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Item Ships From: Continental US
Dueling with Cherry Blossoms - Tales of Genji - Japanese Woodblock
By Utagawa Kunisada (Toyokuni III)
Located in Soquel, CA
Dueling with Cherry Blossoms - Tales of Genji - Japanese Woodblock
Rightmost panel a triptych, depicting a group of children and a samurai watching a "duel" with cherry blossoms. Th...
Category
1850s Realist Continental US - Landscape Prints
Materials
Printer's Ink, Rice Paper, Woodcut
Dufy, Composition, Eaux-de-vie, Esprit de la fleur et du fruit (after)
By Raoul Dufy
Located in Auburn Hills, MI
Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Bernard Klein, éditeur, Paris, February 26, 1954. Notes: ...
Category
1950s Modern Continental US - Landscape Prints
Materials
Lithograph, Stencil
Landsend
By Jessica Brilli
Located in New York, NY
ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...
Category
2010s Continental US - Landscape Prints
Materials
Photographic Paper
Derain, Londres, La Tamise et Big Ben, Fauves, Collection Pierre Lévy (after)
By André Derain
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches paper
Year: 1972
Paper Size: 20 x 26 inches
Inscription: Signed in the plate and unnumbered, as issued
Notes: From the folio, Fauves, VII, Collec...
Category
1970s Fauvist Continental US - Landscape Prints
Materials
Lithograph
Braque, Fleurs rouges, Georges Braque le solitaire (after)
By Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin papier d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Georges Braque le solitaire, 1959. Published by Editions XXe Si...
Category
1950s Modern Continental US - Landscape Prints
Materials
Lithograph
Calder, Composition, San Lazzaro et ses Amis, XXe Siècle (after)
By Alexander Calder
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, XXe San Lazzaro et ses Amis, San Lazzaro et ses amis, hommage au fondat...
Category
1970s Modern Continental US - Landscape Prints
Materials
Lithograph
'Partners' — Mid-Century Modernist Regionalism
By Dale Nichols
Located in Myrtle Beach, SC
Dale Nichols, 'Partners', lithograph, edition 250, 1950. Signed in pencil. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/8 to 1 5/8 inches); tw...
Category
1950s American Modern Continental US - Landscape Prints
Materials
Lithograph
Chagall, Composition (Mourlot 297; Cramer 40), Derrière le miroir (after)
By Marc Chagall
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 119. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...
Category
1960s Expressionist Continental US - Landscape Prints
Materials
Lithograph
Original Metropole Messageries Maritimes Union Francaise vintage travel poster
Located in Spokane, WA
Original antique French lithograph travel poster: Metropole Messageries Maritimes Union Francaise. Artist: Poulain. This unicorn-s...
Category
1950s Art Deco Continental US - Landscape Prints
Materials
Lithograph
GARDEN ROMANCE Signed Lithograph, Black Couple, Collage Portrait Lovers, Flowers
By James Denmark
Located in Union City, NJ
GARDEN ROMANCE by the artist James Denmark is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) printed on archival Somerset paper using traditional hand lithography techniques. GARDEN ROMANCE is one of Denmark's expressive, colorful collage compositions of everyday African American life - a lovely flower garden scene featuring a romantic black couple, the woman seated amid the blossoming plants wearing a green and yellow paisley print dress and head wrap; her standing male companion with flower in hand, dressed in blue denim jeans, and pastel color patchwork print shirt. Vivid coloration, watercolor patterns, and collage effect textures captivate the eye with visual variety in a striking palette of blues, greens, white, red, orange, magenta, touches of yellow, lavender and dark black - a fine example of the intricacies of hand lithography!
Print size - 32 x 21.25 in., archival framing, double mat, excellent condition, pencil signed and numbered - Certificate of Authenticity provided
1 / 15 H.C. by James Denmark, publisher's chop embossed lower left corner
Edition size - 250, plus proofs
Year published - 1996
Printer - JK Fine Art Editions Co. NJ
Publisher - Mojo Portfolio...
