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Item Ships From: Continental US
Nature Morte Harvest scene
By Maurice Savin
Located in Belgrade, MT
This lithograph is part of my private collection. It is original and pencil signed an numbered by the artist. It is one of a kind in black and white.
Category

Mid-20th Century Abstract Expressionist Continental US - Landscape Prints

Materials

Engraving, Lithograph

Netherton Chapel
By Frederick Landseer Griggs, R.A., R.E.
Located in Storrs, CT
Netherton Chapel. 1935. Etching. Comstock 53.v. 5 11/16 x 4 3/8 (sheet 8 15/16 x 6 1/2). Edition 85 in this state (total edition 88-89). Illustrated Fine Prints of the Year, 1936; Print Collector's Quarterly 26 (1939): 286. A fine impression on white laid paper with a partial crown watermark. Signed in pencil. Housed in a striking 11 1/2 x 10 7/8 wood and champagne gold frame. According to Comstock "The subject is a small memorial chapel, now much more ruinous than the etching shows, near Bredon Hill...
Category

Mid-20th Century Modern Continental US - Landscape Prints

Materials

Etching

SPORT, SPIRIT, SPLENDOR Signed Lithograph, Town Landscape, Special Olympics
By Michel Delacroix
Located in Union City, NJ
In 1995, Michel Delacroix became the Official Artist of the Special Olympics World Games and was joined for the unveiling of the splendid commemorative lithograph ‘Sport. Spirit. Splendor' by Caroline Kennedy. This commissioned print edition, SPORT, SPIRIT, SPLENDOR is a town landscape scene depicting community people gathering by the flag pole at the town green to cheer on the colorfully dressed charity runners as they pass. In SPORT, SPIRIT, SPLENDOR a calming pink and blue horizon serves as the backdrop of this quaint New England town green landscape scene featuring a charity running event printed in shades of Autumn golden ochre, greens, brown. A prominent white steeple tops the terracotta brick town hall building, a red, white, and blue American flag and a dark blue and chrome yellow Special...
Category

1990s Contemporary Continental US - Landscape Prints

Materials

Lithograph

Pine Ridge (29.5 x 18 inch hand-printed cyanotype)
Located in Oakland, CA
These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...
Category

2010s Contemporary Continental US - Landscape Prints

Materials

Paper, Archival Paper, Rag Paper, Photogram

Original XXII Gran Premiio de Espana vintage racing poster, Formula 1
By Michael Turner
Located in Spokane, WA
Original XXII Gran Premio de Espana vintage poster; artist Michael Turner, size: 26.5" x 38". Year 1975. Archival linen backed original Spanish racing poster. 17th Gran Prix...
Category

1970s American Modern Continental US - Landscape Prints

Materials

Offset

Calder, Composition, A Bestiary (after)
By Alexander Calder
Located in Southampton, NY
Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...
Category

1950s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Buffet, Composition, Lettre à mon peintre Raoul Dufy (after)
By Bernard Buffet
Located in Fairfield, CT
Medium: Lithograph on vélin d'Arches Arjomari paper Year: 1965 Paper Size: 11.81 x 9.45 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Lettr...
Category

1960s Modern Continental US - Landscape Prints

Materials

Lithograph

Days Gone By, Psychedelic Screenprint by Max Epstein
By Max Epstein
Located in Long Island City, NY
Max Epstein, Canadian (1932 - 2002) - Days Gone By, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295 AP, Image Size: 19 x 28 inches, Size: 23 in. x 3...
Category

1980s Pop Art Continental US - Landscape Prints

Materials

Screen

Rouen; The Cathedral of Notre Dame from the South
By John Taylor Arms
Located in Middletown, NY
Etching on F.J. Head & Co. watermarked cream laid paper, 8 1/8 x 7 5/8 (205 x 184 mm), full margins. Signed and dated in pencil, lower margin. Illustrated in Dorothy Noyes Arms, Chur...
Category

