Europe - Paintings

Netherlands 17th century, oil on canvas, doubled, 64 x 50 cm, without frame not signed.

Hermann Brücke (Berlin Ger. 1830–1871 Pisa Italy) Neapolitan fishing family signed and dated 1863 German Artist Hermann Brücke was a Genre, history and portrait painter. He was th...

Rapture of Europe Oil on canvas. 17th century, following the model of VERONESE, Paolo Caliari (Verona, 1528-Venice, 1588). Oil on canvas showing a scen...

Fantastic painting of an African market by Ngasagras who was a member of the Poto-Poto school in Brazzaville,Congo.This wonderful piece depicts a Market...

Original 'Siene a Chatou' color lithograph by Maurice de Vlamnick. Lithograph printed from an original painting made by the author in France. Published by Fernand Mourlot in Le...

Unknown European artist. Oil on canvas. Abstract motif. Mid-20th century. Unsigned. Unframed. In excellent condition. Dimensions: W 80.0 cm x H 27.0 cm.

This painting of a bulldog features a happy dog who celebrates a 50th birthday with a cake. It’s a very decorative painting with a beautiful frame . The artist is George van van Herwaarde (1938-2011) was born in Haarlem, where he photographed the youth scene in and around club Xeno. His serious photography career began as an assistant to fashion photographer Hans Dukkers in 1957. In the 1960 group portrait of Dutch photographers for De Telegraaf by Paul Huf, he is still literally on the sidelines. After a full-page of his free work in Haarlems Dagblad in 1962, he decided to establish himself independently as a fashion, advertising and, to a lesser extent, portrait photographer. George van Herwaarde...

17th Century Italian School Crucifixion Oil on Panel This exquisite 17th-century Italian School Crucifixion oil painting is a masterpiece of...

This captivating, large-scale work of art by renowned American artist Henry Randolph Martz is a must-have for any maritime enthusiast or collector. Expertly crafted with Martz’s sign...

"MATER DOLOROSA" FOLLOWER OF TITIAN VECELLIO 17th Century MATER DOLOROSA Oil on panel cm. 66 x 52 Black and gold lacquer frame PROVENANCE Roman family CONDITION REPORT Vertical re...

This is an exclusive original oil on canvas painting from the early 20th century by William Henriksen (1880-1964). It is framed in a gold and silver painted wooden frame and have a b...

Four paintings depicting the seasons, circle of Noel Coypel, second half of the 17th century Oil on canvas Measures: cm W 37 x H 46 x D 2 cm (canvas) The four paintings, presented in...

[Authentic Artwork] ◆ Chikuson Tajika ◆ Autumn Landscape ◆ Master: Naoiri Tanomura ◆ Oita Prefecture ◆ Hand-Painted ◆ Silk Mounted ◆ Hanging Scroll ◆ Delve into the artistry of Chik...

AURELIANO MILANI (attributed) (Bologna, 1675 - Rome, 1749) "The Repentance of Saint Peter" Oil on canvas, 75x58.5 cm without frame 85cm x 68.5cm with frame Aureliano Milani (Bologna,...

"Nicolina" – Late 19th Century Oil on Canvas by a Basque Artist A captivating and intimate oil on canvas titled "Nicolina," attributed to a Basque artist of the late 19th century. T...

An exceptional early Cuzco School painting, naive depiction of the Holy Family, presented in a contemporary wooden frame. The Cuzco or Cusco school was a Roman Catholic artistic tradition that began in the 1500's in Peru, following the Spanish conquest and subsequent attempts by the Spanish invaders and missionaries to implement the Catholic faith and associated customs upon the Peruvian people. The school was established in the ancient city of Cusco which had previously been the capital of the Incan empire. Bernardo Bitti arrived in Peru in 1583, and with his arrival the acceleration of Cuzqueno Art flourished. During his two stays in Cusco, Bitti was commissioned to make the main altarpiece of the church of his Order, replaced by another after the earthquake, and painted some masterpieces, such as The Coronation of the Virgin, currently in the museum of the church of La Merced, and the Virgen del pajarito, in the cathedral. Cuzco School paintings are marked by their baroque influenced imagery and the subjects of the paintings shown with light focused upon them. Cuzco art...

Göran Hausenkamp (born 1962). Swedish artist. Acrylic on canvas. Cancan dancers. Signed. Measures: 80 x 60 cm.

Ducks, Oil on Canvas, 1940s. Beautiful fresh and airy work, with ducks in flight and a pond. The ducks seen mid-movement are very well painted with the right proportions and wonderf...

Swedish artist. Oil on canvas. Nude female model in the interior. Modernist style. Colourful palette. Signed Hasse '59. Perfect condition. Canvas dimensions: 39.0 cm x 29.0 cm. Tot...

(S - 206) Oil of canvas Old painting circa 20th century. Fine quality.  

