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Item Ships From: Florida
LE VERTE GALANT
By (after) Pablo Picasso
Located in Aventura, FL
Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...
Category
1980s Cubist Florida - Landscape Prints
Materials
Lithograph, Paper
Location Proposal Iris Print Ed. 12 Architectural Study LA CAlifornia Modernist
By Cindy Bernard
Located in Surfside, FL
Cindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including the widely exhibited series Ask the Dust (1988-92), now in the collections of the Museum of Contemporary Art, Los Angeles (21 part set), the Pompidou, MOMA and the Whitney Museum of American Art. She is a recipient of grants and fellowships from the J. Paul Getty Trust Fund for the Visual Arts, California Arts Council, Creative Capital, Anonymous Was a Woman, the Harpo Foundation, California Community Foundation, the John Simon Guggenheim Memorial Foundation and the MacDowell Colony. Her work has been exhibited in museums and galleries in the US, Canada, Mexico, Europe, and Japan, and was included in the Whitney and Lyon Biennials.
In addition to her visual practice, Bernard takes an active interest in the spaces and production of social exchange. She was a director and advisor to Foundation for Art Resources from 1985 to 1990, a founding director of the Coalition for Freedom of Expression, and co-founder of MOCA Mobilization. Bernard is also the founder and director of The Society for the Activation of Social Space through Art and Sound (SASSAS), an organization she began in response to the need for a flexible and sustainable association dedicated to experimental music in Los Angeles. She has curated and produced more than 50 concerts for SASSAS including Welcome Inn Time Machine for Pacific Standard Time in 2012.
Her interest in sound has spurred several projects including a series of photographs of municipal band shells which Bernard sees as an architecture of public exchange and The Inquisitive Musician, an adaptation of a 17th century German satire, Musicus Curiosus, or Battalus, the Inquisitive Musician; the Struggle for Precedence between the Kunst Pfeifer and the Common Players. The Inquisitive Musician pits itinerant “beer fiddlers” against the city sanctioned “Kunstpfeifer” in an argument over who has the right to perform and be compensated. Presented as a staged reading incorporating video and live music, The Inquisitive Musician has been performed in New York, in Los Angeles at the LA County Museum of Art, and most recently at the Stedelijk Museum in Amsterdam in June 2013.
Current projects include Vinland, a meditation on the complex and continually shifting relationships between spaces, social and economic structures, and personal and collective histories and, more recently, an “episodic” series based on the history of social nudism: Your Personal View of (Social) Nudism.
Bernard is a Adjunct Professor of Graduate Fine Art at Art Center College of Art and Design and was appointed the inaugural Ruffin Distinguished Artist-In-Residence at the University of Virginia for the academic year 2013/2014. She was a 2016 National Endowment for the Arts Fellow at the MacDowell Colony and will be in residence at the UCross Foundation in 2017.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer...
Category
1990s American Modern Florida - Landscape Prints
Materials
Color
Tiempo Antico vulgarmente detto della Salute
By Giovanni Battista Piranesi
Located in Wilton Manors, FL
Giovanni Battista Piranesi (1720-1778)
Tempio antico volgarmente detto della Salute su la Via d'Albano, cinque miglia lontan da Roma... (Ancient Temple popularly known as the Temple of Health on the Via d'Albano five miles outside Rome...), from Vedute di Roma...
Category
18th Century Rococo Florida - Landscape Prints
Materials
Engraving
Tyler Stout for Phish Rare and Mint 2009 Teal Variant American Airlines Arena
By Tyler Stout
Located in Draper, UT
In the heart of musical history lies a treasure - a remarkable collaboration between the illustrious artist Tyler Stout and the iconic band Phish. Transport yourself back to 2009 wit...
Category
2010s Florida - Landscape Prints
Materials
Screen
Tyler Stout for Phish Rare and Mint 2021 Blue Variant Gorge Amphitheatre
By Tyler Stout
Located in Draper, UT
In the heart of the Pacific Northwest, where the Columbia River winds its course through the stunning landscape, an extraordinary collaboration took place. The prolific artist Tyler ...
Category
2010s Florida - Landscape Prints
Materials
Screen
Tyler Stout for Phish Rare and Mint 2021 Red Variant Gorge Amphitheatre
By Tyler Stout
Located in Draper, UT
In the heart of the Pacific Northwest, where the Columbia River winds its course through the stunning landscape, an extraordinary collaboration took place. The prolific artist Tyler ...
Category
2010s Florida - Landscape Prints
Materials
Screen
SAVOI, SPAIN
By Sam Park
Located in Aventura, FL
Giclee on canvas. Hand signed and numbered on front by the artist. Edition of 325. Canvas is not stretched.
Artwork is in excellent condition. Certificate of authenticity included...
