Europe - Interior Paintings

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. A luscious plum, its dusky mauve skin infused with hints of de...

Original small oil painting on canvas . How often are we in the moment, genuinely captivated by the beauty of nature, connecting with ourselves? Filled with the nature of Thailand,...

Jordi Curós Ventura (1930-2007) - Woman Acrylic on canvas on cardboard. Work measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter...

Luis Giner Bueno - Interior with woman - Oil on canvas Oil measurements 27x41 cm. Frame measurements 50x64 cm. Giner Bueno (1935-2000) Painter from Alicante, son of the painter L...

Board Games by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 19.75 x 24 inches stamped verso provenance: artists estate, France condition: very good and sou...

In creating this piece, I harnessed the vibrant chaos and serenity of nature's own contrasts. Using acrylics allowed me to layer and texturize, enveloping the canvas in a dance of sh...

"Fragments of Belonging" is one of the paintings from my “Shadow Migration” series. This series reflects my search for an inner sense of home and belonging in times of change. Breaks...

'The New Arrival' A Mother with her Children A first class example of Pothast's work. The faces are beautifully done with fantastic light cascading into the room. The mother is shar...

A gorgeous floral still life which marries the depth and the richness found in the work of the Flemish old masters with the elegance and light of French painting. As you will see, th...

An auction at Drouot's in Paris. Oil on canvas. Signed lower right. Around 1900-1910. René François Xavier Prinet (31 December 1861, Vitry-le-François – 26 January 1946, Bourbonne-les-Bains) was a French painter and illustrator who drew his subjects from middle-class society. He was born to Henri Prinet, an Imperial Prosecutor in Vitry-le-François. A promotion led to him being posted in Paris, where they lived in a home not far from the École Nationale Supérieure des Beaux-Arts. His father painted as a hobby and was supportive of his desire to study art, having him seek the advice of Louis Charles Timbal [fr], a well-known church painter and friend of the family. Around 1880, he began his studies in earnest, in the studios of Jean-Léon Gérôme; remaining with him until 1885. That year, his painting "The Infant Jesus" was accepted for display at the Salon. This was followed by studies at the Académie Julian. At this time, he also became associated with a group of young artists known as the Bande Noire (Black Stripe), which included Lucien Simon, André Dauchez...

In this piece, I poured my soul into capturing the tranquil beauty of nature, merging acrylic and oil for depth and texture. Inspired by impressionism, I wanted to evoke serenity and...

Still Life of Flowers by Regine David (French mid 20th century, female) oil on canvas, unframed canvas: 22 x 18inches Provenance: private collection, Pari...

This beautiful late 19th century portrait oil painting is attributed to circle of Walter Langley. It has the hallmarks of the Newlyn School of artists such as the subject matter, com...

A painting in abstract enamel is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creati...

Pastel and crayon on paper interior scene by Eileen Gore Sellon. The painting is signed bottom left and attributed and dated to the backboard. Presented in gilt wood frame with mount...

Work on canvas : 61 x 43 cm Golden frame With frame : 70 x 52.7 x 4 cm This 19th-century portrait by an anonymous artist shows an elderly man seated at his desk, engrossed in writing...

Still Life of Flowers French School, mid 20th century signed oil on canvas, framed in original frame. framed: 17.5 x 29 inches canvas : 12 x 24 inches provenance: private collection,...

In crafting this piece, I sought to capture the serene essence of nature's renewal. The interplay of light and color reflects on the water's surface, inviting contemplation. Each stroke embodies a moment of tranquility, a celebration of spring's dance. It's an invitation to the viewer to pause, breathe, and connect with the quiet vitality of a world reborn. In your space, it's a promise...

Still life with flowers and apples. Oil on paper, 42 x 30. 5 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a mon...

Henry Kondracki R.S.A. (1953) XX Century "Pink Edinburgh" Oil on canvas

German School, early 20th century oil on canvas, framed framed: 33 x 27.5 inches canvas: 30 x 25 inches private collection, UK the painting is in overall very ...