1920s American Modern Continental US - Landscape Prints

Materials

Laid Paper, Etching

Adolf Dehn, Commodore Peak, 1940-42, mid-century lithograph of Colorado mountain
By Adolf Dehn
Located in New York, NY
Adolf Dehn (1895-1968) was an American painter, printmaker and draftsman. A native of Waterville, Minnesota, he attended the Minneapolis School of Art where he met colleague Wanda Ga...
Category

1940s American Modern Continental US - Landscape Prints

Materials

Lithograph

Original Bruxelles Foire Internationale vintage travel poster
Located in Spokane, WA
Original linen-backed Bruxelles (Brussels) Foire Internationale oversize vintage travel poster. The poster features the most famous Grand Pal...
Category

1950s American Impressionist Continental US - Landscape Prints

Materials

Lithograph

Composition (Mourlot 668-677), La Féerie et Le Royaume, Marc Chagall
By Marc Chagall
Located in Southampton, NY
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...
Category

1970s Modern Continental US - Landscape Prints

Materials

Lithograph

Printemps Breton
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...
Category

1920s Realist Continental US - Landscape Prints

Materials

Engraving, Drypoint, Etching, Aquatint

Original "Food Will Win The War" vintage World War 1 poster
By Charles E. Chambers
Located in Spokane, WA
Original World War 1 vintage poster: Food Will Wn the War. Arhival linen backed. PRINTER: Rusling Wood Litho., New York Bright and in good condition. There is some marks down the left side of the poster, possible ink from when the poster was printed. This poster calls on immigrants to do their part in the war effort. It depicts recent immigrants standing near a sailing ship with the Statue of Liberty and a rainbow stretched across the New York City skyline in the background. The text reads: You came here seeking Freedom. You must now help preserve it. Wheat is needed by the allies. Waste nothing. The generosity and compassion of the American people and the great agricultural resources of the North American continent would be called upon... Twenty million Americans signed pledges of membership in the Food Administration...
Category

1910s American Realist Continental US - Landscape Prints

Materials

Lithograph

Composition, Poems of Léopold Sédar Senghor, Lois Mailou Jones
Located in Southampton, NY
Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...
Category

1990s Expressionist Continental US - Landscape Prints

Materials

Screen

Picasso, Composition (Hodorisch B2), Le manuscrit trouvé dans un chapeau (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph on vélin des papeteries Lafúma paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Le manuscrit trouvé dans un chapeau, orné de dessins a la ...
Category

1910s Modern Continental US - Landscape Prints

Materials

Lithograph

la Tour Eiffel, Paris Capitale, Maurice Utrillo
By Maurice Utrillo
Located in Southampton, NY
Lithograph on vélin Johannot paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Paris Capitale, 1955; published by Joseph Foret, Editeur d'Art, Paris...
Category

1950s Modern Continental US - Landscape Prints

Materials

Lithograph, Stencil

Scolopaceous Courlan: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 19th century John James Audubon hand-colored lithograph entitled "Scolopaceous Courlan", No. 63, Plate 312 from Audubon's "Birds of America, lithographed, printed...
Category

Mid-19th Century Naturalistic Continental US - Landscape Prints

Materials

Lithograph

Black Sun (Belknap 354-380; Engberg/Banach 415-441), Three Poems
By Robert Motherwell
Located in Southampton, NY
Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...
Category

1980s Abstract Expressionist Continental US - Landscape Prints

Materials

Lithograph

Kollwitz, Working-Class Woman with Sleeping Child (after)
By Käthe Kollwitz
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...
Category

1940s Modern Continental US - Landscape Prints

Materials

Lithograph

Troubadour, from The Mastersingers of Nuremberg
Located in Middletown, NY
Stipple point etching on tissue-thin handmade Japon paper, 7 5/8 x 5 inches (193 x 126 mm), full margins. Signed, titled, dated, inscribed and numbered 10/25 in pencil, lower margin....
Category

