Continental US - Photography

Desert Junkyard II (29 Palms, CA) - 1999 58x56cm, Edition of 10 analog C-Print, hand-printed by the artist based on the Polaroid Artist inventory #319.02 Mounted on Aluminum Dese...

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...

A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured in the group are: industrial designer Raymond Loewy (1893 - 1986, centre, standing), Nelda Linsk (in yellow), wife of art dealer Joseph Linsk, and Helen Dzo Dzo (second from right) Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Reference: "Dive in: how Slim Aarons art directed the poolside summer. French brand Maje are the latest label to take inspiration from Slim Aarons’ pictures of the jetset on holiday." Slim Aarons Palm Springs Party...

This photograph by Bill Costa is offered by CLAMP in New York City. They Stripped Him and Put on Him a Scarlet Rob[e] 1990 Signed, titled, dated, and numbered in ink, verso Gelati...

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

Signed color slide print of Nirvana taken by Kirk Weddle during his session with the band in the pool to promote the 1991 groundbreaking album, Nevermind. This is a photograph, take...

"The Glimmer Twins - Mick Jagger" Photography 20x15 in by Charlie Auringer Year: 1978 Edition of 50 Medium: Silver gelatin limited edition photographic print on paper Signed and num...

HRH Princess Anne 1971 C print Estate stamped and numbered edition of 21 on verso Her Royal Highness Princess Anne sits in a car for a portrait to celebrate her 21st birthday, 1971....

ABOUT THIS PIECE: "As a self-portrait artist, I use the observation of my surroundings, personal experiences, and my own personal growth to create conceptual images. I am a highly po...

Temporal Perception 92 (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30"...

Dust - 2021 50x40cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2021-1085. Not moun...

The Tears we cried (Till Death do us Part) - 2007, 20x20cm, Edition of 10. Digital C-Print print, based on a Polaroid, Certificate and Signature label. Artist Inventory No. 8583. N...

Photograph of Jerry Garcia in 1978 at the Pyramids in Egypt. The Grateful Dead played 2 shows in Giza, Egypt on September 15 & 16th. Signed and numbered by photographer. #21/25

Play among the Stars (Till Death Do Us Part) - 2005 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature labe...

From the transformative to the ephemeral, the birth and death of a butterfly is reimagined in a photo series by Roberta Fineberg inspired by a poem by 13th Century Persian poet Rumi a great believer in the power of love: ‘Whatever you know, or don’t - only love is real’. A contemporary color photograph of a butterfly the work explores the natural and man-made world in which a caterpillar breaks free of its skin for a metamorphosis. Hatching into an exquisite creature...

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...

Tree Study I by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 26 x 40 inches / 66cm x 102cm signed edition of 2...

Bob Gruen John Lennon NYC 1974 (printed later) 40 x 30 inches Signed and numbered edition of 75 Also available as a black and white silver gelatin print Bob Gruen (born 1945) is an...

60 x 40 inches Archival Pigment Print Mounted and Framed - Black Matt Frame. Frame Profile 0.75 x 2 inches (see images) Non-glare Large-scale photograph from the Equine Beauty serie...

Black and white glamour shot of Rita Hayworth posed smiling on bed. Rita Hayworth was an American actress, dancer, and pin-up girl. She achieved fame in the 1940s as one of the top ...

Museum quality fine art print of an alternative shot from the cover shoot for Aladdin Sane by David Bowie from the official Duffy Archive. This official Duffy Archive print is avail...

This is a contemporary photograph of a Tiger by Shane Russeck. Printed on archival paper using archival inks Shane Russeck is a modern day photographer, adventurer, and explorer. ...

Hilltop, limited edition, archival pigment ink photograph, signed and numbered When looking at Julie Blackmon’s “Hilltop,” notice the elements that are in motion: the grass on the h...

"A single dark horse rearing up with a rock formation rising in the background A dark horse rearing up with the backdrop of a towering rock formation This powerful global series ex...

Persephone III by Erik Pawassar 24 x 19 inches (61 x 48cm) signed edition of 25 40 x 31 inches (102 x 79cm) signed edition of 25 62 x 48 inches (157 x 122cm) signed editio...

