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Item Ships From: Continental US
"Juicy Juice" Pop Art Sculpture 24" x 12" x 8" inch Edition 1/1 by Kii Arens
By Kii Arens
Located in Culver City, CA
"Juicy Juice" Pop Art Sculpture 24" x 12" x 8" inch Edition 1/1 by Kii Arens
ABOUT
One of the most credible and influential in Los Angeles - the award winni...
Category
21st Century and Contemporary Pop Art Continental US - Still-life Sculptures
Materials
Plexiglass, Mixed Media
"Forest", silk and cotton mixed media wall mounting sculpture, paint and patina
By Lesley Richmond
Located in St. Louis, MO
Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...
Category
2010s Contemporary Continental US - Still-life Sculptures
Materials
Textile, Cotton, Silk, Paint, Mixed Media, Acrylic, Other Medium
Michele Brody, Re-Blooms, Individual, Handcast Paper, Bamboo, Avg, 9" Diameter
By Michele Brody
Located in Darien, CT
Michele Brody, Re-Blooms, Individual Blooms, Handcast Paper, Bamboo,, each approx 9: diameter, 2019
The essence of Michele Brody’s work thrives on the interaction with new communi...
Category
2010s Naturalistic Continental US - Still-life Sculptures
Materials
Wood, Handmade Paper, Bamboo Paper
Joel Urruty - Redwhiteblack, Sculpture 2024
By Joel Urruty
Located in Greenwich, CT
Medium: Charred and dyed basswood
As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visu...
Category
2010s Contemporary Continental US - Still-life Sculptures
Materials
Wood, Dye
Puddle of Yum, Original Pop Art Sculpture
Located in Boston, MA
Puddle of Yum, Original Pop Art Sculpture
This collaborative cake sculpture was created by Ann Marie Coolick and Palm Springs artist by Betsy Enzensbe...
Category
21st Century and Contemporary Pop Art Continental US - Still-life Sculptures
Materials
Resin
"El Tren" Ceramic, Glaze, Colors, Mexican Folk Art, Four Sections
Located in Detroit, MI
SALE ONE WEEK ONLY
"El Tren" is a whimsical and playful rendition of a train. It is beautifully glazed in various colors.
This particular ceramic was from the collection of Jane and Richard Knight’s Estate. Jane Knight was a famous fiber and textile artist. Richard was a photographer who worked for Eliel Saarinen and Alexander Girard. The Knights and Girard became close friends and it was Girard who gifted “Santa Cruz De Las Huertas Jalisco” to the Knights. Alexander Girard left his personal collection to the Museum of International Folk Art, Santa Fe, NM. The Girards eventually amassed a collection of more than 106,000 objects from across the globe. Their 1978 gift of this collection to the Museum of International Folk art quintupled the size of their collection and prompted the construction of a new wing, which opened in 1982 and houses a mere 10% of the Girard Collection in the permanent exhibition Multiple Visions: A Common Bond, which was designed by Alexander Girard himself. This collection includes numerous multiples and is notable for its great breadth, including traditional arts, popular arts, and paper ephemera. “I believe we should preserve this evidence of the past, not as a pattern for sentimental imitation,” Girard once said, “but as nourishment for the creative spirit of the present.” Indeed, folk art was an important inspiration for Girard’s design work.
The renowned Candelario Medrano...
Category
1950s Folk Art Continental US - Still-life Sculptures
Materials
Ceramic, Glaze
Richard Klein, iHop II, 2018, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Continental US - Still-life Sculptures
Materials
Metal
Paper Plate with Dice and Chip
By Richard Shaw
Located in Burlingame, CA
In the world of ceramics, Richard Shaw is a professor and the master of trompe l’oeil (French for “fool the eye”) sculpture, a style often associated with paintings intended to give a convincing illusion of reality. Shaw's work replicates everyday objects (such as tin cans, playing cards, and cutlery) in porcelain. He then glazes these components and groups them in unexpected and even jarring combinations. While interested in how objects can reflect a person’s identity, Shaw also poses questions regarding the relationship between appearance and authenticity.
Paper Plate...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Sculptures
Materials
Porcelain
Trio of Hand Woven Suspended Textile Sculptures by Fiber Artist Barbara Coburn
Located in Dallas, TX
This is a collection of hand woven textile sculptures by fiber artist Barbara Coburn created in the 1970s and designed to be suspended from the ceiling....