Early 20th Century Jugendstil Continental US - Landscape Prints

Materials

Handmade Paper, Etching

Jérémie (Mourlot 117-46; Cramer 25)
By Marc Chagall
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cain, Julien, and F...
Category

1950s Expressionist Continental US - Landscape Prints

Materials

Lithograph

'Navajo Trading Post' — Southwest Regionalism, American Indian
By Ira Moskowitz
Located in Myrtle Beach, SC
Ira Moskowitz, 'Navajo Trading Post', lithograph, 1946, edition 30, Czestochowski 161. Signed and dated in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 3 1/8 inches). Pale mat line, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 11/16 x 15 1/2 inches (297 x 395 mm); sheet size 16 5/16 x 191/8 inches (414 x 486 mm). ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of American Indian...
Category

1940s American Modern Continental US - Landscape Prints

Materials

Lithograph

VALLEY OF THE TIBER
By Albany E. Howarth
Located in Portland, ME
Howarth, Albany. VALLEY OF THE TIBER. Etching, not dated. Edition size not known. Signed in pencil lower right. 13 3/4 x 10 1/2 inches (plate), 19 5/8 x 14 3/4 inches (sheet). In ex...
Category

Early 20th Century Continental US - Landscape Prints

Materials

Etching

Beaudin, Composition, André Beaudin, Verve: Revue Artistique (after)
By Andre Beaudin
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, André Beaudin, Verve: Revue Artistique et...
Category

1960s Modern Continental US - Landscape Prints

Materials

Lithograph

The Gates, Project for Central Park, New York City XIX
By Christo
Located in Washington, DC
Artist: Christo Title: The Gates, Project for Central Park, New York City XIX Medium: Offset lithograph in colors on wove paper Date: 2004 Edition: Unnumbered Sheet Size: 28 1/4" x 4...
Category

Early 2000s American Modern Continental US - Landscape Prints

Materials

Lithograph

Poplars II, Modern Lithograph by Linda Plotkin
By Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Poplars II, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 6/90, Image Size: 20.75 x 16.5 inc...
Category

1960s Modern Continental US - Landscape Prints

Materials

Lithograph

On Lake Como # 1
By John Taylor Arms
Located in New Orleans, LA
Both of Arms' Lake Como images were mostly printed in color. is a rarer black and white impression, John Taylor Arms was born in Washington, DC. He studied architecture at the Massa...
Category

Early 20th Century American Modern Continental US - Landscape Prints

Materials

Etching

Heart Series IV, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Heart Series IV Year: 1998 Edition: 300/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 5 x 4 inches Condition: Excellent Inscripti...
Category

