orión Group. Starting in 1946 he exhibited individually and in various salons, obtaining numerous rewards, among them: ?? Enrique Cabré Moré ?? Painting Prize; First Prize National Hall of Bahía Blanca; Second Prize for Drawing XXXVII Annual Salon of Watercolorists; ?? Raúl Castellví ?? Painting Prize, XXVI Annual Salon of Santa Fe; Acquisition Prize First Salon of La Rioja, and First Prize of Drawing Salon de Acuarelistas. In 1959 he won the Grand Prize at the National Hall, the Mar del Plata Hall and the Municipal Hall. In 1963 the National Academy of Fine Arts awarded him the Dr. Augusto Palanza Prize. In 1950-51, he visited Spain, France, Italy, and England; in 1955-56 he traveled to the US and in 1966-67 he traveled to Spain, Portugal, France and Belgium. In 1967 he was invited to the Sacred Art Show at the Museum of Modern Art in Paris and presented a retrospective exhibition at The Gallery of Modern Art and The Huntington Hartford...

"Floral #7" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of vibrant lilac, rich purple, bright green, yellow ochre, and blue. ...

paint chip sample mosaic in Ralph Lauren gift box, wood, leather Born in 1971 in Cincinnati, Ohio, Carlton Scott Sturgill received his Masters of Arts (Fine Art) from London’s Chels...

Pham Minh Tuan expresses his perception of modern Vietnam through his art. He believes many people are conflicted between tradition and modern influences on their society. Tuan was b...

Acrylic On Canvas 36" x 48" x 1 3/8" "How would you describe your work? I’d describe my work as playful, expressive, and simplistic, yet loaded with emotion. I try to evoke feeling...

Acrylic On Canvas 36" x 48" x 1 3/8" "How would you describe your work? I’d describe my work as playful, expressive, and simplistic, yet loaded with emotion. I try to evoke feeling...

Lisa Martin - Nude Figure Study, Year: circa 1996, Medium: Oil on Canvas, Size: 15 x 18 in. (38.1 x 45.72 cm)

Lisa Martin - Woman Dressing, Year: circa 1996, Medium: Oil on Canvas, Size: 49.25 x 39.25 in. (125.1 x 99.7 cm)

Lisa Martin - Profile of Nude Woman, Year: circa 1996, Medium: Oil on Canvas, Size: 18 x 15 in. (45.72 x 38.1 cm)

Lisa Martin - Nude Figure Study II, Year: circa 1996, Medium: Oil on Canvas, Size: 18 x 15 in. (45.72 x 38.1 cm)

Lisa Martin - Nude Male Figure Study, Year: circa 1996, Medium: Oil on Canvas, Size: 18 x 15 in. (45.72 x 38.1 cm)

Lisa Martin - Nude Figure Study III, Year: circa 1996, Medium: Oil on Canvas, Size: 18 x 16 in. (45.72 x 40.64 cm)

Lisa Martin - Profile of Nude Woman III, Year: circa 2000, Medium: Oil on Canvas, Size: 14.75 x 18 in. (37.47 x 45.72 cm)

JD Raenbeau Full Moon 2024 Signed Oil on panel 12 x 16 inches

Signed (at lower right): FK [in monogram} EXHIBITED: Whitney Museum of American Art, New York, October 1–November 24, 1968; Dallas Museum of Fine Arts, Dallas, December 17, 1968–Jan...

Orpheus and Eurydice Erle Loran, American (1905–1999) Date: 1949 Oil on Masonite, signed and dated lower left Size: 24 x 36 inches

Texaco Kadir Lopez, Cuban (1972) Date: 2015 Mixed Media on Enamel sign, signed, dated and titled lower left Size: 47.5 x 47.5 in. (120.65 x 120.65 cm)

Luis Frangella (1944-1990) was a figurative, postmodern painterand sculptor. He earned a Masters in architecture at the University of Buenos Aires in 1972 and then attended the Massa...

Modern figurative nude painting by Texas-based artist Kermit Oliver. The work features a woman reclining on a blanket in the middle of a field next to a cat and dog. There is a magaz...

Workshop of Bartholomaeus Spranger 16th Century Flemish Leda and the Swan Oil on panel Retelling one of the most legendary Greco-Roman mythological tales, this exceptional oil on...

Benjamin Bennon most prominently worked in the cubist tradition, stretching and fracturing the figures of his subjects in order to take new approaches to their meaning and interpreta...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...

Russell Young, unique oil on canvas with diamond dust

Daniel Sprick's (US based) "Dreaming Venus" is an original, handmade oil painting that depicts a nude feminine model laying on her side in the fetal posi...

It is with great pride that we present a recently completed oil painting by Azerbaijani artist, Fidan Kim. Ms. Kim is a classically trained painter whose paintings evoke the surreal...

For Pierre-Auguste Renoir, Impressionism's pre-eminent figure painter, depicting the nude was an exercise in bringing the canvas to life. He once said, “I look at a nude, I see myriads of minuscule shades. I have to find those which will make the flesh on my canvas come to life and resonate.” This compelling portrait by Renoir entitled Après le bain presents the nude figure of a woman in a serene, private moment, absorbed in the task of drying herself after a bath. The artist’s mastery of light and shading is incredible, achieving a sense of vitality in this otherwise ordinary scene. Renoir is celebrated for his figural work, especially his Rubenesque female nudes, however, it was not until the artist was in his forties that he depicted the nude with any frequency. In 1881, Renoir traveled to Italy, where he studied the works of the Renaissance masters and the ancient art of Pompeii and Rome. Upon his return to France, the nude became his favored subject, and he used the motif to combine the spontaneity of Impressionism with the solid modeling of classical painting. Renoir’s medium here, sanguine, a reddish-brown chalk, was used extensively in the Renaissance by Leonardo (who employed it in his sketches for the Last Supper), Michelangelo and Raphael. Its warm hue lends itself well to depicting flesh, and the chalk drawing allows for a greater focus on line, form and texture in a departure from the aspects of color and light that so often preoccupied the Impressionists. Après le bain conveys the impression of arrested motion with perfect naturalness, deftly capturing the moment before the elegant lines of the sitter's form change position. The sitter is almost certainly Gabrielle Renard, the nanny to Renoir’s children and a frequent model for the artist. Gabrielle was the cousin of Renoir’s wife, Aline, and came to Montmartre to work for the family at the age of 16. She developed a strong bond with the family and became a favorite subject for Renoir, appearing in several of his most important works, including his 1911 Gabrielle with a Rose (Musée d'Orsay). When Renoir began to suffer from severe rheumatoid arthritis that would eventually leave him unable to walk and scarcely able to grasp a paintbrush, it was Gabrielle that would assist the artist by positioning the paintbrush between his crippled fingers. Born in Limoges, France in 1841, Renoir began his career as an apprentice to a painter of porcelain wares. He later moved to Paris at the age of 21, enrolling at the prestigious École des Beaux-Arts. It was here, while studying under Charles Gleyre, that Renoir attained a tremendous appreciation for the academic style of painting, a quality that would last throughout his career. This was also when he met Claude Monet and several other classmates, with whom he would later form the Impressionists. Working closely with Monet, Renoir began experimenting with the portrayal of light and its effect on his canvases. The youngest member of the Impressionist movement, an astute Renoir recognized how a subject was constantly changing due to the dynamic effects of light on color. Relying heavily upon his academic training that focused on composition, lines and descriptive details, Renoir distinguished himself among his contemporaries. His intuitive use of color and expansive brushstroke, along with acute attention to his subject, have placed him among the finest painters in history. This work is accompanied by a certificate of authenticity and will be included in the forthcoming catalogue raisonné of the work of Pierre-Auguste Renoir from the Wildenstein Plattner Institute. Circa 1898 Canvas: 43 1/2" high x 35 1/2" wide Frame: 57 3/4" high x 49 1/4" wide Provenance: Galerie Durand-Ruel, Paris (acquired from the artist on January 25, 1899) J. Pereire Collection, France (1966) Sam Salz, New York (before 1981) Claus Virch, Paris French Compagny, Inc., New York Larry Silverstein, New York (circa January 1987) Le Clos de Sierne Gallery, Geneva Galerie Heyram, Paris (October 1987) Francis Gross M.S. Rau, New Orleans Literature: B. Schneider, Renoir, Berlin, 1957, p. 95 (illustrated in color, p. 83) M. Gauthier, Renoir, Paris, 1958, p. 83 (illustrated in color; erroneously dated '1916' and titled 'Woman in her toilet') F. Fosca, Renoir, L'homme et son obra, Paris, 1961, p. 280 (illustrated, p. 95; erroneously dated 'about 1890' and titled 'After the Bath...

Seated Nude by George Grosz (1893-1959) Oil on canvas 9 ½ x 5 ½ inches unframed (24.13 x 13.97 cm) 15 x 12 inches framed (38.1 x 30.48 cm) Signed on bottom...

This watercolor on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude m...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude male standing in pose. Artis Lane, in her many nudes, chose to depict a diversity of bodies, of all shapes, colors, and sizes. This work was recently exhibited adjunct to the "Steps Towards Justice: Artis Lane's Portraits of Rosa Parks" exhibition at Collected Detroit in 2021. Most recently in January 2021 Ms. Lanes' dynamic sculpture bust of Rosa Parks was chosen from the National Portrait Gallery in Washington DC to reside in the President's Oval Office as a reminder to all who visit or see it via press photographs of her courageous demand for equal rights. It is a constant source of inspiration. All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane Artis Lane lived and worked in Los Angeles for over twenty years. She knew many celebrities, movie stars and individuals who moved in those circles. She was a sought after portrait painter. This particular painting of the famous movie star, Zsa Zsa Gabor, shows why. Artis has captured the personal essence of her subject, a warm, friendly woman, though famous, is not absorbed in her notoriety. This piece is signed by the artist on the lower right. Born Artis Marie Shreve in 1927, near an all-Black village in North Buxton, Ontario, Canada. After three years of art college in Toronto, Canada, Artis moved to Detroit where she met and married journalist and activist Bill Lane. In Detroit Artis Lane continued her training at Cranbrook Academy of Art in Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock known for blown glass) and Larry Butcher (mixed media abstract artist.) While in the Motor City she painted and sculpted the portraits of many of the business and political leaders of the day; Governor George Romney, Ford family members and Coleman Young, the Mayor of Detroit. After her divorce, she was invited by Diahann Carroll...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude ...

This graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a n...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude ...

This acrylic and graphite on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject i...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject ...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude woman sitting in pose. Artis Lane, in her many nudes, chose to depict a diversity of bodies, of all shapes, colors, and sizes. This work was recently exhibited adjunct to the "Steps Towards Justice: Artis Lane's Portraits of Rosa Parks" exhibition at Collected Detroit in 2021. The matte of this work is 31 x 25.75 inches while the image is 25.5 x 19 inches. Most recently in January 2021 Ms. Lanes' dynamic sculpture bust of Rosa Parks was chosen from the National Portrait Gallery in Washington DC to reside in the President's Oval Office as a reminder to all who visit or see it via press photographs of her courageous demand for equal rights. It is a constant source of inspiration. All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane Artis Lane lived and worked in Los Angeles for over twenty years. She knew many celebrities, movie stars and individuals who moved in those circles. She was a sought after portrait painter. This particular painting of the famous movie star, Zsa Zsa Gabor, shows why. Artis has captured the personal essence of her subject, a warm, friendly woman, though famous, is not absorbed in her notoriety. This piece is signed by the artist on the lower right. Born Artis Marie Shreve in 1927, near an all-Black village in North Buxton, Ontario, Canada. After three years of art college in Toronto, Canada, Artis moved to Detroit where she met and married journalist and activist Bill Lane. In Detroit Artis Lane continued her training at Cranbrook Academy of Art in Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock known for blown glass) and Larry Butcher (mixed media abstract artist.) While in the Motor City she painted and sculpted the portraits of many of the business and political leaders of the day; Governor George Romney, Ford family members and Coleman Young, the Mayor of Detroit. After her divorce, she was invited by Diahann Carroll to move from Detroit to come live in New York City where she met and married, Vince Cannon. They spent time in Texas, Ruidoso, New Mexico and traveled to Mexico City, Mexico to paint many of the prominent families in the region. Eventually she settled in Los Angeles and has recently relocated to Detroit. Her portrait and sculpture work has depicted dignitaries like Jaqueline Kennedy, Nelson Mandela, Gordon Getty, President Reagan, President Obama, First Ladies, Hillary Clinton and Michelle Obama, Mrs. Walter Annenberg, Nancy Kissinger, including her most recent portrait commissioned by Academy Award winner, Jaime Fox. It’s an elegant painting of Oprah Winfrey, which was unveiled live on her show. Artis Lane has sculpted Don Cornelius, Quincy Jones, Lupita Nyong’o, Lena Horne, Stevie Wonder, and Magic Johnson, and many more. In the 1970’s, social issues became the next focus of her work, which included “Tear on the Face of America,” her civil rights statement, and “The Beginning,” a now famous painting depicting a young Rosa Parks seated in the fateful bus. Artis was honored by the Smithsonian National Portrait Gallery in Washington DC during the installation of her bronze sculpture of civil rights leader and longtime friend, Rosa Parks. In 1999, she was selected to execute and design the Congressional Medal of Honor awarded to Ms. Parks. “My Civil Rights images led me naturally to ideas about what and who we are outside of race. I went from there to the most important body of work, the metaphysical images of generic man and generic woman emerging out of the ignorance of material concepts and evolving into spiritual awareness.” Artis Lane. The bigger challenge was to create art that could symbolize and communicate certain spiritual truths that have guided Lane’s life and creative endeavors for most of her adult years and led to her Metaphysical work. She leaves the workings of the foundry: the gaiting material, ceramic shell mold, etc., (the “birthing” materials of the foundry), on the bronze to symbolize generic man emerging out of material thinking into spiritual consciousness. She then shows the work in pairs… the traditional black patina bronze, with the ceramic shell pieces as a metaphor for the moralistic/materialistic conversations that mankind has wrestled with throughout eternity. The new millennium brought new challenges and celebrations of her work. At the age of 80, Lane was commissioned to create a 12ft bronze of her “Emerging First Man.” The sculpture was created for an 1100 acre private estate community in Atlanta, GA. In 2007, she was honored by The California African American Museum with a retrospective of her life’s work which included almost 100 works of art. In 2009, First Lady Michelle Obama unveiled Lane’s bust of Abolitionist and Suffragette, Sojourner Truth, which was the first African American woman to be installed in the new Emancipation Hall and is now a part of the collection of the United States Capitol. Ms. Lane’s solo exhibit, “The Art of Artis Lane,” at the Forest Lawn Museum, Glendale, Ca in 2011, brought a thought provoking retrospective of her art to the public including the “Divine Metaphysics” series. Her bust of Arnett Hartsfield, Jr., Pioneering Firefighter & Activist, unveiled at The African American Firefighter Museum in Los Angeles in 2012. The California African American Museum in Los Angeles, mounted a retrospective exhibition entitled “A Woman’s Journey: The Life and Work of Artis Lane” in 2007/2008 and subsequently honored her with its Lifetime Achievement Award. Lane presented an official portrait of Los Angeles Mayor Antonio Villaraigosa, which was unveiled at City Hall by Mayor Eric Garcetti in 2014. All are merely a few recognitions of her achievements over the decades. Lane’s HistoryMakers interview was made a permanent part of the Library of Congress Collection in 2014. Her Artwork is displayed around the world. Artis has been a constant presence at the openings of her artistic colleagues in the region. As one of the honored “elders,” she provides encouragement and support for the younger African American artists who strive to use their own talents to express visions of social, ethical, and spiritual importance. She is, in short a force of nature whose life and work have graced both her native Canada...

This charcoal on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude mal...

This mixed media on paper from the seminal artist Artis Lane is one of the many model paintings from her long and illustrious career. The subject is a nude standing in pose with her head turned downward. Artis Lane, in her many nudes, chose to depict a diversity of bodies, of all shapes, colors, and sizes. This work was recently exhibited adjunct to the "Steps Towards Justice: Artis Lane's Portraits of Rosa Parks" exhibition at Collected Detroit in 2021. The matte of this work is 31 x 25.75 inches while the image is 25.5 x 19 inches. Most recently in January 2021 Ms. Lanes' dynamic sculpture bust of Rosa Parks was chosen from the National Portrait Gallery in Washington DC to reside in the President's Oval Office as a reminder to all who visit or see it via press photographs of her courageous demand for equal rights. It is a constant source of inspiration. All my life I have worked on three levels of consciousness: Portraits, Social Injustice & Metaphysics. In my work I strive to heal, uplift and inspire viewers and collectors to find perfection in their own being. - Artis Lane Artis Lane lived and worked in Los Angeles for over twenty years. She knew many celebrities, movie stars and individuals who moved in those circles. She was a sought after portrait painter. This particular painting of the famous movie star, Zsa Zsa Gabor, shows why. Artis has captured the personal essence of her subject, a warm, friendly woman, though famous, is not absorbed in her notoriety. This piece is signed by the artist on the lower right. Born Artis Marie Shreve in 1927, near an all-Black village in North Buxton, Ontario, Canada. After three years of art college in Toronto, Canada, Artis moved to Detroit where she met and married journalist and activist Bill Lane. In Detroit Artis Lane continued her training at Cranbrook Academy of Art in Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock known for blown glass) and Larry Butcher (mixed media abstract artist.) While in the Motor City she painted and sculpted the portraits of many of the business and political leaders of the day; Governor George Romney, Ford family members and Coleman Young, the Mayor of Detroit. After her divorce, she was invited by Diahann Carroll...