France - Interior Paintings

With "Djinn imprévisible", Pierre Morquin plunges us into a dreamlike, phantasmagorical universe. Bright colors and abstract shapes create an atmosphere...

The abstract composition titled "Cash" offers an intriguing visual experience with its spray pigments and varnish on a 105x85 cm steel plate. The use of patterns from hot-rolled blac...

"They were very great winds on the earth of men" abstract on aluminium canvas 100x100 cm I believe it is increasingly necessary to rise above the mediocity of men: barbarism, vulgari...

In Containment, Pierre Morquin offers us a powerful and moving abstract work. The eye is immediately drawn to the vivid, contrasting colors, which create an atmosphere of intensity a...

"100x100=1", Pierre Morquin invites us on an initiatory journey into an abstract, dreamlike universe. Geometric lines and shapes, in bright, vibrant colors, intertwine to create a complex, dynamic composition. The painting evokes a sense of movement and transformation. The lines seem to stretch into infinity, while the shapes metamorphose as you look. The artist invites us to let ourselves be carried away by the rhythm of the painting, to let our imagination wander. We can see an Aboriginal influence, with motifs reminiscent of cave paintings. The painting could represent an imaginary map...

In his painting "Shredded", Pierre Morquin explores the notions of destruction and creation. On a wooden palette, the artist glued pieces of painted cardboard, then tore them up. The...

In his painting "The Team", Pierre Morquin invites us to explore an abstract and dynamic universe. A multitude of shapes and colours blend together in a complex, teeming composition....

In "Flap", Pierre Morquin invites us to meditative contemplation. The canvas is dominated by warm, vivid colours that intermingle and melt into one another. These colours, reminiscen...

In this abstract painting by Pierre Morquin, the viewer is plunged into a liminal space, between two realities. The bright, contrasting colours, such as...

In "Africa confinement", Pierre Morquin offers us an abstract vision of his African childhood. Warm, vibrant colors such as red, yellow and orange evoke...

"Futur ?" abstract painting acrylic on linen canvas 80x80cm TV reports on endangered species, the land that is getting poorer… the reality is similar to the fictional science narratives in which our planet loses its colours and vital reserves… I wanted the texture of this painting to look like patinated Cordoba leathers...

This artwork depicts a view of an airport luggage conveyor belt. This piece was created with a mixed technique of acrylic painting on photograms on pa...

abstract "Coucou 2" abstract varnishes pigments on wood panel 125x100cm send in wood crate Create movement and relief, energy must shine through and transport you to new horizons. Co...

"Need for lightness" abstract acrylic paper collage marble powder sand on canvas linen beige ochre send in wood crate at cost stay positive in a heavy social environment fight again...

Acrylic paint on canvas Signed on the back

"Lady at dressing table" Oil on canvas signed and dated right below 1929 Old original frame gild with leaves Dim canvas : 72 x 56 cm Dim frame : 92 X 80 cm ENJOLRAS Delphin (1857-...

DIEY Yves (1892-1984) Flower Girl at the Paris Opera circa 1950 Oil on canvas signed low right Montparnasse Frame by Gault (Paris) Dimensions canvas : 65 X 5...

Vinyl paint on canvas Signed and by the artist on the back Unique work

Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...

Maysaloun Faraj is an Iraqi/American born (1955) London based painter and sculptor.  Growing up between the USA (1950s-60s), Baghdad (1970s) and London (from 1982) with intermittent bouts in Paris, collectively contributed to shaping Faraj’s creative output and artistic accomplishment. Graduated with a BSc in Architecture, University of Baghdad (1978) and went on to study sculptural ceramics at Putney School of Art and Design and was resident at the Cité Internationale des Arts, Paris (2015/17/18). