England - Photography

Majorettes on Parade by Michael Ormerod is an 8" x 10" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 2024 posthumous s...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Valencia, Spain, 1952 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later Availa...

View of Swimming Pool and Ocean on Turks and Caicos Islands. 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Meridian Club" is a beautiful Lim...

'Hotel du Cap Eden-Roc' 1976 Slim Aarons Limited Estate Edition Guests by the pool at the Hotel du Cap Eden-Roc, Antibes, France, August 1976. 60 x 40" inches / 152 x 101 cm paper ...

'Comte d'Arcangues' 1986, Michel, Comte d'Arcangues, against a wall of Sevres and Compagnie des Indes porcelains at his chateau d'Arcangues, Biarritz, France. 30 x 20" inches / 7...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

An image to contemplate… a choice of red or blue… a conversation waiting to happen or one long past…. a journey into the light or into incarceration – The Spaces in Between series...

View of Swimming Pool and Palm Trees in Acapulco Mexico, taken by Slim Aarons in 1966 at the Hilton Hotel Pool Bar. 16 x 20" print. Limited Edition Estate Stamped Print. Edition of ...

Vintage Wimpy, interior photograph by Richard Heeps. The timeless combination of blue seating and red tables create a nostalgic cinematic aesthetic. This artwork is a limited editio...

Merle Oberon, 1930s - Cecil Beaton (Portrait Photography) Inscribed 'Merle Oberon' and stamped with Sotheby's Cecil Beaton studio ink stamp on reverse Sil...

Untitled #168 (Abstract Photography) C-print — Unframed. Edition: 3/5 + 2 A/P This early work from Caldicott's acclaimed Tupperware series exemplifies his ability to breathe life i...

Echinops Ritro Veitch's Blue by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, p...

Drawing with light. A larger version of this limited edition print is available as one in an edition of 5. 70ins x 35ins for £1250.00 plus delivery "The universe story is the quin...

David Bowie - signed limited edition print David Bowie, 1976. (photo Mick Rock) paper size : 24x20 inches / 51 x 61 cm Stamped and numbered by the Estate. Archival pigment print...

Edition of 40. Archival Fine Art Giclée Print available 75 cm x 60 cm : £800 Hugh Turvey is a British artist and photographer who uses x-ray technology t...

Bob, Mick and Pete, by Michael Putland, 1978 Limited Estate Edition Bob Marley, Mick Jagger and Peter Tosh backstage after the Rolling Stones concert at the Palladium Theatre, New Y...

Fires 1, 2018 - Autumnal Seasonal Landscape in Ancient English Woodland by Ellie Davies Fires 1 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this size...

Model Friend, 1952 - Couple under Parasol on Sandy Beach in Acapulco in Mexico, features American model Jean Adams with her male friend as the two look into each other's eyes 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Model Friend" is a beautiful Limited Edition Estate Stamped Digital C-Type print from 20th Century photographer Slim Aarons...

Silver Blondie by BATIK Archival pigment pop art print of pop culture icon Debbie Harry of punk rock glam band Blondie – signed and numbered on front by the artist limited edition...

Singspiel, Stallion Portrait 2001 by John Reardon 76 x 51 cm Edition of 5 only Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Mu...

Heidler & Heeps Vinyl Collection 'LTD. ED. Vinyl Ochre Pink'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

'Jhelum River' A luxury boat trip on the Jhelum River near Srinagar, in Jammu and Kashmir, India, 1961. The boat is called the ‘HB Cutty Sark’. 20x20" inches / 51 x 51 cm paper si...

Model In A Red Dress 1960 A fashion shoot featuring a model in a red dress in front of a yellow aeroplane 1960. by Toni Frissell 40 x 30" inches / 101 x 76 cm paper size Archiva...

Playing Scrabble by Swimming Pool in Tennis Whites, a portrait of a Scrabble game being played out 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Late...

Pleasure Park, vintage seaside architecture typography photography from Richard Heeps' series, On-Sea. This artwork is a limited edition of 25 gloss photographic print from negative...

'3499' It is a black and white portrait film photograph. Giclée print on Hahnemühle photo rag Baryta 308 Gsm fine art paper. The photograph is signed front and back and comes wit...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Bitter Campari, Italian street photography from Richard Heeps series, A Short History of Milan. A Short History of Milan' began in November 2018 for a special project featuring at t...

Il Pellicano Pool - Mediterranean Waters and Natural Scenery off Tuscan Coast, a portrait of the verdant landscape in Italy by Slim Aarons 16 x 20" print. Limited Edition Estate Sta...

'Call Booth', photograph from Richard Heeps Salton Sea series. This cinematic neo-noir style picture shows the classic American roadside Phone Booth, something which we look at very ...

