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Continental US - Figurative Prints

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Item Ships From: Continental US
Original Panache Lido French Cabaret linen-backed vintage poster
By René Gruau
Located in Spokane, WA
Original Lido poster: Panache - La Nouvelle Revue du Lido - Champs-Élysées, Paris.Artist: Rene Gruau. Archival linen backed and ready to frame. Step ...
Category

1980s Art Deco Continental US - Figurative Prints

Materials

Offset

Untitled (Mangold 1977.02; Parasol RM12), Robert Mangold
By Robert Mangold
Located in Fairfield, CT
Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...
Category

1990s Abstract Geometric Continental US - Figurative Prints

Materials

Screen

Derriere le Miroir-Double Page (Behind the Looking Glass Double Page)
By Marc Chagall
Located in Fairlawn, OH
Derriere le Miroir-Double Page (Behind the Looking Glass Double Page) Original color llithogragp created by the artist for this ublication, 1964 Unsigned as issued From: Derriere le ...
Category

1960s French School Continental US - Figurative Prints

Materials

Lithograph

Richard Haas, The Rookery Courtyard, Chicago, s/n etching architecture and art
By Richard Haas
Located in New York, NY
Richard Haas The Rookery Courtyard, Chicago, 1974 Etching on etching rag paper Signed, titled and numbered 11/50 in graphite pencil on the front Frame included Etching on etching ra...
Category

1970s Realist Continental US - Figurative Prints

Materials

Rag Paper, Etching

L'Amour La Danse, Impressionist Woodcut by Raoul Dufy
By Raoul Dufy
Located in Long Island City, NY
Raoul Dufy, French (1877 - 1953) - L'Amour La Danse, Year: 1915, Medium: Woodcut on laid paper, signed in pencil, Image Size: 10 x 8 inches, Size: 14.25 x 13.5 in. (36.2 x 34.29 cm...
Category

1910s Impressionist Continental US - Figurative Prints

Materials

Woodcut

Spanish artist "Personaje I, 1987 original signed engraving art print
Located in Miami, FL
Alfonso Fraile (Spain, 1930-1988) 'Personaje I', 1987 engraving on paper Overall size: 30 x 22.1 in. (76 x 56 cm.) Edition of 50 ID: FRA1262-004-050 Hand-signed by author ___________...
Category

1980s Contemporary Continental US - Figurative Prints

Materials

Engraving

Pears
By Donald Sultan
Located in San Francisco, CA
Artist: Donald Sultan (American, born 1951) Title: Pears Year: 1989 Medium: Color silkscreen and lithograph Edition: Numbered 87/125 in pencil Paper: Arches 88 Image size: 12 x 12 inches paper size: 22 x 23 inches Signature: Hand signed in pencil by the artist Publisher : Parasol Editions Press L.T.D. Portland, Oregon. Condition: Excellent Frame: Framed in a custom wooden maple frame, with fabric bevel and matting. Description: From the suite, Fruits Donald Sultan is an American painter, sculptor, and print maker, well-known for large-scale still life paintings and the use of industrial materials such as tar, enamel, spackle and vinyl tiles. He has been exhibiting internationally in prominent museums and galleries, and his works are included in important museum collections all over the globe. Donald Sultan rose...
Category

Late 20th Century Pop Art Continental US - Figurative Prints

Materials

Screen

Chagall, Composition, Derrière le miroir (after)
By Marc Chagall
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the volume, Derrière le miroir, N° 155, 1965. Publ...
Category

1960s Expressionist Continental US - Figurative Prints

Materials

Lithograph

Alexander Calder Circus Reproduction Lithograph After a Drawing
By (after) Alexander Calder
Located in Surfside, FL
(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...
Category

1930s American Modern Continental US - Figurative Prints

Materials

Lithograph

France at her Furnaces
By James McBey
Located in Storrs, CT
1917. Etching. Hardie 175. 8 x 15 (sheet 10 1/8 x 16 15/16). Edition 76. Slight mat line; otherwise excellent condition. A rich impression printed on antique laid paper with full m...
Category

1910s Modern Continental US - Figurative Prints

Materials

Drypoint, Etching

"1958 De Havilland Canada DHC-2 Beaver" (2021) Limited Edition Giclée Print
By Shan Fannin
Located in Denver, CO
Shan Fannin's (US based) "1958 De Havilland Canada DHC-2 Beaver" is an limited edition giclée print that depicts close up view of the shiny metal propeller on a red and yellow vintage plane...
Category

