England - Still-life Paintings

Title: French Village Procession with Church Tower and Colourful Figures Under Blue Sky by Fanch Lel Size: 10.5 inches (height) x 8.5 inches (width) Medium: Oil on board, unframed Co...

This stunning 18th century Dutch Old Master Golden Age floral oil painting is attributed to a circle of Simon Pietersz Verelst. Painted circa 1720 it is a still life floral of a mixe...

'Bouquet of Flowers with Vanitas', wax crayon on paper, by French artist, Louis Latapie (circa 1930s). A vanitas painting contains collections of objects symbolic of the inevitabilit...

Still Life with Purple Echinops Globe Thistle Flowers in a Pewter Tankard, set within a Rustic French Farmhouse Interior by 20th Century Artist, Robert Chailloux...

Spring Blooms 3 is an original abstract floral painting by Magdalena Morey capturing a sense of the freshness of Spring. This original mixed media floral artwork by Magdalena Morey u...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Rich in symbolism and exquisite in detail, Phoenician Pomegran...

Botanical Watercolor watercolour drawing on artist paper, unframed drawing: 10.5 x 8 inches Provenance: Private collection Condition: Great condition Description: This exquisite bo...

Artist/ School: French School, signed front and back, dated verso 1984. Title: Monet's Waterlily pond at Giverny, with the Japanese footbridge. Medium: signed oil painting on boa...

Still Life of Flowers French School, mid 20th century signed oil on canvas, framed in original frame. framed: 17.5 x 29 inches canvas : 12 x 24 inches provenance: private collection,...

'Le Bouquet' Floral Still Life, Flower Oil Painting French School, mid 20th Century Oil painting on canvas, framed Framed size: 29 x 18 inches Beautiful oil painting of a lovingly c...

The Red Lobster by Georges Bordonave (French contemporary) dated 1984 signed oil painting on board, unframed board: 13 x 16 inches condition: very good provenance: from a large priv...

Pocket Blush Pear 6c is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still ...

Signed landscape oil on canvas circa 1885 by French impressionist painter Jean Baptiste Armand Guillaumin. The work depicts a farmland with haystacks pilled up into the distance unde...

Josine Vignon (French 1922-2022) stamped verso ...

An unapologetic woman plays her ace card with the assured confidence of someone who takes her coffee strong and knows exactly what to do when life gives her lemons. ADDITIONAL INFOR...

Still Life, oil on canvas. Unsigned. (Provenance: Studio Sale, George Weissbort).

Still Life of Fruit within a Wicker Basket Jonny Gaston, British 20th century signed and dated/ inscribed oil on board, framed framed: 15 x 23 inches board: 10 x 18 inches provenance...

Stargazer Lilies Annie Faure (French 1940-2021) signed oil on canvas canvas: 24 x 19.5 inches Provenance: private collection Condition: very good condition For more any more informa...

by Paul-Louis Bolot (French 1918-2003) signed inverso original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ e...

LEMON & GREEN CUP Size: 39.5 x 44 cm (including frame) Oil on canvas A refined and meticulously painted mid-century still life composition, executed in oil onto canvas. The paintin...

A fine Dutch still life Old Master by Leendert de Laeff which is signed and dated 1664. This oil on canvas on panel depicts a still life of fruit with insects and butterflies. A supe...

This vibrant still life painting by John Whitlock Codner RWA (1913-2008) captures a sumptuous array of fruits, glassware, and porcelain arranged on a silver tray. Signed to the lower...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In "Sunflowers and Stories by the Sea," Luis Fuentes captures ...

Bouquet of Anemones signed by Fanch Lel (French b. 1930) size: 8 x 8 inches inscribed verso oil painting on canvas, unframed condition: the painting is in very good condition. It has...

Heartland By Ana Bianchi [2020] Original Oil on Canvas Image size: H:8.138 cm x W:11 cm Complete Size of Unframed Work: H:76 cm x W:102 cm x D:3cm Frame Size: H:80 cm x W:106 cm x D:...

Vintage French Painting by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 14 high by 10.5 inches wide condi...

This charming still life painting showcases a vibrant bouquet of mixed flowers, including daisies, peonies, and lilacs, arranged in a vibrant, overflowing composition. The artist's d...

Still Life of Fruit Guy Nicod (French 1923 - 2021) signed oil on board, framed framed: 28 x 22 inches board: 26 x 20 inches provenance: artists estate, France condition: very good an...