Rayograph He´liogravure by Man Ray for Compagnie Parisienne de Distribution d'Electricite´, 1931. Printed in Heliogravure and signed in the negative 500 copies. Man Ray (1890–...

Rare abstract oil on canvas painting by the Swedish artist Bertil Berntsson made in 1963. In good vintage condition showing some signs from age and use. Measurements: 115 x 103 x 2 cm.

Original Japanese film poster for the 1972 western, drama Junior Bonner. This film was directed by Sam Peckinpah and starred Steve McQueen, Robert Preston, Ida Lupino. This poster ...

Eke Bjerén (1943-1999), Sweden. Oil on canvas. Abstract composition. "Violet of the night". Dated 1965. The canvas measures: 63 x 40 cm. The frame measure...

Vintage flower still life, amateur painting of red and white flowers, oil on canvas, signed lower right but difficult to read, inscription on the back Desmedt, Stationsstraat Bissege...

This is an antique oil on canvas painting by Danish painter Lars Johansen (1877-1954). The motive is a small Danish holding and is kept in earthly colors. Lars Johansen was from ...

Amazing pair of baroque cornucopias, with painted glass, s. XVIII, Spanish origin, Andalusian school (Córdoba) Outstanding pair of Cornucopias in carved wood and gilwood decorated w...

A mid 17th century large scale oil on canvas depicting a Leopardess, a Lioness and a Wolf toying with a Dead Hare in an Arcadian landscape; in the style of the Dutch Golden Age ‘Anim...

Original color lithograph 'Le Bouvier' by Roger de la Fresnaye. Lithograph printed from an original painting made by the author in France, circa 1921. Framed in Barcelona by an...

This is an original vintage oil on canvas still life painting from 1933, Denmark. It has a motive of plants and flowers elegantly arranged on a window sill. It is signed “HP” in the...

Presenting a magnificent 19th-century Orthodox icon depictingFour Saints. This piece is painted in tempera on a wooden panel, exemplifying traditional religious artistry from this er...

A Tingatinga painting by unknown artist from the 1970s. Signed R.N Millanzi. It is painted on masonite and has a thin black frame. Naive motif in bold colours with leopard, birds a...

Oil on canvas painting, Romulus and Remus sheltered by Faustulus, 20th century artist, copy of Pietro da Cortona. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION C...

Sture Haglundh (1908-1978), listed Swedish artist. Oil on board. Abstract composition. Colouristic palette. Approximately from the 1960s. Signed. Visibl...

French achool 18th century "Battle". 46cm x 67cm. Oil on canvas. Good condition.

  La categoria Dipinti Nudità Femminile, propone un nudo di donna, del XX secolo, Anni Trenta del Novecento. Il quadro porta una cornice in legno originale. Epoca Art Deco. L'opera è firmata in basso a destra Dubost Michel, pittore francese di ritratti e nature morte e nudi.   Dubost Michel (1879-1952), nasce a  Lyon dove studia alla Scuola delle Belle Arti  e nel 1920 diventa professore in pittura floreale. Dal 1923...

A striking, energetic piece of original abstract artwork dating from the 1960s/70s. Acrylic and oil have been used to create bold lines and brushwork on the canvas giving the piece a...

Early 20th Century Dog portrait of a white Poodle. Oil on Canvas and found in the original frame. Restored and recently cleaned. Italy, Circa 1915 Signed Zaparolli 1915.

Allegory of Venus with Cupids. Oil on canvas. Enthroned by BOUCHER, François (Paris, 1703- 1770). The scene presents, in the background, an idyllic natural landscape, with trees to ...

Oil on canvas portrait painting of a lady in a blue dress in the original gilt frame American 1860 Slight wear to the bottom of the canvas as pictured

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

Frans Franken III and aid, Adoration of the Magi Good condition The oil painting on wood, with a gold background, depicts an Adoration of the Magi. The Magi are dressed in sumptuous silk and brocade dresses; they wear precious hats and jewelery. The richness of their garments is in contrast with the humility of the Holy Family and of the other characters who, around curious, observe the scene. The hut is simple, made of wood and straw: above it shines the Comet, symbol of the divine event. In the distance, a group of wayfarers walk along a path that is lost on the horizon, blending into the gold of the bottom. The representation proposes a traditional iconography, in which the painter inserts some details that he lends himself to symbolic interpretations. Among these is the appearance of the Magi, who from the XIVth century differs iconographically: the wise astronomers represent the homage to Jesus of the then known parts of the world, namely Africa, Asia and Europe. To the right of the Magi, in the foreground, sits a monkey, considered a demonic creature and a symbol of lies and sin. It is depicted on the sidelines, as a defeat, next to a fragment of a classical column: ruin alludes to the end of paganism, of the old world that collapses with the advent of the new one, marked by the birth of Christ and liberation from the Original Sin. On the ruins he climbs the ivy, symbol of the immortality of the soul. The work is attributable to the workshop of the Flemish painter Frans Francken III...