Category
Mid-20th Century Continental US - Still-life Sculptures
Materials
Brass
Spilling Pepsi Cup with Coffee Lid and Five of Spades
By Richard Shaw
Located in Burlingame, CA
In the world of ceramics, Richard Shaw is a professor and the master of trompe l’oeil (French for “fool the eye”) sculpture, a style often associated with paintings intended to give a convincing illusion of reality. Shaw's work replicates everyday objects (such as tin cans, playing cards, and cutlery) in porcelain. He then glazes these components and groups them in unexpected and even jarring combinations. While interested in how objects can reflect a person’s identity, Shaw also poses questions regarding the relationship between appearance and authenticity.
Spilling Pepsi Cup with Coffee Lid...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Sculptures
Materials
Porcelain
White Horse Ceramic Vase (Yellowstone Wild Life) White Stoneware, glossy glaze
By Jesse Fales
Located in Cody, WY
JESSE FALES, White Horse Vase, white stoneware and glaze, 2024. This handcrafted vase or candleholder pot channels the simplicity, strength, and purity of t...
Category
2010s Folk Art Continental US - Still-life Sculptures
Materials
Stoneware, Glaze, Ceramic
John Van Alstine - Sisyphean Holiday 35 (Speckled Stone), Sculpture 2017
By John Van Alstine
Located in Greenwich, CT
Riverstone/ Pigmented and sealed steel
Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major fo...
Category
21st Century and Contemporary Abstract Continental US - Still-life Sculptures
Materials
Stone, Metal, Steel
Richard Klein, Holiday Inn Beirut, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Continental US - Still-life Sculptures
Materials
Metal
Keith Murray "Bombe" Vases in Moonstone (other colors available)
Located in Brookville, NY
Keith Murray, architect and industrial designer, created this particular vase, "Chinese Lantern" in moonstone white ( shape no.3765) Made in England. Priced individually at $1200 each, we have this same vase in Yellow and in Green. A quote can be given for additional pieces. We have yellow green and moonstone in bombe in small and large sizes. We have celadon bowls, yellow bowls, and small moonstone pot with lid. All c. 1935 art deco style made in England. All in excellent condition.
These are the most desirable classic examples of pottery by Architect Keith Murray produced for Wedgwood in the 1930's.
Published and illustrated in the book "Wedgwood Ceramics...
Category
1930s Art Deco Continental US - Still-life Sculptures
Materials
Clay
Katherine Jackson, Suspension of Disbelief, 2015, Graphite, Paper, Framed
By Katherine Jackson
Located in Darien, CT
Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...
Category
2010s Conceptual Continental US - Still-life Sculptures
Materials
Glass, Graphite
Polychrome Bronze Organic Sculpture Polich Tallix Art Foundry Sleeping Beauty
By Robert Kushner
Located in Surfside, FL
Robert Kushner, born in 1949, in California, lives in New York, and is a painter and sculptor. He gained attention in the early seventies as a performance artist, using food, fabric and nudity. Kushner was associated with the Pattern and Decoration movement and used fabric collage in large-scale, bold paintings of the figure. Since 1987 he has used flowers as the subject of his paintings, more recently adding a cornucopia of fruits and vegetables to his repertoire. Kushner's use of rich color harmonies and bold, fluid drawing, mark his belief in the importance of beauty in our lives. Kushner draws from a unique range of influences, including Islamic and European textiles, Henri Matisse, Georgia O'Keeffe, Charles Demuth, Pierre Bonnard, Tawaraya Sotatsu, Ito Jakuchu...
Category
1980s Contemporary Continental US - Still-life Sculptures
Materials
Bronze
“Traveling Landscape, "Golden Interior” Miniature Landscape in Vintage Case
By Kathleen Vance
Located in New York, NY
Kathleen Vance, “Traveling Landscape, "Golden Interior” found case, artificial foliage, resin, paint (12.5”x5”x8”) 2022
Kathleen Vance is an environmental artist who creates sculptures and installations that connect people to local aspects of nature that are overlooked or under-appreciated.
Vance received her B.F.A. from Pratt Institute and her M.F.A. from Hunter College in sculpture. She has received numerous grants and awards for her artwork including: a travel grant to research the geo-thermal regions of Iceland, a grant from the Puffin foundation for public sculpture, a development grant from Aljira, Center for Contemporary Art in conjunction with the Creative Capital Foundation, and a grant from the Brooklyn Arts council which aided the development and implementation of an outdoor community based art project in East New York. Ms. Vance was artist in resident in Berlin, Germany, presenting a workshop on environmental arts in connection with the Grunewald Parks Department in Germany.
