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Item Ships From: Continental US
Composition I (Cramer 160; Mourlot 857), Joan Miró Lithographs
By Joan Miró
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.5 x 9.625 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró,...
Category

1970s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Degas, Les Ciseaux, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.625 x 6.375 inches Inscription: Unsigned and unnumbered, as issued Notes: From t...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Engraving

Sea Road to Bimini
By Julio Larraz
Located in New York, NY
ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...
Category

Early 2000s Continental US - Landscape Prints

Materials

Photographic Paper

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
By Édouard Manet
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Lithograph

Manet, Composition, Édouard Manet, Letters with Aquarelles (after)
By Édouard Manet
Located in Southampton, NY
Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Lithograph

Caïn et Abel (Mourlot 230-77; Cramer 42)
By Marc Chagall
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Mourlot, Fernand. C...
Category

1960s Expressionist Continental US - Landscape Prints

Materials

Lithograph

de Staël, Composition Céladon, Nicolas de Staël, Peintres d'aujourd'hui (after)
By Nicolas de Staël
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Nicolas de Staël, Peintres d'aujourd'hui, 1960. Published by Fernand Hazan, Éditeur, Paris; rendered by Bussière et Nouël, Paris; printed by l'Imprimerie Lecot, Paris, May 1960. Excerpted from the folio (translated from French), CCCLXXV examples of this album, numbered from I to CCCLXXV, are accompanied by an unpublished board illustrating a glued paper of the artist and shot on the presses of Daniel Jacomet, in Paris. The illustrations of this album, completed in May 1960, were shot by Bussière and Nouël and printed by the l'Imprimerie Lecot. The text was drawn by l'Imprimerie Damien and the binding made by F.l.A.P. according to the models of Marcel Jacno. Fernand Hazan Éditeur, 35-37, rue de Seine, Paris. 1960. Droits de reproduction réservés A.D.A.G.P. - Paris. NICOLAS DE STAEL (1914-1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. Known for his abstract landscapes and still lifes that uniquely blend colour, form and texture, Nicolas de Staël was fascinated by the world’s many spectacles and documented them through his art. De Staël was born in 1914 into an aristocratic family in Saint Petersburg, Russia. His father served as a cavalry general under Tsar Nicholas II and the family was forced to flee after the Russian Revolution. Both Nicolas’s parents died in the early 1920s, meaning he and his siblings were raised by a foster family in Brussels where he would begin his formal art education at the Académie Royale des Beaux-Arts. De Staël’s early work was influenced by the European avant-garde movements of the early 20th century, including Cubism and Fauvism. However, he soon developed his own distinctive style with thick impasto and a bold use of colour. His early paintings, often sombre in tone, gradually evolved into more vibrant and dynamic compositions, reflecting his growing interest in the emotional and expressive potential of colour and form. In 1938 de Staël had moved to France, where he became an integral part of the post-war Parisian art scene. Having worked initially in the atelier of Fernand Léger, de Staël’s circle of friends came to include Sonia Delaunay, Le Corbusier and Jean Arp, who encouraged his tendencies towards abstract work. His work during this period marked a significant departure from traditional representation, moving towards abstraction while maintaining a strong sense of structure and form. De Staël's paintings from this era showcase his ability to balance abstraction with figuration, using broad, gestural strokes and a vibrant palette to convey movement and energy. What truly set de Staël apart, though, was the step he took beyond abstraction. This came with his football paintings...
Category

1960s Modern Continental US - Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Fairfield, CT
Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the album, The Circus by Toulouse...
Category

1950s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Images de Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...
Category

1940s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, Henri de Toulouse-Lautrec, Dessinateur (after)
By Henri de Toulouse-Lautrec
Located in Southampton, NY
Lithograph on vélin paper. Paper size: 12.25 x 9.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Henri de Toulouse-Lautrec, Dessinateur,...
Category

1940s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

Tawny or Brown Owl: A Framed Original 19th C. Hand-colored Lithograph by Gould
By John Gould and Henry Constantine Richter
Located in Alamo, CA
This is a framed original 19th century hand-colored folio-sized lithograph entitled “Syrnium Aluco" (Tawny or Brown Owl) by John Gould, from his "Birds of G...
Category