Reading Quietly, oil on canvas, 76 x 100cm, I am very fortunate to have a studio with lots of windows and so have lots of beautiful sunlight pouring in. I can understand why artists...

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 7.25 x 9.5inches Delightful early 20th century F...

Lucie Jeandel, mid 20th Century French School signed oil on canvas, framed framed: 18 x 21.5 inches canvas: 15 x 18 inches Provenance: private collection, France Condition: very goo...

Stephanie Richards b. 1978 Cornflowers and Sashiko Cloth oil on board 30 x 30.3 cm 11 3/4 x 11 7/8 in signed with initials "My works are composed o...

'Still Life with Bouquets of Flowers', oil on canvas (1970), by Lilian Whitteker (1881 - 1979). This impressionist bouquets of mixed flowers are a swirl of colour elegantly posed in ...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

'The Yellow Pitcher', oil on canvas, by Charles Kvapil (1939). A prolific painter of bouquets, the artist created dozens of tableaux with flowers as sub...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. With a masterful interplay of light and shape, Game of Shadows...

Title: French Village Street with Church Spire and Figures in Soft Pastels by Fanch Lel Signed: Yes Size: 8 inches (height) x 9.75 inches (width) Medium: Oil on board, unframed Condi...

QUIET HOURS Size: 73.5 x 78.5 cm (including frame) Oil on canvas A large and expressive mid-century interior still life that captures a quiet, contemplative moment within a rustic d...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

ARTIST: Robert Bob 'Guy" Walls (1927-1999) New Zealand / English TITLE: "Interior Still Life With Potted Plant" SIGNED: lower left SIZE: 32cm x 26cm inc frame MEDIUM: oil on board ...

Bright Yellow Daffodils and Tulips by Helen Greenfield (British 20th century) gouache painting on artist paper, unframed artist paper: 23 x 15.5 inches condition: overall very good...

Alfred Arthur BRUNEL DE NEUVILLE A wonderful painting for any situation whether it is as a statement, piece due to the undoubted quality, or as a piece for a kitchen/dining area due...

Pocket Jam Doughnut is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still l...

This lovely 17th century Old Master floral oil painting is attributed to the circle of noted Franco Flemish artist Jean-Baptiste Monnoyer. Painted circa 1670 it is a still life of a ...

Signed oil on board interior by French Les Nabis painter Edouard Vuillard. The work depicts a room with a large window, outside of which are bare trees. Inside the room are three chairs and a patterned rug on the floor. Signature: Signed lower left Dimensions: Framed: 20"x13" Unframed: 13"x6" Provenance: Prince Antoine Bibesco (1878-1951) - Special Envoy of Romania to the United States Piasa Encheres - Paris Lot no. 88 - 8th April 2005 - Sold EUR 118,000 hammer price Acquired at the above by Thomas Gibson Fine Art - London Acquired by the previous owner from Thomas Gibson Fine Art - TEFAF Maastricht November 2005 Literature: This work is included in the catalogue rasionne of the work of Edouard Vuillard under Ref Volume II No. 172 - illustrated and described Access to the raisonne online can be found at the Wildenstein Plattner Institute website. The work is described as being executed in the period 1899 to 1904 by Antoine Salomon and Guy Cogeval Édouard Vuillard attended the Lycée Condorcet in Paris, where he made friends with Maurice Denis, Lugné-Poe, and Ker-Xavier Roussel, later his brother-in-law. He studied in Maillart’s studio; for six weeks came under the tutelage of Jean-Léon Gérôme at the École des Beaux-Arts in Paris; and later under William Bouguereau and Robert at the Académie Julian, where he became closely linked with the Nabis group (from the Hebrew word for ‘prophet’). He met Marcel Proust in 1902. From 1908, he taught at the Académie Ranson. In 1937, he was elected member of the Institute. At first, Édouard Vuillard painted small subjects, disciplined and proficient, qualities for which the prestigious École Française was famous. His earliest still-lifes (1888) are astonishing in their decisiveness and subtlety. His empathy for the object had already compelled him to soften its appearance; the object, which, by virtue of its bright or glossy presence, remained the nonego and the ‘thing represented’ for so many others. ‘Intimacy’ developed immediately between the painter and this modest environment; inhabiting it every day enabled him to celebrate its splendour, and it was to remain his favourite environment. But he was already alternating between small portraits and still-lifes, which gained recognition because of their natural qualities and dignity of tone: a rare combination in a beginner. About 1890, influenced indirectly by Paul Gauguin, all the certainties which the self-styled Nabis painters had contented themselves with suddenly collapsed. Everything was called into question again: both the linear layout of the picture and its colour scheme; the choice of subject and its material aspect; its manufacture and its purpose. Vuillard’s paintings at that time show surprising, bold innovations and an arbitrary power, which one would expect 15 or 20 years later at the height of the Fauvist period. The preoccupation with an internal geometry set them apart from earlier studies. From then on, the paintings were based on forms, lines, and colours. Vuillard made concessions. He produced a portrait or interior with its furniture and its wallpapers, in which the family inhabiting it, evolves. Treated with flat areas of colour and solid shades of ochres, reds, blues, and saffron yellow, without modulation, they seem to prefigure certain paintings by Henri Matisse and Roger de La Fresnaye. In 1891, Édouard Vuillard painted an Elegant Lady, a silhouette seen from the back; a long vertical shape starting from the hair decorated with brown feathers; there is a kind of pink cloak, the tight and never-ending black skirt, erect in front of a half-open, bright orange door in a green wall, from where the light of another vertical shape emerges, which is bright yellow, and is reflected in red on the parquet at the feet of the elegant lady. This painting meets his concerns about the actual moment of creating ‘harmonies corresponding to our feeling’, and by virtue of its almost geometric structure, its drawing entirely free of detail, its light effects and colour harmonies, very much prefigures aspects of the future Abstraction movement and is oddly reminiscent of the final period of Nicolas de Staël. All too often, Édouard Vuillard is only admired in his role as the harmonist, the serene contemplator who combines an exquisite sense of nuance, rhythms, and values with the most acute observation. These singular investigations, these three-dimensional meditations including a table, a folding metal cot...

