Continental US - Floor Lamps

Christian Dell 'Kaiser Idell 6556-F' Floor Lamp for Fritz Hansen in Matte Black. Established in 1872, Fritz Hansen has become synonymous with legen...

Beautiful and Chic Bamboo lamp with tripod base. Woven shade. Made in the 70’s. Imported from France.

Van Teal tall Mid-Century Modern ball chrome floor lamp 2 lights with custom silver and black shade. US rewired & UL listed push on function and takes 2 60 watts bulb. LED work perfe...

Maison Baguès faux bamboo bronze tripod floor lamp. 54" H without shade. Maison Baguès. US wired and in working condition. This ...

Fabulous adjustable double headed floor lamp from Lightolier by Gerald Thurston c1958. Brass with painted black pole shaft and base. In e...

A brass, brown marble and beige fabric floor lamp designed and produced in Sweden, c. 1930s. Dimensions of Lamp with Shade (inches): 60.6“ H x 23.5“ Diameter Bulb Specifications: E...

A pine floor lamp designed and produced in Sweden, c. 1960s. Overall Dimensions (inches): 51.25” H x 14” W x 14.25” D Stated dimensions include shade. Bulb Specifications: E-26 Bulb...

This is a PH 80 floor lamp, designed by Poul Henningsen for Louis Poulsen in 1974. This particular lamp dates to the 2000s. The PH 80 floor lamp is composed of a black base with a ch...

Georgian Style Barley Twist Walnut Floor Lamp with Table Measures Lamp stands 50" tall, with an 18" in diameter table.

This is an Arts and Crafts Style Floor Lamp with a Tiffany Style Shade. It's made of metal with a square base.

Pascal floor lamp by Vico Magistretti for Oluce. Originally designed in Italy, 1983. Oluce's newest offering of this model comes ...

Lucite and brass floor lamp by Hansen.

This 1970s Italian floor lamp is a striking example of modernist design paired with thoughtful functionality. The elegant twin-post brass frame rises from a sculptural white marble b...

Coupe floor lamp (3321) designed by Joe Colombo for Oluce. The Coupe series of lamps is considered as a variation of the spider lamps. This lamp has a...

Vintage 1960s Painted Iron Lamp with Bird and Flower Design This charming vintage lamp stands at 51 inches tall and features a beautifully crafted flower at the top, painted in soft...

9602 Floor Lamp, US Base Brass, Shade Canvas The 9602 Floor Lamp, also known as “Chinese Hat” was designed by Paavo Tynell in 1935 for the hotel Aulanko. Characterised by its elegan...

Mid-century era carved oak spiral floor torchiere lamp attributed to Russel Wright features a carved oak spiral connected to a brass base a removable glass shade resting in a brass h...

Exceptional Mid Century floor lamp having two exaggerated arms, each with a shaded light at the top. This example is in good, clean, work ...

Dutch Mid-Century, 1960's floor lamp with height and position adjustment. Light is made from black enameled metal and has an attractive, contrasting chrome stem. In original conditio...

A special project, an authentic ready-made. Obtained from a flexible fishing rod, it is a delicate and elegant sign, which brings to mind the subtle branches of a willow tree or bamb...

Pair of French Mid-Century Modern bronze floor torchiere lamps. A pair of spectacular solid bronze floor lamps. Each having painted column form ...

Part of the popular Kelvin LED family, the Kelvin LED F floor lamp features the collection’s signature square head and utilizes the latest technology to pro...

This stunning pair of monumental torchieres were designed by High Style Deco and hand blown in Murano, Italy- the island off the coast of Venice renowned for its superlative glass pr...

A mahogany, steel and off-white fabric floor lamp designed and produced in Sweden, 1930s. Overall Dimensions (inches): 63.5” H x 13.5” W x 23.75” D. Stated dimensions include shade....

Bamboo Rattan c1970s 4 Legged Two Tier Round Side Table Floor Lamp MINT!

This Philippe Starck creation does more than illuminate—it enlightens. The sleek and edgy floor lamp is part of the artist’s Guns Collection, making a statement while doing good. “De...

A brass, red-lacquered metal and marble floor lamp, designed and produced by Stilux Milano, Italy, 1950s.

Iconic Post - Modern, Memphis style halogen uplight floor lamp, designed by Ernesto Gismondi for Artimede, made in Italy circa 1980's. The lamp features two lights, a fixed lower sha...

This piece is the Floor Lamp No. 1 - Fluentum Series. The lamp is made by bending strips of ash wood, which is then sculpted to give details to the pi...

The Iris Floor Lamp is a handcrafted lighting fixture, which incorporates solid wood, alabaster, and liquid bronze to create a unique appearance. Traditional techniques such as casti...

Poul Henningsen 'PH 80' Floor Lamp in Red and Chrome for Louis Poulsen Poul Henningsen designed the original three-shade system in 1926-27, using a scientific a...

Born in Chicago 1960s Frederick Cooper brass table floor lamp. Classic mid century styling. Table is functional and holds weight. No shade incl...