Category
Late 20th Century Impressionist Florida - Landscape Prints
Materials
Canvas, Giclée
Location Proposal Iris Print Ed. 12 Hand Signed Architectural Study
By Cindy Bernard
Located in Surfside, FL
Cindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including the widely exhibited series Ask the Dust (1988-92), now in the collections of the Museum of Contemporary Art, Los Angeles (21 part set), the Pompidou, MOMA and the Whitney Museum of American Art. She is a recipient of grants and fellowships from the J. Paul Getty Trust Fund for the Visual Arts, California Arts Council, Creative Capital, Anonymous Was a Woman, the Harpo Foundation, California Community Foundation, the John Simon Guggenheim Memorial Foundation and the MacDowell Colony. Her work has been exhibited in museums and galleries in the US, Canada, Mexico, Europe, and Japan, and was included in the Whitney and Lyon Biennials.
In addition to her visual practice, Bernard takes an active interest in the spaces and production of social exchange. She was a director and advisor to Foundation for Art Resources from 1985 to 1990, a founding director of the Coalition for Freedom of Expression, and co-founder of MOCA Mobilization. Bernard is also the founder and director of The Society for the Activation of Social Space through Art and Sound (SASSAS), an organization she began in response to the need for a flexible and sustainable association dedicated to experimental music in Los Angeles. She has curated and produced more than 50 concerts for SASSAS including Welcome Inn Time Machine for Pacific Standard Time in 2012.
Her interest in sound has spurred several projects including a series of photographs of municipal band shells which Bernard sees as an architecture of public exchange and The Inquisitive Musician, an adaptation of a 17th century German satire, Musicus Curiosus, or Battalus, the Inquisitive Musician; the Struggle for Precedence between the Kunst Pfeifer and the Common Players. The Inquisitive Musician pits itinerant “beer fiddlers” against the city sanctioned “Kunstpfeifer” in an argument over who has the right to perform and be compensated. Presented as a staged reading incorporating video and live music, The Inquisitive Musician has been performed in New York, in Los Angeles at the LA County Museum of Art, and most recently at the Stedelijk Museum in Amsterdam in June 2013.
Current projects include Vinland, a meditation on the complex and continually shifting relationships between spaces, social and economic structures, and personal and collective histories and, more recently, an “episodic” series based on the history of social nudism: Your Personal View of (Social) Nudism.
Bernard is a Adjunct Professor of Graduate Fine Art at Art Center College of Art and Design and was appointed the inaugural Ruffin Distinguished Artist-In-Residence at the University of Virginia for the academic year 2013/2014. She was a 2016 National Endowment for the Arts Fellow at the MacDowell Colony and will be in residence at the UCross Foundation in 2017.
Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy Dwyer...
Category
1990s American Modern Florida - Landscape Prints
Materials
Color
THE CHOICE IS OURS BY CLEON PETERSON Hand Pulled Limited Screen Print
By Cleon Peterson
Located in Draper, UT
The Choice is Ours by Cleon Peterson
Hand Pulled Screen Print
Printed on 290gsm Coventry Rag Paper
Hand Deckled Edges
Size: 18" x 24"
Edition of 100
In the realm of contemporary art...
Category
2010s Florida - Landscape Prints
Materials
Screen
Location Proposal Iris Print Ed. 12 Hand Signed Cyclone Racer (Coney Island, NY)
By Cindy Bernard
Located in Surfside, FL
Cindy Bernard’s career spans nearly three decades and she is best known for photographs and projections that explore the relationship between cinema, memory, and landscape including ...
Category
1990s American Modern Florida - Landscape Prints
Materials
Color
Invader Rubik Camouflage NVDR1-2 Giclée print on aluminium panel Signed
By Invader
Located in Draper, UT
Invader’s Rubik Camouflage print is emblematic of the artist’s career as an urban disruptor. For decades he has raided cities around the world with his p...
Category
2010s Florida - Landscape Prints
Materials
Metal
Invader Rubik Shot Red Marilyn NVDR1-4 Giclée print on aluminium panel Signed
By Invader
Located in Draper, UT
Rubik Shot Red Marilyn derives from Invader’s series ‘Rubik Master Pieces’, in which he manipulates Rubik's Cubes to reproduce major works in the history of art as three-dimensional ...
Category
2010s Florida - Landscape Prints
Materials
Metal
CHEESE MOLD STANDARD WITH OLIVE
By Ed Ruscha
Located in Aventura, FL
Screenprint in colors on wove paper. Hand signed, dated and numbered 'AP' by the artist (main edition of 150 plus 10 artist proofs made). Image size 19.5 x 37 inches. Sheet size 25.7...
Category
1960s Contemporary Florida - Landscape Prints
Materials
Screen
Tauramachi Surrealiste Bullfight with Drawer
By Salvador Dalí
Located in Hollywood, FL
ARTIST: Salvador Dali
TITLE: Tauramachi Surrealiste Bullfight with Drawer
MEDIUM: Etching
SIGNED: Hand Signed
PUBLISHER: Pierre Argillet, Paris
EDITION NUMBER: 101/150
MEASUR...
Category
1970s Surrealist Florida - Landscape Prints
Materials
Etching
Les Betes Sauvages dans le Desert
By Salvador Dalí
Located in Hollywood, FL
ARTIST: Salvador Dali
TITLE: Les Betes Sauvages dans le Desert
MEDIUM: Etching
SIGNED: Hand Signed
PUBLISHER: Levine & Levine
EDITION NUMBER: 357/450. errata from The Officia...
