Europe - Interior Paintings

2018 I is a unique textile (double weave, handwoven cotton stretched on frame) artwork by contemporary artist Christiane Maurer, dimensions are 125 × 95 cm (49.2 × 37.4 in). The art...

VIBRANT INTERIOR Size: 54.5 x 70.5 cm (including frame) Oil on canvas A lively mid-century interior scene painting that captures a vividly colourful and expressive depiction of a d...

Skulte river Aģe. 1981., cardboard, oil, 35x49 cm Information about artist: Janis Osis (1926.10.IV – 1991.22.VII) His first skills in art got...

Priests Cove II By Adele Riley [2021] Signed by the artist Mixed media, acrylic and acrylic inks Image size: H:26 cm x W:26 cm Frame Size: H:32.5 cm x W:32.5 cm x D:6cm Sold Framed P...

Liquorice Sweets Cartoon Pop Art on Abstract Background by British Urban Graffiti Artist, Chris Pegg. Chris Pegg is a self-taught Street Artist producing artwork with a strong social...

Bottles. 2012, canvas, oil, 115x115 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art school, Latvian University, receiving a visual arts teache...

Oil Painting by William Shayer Snr "An Inn Interior" 1787- 1879 Leading regency rural landscape painter from Southampton. He exhibited at the Royal Academy, B.I and 338 times at the ...

Dorian G. is an original oil painting on canvas, realized in 2012 by the emerging artist Anastasia Kurakina. Signature, title, technique, and date on the back. Realized in Rome in 2...

Ali Shamsi (1964) Born in 1964 in Azerbaijan in a small village at the foot of the Caucasus Mountains on the banks of a river. 1981 - 1985. Azerbaijan State Institute of Arts. M...

Pierre Coquet - Still life with a yellow tablecloth Reference number F380 The painting is not framed but it could be with a natural oak floated or black ...

In Djinn guerrier, Pierre Morquin invites us on a journey into the beyond. The emotionally intense painting is an ode to the power and resilience of the human spirit. Vivid colors an...

This lovely Scottish Edwardian interior portrait oil painting is by noted Scottish artist Arthur Percy Dixon. Painted in 1906 it is a seated portrait of a lady in the corner of a roo...

Gulf of the river. Oil on cardboard, 31,2x45,5 cm Albins Dzenis (1907.19. XII Riga –1998) 1935 – Graduating Latvian Art Academy, department of Decorative painting by guidance of J....

As an abstract composition, the artwork does not represent specific objects or subjects in a realistic manner. Instead, it focuses on elements such as color, form, line, and texture ...

Still life with pearls. Oil on cardboard, 50x40,5 cm

Discover a captivating piece of nature with this unique section of a vintage French herbarium. Crafted with meticulous care, this botanical press on p...

Brixham Harbour is an Original Painting by Eleanor Woolley. This painting is inspired by the Artist's summer vacations around Devon. Preliminary sketches were made of the harbour and...

As I layered acrylic and oil onto the canvas, I was swept into an abstract cosmos, expressing the raw essence of emotion through splashes and strokes. Each color, a dialogue between ...

Painted circa 1930 this Modern British oil portrait of Philip Joubert has superb colouring and detail. Painted by Charles Cundall RA RWS, it came from the artist’s daughter and is framed in an earlier solid Empire frame. This is a fine example of a 20th century Modern British portrait. Philip Jourbet de la Ferte, Air Chief Marshall, was senior commander in the 1930's and World War II. Signed left. Provenance Family descent. James Bourlet and Sons labels verso. Artist’s daughter. Condition. Oil on canvas, image size 24 inches by 20 inches and in fine gallery condition. Housed in a fine Empire 19th century frame 30 by 26 inches, in good condition. Charles Cundall (1890-1971) - painter, potter and stained-glass artist, born in Stratford, Lancashire. After working as a designer for Pilkington's Pottery Company under Gordon Forsyth...

Flowers / Ships (two-way) Oil on canvas, 37x29 cm Laimdots Murnieks has said: "I am a sunny artist. The sun and a woman are the center of the world. It is not for nothing that the...

Joie de Vivre by Julia Adams is a large 90 x 90cm square interior painting on a deep edged 25mm canvas from her Interior Spaces series. The colours she has used are vibrant pinks/blu...