Mid-19th Century Naturalistic Continental US - Landscape Prints

Materials

Lithograph

Picasso, Composition (Orozco 238), Picasso, La flûte double (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...
Category

1960s Cubist Continental US - Landscape Prints

Materials

Lithograph, Stencil

"American Swan", Audubon Hand-colored First Octavo Edition Lithograph
By John James Audubon
Located in Alamo, CA
This is an original rare and extremely collectible 1st royal octavo edition John James Audubon hand-colored royal octavo lithograph entitled "American Swan", No. 77, Plate 384, from Audubon's "Birds of America". It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts an adult white American Swan swimming in a body of water. Plants with yellow flowers are in the foreground and hills are in the background. This original rare first edition hand-colored Audubon bird lithograph has a mildly wavy lower edge of the paper where it was previously bound. It is otherwise in excellent condition. The sheet measures 6.63" x 10.13". The original text pages 226-234 are included. John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable. With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment. Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor. Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category

Mid-19th Century Naturalistic Continental US - Landscape Prints

Materials

Lithograph

Heart Series I, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Heart Series I Year: 1998 Edition: 130/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 5 x 4 inches Condition: Excellent Inscriptio...
Category

1990s Pop Art Continental US - Landscape Prints

Materials

Lithograph

New York City Street Scene (L.18), Fairfield Porter
By Fairfield Porter
Located in Fairfield, CT
Artist: Fairfield Porter (1907-1975) Title: Street Scene (L.18) Year: 1969 Medium: Lithograph on Arches paper Edition: 69/100, plus proofs Size: 22.25 x 30 inches Condition: Excellen...
Category

1960s Expressionist Continental US - Landscape Prints

Materials

Lithograph

Derain, Londres, La Tamise et Big Ben, Fauves, Collection Pierre Lévy (after)
By André Derain
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...
Category

1970s Fauvist Continental US - Landscape Prints

Materials

Lithograph

Rare Hand Colored "Cabane Des Hold" - 1st Ed "Description de l’Univers" C. 1683
By Alain Manesson Mallet
Located in Soquel, CA
Rare Engraving "Cabane Des Hold, Terres Artiques, Fig CII," 1st edition "Description de l’Univers, page 281 This rare image depicts the Willem Barentsz expedition of 1597 to Novaya Zemlya, Russia. The engraving, with later hand-coloring, shows the cabin and ship of the Dutch arctic expedition of Barentsz on Novaya Zemlya (Nova Zembla), with the party being attacked (and in some cases apparently eaten) by bears and wolves. Dutch explorer, Willem Barentsz, reached the west coast of Novaya Zemlya in 1594, and in a subsequent expedition of 1596 rounded the northern point and wintered on the northeast coast. Barentsz died during the expedition, and may have been buried on the northern island. This artwork is a page from a book by 17th century cartographer and engineer, Allain Manesson Mallet (French, 1630-1706), "Description de L'Univers, contenant les differents systêmes du monde, les cartes générals et particulières de la géographie ancienne et modern." Paris: Denys Thierry, 1683. Presented in an cream colored mat. Text on verso shown in images. Mat Size: 11.5"H x 9.07"W Paper Size: 8.25"H x 5.44"W Image Size: 5.63"H x 3.75"W Alain Manesson Mallet (French, 1630-1706) was a 17th century cartographer and military engineer. He started his career as a musketeer in the army of Louis XIV, became a Sergeant-Major in the artillery and an Inspector of Fortifications. He later served under Alfonso VI, King of Portugal...
Category

1680s Realist Continental US - Landscape Prints

Materials

Paper, Ink, Gouache

Spring Night, Greenwich Village
By Martin Lewis
Located in Storrs, CT
Spring Night, Greenwich Village. 1930. Drypoint and sand ground. McCarron 85. 10 x 12 3/8 (sheet 13 1/4 x 15 5/8)). Edition 92. A rich, tonal impress...
Category