Category
1990s Contemporary Continental US - Landscape Prints
Materials
Lithograph
Hölle XXX (Field 189-200; M/L 1039-1138), Die Göttliche Komödie
By Salvador Dalí
Located in Auburn Hills, MI
Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...
Category
1970s Surrealist Continental US - Landscape Prints
Materials
Woodcut
Picasso, Composition (Orozco 193-204), Au Baiser D'Avignon (after)
By Pablo Picasso
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Picasso au baiser d'Avignon, douze dessins, lavis, aquarelle...
Category
1970s Cubist Continental US - Landscape Prints
Materials
Lithograph
Composition (Cramer 36; Bloch 360; Horodisch A6), Non Vouloir, Pablo Picasso
By Pablo Picasso
Located in Auburn Hills, MI
Zincograph on Vélin Bouffant paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Non Vouloir, 1942. Published by Éditions Jeanne Bucher, Paris; printed...
Category
1940s Cubist Continental US - Landscape Prints
Materials
Etching
Nature Morte country side farming scene
By Maurice Savin
Located in Belgrade, MT
This lithograph is part of my private collection. It is original and pencil signed and numbered by the artist.
Category
20th Century Abstract Expressionist Continental US - Landscape Prints
Materials
Engraving, Lithograph
Léger, Composition, mes voyages (after)
By Fernand Léger
Located in Auburn Hills, MI
Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...
Category
1970s Modern Continental US - Landscape Prints
Materials
Lithograph
Rodin, Composition, La Varende, Rodin (after)
By Auguste Rodin
Located in Auburn Hills, MI
Lithograph and stencil on vélin pur fil paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Varende, Rodin, 1944. Published by Éditions ...
Category
1940s Modern Continental US - Landscape Prints
Materials
Lithograph, Stencil
Matisse, Le Nu aux oranges (Duthuit 139), Verve: Revue Artistique (after)
By Henri Matisse
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...
Category
1950s Modern Continental US - Landscape Prints
Materials
Lithograph
Flower Lined Home, Modern Lithograph by Guy Charon
By Guy Charon
Located in Long Island City, NY
Guy Charon, French (1927 - 2021) - Flower Lined Home, Year: circa 1975, Medium: Lithograph on Arches, signed, and numbered in pencil, Edition: 250, EA, Image Size: 22.75 x 18.25 ...
Category
1970s Modern Continental US - Landscape Prints
Materials
Lithograph
Picasso, Composition (Orozco 193-204), Au Baiser D'Avignon (after)
By Pablo Picasso
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Picasso au baiser d'Avignon, douze dessins, lavis, aquarelle...
Category
1970s Cubist Continental US - Landscape Prints
Materials
Lithograph
'Financial District', New York City — American Modernism
By Howard Norton Cook
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed.
Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987.
Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum.
ABOUT THE ARTIST
Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker.
Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest.
Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937.
He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Category
1930s American Modern Continental US - Landscape Prints
Materials
Lithograph
Cloud Trees Variation Two, Stream, Forest, Grey Clouds Blue Sky, Eggplant Trees
By Eve Stockton
Located in Kent, CT
Eve Stockton’s woodcut prints are inspired by close observation of nature and her eclectic interest in science. Her woodcuts depict nature at different scales, often simultaneously. ...
Category
2010s Contemporary Continental US - Landscape Prints
Materials
Archival Ink, Archival Paper, Monoprint, Woodcut
Chagall, Composition (Cramer 111; Mourlot 992), Derrière le Miroir (after)
By Marc Chagall
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 246. Published by Aimé Maeght, Éditeur...
Category
1970s Expressionist Continental US - Landscape Prints
Materials
Lithograph
Lovers in Monet's Garden Signed Limited Edition Lithograph
By Tony Bennett
Located in Rochester Hills, MI
Tony Bennett
Title: Lovers in Monet's Garden
Lithograph
Signed and Marked PP 1/10 ( Printers Proof )
Paper Size: 30" x 24" inches
Image Size : 25" x 20" inches
Anthony...