#396, 2016 Silver Gelatin Luminogram Print, Framed (classic museum style white book mount board and black frame) Image size: 40.6 x 30.5 cm Framed: 58 x 49 cm Unique Series: The Self Representation of Light Signed and dated in pen on verso © Michael Jackson The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting. After moving to Wales in 2007, Michael Jackson spent the next eight years creating an extensive study of a single local beach - Poppit Sands. After years of examining the beach, he realised that in effect he was studying himself and his reaction to the beach - rather than the physical landscape. He then started looking at the beach as simply a way of dividing up the camera frame - the lines and curves and focal points. It was during the long period of producing Poppit Sands prints in the darkroom that he discovered how to start making luminograms. "I feel strongly that the luminograms represent a form of moulded light. You use your process to direct and mould the light and the paper receives it in its own magical way and translates that into a form that seems fantastical but also it has one foot in reality. The piece itself so often seems like a photograph of a sculpture, when it fact it is neither. I imagine that I am taking something that you cannot feel and I am making it appear in a seemingly three dimensional form that is balanced and controlled. Just like sculpting clay." Michael G Jackson...

Set of three framed landscape photography artworks from Richard Heeps' South African road trip series. Richard Heeps' work takes you on a...

Astrid Kirchherr ( 20 May 1938 – 12 May 2020) was a German photographer and artist known for her association with the Beatles (along with her friends Klaus Voormann...

'Paraglider' Preparing to go paragliding in Acapulco a young blonde woman holds on firmly to her parachute harness, 1968. 30 x 20" inches / 76 x 51 cm paper size Estate Stampe...

The Beatles at Abbey Road Studios, March 30th 1967 during the recording of Sgt Pepper's Lonely Hearts Club Band, take a lunch break. Later that day they after recording they made their way to Michael Cooper's Flood Street Studios to pose for the famous album cover. This is an original traditional silver gelatin print signed by the photographer, printed in 2008 for inclusion in Herrmann's sol show The Unseen Beatles at The Saint Giles Street Gallery in Norwich. Though is says 1/25 the other prints in the edition were never printed and this image is not available anywhere else. Rare image hand printed. paper size 20 x 16, Image size 18 x 12 inches. This print is embossed with the photographers stamp, numbered and signed by the photographer Frank Herrmann in pencil on lower right margin. Frank Herrmann is widely regarded as one of the outstanding photojournalists of the latter part of the twentieth century, with an illustrious thirty year career at The Sunday Times. Covering stories as diverse as the UDI in Rhodesia in 1966, the Paris riots in ’68, the Yom Kippur War of '73, the U.S Presidential elections of ’75 and the birth of Zimbabwe in 1980, he has travelled to Africa with Bob Geldof to record the famine relief work of Band Aid, has been to the South Pole to photograph the trans-Arctic expedition and has worked with Hunter Davies on several books including The Glory Game and Great Britain – a Celebration as well as his text book book on portraiture titled Portrait photography. His many portrait sittings include,  amongst others, Orson Welles, Maggie Smith, Sean Connery, William Burroughs, Winston Churchill, Duke Ellington, Harold Macmillan, Ronald Reagan, Arthur Miller, Samuel Beckett, Henry Moore, Judi Dench...

A restless sky, churning with unseen forces, moves in endless cycles of tension and release. Light and shadow collide, creating a scattered harmonic field where small birds glide wit...

Merle Oberon 1958 by Slim Aarons Slim Aarons Limited Estate Edition Indian-born actress Merle Oberon (1911 – 1979) with her husband, Italian industrialist Bruno Pagliai, in the g...

'Nirvana' 1967 The pool at Villa Nirvana, Acapulco, Mexico. Old Acapulco can be seen across the bay. Paper Size 24x20 inches / 60 x 50 cm Estate Stamped Collection Edition to...

Ravishing Rampling 1966 Limited Edition Estate Signature Stamped print The exquisitely beautiful young Charlotte Rampling at The Pair of Shoes, a casino in London, 7th September 19...

This print forms part of Frank Herrmann's 2021 "Icons of the 1960's" publication of the best of his work from the decade that keeps on giving. Contact sheet Paper size 44 x 35” Ima...

Lino / bronzed is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Work can be suppli...

Goldfinch is part of the In Flight collection, a series of portraits of the wild birds taken in the gardens of Mark Harvey's home in Norfolk, England. What could be more eye catchin...

'Fern Forest III' is a bird's-eye view Archival Inkjet Print by photographer Morgan Silk. It is available in this size of 17" x 24" in a limited edition of 25. 'Fern Forest III' i...

Vinyl Collection, vintage interior photograph from Richard Heeps series, Forward to the Past. Richard was commissioned by Preston Hall Museum in Stockton-on-Tees to document the Muse...

Calm Sea A view of the sea at dusk. by Stuart Möller Born in Kabul, part German and Anglo-Indian and having grown up all over the world, Stuart Möller is a fine art photographer w...

Dahlia 5 is a rich and luxurious Archival Inkjet Print by contemporary photographer Philip Gatward. It is available in this size of 16" x 20" from a Limited Edition of 50. Gatwar...

Dahlia 14 is a Limited Edition Contemporary Archival Inkjet Print by British photographer Philip Gatward. It is available in this size of 32" x 38" from a Limited Edition of 10. G...