1930s American Modern Continental US - Landscape Prints

Materials

Drypoint, Etching

FALLING RIBBON Signed Mini Lithograph, Red Satin, Surreal Beach Scene
By Fanny Brennan
Located in Union City, NJ
FALLING RIBBON is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival A...
Category

1990s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Ben Harman - The Little Mermaid - Contemporary Cinema Film Movie Posters
Located in Asheville, NC
The Little Mermaid Disney Animation Film The Little Mermaid is a 1989 American animated musical fantasy film produced by Walt Disney Feature Animation and Walt Disney Pictures. The 28th Disney animated feature film, it is loosely based on the 1837 Danish fairy tale of the same name by Hans Christian Andersen. The film tells the story of a mermaid Princess named Ariel, who dreams of becoming human and falls in love with a human prince named Eric, which leads her to make a magic deal with an evil sea...
Category

2010s Contemporary Continental US - Landscape Prints

Materials

Color, Giclée, Archival Pigment, Screen

Picasso, Composition (Orozco 193-204), Au Baiser D'Avignon (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph on vélin d’Arches paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Picasso au baiser d'Avignon, douze dessins, lavis, aquarelle...
Category

1970s Cubist Continental US - Landscape Prints

Materials

Lithograph

A Night Dance by Men in Tonga: An Original 18th C. Engraving, Cook's 3rd Voyage
By John Webber
Located in Alamo, CA
"A Night Dance by Men in Hapaee" is an original 18th century engraving from a drawing by John Webber (1751-1793), who was the artist who accompanied Captain Cook on his third voyage ...
Category

1780s Continental US - Landscape Prints

Materials

Engraving

Original Cabourg la plus belle plague vintage French beach poster
By Edouard Elzingre
Located in Spokane, WA
Original poster: CABOURG. "Casino. Grand Hôtel Noël & Pattard, propriétaires du Grand Hôtel à Monte-Carlo". Caubourg, la plus belle plage. Artist: ...
Category

1890s Art Nouveau Continental US - Landscape Prints

Materials

Lithograph

Cherry Street
By Charles Frederick William Mielatz
Located in Middletown, NY
A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions. New York: 1904. Drypoint with aquatint on watermarked, cr...
Category

Early 20th Century American Modern Continental US - Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

A View of London as it was in the Year 1647 pub. by Boydell 1756
Located in Paonia, CO
A View of London as it was in the Year 1647 is a hand colored copper engraving published by the well known British publisher and engraver John Boydell (1720-1804) and engraved by R.Benning sold at Cheapside London 1756. Panoramic view on two sheets conjoined as issued linen mounted. Lettered with title in French and English along the base of the image including a numbered key to the structures. In very good condition except for one 1/8 inch tear in the sky to the left of the middle seam that is barely noticeable. This is a large very detailed panorama of London...
Category

1750s Other Art Style Continental US - Landscape Prints

Materials

Etching

The Gothic Spirit
By John Taylor Arms
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category

1920s American Modern Continental US - Landscape Prints

Materials

Drypoint, Etching

Luigi Lucioni Vermont Barn
By Luigi Lucioni
Located in San Francisco, CA
Luigi Lucioni: 1900-1988. Very well listed American Painter and etcher. He has Auction results as high as $4600 for an etching. This adding is most likely a barn in Vermont.. It meas...
Category

1950s American Realist Continental US - Landscape Prints

Materials

Etching

Liberty Head IV, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Liberty Head IV Year: 2001 Edition: 454/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscripti...
Category

Early 2000s Pop Art Continental US - Landscape Prints

Materials

Lithograph

Degas, Deux Femmes, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 4.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Engraving

Red Samurai! (Belknap 354-380; Engberg/Banach 415-441), Three Poems
By Robert Motherwell
Located in Southampton, NY
Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...
Category

1980s Abstract Expressionist Continental US - Landscape Prints

Materials

Lithograph

Degas, Attente, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 4.875 x 6.625 inches Inscription: Unsigned and unnumbered, as issued Notes: From t...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Engraving

Sans titre, Société internationale d'art XXe siècle
Located in Southampton, NY
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 11 (double) ...
Category

