Continental US - Figurative Prints

ICARUS I is an original hand-drawn lithograph created in 1986 by the French American artist Marius Sznajderman, printed in neutral warm grays and intense black on archival Arches pap...

Historical mid-19th century hand tinted lithograph and a lively scene of men and women engaging in a light hearted game of the era by artist Joseph Nash (British, 1808-1878). Signed ...

Charles Bibbs "The Gift, Series II" Lithograph Edition 208 of 1500 1993 21" x 36" unframed 31" x 47.5" framed

Salvador Dali American Trotting Horses no.1 poster for Tokyo Exhibit 1974. This image is from the The Currier and Ives Suite of six litho...

Titled and numbered from the edition of 200 on the front in pencil, additionally dated and numbered on the reverse and signed by Julia Gruen, the executor of the Keith Haring Foundation and Anthony Shriver Best Buddies...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Lithograph on papier vélin teinté, fait a la main paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Illuminations, 1949. Published by...

Magda Bolumar (Spain, 1936) 'La llena (Collection "La luna presente")', 1997 etching, aquatint on paper Rives BFK 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Ed...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘The boy who left home to learn fear’. Hockney chose this story for its ...

Signed and titled in pencil, from the edition of 25. A young native girl in traditional clothes. The turbulent times of the 70’s set the tone for Fuentes' approach to creating soc...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

James Rosenquist Somewhere to Light, WACO, Texas 1966, from the New York International Portfolio Lithograph on wove paper Pencil signed and numbered 112/225 on the front Catalogue Ra...

TIMELINE DEGA MAN is an original hand drawn lithograph by Peter Max printed using traditional hand lithography techniques on archival paper, 100% acid...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 148, 1964. Published by Aimé Maeght, Éditeur, Paris; pr...

Silkscreen screenprint. Hand signed and numbered. A pyramid or ziggurat in vibrant colors of blue, red, yellow, orange and green on heavy paper Joseph Charles Tilson RA (born 24 Au...