2010s Photorealist Continental US - Figurative Prints

Materials

Giclée

Boy's Head
By Frank Kleinholz
Located in New York, NY
Frank Kleinholz (American 1901-1987) " Boy's Head", Abstract/ Modernist Lithograph, 10 x 6.75, Mid to Late 20th Century Colors: Black and White *In Frame Measurement: 13.75 x 10.50...
Category

Late 20th Century Modern Continental US - Figurative Prints

Materials

Lithograph

Renoir, Le chapeau épinglé, état du noir, Les Lithographies de Renoir (after)
By Pierre-Auguste Renoir
Located in Fairfield, CT
Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Year: 1951 Paper Size: 12.5 x 9.5 inches; image size: 11.02 x 8.66 inches Inscription: Signed in th...
Category

1950s Impressionist Continental US - Figurative Prints

Materials

Lithograph

Picasso, Composition (Cramer 101), Carnet de la Californie (after)
By Pablo Picasso
Located in Fairfield, CT
Medium: Lithograph on vélin d’Arches paper Year: 1959 Paper Size: 16.5 x 10.25 inches Catalogue raisonné reference: Cramer, illustration 101 Inscription: Inscription: Unsigned and un...
Category

1950s Cubist Continental US - Figurative Prints

Materials

Lithograph

Actor Iwai Shigaku as Somenoi in "Denka chaya adauchi"
By Kuniyoshi
Located in Middletown, NY
Actor Iwai Shigaku as Somenoi in "Denka chaya adauchi" (Revenge at the Denka Teahouse), by Shigeharu, Ryusai (also called Kuniyoshi) Tokyo: Horie Ichiba Wataki, 1835. Woodcut on la...
Category

Early 19th Century Edo Continental US - Figurative Prints

Materials

Laid Paper, Handmade Paper, Woodcut

The British Evacuate Boston - 1932 Etching on Paper
Located in Soquel, CA
The British Evacuate Boston - 1932 Etching on Paper by Allen Lewis. From the portfolio "The Bicentennial Pageant of George Washington." In this piece George Washington is front and ...
Category

1930s American Realist Continental US - Figurative Prints

Materials

Laid Paper, Etching

DeVilbiss Purfume Art Deco Poster by George Petty for the A.C. Schultz Company
Located in New York, NY
This beautiful Art Deco poster was realized by the esteemed American Artist George Petty for the A.C. Schultz Company in 1926. The work is an advertisement for DeVilbiss Perfume, which depicts a "Petty Girl" (as they came to be known) in the center of the composition floating in a pentagonal black color block. With short cropped silvery white hair and red lipstick, the female figure in center (suggestive of a stylized flapper) squeezes the atomizer of her perfume bottle misting herself in fragrance. Skyscraper style geometric forms suggesting elaborately faceted gemstones- in hues of rose, lavender, orange sapphire and yellow diamond- explode around her, suggesting the stage design for the set of the iconic film "Metropolis". The top of the composition features a bronze color block reading "DeVilbiss Perfume sprays" and in scrolling Deco lettering text reads “A drop of perfume bursting into myriad atoms of fragrance makes the use of perfume an added delight” near the bottom of the piece. Additionally, there is a solid black color block with crystalline black forms emanating outwards at the base of the composition, as well as a geometric abstract form on the right side of the piece imbuing it with a distinctly modernist inflection. With its quintessentially Art Deco sensibility, this piece is sure to delight discerning collectors of the period as well as those with a distinct appreciation for unusual (and stunning) fine art pieces. its vibrant palate and clean modernist lines make this piece a winning addition to any style of interior from classic Deco to contemporary. The piece comes presented in a custom gallery frame and is in excellent vintage condition. George Petty was an American illustrator known for his series of pin-ups known as "Petty Girls" which he created for Esquire magazine. The Petty Girl were coquettish women whose legs were elongated to create idealized female forms. They were featured on magazine centerfolds, billboards, and calendars for companies such as Ridgid Tools. Born George Brown Petty IV on April 27, 1894 in Abbeville, LA, Petty received his formal training at the School of the Art Institute of Chicago under Ruth Van Sickle Ford...
Category