The Vintage Italian "Giraffa" Floor Lamp by Angelo Brotto for Esperia, crafted in 1970, is a distinctive piece of design. With its unique giraffe-inspired form, this floor lamp reflects Angelo Brotto's artistic flair. It stands as a testament to the creativity of 1970s Italian lighting...

Italian style floor lamp with three shades, each light adjustable arms. 1970s chrome arc lamp with three lights in spherical lampshades. ...

Italian Modern Brass & Enameled Floor Lamp Easel, Adjustable, Late 20th C. Raised on a tripod base, showing design influences of Angelo Le...

Pair of Koch and Lowy articulated floor lamps. Features adjustable swing-arm shade and adjustable height post. Max height: 51" Min height: 42.5" Max arm extension: 26"

An adjustable brass, cream-white fabric and bronze colored cast iron floor lamp designed and produced in Denmark, c. 1930s. Dimensions of Lamp with Shade (inches): 57“ H x 12” W x 1...

Mathieu Mategot inspired floor lamp with black enameled metal frame and Greta Grossman grasshopper style tripod base. The lamp features a shaggy grass woven shade and a little perfor...

An adjustable brass and beige fabric floor lamp designed and produced in Sweden, c. 1930s. Dimensions of Lamp with Shade (inches): 55.75” H x 13" W x 27.5” Depth Bulb Specifications...

Vintage Triennale floor lamp designed by Robert Sonneman circa 1970's. This versatile piece features three adjustable chrome orb light heads that pivot on balancing lever arms. Globe light bulbs...

Pair of Mid-Century Modern Brass Floor lamps were made by the esteemed American Company Koch & Lowy, that designed all forms of lighting, from table to floor lamps, and chandeliers. ...

Gorgeous Italian Art Deco metal craft trumpet form vase lamp of oversize proportions such as one might find in the 1st class lounge of a 1930's ocean liner such as the Rex or Normadi...

A Multiforme product for Cosulich Interiors & Antiques, created by the Italian Designer Leo De Carlo. This sculpture floor lamp is entirely customizable to your personalization, in c...

The Rib Floor Lamp Sphere features glass blown in Italy and delicately framed by thin brass ribs. A cylindrical brass base is wrapped in leather or ...

Stylish and rare pair of midcentury modernist Italian floor lamps by Raymor. The lamps feature gracefully arched gooseneck style columns. Constructed from steel with a chromed finish...

A 69 inches tall carved brass Torchiere floor lamp with original milk glass shade by Stifel. Measures 11" in diameter at the base, 7.5" in diameter at the top of the shade and stands...

Stunning monumental Italian arc floor lamp designed by Achille & Pier Giacomo Castiglioni circa 1960's. Features a large, adjustable, floating, spherical dome-shaped aluminum shade, accented with a polished grid, creating a beautiful effect when lamp is on. The adjustable shade offers personalized lighting controlling the light. Atop a slim arched curved, adjustable central, stainless steel cantilever rod, supported by a beautiful thick, Carrera marble base accented with beveled, sculptural corners (designed not to hurt should you brush against them). The marble block can easily be moved using the holes in the block. Original wiring with convenient on off step switch. Manufacturer's label on inside of shade (FLOS Made in Italy). Manufacturer's label on lower back portion of the rod (FLOS inc...

Akari model 7AD light sculpture by Isamu Noguchii. The shade is made from handmade washi paper, wood and bamboo ribs with authentic Noguchi Akari manufacturer's stamp. Akari light sculptures by Isamu...

This 20th Century French floor lamp is a refined composition of brass and alabaster, blending classic materials with understated elegance. The slender brass stem features fluted deta...

A teak, black-painted iron and white fabric floor lamp designed and produced in Denmark, c. 1950s. Dimensions of Lamp with Shade (inches): 55.1“ H x 12.2” Diameter Bulb Specificati...

An adjustable three-armed brass, off-white fabric and birch floor lamp designed and produced in Sweden, 1940s. Dimensions variable. Overall Dimensions (inches): 59.25”  H x 42” W x ...

Large crane floor lamp by Curtis Jere, USA, 1971 Largest, multi directional (rotates, pivots, tilts) floor lamp by Curtis Jere. Polished chrome, two sp...

The Odyssey floor lamp is a striking symbol, creating an internal architecture. The sturdy base of this table lamp ensures a stable instrument. Six elongated cylinders provide a calm...

A cord, brass, elm and beige fabric floor lamp with side table designed and produced in Sweden, c. 1930s. Overall Dimensions (inches): 65” H x 21.25” W x 25” D Table Dimensions (inc...

An adjustable brass, oak and rattan floor lamp designed and produced in Sweden, c. 1940s. Dimensions of Lamp with Shade (inches): 60“ H x 30” Diameter Bulb Specifications: E-26  N...

This elegant Swedish floor lamp is a piece of design history, having been crafted in the Art Nouveau style sometime in the 1940's. Its gently curved 'gooseneck' is evocative of that ...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

A rare and one of a kind antique figural carved oak floor lamp, circa 1920s. Meticulously carved with amazing detail throughout. Features a swiss guard with torchiere staff atop a sq...