'Spring Flood' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for an unframed print, edition 2/10. Richard Skoonberg is inspired by the work of Eliot Porter...

Patrick Burns No Charges original newsprint, acrylic, polymer, resin on panel 32h x 48w in 81.28h x 121.92w cm PB0004 Patrick Burns b. 1987, Cleveland, OH Bio I like to explore themes that are unique to the American experience in my work. By merging the iconography of the US flag and the headlines from major events of our past, I can express a more personal understanding of what it means to be an American and the journey that has shaped our country.   West Virginia Raised. Maine Educated. Colby College  Exhibitions 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL American Experience, Ann Nathan Gallery, Chicago, June 2015 2014 (e)merge Art Fair, Capitol Skyline Hotel, Washington, DC. Amstel...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

George Platt Lynes Photograph #9 of dancer Francisco Moncion 1949. George Platt Lynes rare original vintage 1949 gelatin silver photograph of dancer Francisco Moncion. Stamped on verso - GEORGE PLATT LYNES. Photo is 7 3/4 x 9 1/2 inches, glossy finish in excellent condition. This photograph is #9 from a collection of 12 different poses in this series taken in Platt Lynes's NYC studio in 1949 (as per the NY Public Library archives). The cloud backdrop is recognizable in other Platt Lynes photographs. Moncion was a personal friend of Platt Lynes and this photograph is from Moncion's personal photographic collection. George Platt Lynes (1907–1955), was a gregarious American portrait, dance, fashion, and male nude photographer whose career spanned the late 1920s through the early 1950s. From age eighteen, Lynes entered the cosmopolitan world of the American expatriate community in Paris when he became acquainted with the salon of Gertrude Stein and Alice B. Toklas. He began photographing authors like Stein, Jean Cocteau, André Gide, and Colette and soon established himself as one of the premier fashion photographers in the Condé Nast stable, documenting the ballet companies of George Balanchine/Lincoln Kirstein, and pursuing a private obsession with seductive images of young male nudes rarely published in his lifetime. Platt Lynes photographs are in the collections of every major art museum and university archive including the Metropolitan Museum of Art, Museum of Modern Art, Yale Art Museum, and the Smithsonian. Francisco Moncion (July 6, 1918 – April 1, 1995) was a charter member of the New York City Ballet. Over the course of his forty year career, choreographers George Balanchine, and Jerome Robbins in the New York City Ballet created 22 major roles for Moncion including the Dark Angel in Orpheus, Death in La Valse, Prince Ivan in Firebird, and the Boy in Afternoon of a Faun. He was also a choreographer and a talented painter who exhibited alongside Miro, Picasso and Carrado Cagli. Moncion was a popular model for many famed mid-century (late 1930s, 1940s - 1950s) figure photographers including Platt Lynes, Carl van Vechten, Maurice Seymour...

Primary Colors (Stranger than Paradise) - 2001 Edition 1/5, 9 pieces, each 48x47cm, installed 159x156cm including 5 cm gap in between each piece. 9 Analog C-Prints, hand-printed by...

Hand printed silver gelatin photograph, dry mounted on board Edition 1/10 Mat size 20x24"

An atmospheric and magical photo by master of the lens, photographic and cinematic, that captures a tranquil corner of Hyde Park. As Suschitzky himself said ...

"Consequence Of Title I" (FRAMED) Photography 60x40 in Ed. 1/3 by Aaron Mcpolin Archival Giclee Print & Museum Framed Size framed: 61.5" x 41.5" in OTHER SIZES AVAILABLE: Edition o...

The Upper Hand - 2021 50x40cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist inventory PL2021-1089. Not mou...

Additional sizes are available. Please inquire for more information on larger sizes. We offer fully archival professional framing for all prints for an additional cost. Framing is av...

Signed limited edition fine art print of The Cure on the road in Holland and Belgium during their 1980 'Seventeen Seconds' tour. Signed and numbered by Jill Furmanovsky in pencil an...

This is a contemporary photograph of a American Wild Mustangs. "They represent the ultimate expression of American freedom" Printed in Photo Rag using only archival ink. 40x26 Edi...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimising the modern elements. I love the geometry of the tiles, the lines on the b...