Her sculptural installations have been featured at the Museum of Contemporary Art in Krakow, the Museum of Contemporary Art in Jacksonville, the Orlando Museum of Art, the Weatherspoon Art Museum, the Peeler Art Center, the Weisman Art Museum, the Brandywine River Museum of Art, the Bruce Museum, the Ellen Noel Art Museum, Nassauischer Kunstverein Wiesbaden, the Hillwood Art Museum, VOLTA New York, PULSE New York and Miami, and EXPO Chicago, as well as many private and public institutions. Kathleen Vance has exhibited extensively in New York and internationally and continues to live and work in New York.
Kathleen Vance Artist Statement, “Traveling Landscapes”
With the series “Traveling Landscapes” Vance creates miniature landscapes inside vintage suitcases and trunks...
Category
2010s Contemporary Continental US - Still-life Sculptures
Materials
Resin, Paint, Found Objects
Richard Klein, Expo 67, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Continental US - Still-life Sculptures
Materials
Metal
"I Love You" - Red glass pill wall sculpture
By Edie Nadelhaft
Located in East Quogue, NY
"I Love U" (I <3 U) - Limited edition red glass pill sculpture by Edie Nadelhaft. Edition of 9.
Signed and numbered on the back by the artist.
The piece is equipped with a D-ring on the back for easy hanging.
"Love Wins" is part of Edie Nadelhaft's "Better Living Thru Chemistry: Luv is the Drug...
Category
2010s Contemporary Continental US - Still-life Sculptures
Materials
Glass, Mixed Media
"Nikon" Original 35mm camera sculpted in plaster & wood from 'White box series'
By Daniel Fiorda
Located in New York, NY
Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...
Category
2010s Contemporary Continental US - Still-life Sculptures
Materials
Plaster, Wood, House Paint
Charles Birnbaum_Composition Black and White No.2_Porcelain_Maximalist Sculpture
By Charles Birnbaum
Located in Darien, CT
Charles Birnbaum is a sculptor and a self-taught photographer. He graduated from Kansas City Art Institute where he studied ceramics and was among a select group of the esteemed Ken ...
Category
2010s Baroque Continental US - Still-life Sculptures
Materials
Porcelain, Acrylic
"Honesty Candle Holders" (2015) By Tony Hochstetler, Original Bronze Sculpture
Located in Denver, CO
Tony Hochstetler's "Honesty Candle Holders" (2015) are original handmade candle holders made from bronze.
TONY HOCHSTETLER is a sculptor of unusual animals and botanical subjects. H...
Category
2010s Realist Continental US - Still-life Sculptures
Materials
Bronze
Tipping Red Lilies in red, medium shade
By Gary Bukovnik
Located in Burlingame, CA
"Tipping red Lilies" in red, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolors and...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Sculptures
Materials
Metal, Enamel, Steel
Richard Klein, McDonalds (El Nino), 2024, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Continental US - Still-life Sculptures
Materials
Metal
They - Carved Walnut, Lead Ballast, Oil Pigment on Basswood Base
By Benjamin Heller
Located in Hudson, NY
The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...
Category
2010s Contemporary Continental US - Still-life Sculptures
Materials
Wood, Walnut
Richard Klein, Holiday Inn Nocturne, 2020, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Continental US - Still-life Sculptures
Materials
Metal
Hidden Layers
By Ben Young
Located in New York, NY
Ben Young’s sculpture fluidly blends glass, concrete, bronze, steel, and light to depict romantic and pensive imagery highlighting the fragility of our climate and its most precious resource – water. Born in Australia and raised in New Zealand, Young is an avid surfer and environmentalist, inspired by a lifetime on and around oceans, bays, and reefs, with an intimate understanding of the challenges our precious ecosystems face.
Young’s thought-provoking sculpture shows great range, portraying the beauty and solitude of life on the ocean, haunting depths of the deep sea, and stunning and relaxing upside of island life. Water is many things to many people, which Young encapsulates brilliantly in his work, encompassing themes of sustainability throughout.
