England - Abstract Photography

Untitled 110/5 (Abstract Photography) C print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his p...

Chance/Fall (8) 2010 (Abstract photography) C print - Unframed As the title suggests, Chance/Fall emanates from Caldicott’s improvised method. This abstract composition with over...

Untitled 156 (Abstract photography) C print - Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his ph...

Untitled 134 (Abstract Photography) C print - Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his ph...

Riff 3 (Abstract Photography) C print - Unframed. English abstract artist Richard Caldicott works across the disciplines of painting, photography and sculpture. His work extends a ...

Katie Hallam Blue Haze Limited Edition Digital Photograph on a metal backing and does not need framing. It is mounted securely and ready to hang on a wall. ...

C print - Unframed For this color photograph, Caldicott focused on simple geometric shapes, clean lines, using splendid color to define space and structure, and achieving a superb r...

C Print - Unframed For this color photograph, Caldicott focused on simple geometric shapes, clean lines, using splendid color to define space and structure, and achieving a superb r...

C print - Unframed As the title suggests, Chance/Fall emanates from Caldicott’s improvised method. This abstract composition with overlapping and drifting layers of shimmering co...

C print - Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes : "Tupper...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

C print - Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes : "Tupper...

C print - Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes : "Tupper...

C print. Unframed. For this color photograph, Caldicott focused on simple geometric shapes, clean lines, using splendid color to define space and structure, and achieving a superb r...

C Print - Unframed As the title suggests, Chance/Fall emanates from Caldicott’s improvised method. This abstract composition with overlapping and drifting layers of shimmering colo...

C Print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes: "Tupperwa...

Breather / turquoise aegis is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be supplied unmounted and ready to frame if you’d prefer. The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity. From an edition of 8 Image size ⋅ 84cm H x 200cm W . Back in the shoegazing years, when I was studying at the old Hornsey School of Art, there was a beautiful surge of guitar fuelled wall of noise bands on the scene, one of whom, Chapterhouse, released a track entitled Breather. It’s a piece that’s stuck with me ever since. Breather was drawn a little while after Eight...

Gina Parr Sri Mangala Limited Edition Photographic Print of 10 Image Size: 42cm x 29.7cm This is one work Sold Unframed Sri Mangala – 2 of 10 Limited Edition Photograph by Gina Parr...

Gina Parr Kokkuvil Limited Edition Photographic Print of 10 Image Size: 42cm x 29.7cm This is one work Sold Unframed Kokkuvil – 2 of 10 Limited Edition Photograph by Gina Parr from ...

Gina Parr Jungle Beach Limited Edition Photographic Print of 10 Image Size: 42cm x 29.7cm This is one work Sold Unframed Jungle beach – 2 of 10 Limited Edition Photograph by Gina Pa...

Gina Parr Kachchery Limited Edition Photographic Print of 10 Image Size: 42cm x 29.7cm This is one work Sold Unframed Kachchery – 2 of 10 Limited Edition Photograph by Gina Parr fro...

C print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes: "Tupperwa...

C print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes : "Tupperw...

Elemental / white crest is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be suppli...

Klint / reDux / jdrbnk is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be supplied unmounted and ready to frame if you’d prefer. The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity. From an edition of 8 Image size ⋅ 94cm H x 120cm W ⋅ 3 panels . Le Klint Studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So, of course, I couldn’t resist making a series of origami like geometries for a new set of works in 2015. Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous. The image I made is not an identikit line work, more an homage based around some of the origami like folds they use, with the addition of colour glazes and offset transparencies. I've also added a grid like structure of darkly shaded lines and accents, that brings the geometry to life. The first piece I drew, ACDH (acid house...

Lino / venetian is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Work can be suppl...

"I went there one evening and just by chance there was a low tide. I took a batch of photos and once I developed them at home I saw a certain light and a certain type of picture that...

THE FLOW OF LIGHT UNDERWATER 2019 Being fascinated with light and water led me to explore how light travels in the sea - often caught on the backs of fish as they dart and swerve int...

The Kitchen Drawer Simply an overwhelming source of detritus... 'Detritus' series was born from the twin frustrations of lockdown halting all planned projects, yet litter still somehow being dropped in abundance on my street. With no idea of the final output, or indeed the hygiene implications, I started to collect, scan, and record what I found. When I realised these colourful misshapen objects could be turned into something beautiful, the frustrations left me and I began looking for other sources of Detritus. These collages gave me purpose during the pandemic and allowed me to grow something beautiful from a place of frustration. My aim is to simply give viewers of the work a fleeting moment of calm. Unable to shoot anything, I’ve been making collections of things I find on the ground and scanning them to create composite images of otherwise ignored or discarded objects." - George McLeod...

Merce Cunningham Dance Company 50th Anniversary Photography Portfolio Edition of 40 91.5 x 76.5 cms (36 x 30 1/8 ins)