Still Life of Fruit within a Wicker Basket Jonny Gaston, British 20th century signed and dated/ inscribed oil on board, framed framed: 15 x 23 inches board: 10 x 18 inches provenance...

A really striking and stylish large still life by this Modernist master. René Genis (1922-2004) Pot Bland et poivrons Signed and further signed to reverse and inscribed with the tit...

This beautiful floral painting, "The Symbiosis of Waterlilies and Lotus", created by French artist Natalya Mougenot, is a tribute to the artistic legacy of Claude Monet. As an artist...

French Art Deco still life of a vase of tulips in an interior by Auguste Mallard. The painting is signed bottom right and presented in a period patinated wood frame. A colourful and strong painting of an interior view, a table with books and as the centre piece a beautiful blue ceramic vase with twisted handles holding a magnificent bouquet of brightly coloured tulips. Mallard has captured the abandon of the blooms in the vase, the way tulips twist and furl raising and lowering their beautiful colourful petals. The colours of the flowers really stand out against the more muted tones of the background, curtain and table. A very elegant and stylish painting. This painting has the feel of some of the still life works from the same period by Tamara de Lempicka who was a contemporary of Mallard painting...

"55" is a large-format oil on canvas by contemporary Lithuanian painter Gabija Pritkovaite. In her paintings, young artist is questioning our state of being in today‘s world, by pain...

Oil on canvas Canvas size: 32 x 45 inches Framed size: 35.5 x 50 inches Signed lower right

Large French Mid 20th Century, oil on paper laid on canvas, portrait of a seated female figure by Sylvain Vigny. The painting is signed bottom left and presented in a very fine carve...

Julia Craig Eclipse Original Abstract Painting Oil Paint on Paper Image Size: H 24.5cm x W 24.5cm Framed Size: H 40cm x W 48cm Sold Framed in a White Lime ...

" Vertical charm unfolds in this 100x50x2 cm (39,4 х 19,7 х 0,8 inches) canvas, a unique fusion of my modern touch and a hint of Impressionism. The rugged texture beneath, crafted w...

This appealing original oil on canvas painting is by British artist Paul Earee. Painted in a Post Cubist manner circa 1930, this floral still life depicts a vase of flowers on a table in bold blocks of colour. A really vibrant painting in superb tones. Signed lower right. Provenance. Estate of the artist. Condition. Oil on canvas. Image size 24 inches by 20 inches and in excellent condition. Housed in a gallery frame with complementary tones, 31 inches by 27 inches approx framed. As Frederick Percy Eary, he was born at Sudbury, Suffolk on 16 July 1888, son of Albert Henry Eary (1862-1941), mat weaver, and his wife Hannah (1860-1939). Known as Paul Earee, he was an artist who was professionally trained as an ecclesiastical architect, art teacher and illustrator, using his spare time in painting, etchings and drawing with strong regional content. As an architect he designed many buildings and interiors in Sudbury including the pulpit of St Gregory...

My abstract acrylic artwork "Intensity" isn't about geometric forms which you see ( squares and rectangles). This artwork is dedicated to a "heart- mind connection". Here my idea o...

Signed lower left. Image dimensions: 50cm x 59.5cm / 19.7 inches x 23.4 inches Framed dimensions: 62.1cm x 72.5cm / 24.4 inches x 28.5 inches Still life of delicious oranges adornin...

Flowers in a White Bowl by Alfred Rouby (French 1849-1909) Rouby lived in Paris and trained under Pierre-Marie Beyle (1837-1902). signed oil on canvas, unframed canvas: 25.5 x 32 in...

Still Life Flowers & Fruit French School, circa 1930's signed oil on board unframed board: 10 x 14 inches provenance: private collection, France condition: good and sound condition (...