Spellbound 2019, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019-751...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

A Vision you can't Capture, no 03 (29 Palms, CA) - 2007 37x49cm, Edition 2/5, analog C-Print printed on Fuji Archive Paper, hand-printed by the artist, based on a Polaroid, Not mo...

Women of Palm Beach wearing designs by Lilly Pulitzer for a fashion shoot at 400 South Ocean Blvd., Palm Beach, Florida, 1964. Pulitzer is seen back row, third from left, Wendy Vande...

Kenn Duncan (1928-1986). Male Model, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

8 x 10" vintage silver gelatin photograph of dancer and choreographer Louis Falco nude figure study, 1966. This is a print that was published by a newspaper or magazine which they us...

Grip - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-839. Not mounted. ...

Nicole’s Silver Boots Stretched on Floor Studio 54, NY, NY June 1977 Signed, titled, dated, and numbered, verso Gelatin silver print 20 x 16 inches (Edition of 5 + 2 APs) $3000.00...

At the 16th hole on Pebble Beach golf course, singer and film star Bing Crosby (in red) and A Thomas Taylor, 1977 Complimentary dealer shipping to your framer, worldwide. Undercurr...

Hand-tinted albumen print, 7 3/4 x 10 inches (195 x 252 mm), pasted onto a gold-edged board with caption hand-written in black ink.

When Lawrence Schiller got the assignment from the French magazine Paris Match to photograph Marilyn Monroe on the 20th century Fox set of Something’s Got To Give, he thought nothing...

Series: Architecture of Gilded Dreams Archival Pigment Canson Platine Print All available sizes and editions: 23" x 30" Edition of 10 + 2 Artist Proofs 30" x 40" Edition of 8 + 2 Ar...

"Prism" In this image, the forever-shifting surface of the sea refracts the light in novel ways. This crystalline layer gives way to the darker waters beneath, creating the perfect...

Model Michael Findlay, nude portrait study, 1970. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes ...

This piece titled "Flight Risk" is a limited edition photographic print by Andrew Pinkham and is made from archival pigment on cotton rag. This piece measures 20"h x 20"w unframed an...

This portrait features jazz legend Louis Armstrong up close, posed with a big smile. Louis Armstrong was an American trumpeter, composer, singer, and occasional actor who was one o...

Rebecca Skinner’s “Pause” is a 12 x 18 inch metal print of a vintage black rotary phone sitting on a dusty wooden table against vibrant green floral wallpaper, evoking nostalgic mid-...

Tennis themed bookscape

"Cyanotype Fern" is an original photogram print of a tree fern by Northern Californian artist Ellie Honl. The artwork documents one central white frond and ...

From a series of large scale abstract photographs of muted color monochromatic water surfaces SEASCAPE IV by Frank Schott available in two edition sizes ...

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD7517 (She Disappeared into Complete Silence) 45" x 60" / 114cm x 152cm edition of 8 + 2AP 30" x 40" / 76cm x 102cm edition of 8 + 2AP limited edition photograph printed under artist supervision + accompanied by signed artist certificate: artist signature labels are 8x10 in size signed, editioned, dated and titled by the artist, and stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, in 2019. A stunning career retrospective of Mona Kuhn's works has been published by Thames & Hudson, Spring 2021. Kuhn's forthcoming publication Kings Road, will be published and released by Steid this Fall 2021. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2021 Mona Kuhn: Works, Edwynn Houk Gallery, New York Mona Kuhn: Works, Flowers Gallery, London Mona Kuhn: Works, Galerie XII, Los Angeles + Paris + Shanghai Mona Kuhn: 835 Kings Road, Art, Design and Architecture Museum, Santa Barbara 2020 Still Light, Jardin du Bra'haus, Montée du Château, Clervaux, Luxembourg Mona Kuhn: Early Depictions, Flowers Gallery, London Mona Kuhn: Intimate, UP Gallery, Taipei, Taiwan 2019 Bushes and Succulents, Euqinom Gallery, San Francisco Mona Kuhn: She Disappeared, Jackson Fine Art...

Circa 1955 in Hollywood, California: American actor and Hollywood icon Frank Sinatra poses with his 1955 'T-bird' Ford Thunderbird convertible sports car for a 1950's Ford Thunderbir...