1920s Art Deco Continental US - Figurative Prints

Materials

Lithograph

Keys To Success
Located in Kansas City, MO
Louise Marler Keys To Success C-print on metallic white stock mounted on wood 2022 Size: 7x7x0.5in Edition: 25 Signed and numbered by hand Stamped Ready to hang COA provided Ref.: 924802-1413 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art culture, as well as Joshua Tree, California, where I created the first Type Inn.” Louise Marler’s work is featured in the documentary film, “The Typewriter in the 21st Century,” and TV shows including “Two and a Half Men,” “Curb Your Enthusiasm,” “The Mentalist,” “Criminal Minds,” “Jane the Virgin,” “Dear White People,” “Lucifer,” “Arrested Development,” “Love Victor, and “A Black Lady Sketch.” typewriter queen, la marler, typewriter art, typewriter artist, Typewriter, Typewriters midcentury, modern art, typewriter life, typewriter community, typewriter collection...
Category

2010s Modern Continental US - Figurative Prints

Materials

Wood, C Print

Le Village (The village)
By Marc Chagall
Located in Fairlawn, OH
Le Village (The village) Original lithograph in colors, listed in the artist's catalog raisonne of his prints, 1977 From: Derriere le Miroir, No. 225, Edition 15,000 as published in...
Category

1970s French School Continental US - Figurative Prints

Materials

Lithograph

Picasso, 8.10.64. VII (Cramer 148), Le Goût du Bonheur (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...
Category

1970s Cubist Continental US - Figurative Prints

Materials

Lithograph

Original Los Angeles United Air Lines, Charlie Chaplin, vintage travel poster
Located in Spokane, WA
Original Los Angeles, United Air Lines vintage travel poster. Archival linen backed in A- condition, ready to frame. Images shown are of the exact poster you will receive. Step ...
Category

1960s American Modern Continental US - Figurative Prints

Materials

Offset

'Fantasia Americana, 1880' — Mid-Century American Surrealism
By Lawrence Kupferman
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed. Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches. Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University). ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...
Category

1940s Surrealist Continental US - Figurative Prints

Materials

Drypoint, Etching

En Pension.
By Edmund Blampied
Located in Storrs, CT
En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...
Category

1920s Modern Continental US - Figurative Prints

Materials

Drypoint, Etching

"Untitled" from Pop Shop I
By Keith Haring
Located in Aventura, FL
Hand signed, numbered, and dated by the artist. Screenprint in colors, on wove paper, with full margins, Image size 10.5 x 13.375 inches.. Sheet size 12 x 15 inches. Frame size appro...
Category

1980s Pop Art Continental US - Figurative Prints

Materials

Paper, Screen

Composition (Arntz 148-175; Hagenbach A 25; Bolliger 54), Dreams and Projects
By Jean Arp
Located in Southampton, NY
Woodcut on vélin d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Jean Arp, Dreams and Projects, 1951-1952. Published by Curt V...
Category

1950s Modern Continental US - Figurative Prints

Materials

Woodcut

The Connor Brothers We Are All In the Gutter
By The Connor Brothers
Located in Washington, DC
Artist: The Connor Brothers Title: We Are All In the Gutter Medium: Giclee print with silkscreen varnish Year: 2020 Edition: 50 Sheet Size: 29" x ...
Category

2010s Pop Art Continental US - Figurative Prints

Materials

Varnish, Giclée

'Dark Vessel' — Mid-Century Modern
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Dark Vessel', color serigraph, 1952, edition 50, Ryan 51. Signed, dated, and titled in pencil. A superb impression, with fresh colors, on c...
Category

Mid-20th Century American Modern Continental US - Figurative Prints

Materials

Screen

DISCOVERY OF GOLD - Very Large Serigraph - WPA Artist - California Murals
By Anton Refregier
Located in Santa Monica, CA
ANTON REFREGIER (1905 – 1979) DISCOVERY OF GOLD, 1949. Color serigraph. Signed and numbered in pencil, edition of 90. Image 23 ¼ x 21 ¾" Large sheet, 29 3/4 x 25 ¼”. Printed title...
Category

1940s American Modern Continental US - Figurative Prints

Materials

Screen

Cercle Artistique de Schaerbeek
By Georges Henri Privat-Livemont
Located in West Hollywood, CA
The gallery is opening its private collection of art nouveau and art deco paintings, lithographs and antiques for the first time in more than twenty years. Presenting an original li...
Category