Dahlia 4 is a limited edition contemporary Archival Inkjet Print by British photographer Philip Gatward. It is available in this size of 32" x 38" from a Limited Edition of 10. Ga...

Dahlia 3 is a limited edition contemporary Archival Inkjet Print by British photographer Philip Gatward. It is available in this size of 32" x 38" from a Limited Edition of 10. Ga...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

New York City, 1953 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later Availabl...

Elizabeth Taylor with Sunglasses for "Giant" 1955 by Frank Worth This iconic and elegant portrait captured by celebrity photographer Frank Worth features actress Elizabeth Taylor o...

Pasadena, California, 1963 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later A...

Psyche D / EvH is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Work can be suppli...

'For the Brave, Tennessee' Master Edition (1 of 5). Archival Giclée print. Triptych . Hand signed and numbered, Unframed. _________________ Scarlet poppies and purple lupine, scatte...

Duffy - Pirelli Ice Cream Girl - banned - signed limited edition BANNED OUTTAKE - ICE CREAM ON BREASTS - PIRELLI 1973 Image size 18x12" signed Archival Pigment print limited edition size of 12 only On the 27th of October 1972 for the first time in Pirelli Calendar history, this image was banned. It was deemed too risqué even for a publication such as this. Derek Forsyth and Allen Jones were summoned to Pirelli’s head office in Chester square to explain themselves. The chairman of the company deemed the image too perverse and it was never published. Duffy was one of the few photographers who was commissioned for three Pirelli calendars. His first two calendars were in 1965 and 1973 and his last shoot for Pirelli was also in 1973 for the Cinturato truck tyre calendar. Duffy worked with the pop artist Allen Jones and the airbrush artist Philip Castle. The airbrushing techniques used producing this calendar were incorporated on the David Bowie Aladdin Sane album cover in 1973. More About Duffy : AT DUFFY’S MEMORIAL SERVICE LORD DAVID PUTTNAM ADDRESSED THE FAMILY AND FRIENDS OF DUFFY AND SAID ‘THE WORLD NEEDS MORE DUFFY’S.’ HE THEN WENT ON TO CALL HIM A MAVERICK, SOMEBODY WHO WAS PREPARED TO TAKE RISKS WITH HIS ART FORM AND DESCRIBED DUFFY AS A ‘SUPREMELY TALENTED AND ESOTERIC MAN.’ ‘A man who thrived on risks and challenges, who lived to create.’ In 2013 Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography he abruptly shut his studio, attempted to burn all of his negatives and moved into commercials. Despite repeated requests to return to still photography, give interviews or discuss his career, he became reclusive and his remaining negatives would have stayed in boxes under the stairs had it not been for the persistence of his eldest son, Chris. Chris realised that Duffy’s name was slowly slipping into obscurity and regularly tried to persuade him to do something with his remaining archive. It wasn’t until 2006 when Duffy was diagnosed with the degenerative lung disease Pulmonary Fibrosis that he finally gave Chris the green light to start putting the archive together. The process was a labour of love for the first few years. Organising, scanning and databasing his negatives took many hours whilst Chris was running his own photographic studio. In 2009 the opportunity to exhibit at Chris Beetles Gallery in Mayfair London (now Beetles & Huxley) gave Duffy the platform for his first ever exhibition which was hailed with great critical acclaim. The exhibition ignited an incredible interest in his work and there were regular queues to see the show. During the process of putting the exhibition together, the BBC commissioned a documentary on Duffy’s life and work which aired in 2010. Chris then started on the first monograph but sadly Duffy was never to see this and passed away on 31st May 2010. Since 2010 Duffy’s work has been exhibited in numerous museums and galleries around the world. In 2012 the Victoria and Albert Museum requested use of the original Aladdin Sane record cover ‘dye transfer’ print for their British Design 1948-2012 cultural exhibition. In 2013 the V&A approached the archive for use of the newly released ‘Eyes Open’ version as the lead image for the ‘David Bowie is’ exhibition. This exhibition has achieved record breaking numbers in several venues and has been seen by over 1.5 million visitors. Duffy’s name has now become recognised by an international audience and is now firmly back on the map. In 2014 Duffy’s second book was released – Duffy Bowie: Five Sessions which covers his work with David Bowie. Written by Chris Duffy and Kevin Cann the book explores the chemistry and creation of these five iconic sets of images illustrated with interviews from people who were directly involved. The book is also available in French and Italian. The archive is made up of negatives and contact sheets that have been retrieved from numerous UK and international publications; Vogue, French Elle, Glamour, The Sunday Times, The Telegraph to name but a few in addition to work held by independent archives. The process of exhibiting Duffy’s work continues and the future holds several more book projects illuminating Duffy’s eclectic and influential work. ice cream pirelli calendar girls sex sexy erotic erotica nudes boobs...

Dubawi, 'Stripped’, 2001 by John Reardon Edition of 15 Silver Gelatin Print, Mounted on Aluminium, Custom framed, UV protective Museum AR Glass This piec...