Category
1970s Surrealist Florida - Landscape Prints
Materials
Etching
TOM WESSELMANN "JEANIE’S BACKYARD - 1990"
By Tom Wesselmann
Located in Pembroke Pines, FL
Tom Wesselmann
"Jeanie’s Backyard, East Hampton".
1990
Screenprint
59 x 73 inches
Edition: 48/100
In Excellent Condition
Category
1990s Pop Art Florida - Landscape Prints
Materials
Screen
City Lights
Located in Hollywood, FL
Artist: Armond Fields (1930-2008)
Title: City Lights
Size: 22 x 35 Inches (Sheet) 17 x 31 Inches (Image)
Medium: Serigraph
Edition: 145150
Notes: Custom Framed to Fit in a Black...
Category
1990s Contemporary Florida - Landscape Prints
Materials
Screen
Rare Judaica Chevron Bezalel Zeev Raban Chromolithograph (made in Palestine)
By Zeev Raban
Located in Surfside, FL
Jerusalem's Bezalel School
The Bezalel Academy of Arts and Design, was founded in 1906 by Boris Schatz. In 1903, Schatz met Theodore Herzl and became an ardent Zionist. At the Zionis...
Category
Early 20th Century Art Nouveau Florida - Landscape Prints
Materials
Lithograph
"Moor Tower" and "Kirkham Priory" from "Buck's Antiquities" /// Architecture UK
By Samuel & Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Moor Tower" (Plate 173) and "Kirkham Priory" (Plate 328)
Portfolio: Buck's Antiquities or Venerable R...
Category
1720s Old Masters Florida - Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
"St. Martin's Abbey" and "Lady's Chappel" from "Buck's Antiquities" /// British
By Samuel & Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "St. Martin's Abbey" (Plate 333) and "Lady's Chappel" (Plate 331)
Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales
Year: 1726-1739
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Robert Sayer, London, UK
Reference: Lowndes page 303-304; Upcott page 33
Sheet size (each): approx. 11.13" x 18.25"
Image size (platemark) (each): approx. 7.5" x 14.5"
Condition: "St. Martin's Abbey" has a minor crease to upper left corner and repaired edge wear to lower right corner. "Lady's Chappel" has faint toning to sheet and minor soiling in margins. They are both otherwise strong impressions in excellent condition
Notes:
Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "St. Martin's Abbey" and "Lady's Chappel" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins.
Saint Martin's Abbey is a community of Roman Catholic Benedictine monks who follow the Rule of St Benedict...
Category
1720s Old Masters Florida - Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
"Conisborough Castle" and "Morlashe Castle" from "Buck's Antiquities" /// UK Art
By Samuel & Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Conisborough Castle" (Plate 323) and "Morlashe Castle" (Plat...
Category
1720s Old Masters Florida - Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
Modernist Silkscreen Screenprint 'El Station, Interior' NYC Subway, WPA Artist
By Anthony Velonis
Located in Surfside, FL
screenprint printed in color ink on wove paper. New York City subway station interior.
Anthony Velonis (1911 – 1997) was an American painter and designer born in New York City who helped introduce the public to silkscreen printing in the early 20th century.
While employed under the federal Works Progress Administration, WPA during the Great Depression, Velonis brought the use of silkscreen printing as a fine art form, referred to as the "serigraph," into the mainstream. By his own request, he was not publicly credited for coining the term.
He experimented and mastered techniques to print on a wide variety of materials, such as glass, plastics, and metal, thereby expanding the field. In the mid to late 20th century, the silkscreen technique became popular among other artists such as Robert Rauschenberg and Andy Warhol.
Velonis was born into a relatively poor background of a Greek immigrant family and grew up in the tenements of New York City. Early on, he took creative inspiration from figures in his life such as his grandfather, an immigrant from the mountains in Greece, who was "an ecclesiastical painter, on Byzantine style." Velonis attended James Monroe High School in The Bronx, where he took on minor artistic roles such as the illustration of his high school yearbook. He eventually received a scholarship to the NYU College of Fine Arts, into which he was both surprised and ecstatic to have been admitted. Around this time he took to painting, watercolor, and sculpture, as well as various other art forms, hoping to find a niche that fit. He attended NYU until 1929, when the Great Depression started in the United States after the stock market crash.
Around the year 1932, Velonis became interested in silk screen, together with fellow artist Fritz Brosius, and decided to investigate the practice. Working in his brother's sign shop, Velonis was able to master the silkscreen process. He reminisced in an interview three decades later that doing so was "plenty of fun," and that a lot of technology can be discovered through hard work, more so if it is worked on "little by little."
Velonis was hired by Mayor LaGuardia in 1934 to promote the work of New York's city government via posters publicizing city projects. One such project required him to go on a commercial fishing trip to locations including New Bedford and Nantucket for a fortnight, where he primarily took photographs and notes, and made sketches. Afterward, for a period of roughly six months, he was occupied with creating paintings from these records. During this trip, Velonis developed true respect and affinity for the fishermen with whom he traveled, "the relatively uneducated person," in his words.