1890s Art Nouveau Continental US - Figurative Prints

Materials

Lithograph

Fred Astaire Ginger Rogers Oscars Movie Dance Legends Academy Awards Litho
By Albert Al Hirschfeld
Located in New York, NY
Fred Astaire Ginger Rogers Oscars Movie Dance Legends Academy Awards Litho Al Hirschfeld (1903-2003) Fred Astaire and Ginger Rogers Lithograph on heavy paper, 1989 Sight: 22 x 17 i...
Category

1980s Performance Continental US - Figurative Prints

Materials

Lithograph

"Malibu's Most Wanted Pt. 2" Photography 16" x 24" in Ed. of 15 by Brendan North
By Brendan North
Located in Culver City, CA
"Malibu's Most Wanted Pt. 2" Photography 16" x 24" in Ed. of 15 by Brendan North Available sizes: Edition of 15: 16" x 24" inch Edition of 7: 24" x 36" inch Edition of 3: 40" x 60" ...
Category

21st Century and Contemporary Contemporary Continental US - Figurative Prints

Materials

Archival Paper, Digital

Picasso, Sans titre, Pablo Picasso, Toros Y Toreros (after)
By Pablo Picasso
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...
Category

1960s Cubist Continental US - Figurative Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Fairfield, CT
Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the album, The Circus by Toulouse...
Category

1950s Post-Impressionist Continental US - Figurative Prints

Materials

Lithograph

Picasso, Sans titre, Pablo Picasso, Toros Y Toreros (after)
By Pablo Picasso
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...
Category

1960s Cubist Continental US - Figurative Prints

Materials

Lithograph

Tulips in a Vase
By Gary Bukovnik
Located in San Francisco, CA
This artwork "Tulips in a Vase" 1995 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 169/200 in...
Category

Mid-20th Century American Realist Continental US - Figurative Prints

Materials

Lithograph

Cocteau, Composition, Nous croyons en l'Europe (after)
By Jean Cocteau
Located in Southampton, NY
Silkscreen on vélin papier Ingres de chez Arjomari-Prioux paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Nous croyons en l'...
Category

1970s Modern Continental US - Figurative Prints

Materials

Screen

Pau Hana
By Guy Buffet
Located in San Francisco, CA
This artwork titled "Pau Hana" c.1990 is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numbered H.C. 1/10 in pencil by the...
Category

Late 20th Century Modern Continental US - Figurative Prints

Materials

Lithograph

Picasso, Composition, Pablo Picasso, Toros Y Toreros (after)
By Pablo Picasso
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...
Category

1960s Cubist Continental US - Figurative Prints

Materials

Lithograph

Picasso, Composition, Pablo Picasso, Toros Y Toreros (after)
By Pablo Picasso
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...
Category

1960s Cubist Continental US - Figurative Prints

Materials

Lithograph

Original "Blazing the Overland Trail", Chapter 1, vintage serial movie poster
Located in Spokane, WA
Original BLAZING the OVERLAND TRAIL 1956 Chapter 1, US 1-sheet .. Lee Roberts, Tom Bridger. Chapter 1. "Gun Emperor of the West!" NSS: 56/4803. Archival linen backed with original fold marks restored, ready to frame. Blazing the Overland Trail, Heroes of the Pony Express!, the 1956 Spencer Gordon Bennet cowboy western serial ("A Columbia Super-Serial") starring Lee Roberts ("as Tom Bridger, Army Scout"), Dennis Moore, Norma Brooks, Gregg Barton, and Don C. Harvey. Heroes of the Pony Express! Movie poster description: BLAZING THE OVERLAND TRAIL 15 CHAPTER SERIAL , Chapter ! 1956 "Blazing the Overland Trail" is Columbia's 57th and last serial production and also the last sound-era serial (of 231 total) made for theatrical release by any major studio. PLOT: Rance Devlin intends to build his own empire in the American west, using his Black Raiders and allied Indians to do so. Only US Army scout Tom Bridger, associated with Pony Express rider Ed Marr and US Cavalry Captain Frank Carter, can stop him. This is a genuine 27" x 41" U.S. one-sheet ORIGINAL MOVIE POSTER issued by the studio when the film was released and meant for theatrical display. CAST: Lee Roberts … Tom Bridger Dennis Moore … Ed Marr Norma Brooks … Lola Martin Gregg Barton … Captain Carter Don C. Harvey … Rance Devlin Lee Morgan...
Category