1990s Pop Art Continental US - Landscape Prints

Materials

Lithograph

Large Monotype Monoprint Print Scenic Lake Landscape Susan Hall Woman Artist
By Susan Hall
Located in Surfside, FL
Monotype Monoprint Hand signed and numbered 1/1 Lake landscape Sheet: 37.5" X 27" Image: 29.5" X 19.75" Susan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bays and ocean, rolling grass lands and forests. It is inhabited by a diversity of wildlife, including over 450 species of birds, mountains lions, deer, bobcats, foxes, and elk. Ms. Hall who is a native of this area returned after spending twenty years in New York City. In her book, “Painting Point Reyes”, Hall says, “Point Reyes is the center of my painting life. Point Reyes has been my life and when I haven’t lived here, it has been an underground stream that spoke to me in dreams and visions.” While living and painting in New York City, Ms. Hall exhibited her work widely in museums and galleries. Among them are the Whitney Museum of Art; San Francisco Museum of Art; Nancy Hoffman Gallery, Trabia MacAfee Gallery, Phyllis Kind Gallery, Chicago; Ovsey Gallery, Los Angeles. In addition, her work has been featured in group exhibitions throughout the United States and abroad, including in 2020 Bud Shark's Ink: The California Crew at BMoCA, Boulder Museum of Contemporary Art Colorado USA representing the panoply of aesthetics, cultural backgrounds, viewpoints, and talent held within the bounty of art “made in California.” This remarkable grouping of artists, Brad Brown, Enrique Chagoya, Roy De Forest, Amy Ellingson, Susan Hall, Don Ed Hardy, Mildred Howard, Robert Hudson, Hung Liu, Kara Maria, Rex Ray, Alison Saar, Italo Scanga, and William T. Wiley. Women to the Fore, Hudson River Museum Yonkers 2021 A group of women artists working in oil painting and drawing, lithograph prints and photograph, collage and sculpture. Many icons of feminist art history. Judy Chicago, Judy Giera, Marisol, and Shanequa Benitez, Ann McCoy, Anna Walinska, Audrey Flack, Barbara Morgan, Berenice Abbott, Bessie Potter Vonnoh, Georgia O'Keeffe, Hannelore Baron, Harriet, Judy Chicago, Louise Nevelson, Marisol, Mary Frank, Nancy Graves, Susan Hall, Yvonne Thomas...
Category

20th Century Contemporary Continental US - Landscape Prints

Materials

Monotype

Brunelleschi, Composition, La Leçon d'amour dans un parc (after)
By Umberto Brunelleschi
Located in Southampton, NY
Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...
Category

1930s Modern Continental US - Landscape Prints

Materials

Lithograph, Stencil

DAYTIME KEY Signed Lithograph, Mini Beachscape, Red Box, Sand, Sea, Blue Sky
By Fanny Brennan
Located in Union City, NJ
DAYTIME KEY is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arches paper, 100% acid-free. DAYTIME KEY is an engaging miniature beachscape scene depicting a sandy shoreline, blue sky, and vibrant red locking...
Category

1990s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Horse Ride, Hawaii
By Guy Buffet
Located in San Francisco, CA
This artwork "Horse Ride, Hawaii" c.1985, is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numbered 065/300 in pencil by t...
Category

Late 20th Century Modern Continental US - Landscape Prints

Materials

Lithograph

Composition, Le Livre Blanc, Jean Cocteau
By Jean Cocteau
Located in Southampton, NY
Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...
Category

1930s Modern Continental US - Landscape Prints

Materials

Lithograph, Stencil

Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Fairfield, CT
Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the album, The Circus by Toulouse...
Category

1950s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

The Dotage of St. George , by Stan Washburn
By Stan Washburn 1
Located in Palm Springs, CA
A view of St. George living at peace with the animals around him. While Washburn's techniques bear favorable comparison with the old masters, there is a definite modern sense of wit ...
Category

1970s Contemporary Continental US - Landscape Prints

Materials

Etching

Flowering Angel, Peter Max
By Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Flowering Angel Year: 1973 Edition: 19/100, plus proofs Medium: Silkscreen on Arches paper Size: 30 x 23 inches Condition: Good Inscription: Signed an...
Category

1970s Pop Art Continental US - Landscape Prints

Materials

Screen

Citamerdu (Amrita) Plant: 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a rare 17th century engraving of a plant entitled "Citamerdu" by the Dutch botanist Hendrik van Rheede tot Drakenstein, plate 21 from his 'Hortus Indicus Malabaricus' (Garden of Malabar), published in Amsterdam in 1686 by Johann van Someren. The engraving depicts the Citamerdu plant, also known as Tinospora cordifolia plant or Amrita and Guduchi. It is a deciduous plant with heart-shaped leaves, greenish flowers, and pea-shaped fruits. Rheede's 19th century publication featured illustrations of exotic plants and fruits labelled with script in the upper right corner in Latin, Malay, Arabic, and Sanskrit. Hortus Indicus Malabaricus is believed to be the earliest comprehensive published work on the flora of Asia and the tropics. The 17th century treatise featured important illustrations of 740 plants of the region, including Indian medicinal plants. The engraving is printed on 17th century laid, chain-linked paper, watermarked with an elaborate crown design. The sheet measures 15.75" high by 18.75" wide. There is a central fold, as issued. There are a few small spots, but the print is otherwise in excellent condition. There are additional Rheede botanical engravings from his 'Hortus Indicus Malabaricus' publication that are listed on my 1stdibs storefront and online website. These would make for an impressive display grouping. A discount is available for purchase of two or more of the prints. Hendrik Adriaan van...
Category