Following this, Velonis began work with the Public Works of Art Project (PWAP), an offshoot of the Civil Works Administration (CWA), where he was assigned to serve the different city departments of New York. After the formation of the federal Works Progress Administration, which hired artists and sponsored projects in the arts, he also worked in theater.
Velonis began working for the federal WPA in 1935. He kept this position until 1936 or 1938, at which point he began working in the graphic art division of the Federal Art Project, which he ultimately led. Under various elements of the WPA program, many young artists, writers and actors gained employment that helped them survive during the Depression, as well as contributing works that created an artistic legacy for the country.
When interviewed in December 1994 by the Library of Congress about his time in the WPA, Velonis reflected that he had greatly enjoyed that period, saying that he liked the "excitement" and "meeting all the other artists with different points of view." He also said in a later interview that "the contact and the dialogue with all those artists and the work that took place was just invaluable." Among the young artists he hired was Edmond Casarella, who later developed an innovative technique using layered cardboard for woodcuts.
Velonis introduced silkscreen printing to the Poster Division of the WPA. As he recalled in a 1965 interview: "I suggested that the Poster division would be a lot more productive and useful if they had an auxiliary screen printing project that worked along with them. And apparently this was very favorably received..."
As a member of the Federal Art Project, a subdivision of the WPA, Velonis later approached the Public Use of Arts Committee (PUAC) for help in "propagandizing for art in the parks, in the subways, et cetera." Since the Federal Art Project could not be "self-promoting," an outside organization was required to advertise their art more extensively. During his employment with the Federal Art Project, Velonis created nine silkscreen posters for the federal government.
Around 1937-1939 Velonis wrote a pamphlet titled "Technical Problems of the Artist: Technique of the Silkscreen Process," which was distributed to art centers run by the WPA around the country. It was considered very influential in encouraging artists to try this relatively inexpensive technique and stimulated printmaking across the country.
In 1939, Velonis founded the Creative Printmakers Group, along with three others, including Hyman Warsager. They printed both their own works and those of other artists in their facility. This was considered the most important silkscreen shop of the period.
The next year, Velonis founded the National Serigraph Society. It started out with relatively small commercial projects, such as "rather fancy" Christmas cards that were sold to many of the upscale Fifth Avenue shops...
Category
1980s American Modern Florida - Landscape Prints
Materials
Screen
Mid century Israeli Expressionist
Located in San Francisco, CA
Bit of a mystery here. Really well done colored Linocut A very expressionistic style of a landscape with trees. I’m pretty sure it’s signed in Hebrew but cannot translate. A very low...
Category
Mid-20th Century Expressionist Florida - Landscape Prints
Materials
Linocut
"Cockersand Abbey" and "Sandal Castle" from "Buck's Antiquities" /// British Art
By Samuel & Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Cockersand Abbey" (Plate 148) and "Sandal Castle" (Plate 340...
Category
1720s Old Masters Florida - Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
"Louth Park Abbey" and "Easby Abbey" from "Buck's Antiquities" /// Architecture
By Samuel & Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Louth Park Abbey" (Plate 172) and "Easby Abbey" (Plate 324)
Portfolio: Buck's Antiquities or Venerabl...
Category
1720s Old Masters Florida - Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
"Knaresborough Castle" and "Sawley Abbey" from "Buck's Antiquities" /// British
By Samuel & Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Knaresborough Castle" (Plate 330) and "Sawley Abbey" (Plate ...
Category
1720s Old Masters Florida - Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
PLAYHOUSE (JUDAICA ART)
By Amram Ebgi
Located in Aventura, FL
Lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 350.
Artwork is in excellent condition. Certificate of authenticity included. All reason...
Category
Late 20th Century Contemporary Florida - Landscape Prints
Materials
Lithograph, Paper
"Oakham Castle" and "Nottingham Park/Castle" from "Buck's Antiquities" /// UK
By Samuel & Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Oakham Castle" (Plate 242) and "Nottingham Park/Castle" (Plate 226)
Portfolio: Buck's Antiquities or ...
Category
1720s Old Masters Florida - Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
"Pendragon Castle" and "Lincoln Castle" from "Buck's Antiquities" /// British UK
By Samuel & Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Pendragon Castle" (Plate 312) and "Lincoln Castle" (Plate 170)
Portfolio: Buck's Antiquities or Vener...
Category
1720s Old Masters Florida - Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
Mezzotint Etching Botanical Print 'Mantle' Signed AP Jungle Image
By Richard Hricko
Located in Surfside, FL
Richard Hricko has exhibited internationally in museums, galleries and juried competitions, including the National Academy Museum in New York, Glynn Vivian Art Museum in Wales, and G...
Category
20th Century Contemporary Florida - Landscape Prints
Materials
Mezzotint, Etching
"Torksey Hall" and "Newark Castle" from "Buck's Antiquities" /// Architecture UK
By Samuel & Nathaniel Buck
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Torksey Hall" (Plate 179) and "Newark Castle" (Plate 226)
Portfolio: Buck's Antiquities or Venerable ...