Using concrete to create mountains, crevasses, sand bars, and cliffs, Young’s innovative use of materials is transportative. With hand-carved glass as his guiding medium, Young amplifies light and its relationship with water – our most sacred element – to create a glowing unity that people from around the world connect with on a personal level, whether they are beachside or in the Desert.
Ben Young’s exhibition Delicate Space at Chesterfield Gallery...
Category
2010s Realist Continental US - Still-life Sculptures
Materials
Concrete, Bronze, Stainless Steel
$24,000
Tipping Tulips in orange
By Gary Bukovnik
Located in Burlingame, CA
"Tipping Tulips" in orange, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolors and ...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Sculptures
Materials
Metal, Enamel, Steel
"Cradle of Consequences" Sculpture 21" x 23" x 15" inch by Tetiana Kalivoshko
By Tetiana Kalivoshko
Located in Culver City, CA
"Cradle of Consequences" Sculpture 21" x 23" x 15" inch by Tetiana Kalivoshko
Unique sculpture
Medium: Concrete, plumbing steel pipes, steel replica hand grenades, steel vires
Teti...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Sculptures
Materials
Concrete, Steel, Wire
Lichen 2, Abstract ceramic sculpture, brown
By Rachelle Krieger
Located in New York, NY
Artist Statement by Rachelle Krieger:
These new ceramic sculptural works are a reflection of biodiversity and vitality, capturing natural elements in various stages of life. During ...
Category
2010s Contemporary Continental US - Still-life Sculptures
Materials
Wire
Tipping Tulips in light orange
By Gary Bukovnik
Located in Burlingame, CA
"Tipping Tulips" in light orange, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascad...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Sculptures
Materials
Metal, Enamel, Steel
Modernist Detroit Table Sculpture Wood Collage Box Assemblage Americordo Copper
Located in Surfside, FL
Copper and wood box. "Americordo #7" is composed of copper tiles inlaid to the bottom half of the box and on the top rests a patinated etched copper or bronze circle. The box when closed measures to be 17" Sq. x 3.5" H.
David Barr (1939-2015) is an American sculptor and painter from Detroit, MI. Known for constructivist sculpture, architecture and surrealist, assemblage box sculpture collage works. Born in 1939, Barr is an internationally known artists and has created many installations in natural settings. Vault took over a year to complete. His sculptures represent mathematics, geography and structurist nature, and otherwise known as "geo-structures." This one is kinetic and can be moved around. Barr is a graduate of Wayne State University and recipient of the WSU Distinguished Alumni Award. Influenced by sculptor Charles Biederman. In 1995 he founded the Michigan Legacy Art Park, and has pieces at the Chrysler World Headquarters, Flint's Bishop Airport, the Detroit Zoo, the State of Michigan Historical Museum and the Meadowbrook Festival Grounds
Barr earned a master’s of fine arts degree from Wayne State University and was an associate professor of sculpture at Macomb Community College in Warren for 37 years.
He worked on perhaps the largest sculpture in the world, the Four Corners Project, with installations at Greenland, Africa, Irian Jaya (New Guinea) and Easter Island. His sculptures are located all over the state of Michigan, but perhaps his most recognizable is Transcending, a blend of bronze, steel and granite that acknowledges the contributions of Detroit’s laborers and skilled tradespeople.
David Barr is the founder of Michigan Legacy Art Park. David’s career as an artist, instructor, author and global thinker has crossed borders around the world, bringing people and ideas together.
Over fifty years as a sculptor, David created a body of work that includes hundreds of wall-hanging structurist reliefs, sculptures for public spaces (such as Transcending in Hart Plaza, Detroit done with Sergio De Giusti), works for private collections, massive global projects (such as The Four Corners Project) and Michigan Legacy Art Park. David’s studio was in Detroit for fifteen years until he realized he needed nature as a source of inspiration. In 1977 he bought 4 acres of land in rural Oakland County (now Novi) and in 1979 built his home, a contemporary structure that has become the centerpiece of his own art park. His work is included in the collection of outdoor sculptures at The Dennos Museum Center along with Clement Meadmore, Hanna Stiebel...
Category
1990s Cubist Continental US - Still-life Sculptures
Materials
Metal, Copper
Love Wins - Rainbow glass pill sculpture
By Edie Nadelhaft
Located in East Quogue, NY
Limited edition rainbow colored glass pill sculpture. Edition of 9.
Signed and numbered on the back by the artist.
The piece is equipped with a D-ring on the back for easy hanging.