Late 17th Century Naturalistic Continental US - Landscape Prints

Materials

Engraving

Wyeth, May Day, The Four Seasons (after)
By Andrew Wyeth
Located in Southampton, NY
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...
Category

1960s American Realist Continental US - Landscape Prints

Materials

Lithograph

Le soleil passe au dessus de la fontaine, Surrealist Lithograph by André Masson
By André Masson
Located in Long Island City, NY
André Masson, French (1896 -1987) - Le soleil passe au dessus de la fontaine, Medium: Lithograph on thin wove paper, unsigned, Image Size: 9.75 x 12.75 inches, Size: 11 x 13.25 in...
Category

1950s Surrealist Continental US - Landscape Prints

Materials

Lithograph

"Ocean, " Limited Edition Giclee Print, 24" x 32"
By Elwood Howell
Located in Westport, CT
This abstract landscape limited edition print by Elwood Howell features the artist's signature high horizon line in white. Beneath the line is a textured deep blue that is composed o...
Category

2010s Abstract Continental US - Landscape Prints

Materials

Digital, Giclée

Miró, Composition, Prints from the Mourlot Press (after)
By Joan Miró
Located in Southampton, NY
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Prints from the Mourlot Press, 1964. Published by Fernand Mourlot, Par...
Category

1960s Modern Continental US - Landscape Prints

Materials

Lithograph

Dufy, Composition, Les Côtes Normandes (after)
By Raoul Dufy
Located in Southampton, NY
Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Côtes Normandes 1961. Published by Pierre de Tartas, ...
Category

1960s Modern Continental US - Landscape Prints

Materials

Lithograph

'Spirit of Buffalo' — Urban Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Spirit of Buffalo', etching, edition not stated, c. 1927. Signed in pencil. Annotated 'Spirit of Buffalo 522', in another hand, in the bottom right margin. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 8 7/8 x 11 7/8 inches; sheet size 12 1/4 x 15 7/8 inches. ABOUT THE ARTIST Etcher, painter, and architect, Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...
Category

1920s American Realist Continental US - Landscape Prints

Materials

Etching

Flowering Narcissus Lily: 18th Century Hand-colored Weinmann Botanical Engraving
By Johann Wilhelm Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of a flowering Red Narcissus Lily plant, which is finished with hand-coloring. It is entitled "Narcissus In...
Category

Mid-18th Century Naturalistic Continental US - Landscape Prints

Materials

Engraving, Mezzotint

"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
By Carol Summers
Located in Soquel, CA
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch. Signed "Carol Summers" along the right edge of the blue shape. Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape. Presented in a silver colored aluminum frame. Frame size: 32.245"H x 27.25"W Paper size: 29.75"H x 24.5"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category

1980s Contemporary Continental US - Landscape Prints

Materials

Ink, Handmade Paper, Woodcut

Conferring Blue, Julian Stanczak
By Julian Stanczak
Located in Fairfield, CT
Artist: Julian Stanczak (1928-2017) Title: Conferring Blue Year: 1979 Edition: 66/175, plus proofs Medium: Silkscreen on Somerset paper Size: 25 x 25 inches Condition: Good Inscripti...
Category

1970s Op Art Continental US - Landscape Prints

Materials

Screen

Landscape with Mountains
By Ruth Leaf
Located in San Francisco, CA
This artwork "Landscape with Mountain" c.1990, is an original monoprint with embossing and collage on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is unsigned ...
Category