Category
1720s Old Masters Florida - Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
Andres Rueda Spanish Artist 1997 Original Hand Signed silkscreen on canvas
Located in Miami, FL
Andrés Rueda (Spain, 1956)
'Tarde gris', 1997
silkscreen on canvas
21.3 x 28.8 in. (54 x 73 cm.)
Edition of 75
ID: RUE1222-001-075
Unframed
Hand-signed by author
Category
1990s Contemporary Florida - Landscape Prints
Materials
Paper, Engraving, Screen
Near Stoneleigh, Warwickshire /// British Victorian Landscape Etching Black Art
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867)
Title: "Near Stoneleigh, Warwickshire"
Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland
*Monogram signed by Strutt in the plate (printed signature) lower right
Year: 1828
Medium: Original Etching on chine appliqué on heavy wove paper
Limited edition: Unknown
Printer: Unknown
Publisher: Jacob George Strutt, London, UK
Sheet size: 14.25" x 21.13"
Image size: 10.38" x 13.94"
Condition: Minor soiling and discoloration in margins. A few light areas of waterstaining at right and bottom edges in margins. It is otherwise a strong impression in very good condition
Very rare
Notes:
There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland.
Biography:
Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category
1820s Victorian Florida - Landscape Prints
Materials
Intaglio, Etching
Rare 1923 Cubist Reuven Rubin Woodcut Woodblock Kabbalah Print Israeli Judaica
By Reuven Rubin
Located in Surfside, FL
This is from the original first edition 1923 printing. there was a much later edition done after these originals.
These are individually hand signed in pencil by artist as issued.
This listing is for the one print. the other documentation is included here for provenance and is not included in this listing.
The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days.
They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko.
Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania.
Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine,
At the outbreak of World War I, he was returned to Romania, where he spent the war years.
In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine.
Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974.
Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism.
In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters.
In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters.
His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education
1912 Bezalel Academy of Arts and Design, Jerusalem
1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris
Select Group Exhibitions
Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929
Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil,
Jewish Artists Association, Levant Fair, Tel Aviv, 1929
Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...
Category
1920s Abstract Florida - Landscape Prints
Materials
Woodcut
Lithograph Belgian American Surrealism WPA Modernist Karl Fortess Surrealist Art
Located in Surfside, FL
Karl Eugene Fortess (1907-1993)
Original color lithographs on BFK Rives paper,
1966, Hand signed and numbered 29/36 in pencil,
Sheet size 20.5 x 15 inches.
Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker.
Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community.
Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...
Category
Mid-20th Century Surrealist Florida - Landscape Prints
Materials
Lithograph
Mesa Petaca
Located in Hollywood, FL
Artist: Peter Keefer
Title: Mesa Petaca
Medium: Serigraph
Signed: Hand Signed top right corner
Edition: From the edition of 250 top left corner
Measur...
Category
1980s Contemporary Florida - Landscape Prints
Materials
Screen
Cottage in the Forest of Arden /// British Victorian Landscape Cottage Etching
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867)
Title: "Cottage in the Forest of Arden"
Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland
Year: 1829
Medium: Original Etching on chine appliqué on heavy wove paper
Limited edition: Unknown
Printer: Unknown
Publisher: Jacob George Strutt, London, UK
Sheet size: 14.07" x 21.13"
Image size: 9.63" x 13.82"
Condition: Minor soiling and discoloration in margins. Light areas of waterstaining about sheet mainly in margins. It is otherwise a strong impression in very good condition
Very rare
Notes:
There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland.
Biography:
Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category
1820s Victorian Florida - Landscape Prints
Materials
Etching, Intaglio
Lithograph Belgian American Surrealism WPA Modernist Karl Fortess Surrealist Art
Located in Surfside, FL
Karl Eugene Fortess (1907-1993)
Original color lithographs on BFK Rives paper,
1966, Hand signed and numbered 29/36 in pencil,
Sheet size 20.5 x 15 inches.
Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker.
Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community.
Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...
Category
Mid-20th Century Surrealist Florida - Landscape Prints
Materials
Lithograph
New York Night, Vintage Large Modernist Pop Art Sllkscreen
By Tom Slaughter
Located in Surfside, FL
5-color silkscreen on 2-ply museum board. edition of 60 hand signed and numbered.
American, 1955-2014
Born in 1955, Tom Slaughter’s career began in 1983 with his first exhibition at the Drawing Center in New York City. Since, he has had more than 20 solo shows in cities including San Francisco, Miami, London, Vancouver, Cologne and Fukuoka, Japan. Slaughter had worked extensively with master printer, Jean Russell at Durham Press, creating numerous limited edition prints using his signature bold primary colors. He worked as a printmaker in collaboration with Durham Press for 25 years, and his editions are included in the permanent collections of MoMA and the Whitney Museum of American Art.