Category
1980s American Impressionist Continental US - Landscape Prints
Materials
Lithograph
"Green Day" Framed Limited Edition Print, 24" x 36"
Located in Westport, CT
This Limited Edition giclee landscape print by Molly Doe Wensberg is an edition size of 195. It features a cool blue, green, and yellow palette and captures a landscape scene with lu...
Category
2010s Other Art Style Continental US - Landscape Prints
Materials
Digital, Giclée
Atelier Mourlot - New York (NYC Skyline) by Bernard Buffet
By Bernard Buffet
Located in New York, NY
Arches Poster Paper - Perfect Condition A+
When The Mourlot Studio opened a branch in New York City, after a successful exhibition organized by the Smithsonian Institute in 1963, it...
Category
1960s Modern Continental US - Landscape Prints
Materials
Lithograph
Klimt, Kinderbildnis, Das Werk von Gustav Klimt (after)
By Gustav Klimt
Located in Auburn Hills, MI
Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 12.44 x 8.31 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the fo...
Category
1910s Symbolist Continental US - Landscape Prints
Materials
Lithograph
Vuillard, Composition, Derrière le miroir (after)
By Edouard Vuillard
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 158-159, 1966. Published by...
Category
1960s Post-Impressionist Continental US - Landscape Prints
Materials
Lithograph
Picasso, Composition (Orozco 207-261), Vingt-Neuf Portraits Imaginaires (after)
By Pablo Picasso
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, Picasso, Vingt-Neuf Portraits Imaginaires, 1969. Published by Éditions Cerc...
Category
1960s Cubist Continental US - Landscape Prints
Materials
Lithograph
Himmelstrasse, Austria
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Himmelstrasse, Austria" c.1950 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the a...
Category
Early 20th Century Realist Continental US - Landscape Prints
Materials
Etching
Matisse, Nu Bleu VI (Duthuit 139), Verve: Revue Artistique (after)
By Henri Matisse
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...
Category
1950s Modern Continental US - Landscape Prints
Materials
Lithograph
Le Paradis IX (Field 189-200; M/L 1039-1138), La Divine Comédie
By Salvador Dalí
Located in Auburn Hills, MI
Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...
Category
1960s Surrealist Continental US - Landscape Prints
Materials
Woodcut
Sandwich and Soda (Corlett 35), X + X, Roy Lichtenstein
By Roy Lichtenstein
Located in Auburn Hills, MI
Silkscreen on Mylar. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, X + X, Ten Works by Ten Painters, 1964. Published by the Wadsworth Athene...
Category
1960s Pop Art Continental US - Landscape Prints
Materials
Screen
Four Framed Hogarth Engravings "Four Times of the Day"
By William Hogarth
Located in Alamo, CA
The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament".
These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition.
The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum.
Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class.
Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...
Category
Mid-18th Century Old Masters Continental US - Landscape Prints
Materials
Engraving, Etching
Dufy, Composition, Eaux-de-vie, Esprit de la fleur et du fruit (after)
By Raoul Dufy
Located in Auburn Hills, MI
Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Bernard Klein, éditeur, Paris, February 26, 1954. Notes: ...
Category
1950s Modern Continental US - Landscape Prints
Materials
Lithograph, Stencil
Renoir, Marine, Seize Aquarelles et Sanguines de Renoir (after)
By Pierre-Auguste Renoir
Located in Fairfield, CT
Medium: Lithograph and stencil on vélin d’Arches Johannot paper
Year: 1948
Paper Size: 15 x 10.75 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the folio, Seize ...
Category
1940s Impressionist Continental US - Landscape Prints
Materials
Lithograph
Autumn Trees, Print on Paper, Framed
By Vahe Yeremyan
Located in Granada Hills, CA
Artist: Vahe Yeremyan
Work: Print on Satin Paper, Edition 017
Subject: Autumn Trees,
Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm,
Ready to Hang, Wooden Frame.
All works are...