Work on canvas

Nude Model Reading a Book French School, Early 20th Century Oil painting on canvas, unframed Canvas size: 17.5 x 14.75 inches This exquisite nude painting is absolutely beautiful. The pale green backdrop to the painting has faint coral pink flecks...

This artwork is shipping UNMOUNTED and ROLLED UP in a tube with FREE SHIPPING. In crafting this piece, I poured my soul into an exuberant celebration of color and movement, using th...

Signed oil on board interior by French Les Nabis painter Edouard Vuillard. The work depicts a room with a large window, outside of which are bare trees. Inside the room are three chairs and a patterned rug on the floor. Signature: Signed lower left Dimensions: Framed: 20"x13" Unframed: 13"x6" Provenance: Prince Antoine Bibesco (1878-1951) - Special Envoy of Romania to the United States Piasa Encheres - Paris Lot no. 88 - 8th April 2005 - Sold EUR 118,000 hammer price Acquired at the above by Thomas Gibson Fine Art - London Acquired by the previous owner from Thomas Gibson Fine Art - TEFAF Maastricht November 2005 Literature: This work is included in the catalogue rasionne of the work of Edouard Vuillard under Ref Volume II No. 172 - illustrated and described Access to the raisonne online can be found at the Wildenstein Plattner Institute website. The work is described as being executed in the period 1899 to 1904 by Antoine Salomon and Guy Cogeval Édouard Vuillard attended the Lycée Condorcet in Paris, where he made friends with Maurice Denis, Lugné-Poe, and Ker-Xavier Roussel, later his brother-in-law. He studied in Maillart’s studio; for six weeks came under the tutelage of Jean-Léon Gérôme at the École des Beaux-Arts in Paris; and later under William Bouguereau and Robert at the Académie Julian, where he became closely linked with the Nabis group (from the Hebrew word for ‘prophet’). He met Marcel Proust in 1902. From 1908, he taught at the Académie Ranson. In 1937, he was elected member of the Institute. At first, Édouard Vuillard painted small subjects, disciplined and proficient, qualities for which the prestigious École Française was famous. His earliest still-lifes (1888) are astonishing in their decisiveness and subtlety. His empathy for the object had already compelled him to soften its appearance; the object, which, by virtue of its bright or glossy presence, remained the nonego and the ‘thing represented’ for so many others. ‘Intimacy’ developed immediately between the painter and this modest environment; inhabiting it every day enabled him to celebrate its splendour, and it was to remain his favourite environment. But he was already alternating between small portraits and still-lifes, which gained recognition because of their natural qualities and dignity of tone: a rare combination in a beginner. About 1890, influenced indirectly by Paul Gauguin, all the certainties which the self-styled Nabis painters had contented themselves with suddenly collapsed. Everything was called into question again: both the linear layout of the picture and its colour scheme; the choice of subject and its material aspect; its manufacture and its purpose. Vuillard’s paintings at that time show surprising, bold innovations and an arbitrary power, which one would expect 15 or 20 years later at the height of the Fauvist period. The preoccupation with an internal geometry set them apart from earlier studies. From then on, the paintings were based on forms, lines, and colours. Vuillard made concessions. He produced a portrait or interior with its furniture and its wallpapers, in which the family inhabiting it, evolves. Treated with flat areas of colour and solid shades of ochres, reds, blues, and saffron yellow, without modulation, they seem to prefigure certain paintings by Henri Matisse and Roger de La Fresnaye. In 1891, Édouard Vuillard painted an Elegant Lady, a silhouette seen from the back; a long vertical shape starting from the hair decorated with brown feathers; there is a kind of pink cloak, the tight and never-ending black skirt, erect in front of a half-open, bright orange door in a green wall, from where the light of another vertical shape emerges, which is bright yellow, and is reflected in red on the parquet at the feet of the elegant lady. This painting meets his concerns about the actual moment of creating ‘harmonies corresponding to our feeling’, and by virtue of its almost geometric structure, its drawing entirely free of detail, its light effects and colour harmonies, very much prefigures aspects of the future Abstraction movement and is oddly reminiscent of the final period of Nicolas de Staël. All too often, Édouard Vuillard is only admired in his role as the harmonist, the serene contemplator who combines an exquisite sense of nuance, rhythms, and values with the most acute observation. These singular investigations, these three-dimensional meditations including a table, a folding metal cot...

