Europe - Ceramics

Tenmoku glazed stoneware with makers mark H22 cm

Stoneware H25 x W18 x D13 cm

Black tenmoku glaze, impressed with artist's monograms and Ainstable mark H36 x D18 cm

Faience (white earthenware) with Painted Glaze. H47 x W24 x D19 cm

Ceramic H27 x W24 x D18 cm

Hand painted ceramic

Hand-painted ceramic H24 x D23 cm

Mask by Accolay Pottery, active between 1945 and 1983, signed

Ceramic H20 x D26.5 cm

Beautiful blue ceramic jug in national folk ornaments in white color. Handmade in Czechoslovakia in 1950s. The jug shows off a typical folk pattern and colors. Original condition. Th...

Green and white glaze H48 x W24 cm With maker’s mark

Painted earthenware H21 x W16 cm

Ceramic H34 x D12 cm

Glazed stoneware H16 x W13 cm

Crank clays with oxides H18 x D27 cm

Crank clay with oxide H23 x D7 cm

Decorated appliqué earthenware H9 x W10 x D9 cm

Wood fired stoneware H35 x W8 x D7.5 cm

Glazed ceramic

Stoneware with tenmoku glaze H30 x D15 cm

Hand-painted ceramic H15 x W23 cm

Heavy glazed stoneware H19 x W15cm

Decorated earthenware H25 x W18 x D11 cm

Wood fired Stoneware H18 x D12 cm

Painted embellished moulded plate earthenware D31 cm

Stoneware with Tenmoku, kaki and ash glaze Incised decoration and painted signature H30 cm

Hand-built crank clay with oxide H47 x D30 cm

Inlaid crank clays with oxides H46 x D34 cm

Denby pottery H32 x D19 cm

Ceramic in the shape of a unicorn designed by Dominique Pouchain. Stamped on the back.

We are delighted to offer for sale this one of a kind, fully signed, original circa 1930 Roger Guerin ceramic pots of large proportions with Fleur De Lis decoration Roger Guèrin (1896-1954) was one of the leading Belgian ceramists in Bouffioulx near Charleroi. Typical was his use of flowing glazes in his decorations. He was true to the history of this region, often working on a type of hard ceramic (fired to over 1250 degrees Celsius) which was made there since the late Middle Ages. He exhibited at the Paris expos...

Terracotta clay with underglaze H19 x W13 x D9 cm

Ceramic H5 x W48 x D31 cm

Ash glazed stoneware with incised lines and dots H34 cm

Wood fired with lug handles and applied fossil details. Incised 'Nic Collins'. H34 x D30 cm

c.1970s Ceramic H9.5 x D31 cm

Hand carved crank clay with oxide H46 x D18 cm

Porcelaine, transparent glaze H38 x D36 cm

Terracotta clay with underglaze D28.5 cm

2018 Hand thrown and glazed stoneware H19 x W16 x D40 cm

Decorated earthenware with stand H22 x W11 x D7.5 cm

Three piece stoneware wall plaque mounted on board H39 x W71 cm

Ceramic H29 x D18 cm

Hand built crank clay with oxide H34 x D31 cm

Painted bisque clay H10 x W14 cm

Glazed stoneware D22 cm

Glazed stoneware H30 x D19 cm

Stoneware sculptural pot H15 x D10 cm

Terracotta clay with underglaze H20 x W12 x D10 cm

Hand-built crank clay with oxide H18 x D23 cm

Stoneware D24 cm

c.2010 Tall rectangular stoneware bottle covered in tenmoku and kaki glaze H28.5 x W10 x D6 cm

Tenmoku and kaki stoneware glaze with wax resist H29.5 cm

Slip decorated earthenware H23 x W9 x D11 cm

Unique ceramic dish by Jeppe Hagedorn-Olsen (1929–2011), who was a renowned Danish ceramist and painter, educated at the Royal Danish Academy of Fine Arts in Copenhagen and the ceram...

Ceramic bowl, model 20.717, with oxblood colored glaze, designed by Axel Salto for Royal Copenhagen. The bowl is a classic example of Salto's experimental approach to ceramics, where...

This beautiful and highly decorative pair of Costa Rican terracotta bowls are ovoid in shape and come from the Talamancan Mountains region. They are decorated stylized human faces in...

Originally designed by architect, designer and artistic director Guido Andlovitz in 1936 for Società Ceramica Italiana Laveno, this pair of vases are indeed the rarest of finds. The vases were manufactured in 1942, as attested to by the marking "N - 42" on the base of each vase. The gold rims and aquatic scenes that surround each vase, are unique to each piece and were painted by hand in 1943. They are both signed by the artist "Miruccia". One of the vases has the words “Anni di Guerra” (Year of War) written on the base in reference to the Second World War . Founded in Laveno in 1856 by Severino Revelli and some former employees of the "Richard" manufacturer in Milan. The "SCI" (Italian Ceramic Society) began its activity as a manufacturer of wall tiles and fine tableware. In 1883 it became a limited company and obtained its first successes at numerous national exhibitions. In 1895, Cavalier Luciano Scotti took over the company and, thanks to his intuition and his entrepreneurial skills, the factory grew substantially in a few years. In those years, some Liberty-style pieces designed by Giorgio Spertini, the author of noteworthy elegant "whiplash" creations, were created in the Laveno factory. In 1906 "SCI" presented numerous works at the International Exhibition of Decorative Arts in Milan. Other collaborators from the beginning of the century were Silvio and Piero De Ambrosis, Felice Palucco, Giancarlo Jacopini and the brothers Marco and Luigi Raggiori. However, it was in 1923 that, under the direction of Guido Andlovitz, the company reached the peak of its fame and in 1925 was a resounding success at the 2nd Monza Biennale. Andlovitz, who collaborated with the manufacturer for almost forty years, applied to the production process the principle of seriality, a concept also put into effect by Giò Ponti at "Richard-Ginori", adopting various types of decoration which, although moulded and decal stamped, still retained an undeniable elegance. In 1924 the "Società Ceramica Revelli" became a consortium with the "SCI", the partnership would continue until 1932 and saw Franco Revelli's company marketing pottery and table porcelain on behalf of "SCI". From 1925 porcelain and crockery began to appear in the factory's catalogs. In 1927 the company was present at the 3rd Biennial of Decorative Arts in Monza. Between the end of the 1920's and the beginning of the 1930's, the decorators Giuseppe Bellorini and Daniela Ferretto began to collaborate with the "SCI". As of 1932 the company managed two factories: that of Laveno, which, with over 1300 employees, produced strong pottery, tableware and artistic ceramics and the smaller factory of Verbano, which employed about 400 people and produced, in addition to ceramics for the electrotechnical industry, excellent table porcelain. The products were marketed in the company owned stores in Rome, Genoa and Naples. This was an initiative realised by Andlovitz himself. In the mid-thirties, the decorators Ada Corsi and Ida Fonini among others, collaborated with the "SCI". From 1936 to 1940 the artistic direction of the company was entrusted to the sculptor and modeler Angelo Biancini. In 1939 about 1300 people worked in the Laveno plant and in 1951 about 2300. In the years between the two wars among the collaborators of the factory were Sirio Tofanari...