In good condition From a private collection Free international shipping 19th Century Oil Painting Cavaliers

ITALIAN SCHOOL "TOBIAS AND THE ARCHANGEL RAFAEL" 18TH CENTURY Oil on canvas made in the 18th century, It represents the moment in which the archangel Raphael instructs a young Tobit...

Small oil signed David Teniers the Younger (Antwerp, December 15, 1610 – Brussels, April 25, 1690) David Teniers the Younger (Antwerp, December 15, 1610 – B...

Fine 18th century portrait of a lady, unsigned, circa 1750, Sweden. (reframed, oil on canvas) According to old frame painted by Johan Horner (...

J. Sedelmeier - sunrise over the Lake Missurina in the Dolomites A colorful oil painting depicting a high mountain landscape with the lake Missurina in front of the Three Pinnacles (Drei Zinnen) in the Dolomites. Painted in oil on canvas with pastell colors by Josef Sedlmeier around 1950s. Framed with vintage wooden decorative gilded frame. Signed by the artist on the right base. On the back paper lable with inscription on the frame: 'Josef Sedelmeier Míssurinasee Dolomiten'. A wonderful original painting of the Tyrolian school. Mid-20th Century oil paintings often reflect people´s deep longing for security, beauty and a peaceful world. The natural landscapes show their beauty and majesty with powerful colors. The paintings of that time leave room for romantic feelings and sentimentality. The artist of the time gave people a sense of just be happy...

Mid Century Modern oil on carton painting with a multicolored motif "Many intelligent heads". The painting is signed and framed with a chromed frame. good condition approx. measures:...

A wonderful and very striking large vintage watercolour painting by Bettina – titled: Dolls and Toys – 1973. This is beautifully executed and has a whimsical design, depicting colou...

Beautiful and rare oil on canvas painting with a pine frame by Bertil Berntsson from the 1962. In good vintage condition with some signs from age and use.

Set of Four Hunting prints by S. Williams. No's 193,194, 195, 196. Published by S Hildesheimer & Co, London, Manchester, New York. Each picture with its own Title. 'T he Find' 'The R...

Oil painting Empress Maria Theresa in Hungary, circa 1860. Empress Maria Theresia asks the Hungarian Estates for support. Oil on canvas, 51 x 70 cm, ...

Three single paintings, mixed technique on paper, signed and dated P. Szekely 92, made on the occasion of a presentation of Emilio Pucci fabrics in the Woka Showrooms together with S...

Hanna Brundin (1914-2000), Swedish artist. Oil on canvas. Landscape with a birch tree in the foreground. Thick strokes. Subdued palette. From the 1960s/...

A Universal Exhibition Painting on Plaque after the painter James Bertrand Hand-painted Polychromed Painting on Porcelain Plaque Representing The Marguerite of Faust Signed Lower Left Titled on the reverse: “Marguerite Folle d’Après James Bertrand, Exposition Universelle 1889” After the painting by James Bertrand "The Marguerite of Faust" In its original frame Circa 1890 Faust and Marguerite Faust is tired of his old life and wants to kill himself. In a final burst of bitter anger, he invokes the devil. The devil appears in the guise of Mephistopheles and offers him a pact: he will grant him what he desires most in the world in exchange for his servitude. Faust asks him for youth and his help in seducing Marguerite. When he achieves his goal, bound by his contract with the devil, Faust abandons the latter who is waiting for her child. Filled with remorse, he returns to her, but kills Valentin, Marguerite's brother who tries to stop him, during a duel. He then tries to save the life of Marguerite who is imprisoned for infanticide, but he fails. Like this multifaceted character, the vocal treat-ment chosen by Gounod is differentiated: sometimes very lyrical with touching flights, sometimes very cold and repetitive to evoke her detachment from the world of men. Marguerite is young and naive. She lets herself be seduced by the charming and mysterious character of Faust and thus causes her own downfall as well as that of her family (her brother and her child will die). Hortense Richard (1858-1940) Marie Sophie Hortense Jeanne Schrenk was born in Charonne in 1858, the natural daughter of Louise Christine Frederika Schrenk and an unnamed father. Her mother, a German born in Stuttgart, officially recognized her in August 1879. A few days later, Hortense married his fellow painter Désiré Alfred Magne...

Luminous acrylic on canvas by French painter Guy Leclerc Gayrau, titled "Ophelisme." Signed lower right. Abstract french work in the manner of Jean Miro, Oscar Troneck, Jean Rets…

This is a beautiful antique watercolour study 'Water Carrier' by Filippo Indoni, circa 1890. It is the study of a young female figure with water carrier, standing in a street, signe...

Louis Picard (1861-1940), a well-listed French artist. Oil on canvas. Composition with a beautiful young nude woman reclining in a forest scenery. Approximately from the 1920s. Sign...