Theo Tobiasse Title "On the Shores of the Circus" Suite: Song of Songs of King Solomon Year: 1975 Medium: Original lithograph in colors on paper (deckle edged paper) Publisher: Leon Amiel, Paris & New York Signature: Hand signed by the artist Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theo Tobiasse shows very early talent for drawing and painting, and during a visit to the Special Exhibition of 1937 held in Paris, he is enchanted by Raoul Dufy. The death of his mother (in June 1939) followed by the outbreak of the Second World War, Paris under the German Nazi occupation, the wearing of the yellow star and his registration at the National School of Decorative Arts denied for racist reasons upsets his life. He enrolled in a private advertising design course on the boulevard Saint-Michel, which he abandoned nine months later because his family, narrowly escaping the Winter Vélodrome roundup in July 1942 was forced to hide in an apartment in Paris for two years. At the Liberation of Paris, he quickly began a career as an advertising graphic designer with the Draeger art printer and also produced tapestry cartoons, stage sets and Hermes showcases at the Hermès boutique on rue du Faubourg Saint-Honoré. In 1950, he obtained French nationality and moved to Nice in the Alpes-Maritimes, where he continued his advertising graphic design career. His first paintings were exhibited at the Salon des peintres du Sud-Est in 1960. He was laureate in 1961 the "prize of the young Mediterranean painting" and Armand Drouant offers him a first contract and exhibited at the Faubourg Saint-Honoré Gallery in Paris in 1962. Théo Tobiasse also won the Dorothy Gould Prize in 1961. He decided to devote himself solely to the visual arts. Numerous exhibitions are dedicated to him all over the world, in Paris at the Drouant Gallery, in Geneva, Montreal or Tokyo, then London, Zurich, Lausanne, Los Angeles, Kiev, and then a first personal exhibition in New York (1968). Self-taught, he studied the technique of grand masters in museums during his travels. The reliefs, glazes and colors of Rembrandt's Jewish Fiancee at the Rijksmuseum in Amsterdam, in particular, open up new technical possibilities that he explores in his canvases back to his studio. The figurative subjects without narrative or symbolism (cat, bird, kite, velocipede, etc.) of his first paintings, allow him to focus on the techniques, the color and the texture of oil painting and gouache. From 1964, Theo Tobiasse develops a more personal iconography drawn from his own memories of his childhood in Lithuania, the wanderings of a family seeking a land of asylum and the Holocaust. The train, the one which drove his family from Kaunas to Paris, or the Jews to the camps, becomes a recurring motif and memory a major theme in his work. A visit to Jerusalem, Israel in 1970 brings him closer to his Israeli Jewish origins. He created his first Judaic stained-glass windows on the theme of "Jewish Feasts" for the Jewish Community Center in Nice and a monumental oil painting titled " Que tentes sont beau", O Jacob (1982). He continues to travel and immerse himself in the cultures he meets, New Orleans jazz, Mexican archaeological sites and Native American totems . In New York, he meets Elie Wiesel (1982). While Josy Eisenberg makes a film about Théo Tobiasse, entitled Tell me who you are painting, for French television in 1977, many personal exhibitions are devoted to him in France and abroad, notably at the Passali gallery in Paris, France. Atheneum Museum in Geneva and the Nahan Gallery in New Orleans. In 1983, a retrospective exhibition of his work was organized in Nice , at the Museum of Contemporary Art in Ponchettes. Carborundum engraving, lithography, stained glass, mosaic, pottery, bronze and ceramic sculpture are all tools of expression he first explored in the studio he had built at his home on the heights of Nice (1954 -1972), then to the Rauba Capeu wharf in Nice (1971-1976). He leaves Nice to install his main workshop on his property in Saint-Paul-de-Vence in 1976. In collaboration with Pierre Chave, lithographer in Saint-Paul-de-Vence, Théo Tobiasse is developing a technique for making lithographs of eighteen to twenty colors that he produces for many original portfolio editions published in France, Sweden and the United States. In addition to the theme of memory of the wanderings and exodus of his family and the Jewish people, the personal iconography of Tobiasse comprises three other major themes that recur in his work: The cities that are dear to him (Paris and Jerusalem, first, then New York and Venice from the 1980s); twenty-eight monochrome gouaches, From Notre-Dame to Saint-Germain-des-Près (1969). The Hebrew Bible, an endless source of human dramas, which he re-imagines in contemporary times. Rachel (1978), Sarah and the three messengers (1981),Bathsheba in the Garden of Pomegranates (1982). The woman, lover, erotic and shameless, Daphnis and Chloé (1978), Portrait of a woman immobile in ecstasy , (1978), a creature-sex apple whose skin burns and arms twist (1980). To explore the theme of the erotic woman, Tobiasse adopts nude drawing in graphite, ink and pastel on paper, as well as the writing of poetic texts he inscribed in his drawings and notebooks. The American merchant, Kenneth Nahan Sr., met in 1978, encourages Théo Tobiasse to join in the United States other French painters he represents, including Max Papart and James Coignard. Tobiasse moved to New York in 1984. He first worked at the Chelsea Hotel and then set up his studio in Manhattan. He decides to split his time and his work between Saint-Paul-de-Vence and New York. The first paintings painted in America are distinguished from their European production by their scale and their bright themes. Oil-painted canvases are filled with family portraits, children, and biblical characters. My family came from Lithuania, Little Girl Sitting , Saul and David (1984). In these paintings, families no longer flee the pogroms in the trains, but land in New York, new host country according to his imagination, as in America (1984). He also created the Myriam sculpture in New York, which became the model for the Venus, a monumental bronze sculpture to be installed at the entrance of Saint-Paul-de-Vence in 2007 15. New York joins the inspiring cities of Theo Tobiasse and the woman now personifies freedom. Along with Marc Chagall, Raya Sorkine, Zamy Steynovitz and Yoel Benharrouche, Tobiasse becomes one of the pillars of modern French Judaica...