I enjoy working on impressionist artworks with an expressive touch. This artwork was done with oil paints on a heavyweight professional paper. In my artworks I transform my energy ...

The painting was exhibited at the SWISS ART Expo 2019 in August in Zurich. "Exception handling" is a conceptual informatics painting. It is a part of the Science Art collection made...

In this oil painting, I harnessed the vibrant spirit of Impressionism mixed with the depth of Realism to bring forth the serene, yet lively essence of a blooming water lily. The brus...

The Flower Pot by Josine Vignon (French 1922-2022) signed pastel on paper, unframed painting: 19 x 25 inches good condition provenance: from the artists estate, France Josine Vigno...

This vibrant abstract artwork captures a dynamic interplay of color and form. Bold strokes of blue, red, and green interlace across the canvas, creating a sense of motion and depth. ...

READY TO HANG with the edges painted! Original abstract painting The technique: stretched heavy canvas on wooden reinforced chassis and professional acrylic pigments layered by palle...

The canvas is a metaphor for life, where through the interweaving of our realisations and steps, we create our own unique pattern of life. Its beauty and complexity depends on our i...

Silent Shores is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on honeycomb aluminum panel, patina f...

In creating this artwork, I sought to capture the serene beauty of nature using the delicate dance of light and shadow upon water. This expressionistic approach emphasizes the tranqu...

A charming depiction of a rustic workshop looking out on a walled garden. Signed in the lower right. Presented in a painted wooden frame. On canvas.

In this piece, I've captured the vibrant essence of nature's optimism. The sunflower exudes warmth and energy, its golden petals reaching towards the light. The expressive brush stro...

Charles Hunt Jnr British, (1829-1900) A Deal to be Done Oil on canvas, signed Image size: 24.75 inches x 34.75 inches Size including frame: 32.25 inches x 42.25 inches A superb genre painting of two men and a boy with donkeys and other animals in cottage by Charles Hunt. Two men are depicted conversing at a table in rustic surroundings as a boy watches on. Meanwhile, two donkeys and a pig can be seen chewing the leaves of a turnip on the floor nearby as a small dog stares out at the viewer. Through the open door to the far left, we are shown a glimpse of a garden path leading to a gate with trees and a landscape beyond. Charles Hunt was a genre and figure painter born in Kensington, London in 1829. His sons Reuben Hunt...

Yellow Daisy Still Life Simone Forge 1930's French Impressionist oil on canvas, unframed canvas: 18 x 15 inches Provenance: Private collection Condition: Great condition For more ...

"In this oil painting, I endeavored to capture the ephemeral beauty of nature's awakening. With each stroke, I sought to embody the delicate dance of blossoms on a gentle breeze, inf...

Garden Table signed by Y. Blanchon, French 1950's Impressionist oil on board, unframed painting: 13 x 16 inches provenance: from a large private collection of this artists work in N...

Daisies in a Purple Vase, Flower Oil Painting, British Artist by Pamela Cawley, British 20th century oil painting on canvas, unframed canvas: 20 x 24 inches Stunning original Impr...

Bright Yellow Daffodils and Tulips by Helen Greenfield (British 20th century) gouache painting on artist paper, unframed artist paper: 23 x 15.5 inches condition: overall very good...

In crafting this oil painting, I sought to convey the serene yet fleeting beauty of nature. Through expressionistic strokes melded with impressionistic hues, I captured chamomiles da...

This artwork is shipping UNMOUNTED and ROLLED UP in a tube with FREE SHIPPING and you can easily mount it in a local framer. In this very beautiful large colorful abstract painting ...