Late 20th Century Abstract Expressionist Continental US - Landscape Prints

Materials

Monoprint

Shepard Fairey Lifeguard Not on Duty Screenprint Contemporary Street Art Summer
By Shepard Fairey
Located in Draper, UT
Manufacturer: Obey Giant Edition Details: Year: 2014 Class: Art Print Status: Official Released: 08/12/14 Run: 98/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Numbere...
Category

2010s Contemporary Continental US - Landscape Prints

Materials

Screen

Summer Village, Print on Satin Paper, Framed
By Vahe Yeremyan
Located in Granada Hills, CA
Artist: Vahe Yeremyan Work: Print on Satin Paper, Edition 015 Subject: Summer Village, Framed Size: 17.5" x 24.5" x 0.8''inch, 44x62x2cm, Ready to Han...
Category

2010s Impressionist Continental US - Landscape Prints

Materials

Paper, Satin Paper, Color

American Black Bear: Original 19th C. Audubon Hand Colored Quadruped Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal octavo lithograph entitled "American Black Bear", No. 29, Plate CXLI from Audubon's "Quadrupeds of North America". It was dr...
Category

Mid-19th Century Naturalistic Continental US - Landscape Prints

Materials

Lithograph

"Visit Historic Palestine" Walled Off Hotel Stamped Print
By Banksy
Located in Draper, UT
Banksy (after) Visit Historic Palestine Print On the verso of the print it is double stamped with the Walled Off Hotel Emblem. It has a stamp in the lower left corner that reads,...
Category

20th Century Street Art Continental US - Landscape Prints

Materials

Offset

Canvass Back Duck: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Canvass Back Duck, 1. Male 2. Female, View of Baltimore, Maryland", No. 79, Plate 395 from Audubon's "Birds o...
Category

Late 19th Century Naturalistic Continental US - Landscape Prints

Materials

Lithograph

Braque, Composition, Derrière le miroir (after)
By Georges Braque
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 135-136, 1962-1963. Published by Aimé Maeght, Éditeur, ...
Category

1960s Modern Continental US - Landscape Prints

Materials

Lithograph

Ernst, Composition (Spies/Leppien 222), Histoire Naturelle (after)
By Max Ernst
Located in Southampton, NY
Collotype from frottage on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Max Ernst, Histoire Naturelle, 1972. Published and printed by Verla...
Category

1970s Surrealist Continental US - Landscape Prints

Materials

Lithograph

Braque, Paysage, Varengeville (after)
By Georges Braque
Located in Fairfield, CT
Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 4.375 x 13.75 inches Inscription: Signed in the plat...
Category

1960s Cubist Continental US - Landscape Prints

Materials

Lithograph

Topiary II - large format photograph of ornamental shaped sidewalk trees
By Frank Schott
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...
Category

21st Century and Contemporary Contemporary Continental US - Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée

Toulouse-Lautrec, Composition, The Circus by Toulouse-Lautrec (after)
By Henri de Toulouse-Lautrec
Located in Fairfield, CT
Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the album, The Circus by Toulouse...
Category

1950s Post-Impressionist Continental US - Landscape Prints

Materials

Lithograph

Coastal Fog
By Stephen McMillan
Located in Palm Springs, CA
Trees in fog. A band of fog off of the Pacific, pouring its way through the forest in Fiscalini Ranch, Cambria. Born in Berkeley, California, on December 21, 1949, he was raised in ...
Category

2010s Contemporary Continental US - Landscape Prints

Materials

Etching, Aquatint

FLEURS #4 - Trompette de Jéricho, one of 4 flowers by Marjan Seyedin
Located in Palm Springs, CA
This FLEURS #4 - Trompette de Jéricho is one of a series of beautifully rendered flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a conte...
Category

2010s Contemporary Continental US - Landscape Prints

Materials

Etching

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