He illustrated twelve children’s books, including “Boat Works,” “Do You Know Which Ones will Grow? ” – a 2011 Notable American Library Association book of the year – and collaborations with Marthe Jocelyn such as “ABC x 3,” “Same Same,” and “123.” These books have been translated into six languages. Slaughter also worked for the last ten seasons as the Art Director for the New Victory Theater. As a designer, he created everything from t-shirts to skateboard decks, beach towels as well as a line of wallpaper for Cavern Home. Tom Slaughter, an artist, designer, and illustrator, passed away on October 24, 2014. In his Pop-inflected prints, drawings, illustrations, paintings, and design work Tom Slaughter exudes a love of life. He makes few distinctions between his various artistic endeavors; “I paint, draw, cut paper, use a computer, and even an iPhone—it’s all the same hand,” he says. In a 2001 print...
Category
1990s Pop Art Florida - Landscape Prints
Materials
Screen
'GARDER OF DREAMES' 1990
By Eyvind Earle
Located in Pembroke Pines, FL
"Garden of Dreams"
by
Eyvind Earle
Media: Serigraph on Paper
Image Dimensions: 37 1/4 x 28"
Year Produced: 1990
Edition: 68/205
Signed and numbered by the artist
The artwork is in ex...
Category
1990s Land Florida - Landscape Prints
Materials
Screen
Rare 1923 Cubist Reuven Rubin Woodcut Woodblock Print Israeli Hasidic Judaica
By Reuven Rubin
Located in Surfside, FL
This is from the original first edition 1923 printing. there was a much later edition done after these originals.
These are individually hand signed in pencil by artist as issued.
This listing is for the one print. the other documentation is included here for provenance and is not included in this listing.
The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days.
They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko.
Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania.
Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine,
At the outbreak of World War I, he was returned to Romania, where he spent the war years.
In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine.
Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974.
Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism.
In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters.
In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters.
His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education
1912 Bezalel Academy of Arts and Design, Jerusalem
1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris
Select Group Exhibitions
Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929
Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil,
Jewish Artists Association, Levant Fair, Tel Aviv, 1929
Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi,
First Exhibition of ''Hever Omanim'' First Exhibition of ''Hever Omanim''
Steimatzky Gallery, Jerusalem
1936
Artists:
Gutman, Nachum Holzman, Shimshon Mokady, Moshe Sima, Miron Rubin, Reuven Steinhardt, Jakob Ben Zvi, Zeev Ziffer, Moshe Allweil, Arieh
Group Exhibition Group Exhibition
Katz Art Gallery, Tel Aviv
1939
Artists:
Avni, Aharon Holzman, Shimshon Gliksberg, Haim Gutman, Nachum Ovadyahu, Shmuel Shorr, Zvi Schwartz, Chaya Streichman, Yehezkel Tagger, Sionah Rubin, Reuven
A Collection of Works by Artists of the Land of Israel A Collection of Works by Artists of the Land of Israel
The Bezalel National Museum, Jerusalem
1940
Artists:
Shemi, Menahem Rubin, Reuven Avni, Aharon Mokady, Moshe Jonas, Ludwig Steinhardt, Jakob Ticho, Anna Krakauer, Leopold Gutman, Nachum Budko, Joseph Ardon, Mordecai Sima, Miron Castel, Moshe Pann, Abel Struck, Hermann Gur Arie, Meir Ben Zvi, Zeev Litvinovsky, Pinchas
Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967
Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz...
Category
1920s Abstract Florida - Landscape Prints
Materials
Woodcut
Lithograph Belgian American Surrealism WPA Modernist Karl Fortess Surrealist Art
Located in Surfside, FL
Karl Eugene Fortess (1907-1993)
Original color lithographs on BFK Rives paper,
1966, Hand signed and numbered 29/36 in pencil,
Sheet size 20.5 x 15 inches.
Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker.
Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community.
Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...
Category
Mid-20th Century Surrealist Florida - Landscape Prints
Materials
Lithograph
Light Tower Golden Gate San Francisco Etching
Located in San Francisco, CA
Mystery monogrammed early San Francisco etching. Great little piece of San Francisco history showing a lighthouse in Golden Gate. Etching measure...
Category
Early 20th Century American Realist Florida - Landscape Prints
Materials
Etching
Lithograph Belgian American Surrealism WPA Modernist Karl Fortess Surrealist Art
Located in Surfside, FL
Karl Eugene Fortess (1907-1993)
Original color lithographs on BFK Rives paper,
1966, Hand signed and numbered 29/36 in pencil,
Sheet size 20.5 x 15 inches.
Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker.
Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community.
Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...
Category
Mid-20th Century Surrealist Florida - Landscape Prints
Materials
Lithograph
WALT DISNEY WORLD 15TH ANNIVERSARY (REMARQUED)
Located in Aventura, FL
Serigraph printed in colors on paper. Hand signed, dated and numbered by Melanie Taylor Kent. Remarqued lower margin. Printer's Proof edition. ...
Category
1970s Contemporary Florida - Landscape Prints
Materials
Screen, Paper
Rare 1923 Cubist Reuven Rubin Woodcut Woodblock Print Israeli Hasidic Judaica
By Reuven Rubin
Located in Surfside, FL
This is from the original first edition 1923 printing. there was a much later edition done after these originals.