Plant Shadows Mijas is an Original Painting by Eleanor Woolley. This painting was sketched in Mijas and finished in the Studio in Gloucestershire. Walking back down from the Monaster...

Christmas (La Navidad) acrylic paint on canvas by Elena Narkevich. Dimension not framed: 195 H x 162 W cm x 2 cm D In inches: 76.77 H, 63.78 W, x 1.18 D Elena Narkevich work is well...

Artist/ School: Jill Jackson (British, contemporary) Title: Ceramic Mug Medium: oil on board, unframed Painting : 17 x 13 inches Provenance: all the paintings we have by this ar...

Suggestiva opera di Igor Smekalov Colori neutri sui grigi,blu,azzurro 1965 Nasce a Orenburg, dove vive e lavora. 1984 Si laurea in Arte. 1990-1995 Si incontra regolarmente a Pasmuro...

"The call of the Minotaure" abstract acrylic marble powder mortier on linen canvas deliver in a wooden crate at cost Emmanuelle Vroelant wanted to express the force at stake which ca...

abstract acrylic marble canvas 120x120cm send in wood crate at cost Emmanuelle Vroelant describes her painting as a winter without sadness, the clouds loaded and free to transform, i...

Gemstone. 2014., oil on canvas, 130x90 cm Geometric painting with many light reflections in gemstone Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga ...

abstract painting "Troubling time" acrylic on linen canvas 100x120cm period of staggering imagination between global warming, COVID, the war in Ukraine my optimism appeals to sunny ...

The composition of the background is based on a dilution set that randomly move reliefs to create random paths structures of the composition. The architectures cross and meet again b...

Horse is an original oil painting on canvas, realized in the 2000s by the emerging artist Anastasia Kurakina. Very good conditions. This beautiful artwork represents a crawling hor...

Sunny Riga 1998, oil on cardboard, 83x90 cm The composition depicts a landscape where trees are situated in front of a view of the city, which is bathed in sunlight. The focal poin...

In creating this piece, I immersed myself in the serenity of the shores. The interplay of oils dances across the canvas, capturing the fleeting beauty of a sunset caressing the sea. ...

"Thin Air" is a large-format oil on canvas by contemporary Lithuanian painter Gabija Pritkovaite. In her paintings, young artist is questioning our state of being in today‘s world, b...

Unsigned. On board.

Enter this fantastic universe where all the details are revealed with distance. Ships carry troops to oppose the dark side of the picture. Faces emerge from nowhere. This table is a ...

In creating this piece, I embraced the vibrancy of life juxtaposed with moments of serene contemplation. The lush, textured strokes capture the ephemeral beauty of the flowers, which...

"Full of Grace" is a captivating depiction of a lush floral arrangement, elegantly perched atop an ornate brass pedestal. The composition’s tall and narrow format draws the viewer’s ...

In this passionate oil painting, I've blended expressionism with hints of impressionism to capture the ethereal beauty of roses in a vase. The vintage aura evokes a sense of timeless...

In this oil painting, I sought to capture the fleeting beauty of life, symbolized through the delicate blossoms of roses. The strokes convey passion and the ephemeral nature of beaut...

Clown is an original oil painting on canvas, realized in the 2000s by the emerging artist Anastasia Kurakina. Very good conditions. This very colored artwork represents a clown sur...