"Love Wins" is part of Edie Nadelhaft's "Better Living Thru Chemistry: Luv is the Drug" sculpture series consisting of candy-colored glass and mixed media capsule-shaped objects. Each pill is festooned with text messages, social media iconography and the language of pop psychology. Inspired in equal parts by the ubiquitous presence of social media in contemporary culture and the simultaneous rise of direct - to - consumer pharmaceutical marketing. The work pokes fun at the alternately amusing and depressing correlations between the two phenomena as both are enlisted to oversimplify the human condition and expedite contentment through a familiar cocktail of instant gratification and seductive packaging.
Edie Nadelhaft is a New York-based painter and mixed media artist whose work has been widely exhibited at museums, art fairs and galleries. She studied painting and art history at the School of the Museum of Fine Arts in Boston and S.U.N.Y. Purchase. She received her BFA with Honors from The Massachusetts College of Art & Design.
Glass sculpture, glass pill, pop art, bright colors, multicolor, still life, sculpture, wall installation, contemporary art, chill pill...
Category
2010s Contemporary Continental US - Still-life Sculptures
Materials
Glass, Mixed Media
Large French Conceptual Sculpture Photograph Triptych Copper Frame Pascal Kern
Located in Surfside, FL
Pascal Kern (1952-2007)
Icone (three panel triptych), 1987
Cibachrome print, inn copper handmade frame. (One is empty of photo on purpose.)
Bearing artist label and inscriptions (frame verso)
48 x 48 inches. (each)
Provenance: the Ginny L Williams...
Category
1980s Conceptual Continental US - Still-life Sculptures
Materials
Copper
Tipping Red Lilies in red
By Gary Bukovnik
Located in Burlingame, CA
"Tipping red Lilies" in red, free standing sculpture. Enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty in his watercolors and...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Sculptures
Materials
Metal, Enamel, Steel
Young Cock
By Anne Chase Martin
Located in Dallas, TX
Artist's Statement
At first I went to state fairs to do small drawings and little gestural sculptures of animals. Eventually I bought some chickens for models but soon realized i...
Category
1990s Contemporary Continental US - Still-life Sculptures
Materials
Gold Leaf, Bronze
"Wonder Bread" Pop Art Sculpture 6.5" x 14" x 6.5" inch Edition 1/1 by Kii Arens
By Kii Arens
Located in Culver City, CA
"Wonder Bread" Pop Art Sculpture 6.5" x 14" x 6.5" inch Edition 1/1 by Kii Arens
ABOUT
One of the most credible and influential in Los Angeles - the award winning Kii Arens, is a cr...
Category
21st Century and Contemporary Pop Art Continental US - Still-life Sculptures
Materials
Plexiglass, Mixed Media
One of a Kind (souvenirs)
By Tim Berg & Rebekah Myers
Located in Bozeman, MT
Timothy Berg and Rebekah Myers are a studio art collaborative based in Claremont, California. Berg and Myers have participated in multiple solo exhibitions including On the bright side... at the Falconer Gallery at Grinnell College (2016); Site Unseen at the American Museum of Ceramic Art in Pomona, CA (2014); Honest to Goodness at Santa Barbara City College (2014); An embarrassment of riches at Dean Project Gallery in New York, NY (2013); and As Luck Would Have It at Nääs Konsthantverk Galleri in Göteborg, Sweden (2009). Berg and Myers have also participated in numerous group exhibitions in the US, Mexico, South Korea, Qatar and Kuwait. Their work is included in many private and public collections including The Betty Woodman Collection at the University of Colorado...
Category
2010s Contemporary Continental US - Still-life Sculptures
Materials
Metal
Rainbow Lollipop
Located in San Francisco, CA
"Rainbow Lollipop" is a resin sculpture by Elena Bulatova. She is originally from Russia now is an international artist who resides permanently in Palm...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Sculptures
Materials
Resin, Acrylic
"Canon" Original 35mm camera sculpted in plaster & wood from 'White box series'
By Daniel Fiorda
Located in New York, NY
Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...
Category
2010s Contemporary Continental US - Still-life Sculptures
Materials
Plaster, Wood, House Paint
Art Deco Expressionist Bronze Judaica Rabbi Sculpture Los Angeles Modernist
By Peter Krasnow
Located in Surfside, FL
Bronze Jewish Rabbi. Original Patina. Art-deco wood carved base. It is signed with initials P.K. and marked "Calif Art Bronze Fdry LA" (California Art Bronze Foundry Los Angeles). it is not dated.