1950s American Modern Continental US - Figurative Prints

Materials

Offset

The Matador.
By James McBey
Located in Storrs, CT
The Matador. 1911. Drypoint. Hardie 109. 6 7/8 x 10 7/8 (sheet 7 7/8 x 12). Edition 15. A few scattered foxing marks and slight mat line; otherwise fine o...
Category

1910s Modern Continental US - Figurative Prints

Materials

Drypoint, Etching

The Matador.
The Matador.
$1,200 Sale Price
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Edmund from Men in the Cities
By Robert Longo
Located in Miami, FL
Hand signed and editioned "38/38" in pencil and dated '85 lower right and left corners respectively. Published by Brooke Alexander Editions, New York.
Category

1980s Pop Art Continental US - Figurative Prints

Materials

Lithograph

Untitled from In the Bottom of My Garden (Plate 18)
By Andy Warhol
Located in Washington, DC
Artist: Andy Warhol Title: Untitled (Plate 18) Portfolio: 1956 In the Bottom of My Garden Medium: Offset lithograph and watercolor on paper Date: 1956 Frame Size: 15 3/4" x 18 3/8" S...
Category

1950s Pop Art Continental US - Figurative Prints

Materials

Lithograph

Le Marriage de la Vierge by Salvador Dali Changes in Great Masterpieces series
By Salvador Dalí­
Located in Paonia, CO
Le Marriage de la Vierge by Salvador Dali and interpreted from the original Raphael painting is one of six graphics from the series Changes in Great Masterpieces...
Category

1970s Surrealist Continental US - Figurative Prints

Materials

Lithograph

Nus Bleus VII, from 1958 The Last Works of Henri Matisse
By (after) Henri Matisse
Located in Washington, DC
Artist: Henri Matisse (after) Title: Nus Bleus VII Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Frame Size: 22" x 18" Sheet Size: 14" x 10 ...
Category

1950s Continental US - Figurative Prints

Materials

Lithograph

1970s Alexander Calder poster (Calder Braniff Airlines 1976)
By Alexander Calder
Located in NEW YORK, NY
Alexander Calder Braniff Airlines poster 1976: Medium: Offset lithograph. Dimensions: 23 x 33 inches. Signed in plate An original 1st printing in very good overall vintage conditio...
Category

1970s Pop Art Continental US - Figurative Prints

Materials

Offset

'Le Paradis Terrestre' (Paradise on Earth) — French Symbolism
By Edouard Goerg
Located in Myrtle Beach, SC
Edouard Goerg, 'Le Paradis Terrestre' (Paradise on Earth), etching, 1931, edition 40. Signed, titled, and numbered '3/40' in pencil. A fine richly-inked impression, on heavy, cream w...
Category

1930s Symbolist Continental US - Figurative Prints

Materials

Etching

Picasso, étude pour la céramique, Céramiques de Picasso (Orozco 105) (after)
By Pablo Picasso
Located in Fairfield, CT
Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...
Category

1940s Cubist Continental US - Figurative Prints

Materials

Lithograph

BAD (silkscreen and lithograph print) by renowned Chicago artist expressiionist
By Ed Paschke
Located in New York, NY
Ed Paschke BAD, 1991 Silkscreen and Lithograph on Rising Mirage Paper, accompanied by documentation Pencil signed, titled "BAD", and annotated "Trial Proof" on the front 22 × 20 inches Unframed Also accompanied by gallery issued Certificate of Guarantee This work is a unique Trial Proof on Rising Mirage Paper, pencil signed by the artist and annotated "Trial Proof" the very first impression, aside from the regular edition. It is accompanied by the tirage sheet, with the biography of the artist and a description of the work. (see photos). As such it is a rare impression. Published by Chicago Serigraphic Workshop and Artco, Incorporated Ed Paschke Biography: Ed Paschke was born in Chicago where he spent most of his life as an important painter. He was initially associated in the late 1960s with the second generation of Chicago Imagists who called themselves The Hairy Who. He received his B.F.A. from the School of The Art Institute of Chicago in 1961 and his M.F.A. in 1970. Between degrees he lived for a time in New York where he easily came under the influence of Pop art, in part, because of his interests as a child in animation and cartoons. His fascination with the print media of popular culture led to a portrait-based art of cultural icons. Paschke used the celebrity figure, real or imagined, as a vehicle for explorations of personal and public identity with social and political implications. Although his style is representational, with a loose affiliation to Photorealism, Paschke’s art plays...
Category