Composition 1992., Canvas, oil, 50x60 cm Abstract composition "Composition" is an abstract artwork created in 1992. The medium used is oil on canvas, and the dimensions of the artwork are 50x60 cm. As an abstract composition, the artwork does not represent specific objects or subjects in a realistic manner. Instead, it focuses on elements such as color, form, line, and texture to create a visual expression of the artist's ideas and emotions. The oil medium provides a rich and vibrant quality to the artwork, allowing for the blending of colors and the creation of various textures. This creates depth and visual interest within the composition. Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, Latvia. Studied in the Art School of Rozental, the Latvian Academy of Arts and private studios of the famous painters and teachers Abram Bikov and Vitaly Karkunov. Participates in exhibitions since 1987. Awards: 1991 – One of the main grants at the International Art Project «Golden Brush» at the Central Painters' House, Moscow, Russia Solo Shows: 2008- Gallery "Antonia", Riga. exhibition "Dream City" 2002 – Open exhibition “Genesis” Austria, Vienna 2002 - «Painting», Blackhead's House, Riga (printed brochure) 2000 - Personal exhibition in Austria, Vienna “Gallery Atelier T” 2000 – Personal exhibition in Riga, Latvia 2000 - Institute of Practical Psyhogy, Riga (printed brochure) 2001 - Gallery «AtelierT», Vienna, Austria 1998 – Joined exhibition with N.Bessonova «Garant», Vienna, Austria 1998 - Gallery «Nelliya», Riga 1998 - Co-project with N.Bessonova «Birds and Fish», Gallery «Nelliya», Riga 1997 - Gallery «Dzintars», Riga 1997 - Insurance Company «New Re» Gallery, Geneva, Switzerland 1997 - Gallery «Rigas Vini», Riga 1997 - Gallery «Goldshidhaus», Gilzenkirken, Germany, with N.Bessonova 1996 – Personal exhibition in “Rigas vini” Gallery, Riga 1996 - Gallery «Sofia», Gilzenkirken, Germany 1991 - Russian Culture Fund, Riga 1991 – Last personal exhibition in Riga Group Shows: 2007 - Museum der stad Bad Ischl”Genesis2000” 2007 -“Art Innsbruck” International Messe. 2004 - Showcase of Latvian painters dedicated to Latvia joining the EU, museum «Horst Shloss», Germany 2004 - «Hungary by the Latvian Painters», Moscow House, Riga 2003 - «Autumn-2003», Latvian State Art Museum 2003 - Autumn exhibitions of Latvian Painters, Gallery «Nelliya», Riga 2003 - «Abstract Art in Latvian Painting», Latvian State Art Museum 2000-2006 - International Project dedicated to the Book «Genesis», Austria 2002 - «Autumn», Latvian State Art Museum 1999 - Participation in exhibition “Gold of Russian Art” Austria, Vienna, “Gallery Atelier T” 1999 – Participation in projects “Genesis” Austria, Vienna, “Gallery Atelier T” 1997 - «Art Expo» New York, USA 1996 - «Art of the Chosen Ones», Latvian State Art Museum «Arsenal» 1995 - «Surrealism in Works of Latvian Painters», Russian Culture Fund, Riga 1994 - «Christmas Exhibition», Embassy of Poland in Latvia, Riga 1993 - «Art of the Russian Painters», Embassy of Russia in Latvia, Riga 1993 - «Golden Brush», Central Painters' House, Moscow, Russia 1993 - «Latvian Painters», Gallery «Sofia», Germany 1992 – sept.,Oct. – exhibition in Baad Goseberg, Germany 1992 - «Artmyth», International Art Festival, Manezh, Moscow, Russia 1992 - «Latvian Art», Berlin, Germany 1991 – «Reshaping», exhibition in Moscow 1991 - «Golden Brush», Central Painters' House, Moscow, Russia 1991 - «Transformation», Youth Palace, Moscow, Russia 1991 - «Latvian Painters», Belver, Germany 1989 - «Artcontact» National Art Project, Culture House of Railroad workers, Riga 1989 - «Artist and Religion», Riga - Moscow 1988 - «Free Art», Rigas Modes, Riga 1987 - First exhibition with painters A.Alekperov and G.Huckivadze in the Culture House of Railroad workers, Riga Auctions: 2002 - «Doroteum» Vienna, Austria - paintings «Russian Art» and «Portrait of Olga...

"Recomposition" abstract painting varnish pigment on wood panel 77x1915cm black red The first step is the assembly of a thick paste covered with gold and silver color that intensifie...

Sunny Flowers by Rosie Copeland [2020] original Oil on board Image size: H:30.5 cm x W:25.5 cm Complete Size of Unframed Work: H:30.5 cm x W:25.5 cm x D:2cm Frame Size: H:45.5 cm...

In this oil painting, I've poured my soul into capturing the timeless elegance of roses, a symphony of color and emotion. Every brushstroke is imbued with passion, reflecting the dan...