Red Tulips in a Vase by René GUINAND (1892-1983) dated verso oil on board, unframed Board: 20 x 16 inches Provenance: private collection, France Condition: couple of minor scuffs bu...

Floral Still Life of Anemones indistinctly signed oil on board, unframed board: 15.75 x 15.75 inches provenance: private collection condition: very good and sound condition This vi...

Impressionistic Impasto Painting of Cottage on Blue Stack Mountains in Donegal Northern Ireland, by 20th Century Artist Jim Holmes Art measures 12 x...

Cubist Still Life, Tomatoes by Michele Bardet (French mid 20th century) oil on canvas, framed in original wooden surround frame framed: 21 x 41 inches canvas : 20 x 40 inches provena...

The Artists Tools by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 9.5 x 15.75 inches provenance: artists estate, France condition: very good and sound cond...

City Rooftops French School, circa 1950's oil on canvas 13 x 16 inches provenance: private collection, Paris The painting is in good and presentable cond...

'Silk, Blood and Thorns' Original Artwork. Framed, ready to hang ___________________________________ "But he, that dares not grasp the thorn, should never crave the rose." - Anne Bronte...

George Weissbort (Belgian / British, 1928 – 2013) A glass of wine in a classical study Signed ‘G Weissbort 62’ (lower right) Oil on board 13 x 21 in. (33 x 53.4 cm.) George Weissbort painted in a figurative classical style going against the grain of the modern abstract living and painting in the Wye...

This vibrant still life painting showcases a lush bouquet of colourful flowers in a blue vase, set against a soft, neutral background. Signed. Presented in a gilt frame with a painte...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In Apples and Copper Kettle, Laura Critchlow invites us into t...

Pocket Tawny Owl feather 3 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque ...

French School, late 19th century Post Impressionist painter, circa 1880-1890 period oil on canvas, framed framed: 12.5 x 15 inches canvas: 7.75 x 10 inches provenance: private collec...

French expressionist artist, 1955 signed oil painting on canvas, framed dated 55' framed: 22 x 29 inches canvas: 15 x 22 inches provenance: private collection, France condition: ove...

Ornamental Still Life with fruit, flowers and birds Italian School, 19th century oil painting on canvas, unframed size: 31.5 x 47 inches condition: relined canvas and in very good and presentable condition provenance: from a collection here in England. A very beautiful and decorative oil painting on a huge scale, depicting this classical landscape scene, with ornamental birds...