Color lithograph, Edition 30. Hung Liu grew up in China and came of age during the Chinese Cultural Revolution. She spent four years in the countryside as a laborer, studied paint...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered. Notes: From the folio, Derrière le miroir, N° 151-152, 1965. ...

Plate #13 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...

LEOPOLDO MENDEZ (1902 – 1969) THE MAKING OF TORTILLAS 1954 Linocut. Edition unknown. This example signed in pencil and dated 1957. 14” x 47 3/8” ...

Lucian Freud Portrait Head 2001 Etching on Somerset Textured White paper 28 1/2 x 22 1/2 inches; 72 x 57 cm Edition of 46 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks Gallery...

"Dolly" is an original color lithograph poster by The Clérice Frères (The Clérice Brothers), signed within the composition on the lower left edge, just ...

"Blue Skull Large" Print 38 x 40 inch Edition of 300 by Steven Tyler Limited edition of 300 Plate signed by Steven Tyler ABOUT: As the lead singer of Aerosmith, Steven Tyler is con...

Original Iolanthe vintage theatre poster: Gilbert and Sullivan Iolante stone lithograph vintage poster. Museum linen backed. Clear, clean, bright. Grade A condition. The poster features a central image of a character dressed in a traditional British Grenadier Guard uniform, complete with a bearskin hat. The character is depicted in a whimsical pose, which aligns with the comedic and satirical nature of the operetta. Above the main figure, there are smaller illustrations of various characters from the operetta, hinting at the fantastical and fairy-tale elements of the story. The title "Iolanthe" is prominently displayed in bold, stylized lettering at the bottom. "Iolanthe, or The Peer and the Peri," is a comic opera by the famous duo W.S. Gilbert and Arthur Sullivan. The opera premiered on November 25, 1882, at the Savoy Theatre in London and is one of their most beloved works. "Iolanthe" tells the story of fairy Iolanthe, who was banished from the fairy kingdom...

SEATED WOMAN CROSSED ARMS is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Paint...

Morning Madness - Original Abstract Expressionist Lithograph Original black and white abstract geometric lithograph by Renee Flower (American). The image features a black and white ...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Ediciones Polígrafa, Redfern Gallery, 1979. Published by Redfern Gallery, London...

ARTIST: Salvador Dali TITLE: The Mythology Icarus MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Pierre Argillet, Paris MEASUREMENTS: 18" x 30" YEAR: 1963 FR...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré au Blau...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

The present hand-colored lithograph was produced as part of the funeral and mourning culture in the United States during the 19th century. Before the printmaking boom of the 1830s, however, such inexpensive memorial images were not widely available. These prints became popular as ways of remembering loved ones, an alternative to portraiture of the deceased or to meticulous hand-embroidered memorials often made by female academy students. In the image, the urn-topped monument contains a space where a family could inscribe the name and death dates of a deceased loved one, though this example was never used. In the variations of this image type produced by the Kellogg...

Edition 5 of 7 with 2 APs framing is an additional $265. Photography and acting are kindred spirits in the new series by e2 (Elizabeth Kleinveld ...

ARTIST: Salvador Dali TITLE: Faust Cavalier et la Mort MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 44/95 MEASUREMENTS: 11.4" x 15.3" YEAR: 1969 FRAMED: Yes CONDITION...

SERENATA DE GUITARRA by the South American artist Jorge Dumas(1928-1985), is an original hand drawn lithograph hand proofed and printed using traditional lithography techniques on ar...

Artist: Hans Figura (Austrian, 1898-1978) Title: Der Blumenmarkt (Flower Market, Amsterdam) Year: Circa 1950 Medium: Color etching with aquatint Edition: Unknown Paper: wo...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Rigoletto Year: 1985 Medium: Embossed silkscreen with foil stamping on wove paper Edition: 188/300, plus proofs Size: 38 x 31.25 in...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and F...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 12.2 x 9.45 inches Inscription: Unsigned and unnumbered, as issued Notes: From ...