PETER KRASNOW (1886-1979), Russian-Ukrainian, American artist painter and sculptor, born Feivish Reisberg, was a California modernist and colorist artist known for his abstract wood sculptures and architectonic hard-edge paintings and drawings which were often based on Hebrew calligraphy and other subjects related to his Jewish heritage...
Category
1930s Expressionist Continental US - Still-life Sculptures
Materials
Bronze
Luke Chueh The Prisoner Vicodin 2016 Resin Sculpture Opiates Street Contemporary
Located in Draper, UT
Based on Luke Chueh’s original painting, The Prisoner ponders captivity in its many forms—physical, mental or in some cases pharmaceutical.
Vicodin is a ...
Category
2010s Contemporary Continental US - Still-life Sculptures
Materials
Resin
Orange Tipping Tulips ed. 1/3
By Gary Bukovnik
Located in Burlingame, CA
Orange Tipping Tulips free standing sculpture in a limited edition of three. enamel on aluminum and steel sculpture created by artist Gary Bukovnik that reflects the cascading beauty...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Sculptures
Materials
Metal, Enamel, Steel
Michele Brody, Re-Blooms, Installation, Handcast Paper, Bamboo, 8'h x 5'w x 3'd
By Michele Brody
Located in Darien, CT
Michele Brody, Re-Blooms, Installation, Handcast Paper, Bamboo, 8'h x 5'w x 3'd, 2019
The essence of Michele Brody’s work thrives on the interaction with new communities and place-...
Category
2010s Naturalistic Continental US - Still-life Sculptures
Materials
Handmade Paper, Wood, Bamboo Paper
In Tune, Amagansett, NY, 2021
Located in Hudson, NY
ABOUT
“There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages.
“Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?”
“Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...
Category
2010s Contemporary Continental US - Still-life Sculptures
Materials
Wood, Driftwood
HOLSTER - Wood Sculpture of Western Style Gun Holster, Hyperrealistic Sculpture
Located in Signal Mountain, TN
HOLSTER is a sculpture by Ray Padrón created in 2021 from painted and carved maple wood. The piece belongs to a series of work centering around clothing ite...
Category
2010s Contemporary Continental US - Still-life Sculptures
Materials
Maple
$5,400 Sale Price
20% Off
Reclining Figure
Located in Washington, DC
Sculpture by Brazilian-born artist Elizabeth Freire. B&W photo is of Ms. Freire with renowned sculptor Etienne Martin at the Ecole Nationals des Beaux-Arts in Paris.
Elizabeth Freire is a Brazilian-born, contemporary American artist. At the age of eighteen, she left Rio de Janeiro and moved to Paris to study sculpture at l’Ecole Nationale Superieure des Beaux-Arts, receiving her Diploma there in 1979 under the direction of Claude Viseux, Etienne Martin, and Cesar. During that time she worked as an apprentice at the Fonderie de France where she learned bronze technique and she also attended etching courses at l’Ecole de Montparnasse.
In 1976, she won a commission to make three life-size figures representing the printing company, “Les Imprimeries de Boulogne,” at the International Printing Fair in Paris. She spent 1977 in Aix-en-Provence where she carved the local stone of Rogne.
Returning to Paris, the painter Lutka Pink introduced her to Otero, Frans Krajcberg and Hajdu from whom she received valuable lessons. In 1978, she traveled to Brazil where she was invited to participate in the exhibit ‘A Century of Sculpture in Brazil’. She also met with the sculptor Sergio Camargo...
Category
Early 2000s Continental US - Still-life Sculptures
Materials
Terracotta, Acrylic
$1,875 Sale Price
25% Off
Rhapsody IX
By Jane B. Grimm
Located in Burlingame, CA
All white organic freestanding ceramic sculpture - 23 x 15 x 4.5 inches - from Pop Art pioneer, Jane B. Grimm, whose artistic career exploded onto the 1960's art and fashion scene in...
Category
21st Century and Contemporary Contemporary Continental US - Still-life Sculptures
Materials
Ceramic
Medicom 400% + 100% Bearbrick X-Large x D Face Be@rbrick Black Color Urban Art
By D*Face
Located in Draper, UT
Come with original box, 100% brand new.
What you see in the picture is exactly the item you get.
Item was took out to take pictures only.