1950s Modern Continental US - Landscape Prints

Materials

Lithograph

Degas, Les Femmes, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 4.75 x 6.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Engraving

Seascape XVI - large format photograph of monochrome water surface and Clouds
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Sans titre, Verve: Revue Artistique et Littéraire
By Marcel Gromaire
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...
Category

1950s Modern Continental US - Landscape Prints

Materials

Lithograph

Blue Gesture (Belknap 354-380; Engberg/Banach 415-441), Three Poems
By Robert Motherwell
Located in Southampton, NY
Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...
Category

1980s Abstract Expressionist Continental US - Landscape Prints

Materials

Lithograph

Four Hearts, 1971, after Jim Dine
By Jim Dine
Located in Fairfield, CT
Artist: After Jim Dine (1935) Title: Four Hearts, exhibition poster Year: 1971 Medium: Lithograph on Arches paper Size: 30.75 x 22 inches Condition: Excellent Inscription: Signed by ...
Category

1970s Pop Art Continental US - Landscape Prints

Materials

Lithograph, Offset

Matisse, Icare, Jazz (after)
By Henri Matisse
Located in Fairfield, CT
Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 11.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Matisse, Jazz, Special Edition...
Category

1980s Fauvist Continental US - Landscape Prints

Materials

Lithograph

“On the Seine, Paris”
By Hans Figura
Located in Southampton, NY
Original aquatint etching of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. Si...
Category

Early 1900s Academic Continental US - Landscape Prints

Materials

Archival Paper, Aquatint

La Fleur (Saphire 120), Société internationale d'art XXe siècle
By Fernand Léger
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 9.65 x 12.4 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Léger, Fernand, and Lawrence Saphire. Ferna...
Category

1950s Cubist Continental US - Landscape Prints

Materials

Lithograph

Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Fairfield, CT
Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the album, The Circus by Toulouse...
Category

1950s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

Plymouth Street ( a twilight scene is set in the Brooklyn section of DUMBO)
By Frederick Mershimer
Located in New Orleans, LA
This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...
Category

1990s Contemporary Continental US - Landscape Prints

Materials

Mezzotint, Aquatint

"The Sun Shines All Over", Vintage Geometric Abstract Landscape Screen Print
By Xiu-ping Liao
Located in Soquel, CA
"The Sun Shines All Over", a bold minimalist vintage abstract landscape print by the renowned printmaker Shiou-ping Liao (Taiwanese, b.1936). A perfectly circular, high voltage rainb...
Category

1960s Abstract Geometric Continental US - Landscape Prints

Materials

Paper, Printer's Ink, Screen

Picasso, Composition, Pablo Picasso, Toros Y Toreros (after)
By Pablo Picasso
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...
Category

1960s Cubist Continental US - Landscape Prints

Materials

Lithograph

Le Ruisseau Dans La Clairière (The Brook in the Clearing)
By Charles François Daubigny
Located in Middletown, NY
Paris: 1862. Cliché-verre on lightweight photosensitive wove paper, 8 3/4 x 7 1/8 inches (220 x 180 mm) (sheet), full margins. Signed in the plate, lower right. Because this impressi...
Category

Mid-19th Century Realist Continental US - Landscape Prints

Materials

Photographic Paper

"Le Retour (Return), " Color Lithograph after Painting by Rene Magritte
By René Magritte
Located in Milwaukee, WI
"Le Retour (Return)" is a color lithograph after the original 1940 painting by Rene Magritte. A bird which is really just the sky in the day and clouds. A nest bellow the bird has th...
Category

Early 2000s Surrealist Continental US - Landscape Prints

Materials

Lithograph

SOLO Signed Lithograph, Mini Landscape, White Tree, Green Grass, Yellow Flowers
By Fanny Brennan
Located in Union City, NJ
SOLO is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches pri...
Category