Category
2010s Impressionist Continental US - Landscape Prints
Materials
Paper, Satin Paper, Color
Matisse, Mademoiselle Jacqueline Matisse II, Portraits par Henri Matisse (after)
By Henri Matisse
Located in Fairfield, CT
Medium: Collotype, héliogravure, recto and verso, on grand vélin Renage filigrané paper, as issued
Year: 1954
Paper Size: 12 x 9.25 inches; image size: 9.05 x 6.69 inches
Inscription...
Category
1950s Modern Continental US - Landscape Prints
Materials
Lithograph
Home 2
Located in New York, NY
ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...
Category
2010s Continental US - Landscape Prints
Materials
Photographic Paper
Silent Snow (Poetical imagery and Christmas memories in New England)
By Mary Teichman
Located in New Orleans, LA
This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
Mary Teichman...
Category
1990s American Modern Continental US - Landscape Prints
Materials
Etching
Picasso, Composition, Picasso and the Human Comedy (after)
By Pablo Picasso
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Picasso and the Human Comedy, Verve: Rev...
Category
1950s Cubist Continental US - Landscape Prints
Materials
Lithograph
1927 Art Deco Etching of a Geisha by Louis Icart
By Louis Icart
Located in New York, NY
Louis Icart (French, 1888-1950)
Geisha on a Bridge, 1927
Color etching on paper
Sight: 21 x 14 in.
Framed: 26 x 19 x 3/4 in.
Signed "Louis Icart" in pencil l.r., blindstamp l.l.
Lou...
Category
1920s Art Deco Continental US - Landscape Prints
Materials
Etching
Romare Bearden, Dreams of Exile (Green Snake), 1971, by African-American, signed
By Romare Bearden
Located in New York, NY
A North Carolina native, the African-American Romare Bearden spent most of his career in New York City. For several decades he was a social worker in Harlem. But of course he traveled widely, read and studied with great care, and created a phenomenal body of work.
This 1971 lithograph is a good example of his oeuvre -- far reaching though it may be. It speaks to his skill and knowledge of contemporary printmaking while featuring a complex subject representative of his interests.
A lush jungles is packed with flora and fauna. 'Green Snake' is part of the title and there is a particularly winsome reptile showing up so well on the sand-colored border between the dense forest and the aquamarine water. There are of course many other land and sea animals showing themselves -- even a curious ginger cat...
Category
1970s Contemporary Continental US - Landscape Prints
Materials
Lithograph
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
By Treadway Russell Nash
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Four Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10" x 16.5"
Image size (each): approx. 6.88" x 11.75"
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Continental US - Landscape Prints
Materials
Laid Paper, Engraving
Inglewood
By Jessica Brilli
Located in New York, NY
ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...
Category
2010s Modern Continental US - Landscape Prints
Materials
Photographic Paper
Hadrian's Mausoleum, Castel S. Angelo: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This large framed 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Mausoleo d'Elio Adriana ora chiamato Castello S. Angelo nella parte opposta alla Facciata de...
Category
1750s Old Masters Continental US - Landscape Prints
Materials
Etching
Matisse, Nu Bleu XI (Duthuit 139), Verve: Revue Artistique (after)
By Henri Matisse
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...
Category
1950s Modern Continental US - Landscape Prints
Materials
Lithograph
A Square with Four Squares Cut Away, Rubber Stamp Portfolio, Robert Mangold
By Robert Mangold
Located in Auburn Hills, MI
Printer’s ink from rubber stamp on Cambersand paper, mounted on vélin paper, as issued. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Published by Parasol Press, Ltd., New York; distributed by Museum of Modern Art (MoMA), New York; rubber stamp engraved by Unity Engraving Company Inc, Englewood; printed by Parasol Press, Ltd., New York, under the direction of Aaron Arnow, New York, from an edition of M, 1977.
ROBERT MANGOLD (1937) is an American minimalist artist. His son is the film director, producer and screenwriter James Mangold. “Robert Mangold’s paintings...
Category
1970s Minimalist Continental US - Landscape Prints
Materials
Printer's Ink
Chagall, Esther (Mourlot 117-46; Cramer 25), Drawings from the Bible (after)
By Marc Chagall
Located in Auburn Hills, MI
Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Marc Chagall, Dessins Pour La Bible, Verv...