These are individually hand signed in pencil by artist as issued.
This listing is for the one print. the other documentation is included here for provenance and is not included in this listing.
The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days.
They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko.
Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania.
Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine,
At the outbreak of World War I, he was returned to Romania, where he spent the war years.
In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine.
Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974.
Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism.
In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters.
In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters.
His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education
1912 Bezalel Academy of Arts and Design, Jerusalem
1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris
Select Group Exhibitions
Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929
Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil,
Jewish Artists Association, Levant Fair, Tel Aviv, 1929
Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi...
Category
1920s Abstract Florida - Landscape Prints
Materials
Woodcut
Rare 1923 Cubist Reuven Rubin Woodcut Woodblock Fisherman Print Israeli Judaica
By Reuven Rubin
Located in Surfside, FL
This is from the original first edition 1923 printing. there was a much later edition done after these originals.
These are individually hand signed in pencil by artist as issued.
This listing is for the one print. the other documentation is included here for provenance and is not included in this listing.
The various images inspired by the Jewish Mysticism and rabbis and mystics of jerusalem and Kabbalah is holy, dramatic and optimistic Rubin succeeded to evoke the spirit of life in Israel in those early days.
They are done in a modern art style influenced by German Expressionism, particularly, Ernst Barlach, Ernst Ludwig Kirchner, and Franz Marc, as introduced to Israel by Jakob Steinhardt, Hermann Struck and Joseph Budko.
Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania.
Rubin Zelicovich (later Reuven Rubin) was born in Galati to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. He was of the well known Jewish artists in Paris along with Marc Chagall and Chaim Soutine,
At the outbreak of World War I, he was returned to Romania, where he spent the war years.
In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery. Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine.
Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judaea competition. He died in 1974.
Part of the early generation of artists in Israel, Joseph Zaritsky, Arieh Lubin, Reuven Rubin, Sionah Tagger, Pinchas Litvinovsky, Mordecai Ardon, Yitzhak Katz, and Baruch Agadati; These painters depicted the country’s landscapes in the 1920s rebelled against the Bezalel school of Boris Schatz. They sought current styles in Europe that would help portray their own country’s landscape, in keeping with the spirit of the time. Rubin’s Cezannesque landscapes from the 1920s were defined by both a modern and a naive style, portraying the landscape and inhabitants of Israel in a sensitive fashion. His landscape paintings in particular paid special detail to a spiritual, translucent light. His early work bore the influences of Futurism, Vorticism, Cubism and Surrealism.
In Palestine, he became one of the founders of the new Eretz-Yisrael style. Recurring themes in his work were the bible, the prophet, the biblical landscape, folklore and folk art, people, including Yemenite, Hasidic Jews and Arabs. Many of his paintings are sun-bathed depictions of Jerusalem and the Galilee. Rubin might have been influenced by the work of Henri Rousseau whose naice style combined with Eastern nuances, as well as with the neo-Byzantine art to which Rubin had been exposed in his native Romania. In accordance with his integrative style, he signed his works with his first name in Hebrew and his surname in Roman letters.
In 1924, he was the first artist to hold a solo exhibition at the Tower of David, in Jerusalem (later exhibited in Tel Aviv at Gymnasia Herzliya). That year he was elected chairman of the Association of Painters and Sculptors of Palestine. From the 1930s onwards, Rubin designed backdrops for Habima Theater, the Ohel Theater and other theaters.
His biography, published in 1969, is titled My Life - My Art. He died in Tel Aviv in October 1974, after having bequeathed his home on 14 Bialik Street and a core collection of his paintings to the city of Tel Aviv. The Rubin Museum opened in 1983. The director and curator of the museum is his daughter-in-law, Carmela Rubin. Rubin's paintings are now increasingly sought after. At a Sotheby's auction in New York in 2007, his work accounted for six of the ten top lots. Along with Yaacov Agam and Menashe Kadishman he is among Israel's best known artists internationally. Education
1912 Bezalel Academy of Arts and Design, Jerusalem
1913-14 École des Beaux Arts, Paris and Académie Colarossi, Paris
Select Group Exhibitions
Eged - Palestine Painters Group Eged - Palestine Painters Group, Allenby Street, Tel Aviv 1929
Artists: Chana Orloff, Abraham Melnikoff, Rubin, Reuven Nahum Gutman, Sionah Tagger,Arieh Allweil,
Jewish Artists Association, Levant Fair, Tel Aviv, 1929
Artists: Ludwig Blum,Eliyahu Sigad, Shmuel Ovadyahu, Itzhak Frenel Frenkel,Ozer Shabat, Menahem Shemi,
First Exhibition of ''Hever Omanim'' First Exhibition of ''Hever Omanim''
Steimatzky Gallery, Jerusalem
1936
Artists:
Gutman, Nachum Holzman, Shimshon Mokady, Moshe Sima, Miron Rubin, Reuven Steinhardt, Jakob Ben Zvi, Zeev Ziffer, Moshe Allweil, Arieh
Group Exhibition Group Exhibition
Katz Art Gallery, Tel Aviv
1939
Artists:
Avni, Aharon Holzman, Shimshon Gliksberg, Haim Gutman, Nachum Ovadyahu, Shmuel Shorr, Zvi Schwartz, Chaya Streichman, Yehezkel Tagger, Sionah Rubin, Reuven
A Collection of Works by Artists of the Land of Israel A Collection of Works by Artists of the Land of Israel
The Bezalel National Museum, Jerusalem
1940
Artists:
Shemi, Menahem Rubin, Reuven Avni, Aharon Mokady, Moshe Jonas, Ludwig Steinhardt, Jakob Ticho, Anna Krakauer, Leopold Gutman, Nachum Budko, Joseph Ardon, Mordecai Sima, Miron Castel, Moshe Pann, Abel Struck, Hermann Gur Arie, Meir Ben Zvi, Zeev Litvinovsky, Pinchas
Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967
Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz...