ABOUT THIS PIECE: My artistic journey on Burano Island has been a captivating exploration of its vibrant character. While initially drawn to its clotheslines and colourful walls in search of inspiration for my next clothesline animal, I soon discovered that each whimsical house possessed its own unique personality. My work seeks to highlight and amplify these distinctive features, celebrating the island's charm beyond its iconic laundry, embracing the quirks and individuality of every little dwelling. ABOUT THIS ARTIST: Helga Stentzel...

in Beneath the Surface: Dissolve, Werger captures a fleeting, immersive moment of swimmers beneath the rippling surface of a swimming pool. Echoing the iconic swimming pool paintings...

Medium: Collotype, héliogravure, recto and verso, on grand vélin Renage filigrané paper, as issued Year: 1954 Paper Size: 12 x 9.25 inches; image size: 9.05 x 6.3 inches Inscription:...

Artist: Hans Figura Title: Ansicht Von Rothenburg Year: Circa 1930 Medium: Color etching on silk Paper: Wove Image size: 9.25 x 4.75 inches Framed size: 16.5 x 12.5 inches Signa...

Louis Lozowick, 'Tanks #1', lithograph, 1929, edition 50, Flint 39. Signed, titled, and numbered '11/50' in pencil. Signed with the artist's monogram in the stone, lower left. A superb, richly-inked impression, on cream wove paper, the full sheet with margins (3/4 to 1 7/8 inches), in excellent condition. Matted to museum standards. Image size 13 15/16 x 8 1/16 inches (355 x 204 mm), sheet size 15 3/4 x 11 1/4 inches (400 x 286 mm). Exhibited: 'The American Scene: Prints from Hopper to Pollock', Stephen Coppel, The British Museum, 2008. Literature: 'Prints and Their Creators, A World History', Carl Zigrosser, Crown Publishers Inc, 1974; 'American Lithographers...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...

The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...

Raymond Pettibon Black Flag 1984: Rare early 1980's Black Flag promotional poster illustrated by Raymond Pettibon for the seminal Black Flag record: My War. A striking, historic 1980s Raymond Pettibon Black Flag poster sure to standout in any setting. Offset printed punk poster...

Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...

This artwork titled "The Beginning of the end" c.1990 is a color lithograph by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 49/300 in pencil by the ...

Medium: Lithograph on vélin papier Vergé fin blanc des papeteries de Bellerive paper Year: 1970 Paper Size: 11.024 x 8.66 inches Inscription: Inscription: Unsigned and unnumbered, as...

Screen print on wove paper. Hand signed lower right by Tom Wesselmann. Hand numbered 10/82 lower right (there were also 8 artist's proofs). Sheet size: 39.12 x 27.5 inches. Frame...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, 1984. Published by Centre National des Arts Plastiques, Ni...

Published anonymously c. 1920, Vienna, in an edition of 100, after the original gouache, watercolor and pencil on paper, signed and dated in the plate by the artist in middle right: ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 198. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

"Savoy: The Pirouette" limited edition giclée on fine art paper of a pair of dancers by African American artist Richard Yarde. Part of Yarde's "Savoy Bal...

Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued. Year: 1954 Paper Size: 12 x 9.25 inches; image size: 6.69 x 8.27 inches Inscription: Signed in the...

En Espagne Pochoir (silk screen) printed in colors Signed by the artist in pencil lower right The artist won a gold medal in Paris in 1925 for his pochoirs Condition: Excellent Image...

PIERRE-AUGUSTE RENOIR (1841-1919) "Enfants jouant à la balle" Lithograph in colors, on Arches Ingres laid paper watermark MBM, 1900, from the edition of 200, published by Ambroise V...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...

James Jean's "Descendent VI" is a captivating 22" x 20" multiprocess print, featuring intricate holographic and foil detailing, as well as sculptural enhancements. Originally create...