Category
1950s Expressionist Continental US - Landscape Prints
Materials
Lithograph
Dali, Femme à tete de Roses (Pittura N. Y415.35) (after)
By Salvador Dalí
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989)
Title: Femme à tete de Roses (Pittura N. Y415.35)
Year: 2004
Medium: Lithograph on wove paper
Size: 30.25 x 22 inches
Condition: Excellent
Inscripti...
Category
Early 2000s Surrealist Continental US - Landscape Prints
Materials
Lithograph
Kandinsky, Composition, Derrière le miroir (after)
By Wassily Kandinsky
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 60-61, 1953. Published by A...
Category
1950s Modern Continental US - Landscape Prints
Materials
Lithograph
Miró, Composition (Mourlot 872-881; Cramer 164), El tapís de Tarragona (after)
By Joan Miró
Located in Auburn Hills, MI
Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró...
Category
1970s Modern Continental US - Landscape Prints
Materials
Lithograph
Picasso, Head of a Woman in Profile, Pablo Picasso-Linogravures (after)
By Pablo Picasso
Located in Auburn Hills, MI
Linocut on archival paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso: Linogravures. Published by France Éditions Cercle d'Art, Paris; ...
Category
1960s Cubist Continental US - Landscape Prints
Materials
Linocut
'Pulitzer Fountain, Evening" — 1940s American Modernism, New York City
By Ellison Hoover
Located in Myrtle Beach, SC
Ellison Hoover, 'Pulitzer Fountain, Evening', lithograph, circa 1940, edition c. 40. Signed in pencil. A fine, atmospheric impression, on cream wove paper; the full sheet with margins (1 1/2 to 4 5/16 inches), in excellent condition. Archivally matted to museum standards, unframed.
Image size 12 1/2 x 9 5/8 inches (318 x 244 mm); sheet size 16 1/4 x 12 1/4 inches (413 x 311 mm).
ABOUT THE SUBJECT
The Pulitzer fountain was commissioned as a bequest by Joseph Pulitzer, newspaper publisher and founder of the Columbia School of Journalism. Designed by Austrian sculptor Karl Bitter...
Category
Mid-20th Century American Modern Continental US - Landscape Prints
Materials
Lithograph
The Gourd Tree
By Jamie Wyeth
Located in New York, NY
In 2002, Jamie Wyeth created a richly detailed image titled, The Gourd Tree. Known for his realistic style, Wyeth’s work consists largely of landscapes-- like this unusual tree-- and portraiture. Although closely associated with the rural landscape of Chadds Ford Pennsylvania and the rugged coast of Maine, Jamie Wyeth spent part of his early career in New York City, where he was mentored by New York City Ballet founder Lincoln Kirstein...
Category
Early 2000s Photorealist Continental US - Landscape Prints
Materials
Screen
Close Up - large format photograph of conceptual billboard sign in landscape
By Frank Schott
Located in San Francisco, CA
large scale photograph of billboard sign with conceptual message in iconic landscape of the American West. A series of images capturing the unique infi...
Category
21st Century and Contemporary Contemporary Continental US - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Destinations (Flatiron Bidg, 5th Avenue and Broadway at 23rd Street)
By Frederick Mershimer
Located in New Orleans, LA
In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...
Category
1990s Contemporary Continental US - Landscape Prints
Materials
Mezzotint, Aquatint
Chagall, Tribe of Joseph, Vitraux pour Jérusalem (after)
By Marc Chagall
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...
Category
1960s Expressionist Continental US - Landscape Prints
Materials
Lithograph
LIGHT AND SHADE TAXCO - J. T. Arms Mexican Masterpiece with Striking Detail
By John Taylor Arms
Located in Santa Monica, CA
JOHN TAYLOR ARMS (1887 – 1953)
LIGHT AND SHADE TAXCO, 1946 (F. 394: (#2 from the Mexican series.)
Etching and aquatint signed and dated in pencil. Image 10 ½ x 13 5/8, sheet 14 1/...
Category
1940s American Realist Continental US - Landscape Prints
Materials
Etching