Category
1920s Abstract Florida - Landscape Prints
Materials
Woodcut
Lithograph Belgian American Surrealism WPA Modernist Karl Fortess Surrealist Art
Located in Surfside, FL
Karl Eugene Fortess (1907-1993)
Original color lithographs on BFK Rives paper,
1966, Hand signed and numbered 29/36 in pencil,
Sheet size 20.5 x 15 inches.
Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker.
Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community.
Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...
Category
Mid-20th Century Surrealist Florida - Landscape Prints
Materials
Lithograph
'Mauve, Red and Purple' 1987
By Eyvind Earle
Located in Pembroke Pines, FL
"Mauve, Red and Purple"
by
Eyvind Earle
Type: Limited Edition
Media: Serigraph on Paper
Signed & numbered by the artist
Edition: 188/275
Image Dimensions: 29 x 38"
Year Produced: 198...
Category
1980s Contemporary Florida - Landscape Prints
Materials
Screen
City Evening, Large Scale Whiteline Woodcut New York City at Night ed. 25
By Aline Feldman
Located in Surfside, FL
Aline Feldman was born in 1928 and grew up in Kansas. She studied design and printmaking at Washington University in St. Louis under Werner Drewes and Fred Becker, respectively. She studied painting at Indiana University...
Category
1980s American Modern Florida - Landscape Prints
Materials
Woodcut
Lunar Landscape Abstract Signed Numbered Screenprint Black
By Len Gittleman
Located in Surfside, FL
Handsigned edition of 250. Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission ...
Category
1970s Pop Art Florida - Landscape Prints
Materials
Screen
TAFILAH AT THE WALL (JUDAICA ART)
By Amram Ebgi
Located in Aventura, FL
Embossed lithograph with foil stamping on paper. Hand signed and numbered by the artist. From the edition of 450.
Artwork is in excellent condition. Certificate of authenticity inc...
Category
Late 20th Century Contemporary Florida - Landscape Prints
Materials
Foil
BAR MITZVAH AT THE WESTERN WALL (JUDAICA ART)
By Amram Ebgi
Located in Aventura, FL
Lithograph with foil stamping and embossing on paper. Hand signed and numbered by the artist. From the edition of 200.
Artwork is in excellent condition. Certificate of authenticit...
Category
Late 20th Century Contemporary Florida - Landscape Prints
Materials
Foil
Lunar Landscape Abstract Signed Numbered Screenprint Orange
By Len Gittleman
Located in Surfside, FL
Handsigned edition of 250. Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission ...
Category
1970s Pop Art Florida - Landscape Prints
Materials
Screen
Lunar Landscape Abstract Signed Numbered Screenprint Yellow
By Len Gittleman
Located in Surfside, FL
Handsigned edition of 250. Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission ...
Category
1970s Pop Art Florida - Landscape Prints
Materials
Screen
'A VAGRANT DREAM' 1995
By Eyvind Earle
Located in Pembroke Pines, FL
"A Vagrant Dream"
by
Eyvind Earle
Media: Serigraph on Paper
Image Dimensions: 30" x 33"
Year Produced: 1995
Edition: 112/200
Signed and numbered by the artist
The artwork is in excel...
Category
1990s Contemporary Florida - Landscape Prints
Materials
Screen
Singapore Singapour Original Modernist Lithograph on Arches vellum
By Joan Gardy Artigas
Located in Surfside, FL
Original lithograph, handsigned and numbered HC
On Arches vellum ragpaper
Dimensions : 69 x 54,5 cm (27.2 x 21.5 inches)
Joan Gardy Artigas (born 1938) is a Catalan ceramist, artist...
Category
20th Century Modern Florida - Landscape Prints
Materials
Lithograph
Recodo, Puerto Rican Modernist Color Lithograph on Paper
By Rafael Ferrer
Located in Surfside, FL
Rafael Ferrer (b. 1933 in San Juan) is a Puerto Rican artist. He attended the Staunton Military Academy in Virginia, where he cultivated an interest in music. In 1951 and ’52, he stu...
Category
1990s Modern Florida - Landscape Prints
Materials
Lithograph
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