1990s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano (View of the Exterior of St. Peter's Basilica in the Vatican) Etching, 1748 From the first printing of the "Vedute di Roma" An early impression with strong contrasts Before the price and the addition of numbers in the later states. A view of Michelangelo's done from behind the Piazza, redesigned in 1547 Condition: Excellent Plate size: 15 3/4 x 24 3/4 inches Reference: Robison 5 a/g Hind 5 i/VII Focillon 54.789 Designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini, St. Peter's is the most renowned work of Renaissance architecture and the largest church in the world. While it is neither the mother church of the Catholic Church nor the cathedral of the Diocese of Rome (these equivalent titles being held by the Archbasilica of Saint John Lateran in Rome), St. Peter's is regarded as one of the holiest Catholic shrines...
Category

1740s Old Masters Continental US - Landscape Prints

Materials

Etching

Street in Marblehead, Massachussets
By Lawrence Wilbur
Located in Middletown, NY
Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...
Category

1930s American Modern Continental US - Landscape Prints

Materials

Archival Paper, Drypoint, Etching

TAGGED TREE Signed Lithograph, Mini Landscape, Tree, Water, Sky, Surrealism
By Fanny Brennan
Located in Union City, NJ
TAGGED TREE is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on ...
Category

1990s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Original Remember Your First Thrill of American Liberty 1917 vintage poster
Located in Spokane, WA
Original poster: Rembember Your First Thrill of Ameridan Liberty YOUR DUTY Buy United States Government Bonds 2nd Liberty Loan of 1917. Linen backed and ready to frame. Poste...
Category

1910s American Realist Continental US - Landscape Prints

Materials

Lithograph

'Laguna Cove' — American Modernism, California
By Paul Landacre
Located in Myrtle Beach, SC
Paul Landacre, 'Laguna Cove', wood engraving, 1935; edition 60 (16 printed), 2nd edition 150 (6 printed), Woodcut Society 200, Wien 247. Signed and titled in pencil. A brilliant, black impression, on cream wove Japan, with full margins (3/4 to 1 3/4 inches), in excellent condition. Archivally matted to museum standards, unframed. This impression is from the edition published for the Twentieth Presentation Print of the Woodcut Society, 1941. Printed by Torch Press, Cedar Rapids. Literature: Reproduced in 'James Swann...
Category

1930s American Modern Continental US - Landscape Prints

Materials

Woodcut

Wake on the Ferry.
By John French Sloan
Located in Storrs, CT
Wake on the Ferry. 1949. Etching. Morse catalog 313. state v. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression ...
Category

1940s American Modern Continental US - Landscape Prints

Materials

Etching

Renoir, L'arbre roux, Seize Aquarelles et Sanguines de Renoir (after)
By Pierre-Auguste Renoir
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin d’Arches Johannot paper Year: 1948 Paper Size: 15 x 10.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Seize ...
Category

1940s Impressionist Continental US - Landscape Prints

Materials

Lithograph

Braque, Composition, Braque Espaces, 13 Dessins, Lavis, Aquarelles (after)
By Georges Braque
Located in Southampton, NY
Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....
Category

1950s Modern Continental US - Landscape Prints

Materials

Lithograph, Stencil

Close Call, Mark Kostabi
By Mark Kostabi
Located in Fairfield, CT
Artist: Mark Kostabi (1960) Title: Close Call Year: 1986 Edition: 9/10, 40 Arabic Numerals, 10 Roman Numerals, plus proofs. Medium: Silkscreen on Arches paper Size: 40.5 x 30.25 inch...
Category

1980s Pop Art Continental US - Landscape Prints

Materials

Screen

Profile Series II, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Profile Series II Year: 1998 Edition: 83/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 8.5 x 7 inches Condition: Excellent Inscri...
Category

1990s Pop Art Continental US - Landscape Prints

Materials

Lithograph

Ange du Paradis (Mourlot 117-46; Cramer 25)
By Marc Chagall
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and F...
Category

1950s Expressionist Continental US - Landscape Prints

Materials

Lithograph

Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923. Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists". Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category

1930s American Modern Continental US - Landscape Prints

Materials

Etching

Dark House
Dark House
$217 Sale Price
56% Off
Picasso, Sans titre, Pablo Picasso, Toros Y Toreros (after)
By Pablo Picasso
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...
Category

1960s Cubist Continental US - Landscape Prints

Materials

Lithograph

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