Delicate yet full of life, 3 Ladybirds is a celebration of nature’s smallest wonders, hidden within a lavish wreath of fruit. The painting’s composition is both structured and organi...

A study in contrast and vibrancy, 3 Passionfruits transforms a simple still life into an arresting visual experience. The deep purple of the passionfruit’s rind gives way to the gold...

Acrylic, Oil on Canvas Artwork on supported wooden frame. Ready to hang. Framing on request. About this artwork 60 x 120 x 4,5 cm 2024 Acrylic on canvas In this painting, I've soug...

Alison Groom Wivenhoe Afternoon Original Textured Landscape Painting Oil on Textured Acrylic Medium on Board Board Size H 50 cm x W 50cm x D 2.2cm Framed Size H 60cm x W 60cm x D 3.2...

Layers of stripes inspired by bookshelves. The colours and patterns repeat throughout the composition. Rosie Shorrock, painter, is available for sale online and in our art gallery at...

"Crossroad" created in 2020 acrylic gold and silver on a wooden panel 185x185 cm deliver in a wooden crate at cost olivier Ebel composition of the backgro...

In his painting "Urbanité", Pierre Morquin plunges us into a vibrant, abstract universe. Bright colors, mainly yellow and green, blend and overlap, creating an effect of movement and...

Interno con figura di bambino che legge. Colori delicati Luminoso

Sand game 2 2023, canvas, oil, collage, 50x30 cm Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona graduated Riga art school, Latvian University, receiving a visual ...

Signed figures in interior oil on panel by French impressionist painter Jean-Francois Raffaelli. The piece depicts two old men seated in an interior. One is reading his paper as the other naps and there are several kittens on the floor. Painted in the artist's distinctive style. Signature: Signed lower left Dimensions: Framed: 9.5"x8" Unframed: 5.5"x4" Provenance: Brame & Lorenceau have confirmed the authenticity of this work and it will be included in the digital catalogue raisonne of the painter which is under preparation A certificate of authenticity fromBrame & Lorenceau accompanies this painting Private collection - United States Original artists label verso Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

This original painting from collection «Unity with Nature» in which the theme of herbal spirits helping us to remain in harmony with nature speaks on a symbolic level about the re...

Still Life by Ben George Powell, British contemporary artist signed acrylic on canvas, unframed canvas: 16 x 20 inches provenance: private collection of this artists work, UK The pai...

Original Painting of the London Underground by Leading Contemporary British Artist, Angela Wakefield Art measures 24 x 18 inches Frame measure 27 x 21 inches Angela Wakefield has...

Desdemona’ is an original abstract painting on canvas by contemporary artist Wendi Weller. Oil pastel mark making details are added to many layers of acry...

Still life with wine glasses. 2010, oil on canvas, 120x150 cm Large size painting with two glass of red wine filled with bright tropical flowers. Painting radiates love, warmth and happiness Kristīne Luīze Avotiņa is a young and bright personality whose talent is appreciated not only in Latvia, but also in other parts of the world. Her deep inner experiences and feelings of the soul are not hidden from the eyes of the audience, but are openly and engagingly narrated: about relationships, man and woman, passion, emotions, about experience and connection with nature. Characters live in Kristine's compositional solutions, where figurative painting and ornament appear. When painting large-format works, she masters the entire format, composition and color of the work, as well as linear drawing. Kristīne herself emphasizes: "Relationships between nature and people - it has always been a relevant topic in my painting. The more I work on it, the more interesting it seems to me. It is infinite and unending. With paint I refresh the beauty of nature and love on the canvas and I want to show that nature and love are equal in their beauty. In my works, I always want to show that nature is beautiful and worthy of admiration - a newly blooming water lily, falling leaves from golden trees, a pink sunset sky... This could go on forever..." Education: 2009 – 2010 Studies in „Escola Massana”, Painting Department, Barcelona, Spain 2003 - 2009 Studies in Painting Department, Latvian Academy of Arts, Riga, Latvia 2003 – „Jaņa Rozentāla Riga Art College”, graduation work in photo design. 1999 - 2003 „Jaņa Rozentāla Riga Art College”, Riga, Latvia 1990 - 1999 „Riga French Lycee”, Riga, Latvia Solo exhibitions: 2010 – „1000 and 1 night” Barcelona painting...