1990s Contemporary Continental US - Figurative Prints

Materials

Lithograph, Screen

Flauta
By Felix Mas
Located in Greenwich, CT
Flauta is a digital pigment print on canvas printed by the award-winning Kolibri Art Studio, 25.5 x 39.5 inches, signed 'Felix Mas' lower right and numbered 282/295 lower left. Frame...
Category

21st Century and Contemporary Contemporary Continental US - Figurative Prints

Materials

Canvas, Digital Pigment

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, At the Circus (after)
By Henri de Toulouse-Lautrec
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...
Category

1940s Post-Impressionist Continental US - Figurative Prints

Materials

Lithograph

Jeux de boules - Near the City Gate
By Herman van Swanevelt
Located in Middletown, NY
Etching on cream laid paper, 6 7/8 x 10 7/8 inches (175 x 275 mm), thin margins. Some minor surface soiling and paper tape residue in four areas along the top sheet edge, verso, othe...
Category

Mid-17th Century Old Masters Continental US - Figurative Prints

Materials

Laid Paper, Etching

Karel Appel, Little Boy, color lithograph, hand signed and numbered COBRA artist
By Karel Appel
Located in New York, NY
"Little Boy" - charming 1960s silkscreen rarely seen on the market would look perfect in a child's room - or in any room in the house! Karel Appel Little ...
Category

1960s Modern Continental US - Figurative Prints

Materials

Lithograph

RENJISHI(The Lion Dance)Original Lithograph, Japanese Kabuki Theater, White Hair
By Albert Al Hirschfeld
Located in Union City, NJ
RENJISHI is a hand drawn, limited edition lithograph by the renowned artist/caricaturist Al Hirschfeld (1903-2003) printed by hand using traditional lithography techniques on archiva...
Category

1970s Contemporary Continental US - Figurative Prints

Materials

Lithograph

Pablo Picasso, "La Fete de la Madame, " dry point etching
By Pablo Picasso
Located in Chatsworth, CA
This piece is an original dry point etching with aquatint and scraper, created by Pablo Picasso in 1971, for the 156 Series. This piece is stamp signed and ...
Category

1970s Modern Continental US - Figurative Prints

Materials

Etching, Aquatint

Christ Crowned with Thorns, from The Passion of Christ
By Hendrick Goltzius
Located in Middletown, NY
Engraving on cream wove paper, 8 x 5 3/8 inches (203 x 137 mm), narrow to thread margins. First state (of 2). A fine impression with archival paper adhered at left top and bottom cor...
Category

Early 17th Century Old Masters Continental US - Figurative Prints

Materials

Engraving

OUT CHORUS( RHYTHM SECTION) Hand Signed Lithograph, Abstract Jazz Portrait, Sax
By Romare Bearden
Located in Union City, NJ
OUT CHORUS(RHYTHM SECTION) is a limited edition color lithograph printed using traditional hand lithography methods on archival Arches printmaking paper, 100% acid free, in an editio...
Category

1970s Contemporary Continental US - Figurative Prints

Materials

Lithograph

Le Legende (Marilyn Monroe), Yvaral
By Yvaral (Jean-Pierre Vasarely)
Located in Fairfield, CT
Artist: Yvaral, Jean-Pierre Vasarely (1934-2002) Title: Le Legende (Marilyn Monroe) Year: 1990 Medium: Silkscreen on wove paper Edition: 12/100, plus proofs Size: 31 x 23.5 inches C...
Category

1990s Op Art Continental US - Figurative Prints

Materials

Screen

Scenery of the Upper Mississippi Indian Village Currier & Ives lithograph framed
By Currier & Ives
Located in Paonia, CO
Scenery of the Upper Mississippi Indian Village Currier & Ives lithograph is a tranquil scene of an Indian village camped in a meadow next to a be...
Category

Mid-19th Century American Realist Continental US - Figurative Prints

Materials

Lithograph

"Maternity" 2002, original hand signed mezzotint etching art Mexican sculptor
Located in Miami, FL
Jose Sacal (Mexico, 1944-2018) 'Maternidad', 2002 mezzotint on paper 22.1 x 18.4 in. (56 x 46.5 cm.) Edition of 25 ID: SAC-101 Hand-signed by author
Category

2010s Contemporary Continental US - Figurative Prints

Materials

Paper, Ink, Mezzotint, Etching, Aquatint

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