Never been displayed or played.
Category
2010s Street Art Continental US - Still-life Sculptures
Materials
Plastic
"Boa (9/21)" (2014) By Tony Hochstetler, Original Bronze Still Life Sculpture
Located in Denver, CO
Tony Hochstetler's "Boa" (2014) is an original handmade bronze sculpture that perfectly captures the detail of a boa constrictor snake.
Category
2010s Realist Continental US - Still-life Sculptures
Materials
Bronze
Paintbrushes II, Accumulation Sculpture by Arman
By Arman
Located in Long Island City, NY
Artist: Arman, French/American (1929 - 2005)
Title: Paintbrushes II
Year: 1991
Medium: Paintbrushes and Oil Paint in Epoxy Resin Sculpture, Signature and number inscribed
Edition: 20...
Category
1990s Dada Continental US - Still-life Sculptures
Materials
Epoxy Resin, Found Objects, Mixed Media, Oil
"Eucalyptus Candle Holder" (2024) By Tony Hochstetler, Original Bronze Sculpture
Located in Denver, CO
Tony Hochstetler's "Eucalyptus Candle Holders" (2024) is an original handmade bronze candle holders that are made to look like eucalyptus plants.
TONY HOCHSTETLER is a sculptor of u...
Category
2010s Realist Continental US - Still-life Sculptures
Materials
Bronze
Tabletop Flask/Vase, Unique Artist's Ceramic, circa 1970
Located in Long Island City, NY
This ceramic sculpture is circa 1970 and offers an expressionistic view of a large flask. The geometric abstract pattern that separates the two tones lend...
Category
1970s Modern Continental US - Still-life Sculptures
Materials
Ceramic
Donut VII / modern ceramic sculpture
By Jane B. Grimm
Located in Burlingame, CA
White and cool grey ceramic sculpture from Pop Art pioneer Jane B. Grimm, whose artistic career exploded onto the 1960's art and fashion scene in NYC when her free-form sculptural je...
Category
21st Century and Contemporary Pop Art Continental US - Still-life Sculptures
Materials
Ceramic
Recycled sculpture: 'Nest 1'
By Robert Lach
Located in New York, NY
Nesting is both a joyous time for birth, comfort, and rest, and a fight for survival from the elements of the natural world. Nature provides beauty and tranquility but also potential...
Category
2010s Contemporary Continental US - Still-life Sculptures
Materials
Mixed Media
"TUSCAN YIN/YANG CASTLE", stoneware clay sculpture, glaze ancient Italy hilltown
By Rene Murray
Located in Toronto, Ontario
TUSCAN YIN/YANG PRISON is a stoneware clay sculpture with Butterscotch glaze by Brooklyn, New York artist Rene Murray. It measures 20"H x 25"W x 13"D. The ...
Category
21st Century and Contemporary Romantic Continental US - Still-life Sculptures
Materials
Clay, Stoneware, Glaze
"Football" Contemporary Fiber Art and Mixed Media Sculpture
By Norma Minkowitz
Located in Wilton, CT
Football "The Perfect Fit: Shoes Tell Stories “, mixed media, 7.5” x 13” x 4”, 2006.
This mixed media sculpture was done by American fiber artist, Norma Minkowitz...
Category
Early 2000s Contemporary Continental US - Still-life Sculptures
Materials
Mixed Media
Michele Brody, Nature in Absentia: Cattails Plucked Out Handmade Cast Paper
By Michele Brody
Located in Darien, CT
Michele Brody, Nature in Absentia: Cattails Plucked Out, Handmade Cast Paper
The essence of Michele Brody’s work thrives on the interaction with n...
Category
2010s Naturalistic Continental US - Still-life Sculptures
Materials
Handmade Paper
Glazed Green Ceramic Vase
Located in Long Island City, NY
Year: 1966
Medium: Glazed Ceramic Vase, dated on bottom
Size: 12 in. x 9 in. x 9 in. (30.48 cm x 22.86 cm x 22.86 cm)
Category
1960s Modern Continental US - Still-life Sculptures
Materials
Ceramic, Glaze
Horseshoe Crab #3
Located in Red Bank, NJ
Artist Statement:
I work primarily in porcelain, using high-fire gas reduction methods. Each piece begins with a mold I made from a discarded shell I scavenged while walking the nor...
Category
20th Century Contemporary Continental US - Still-life Sculptures
Materials
Porcelain
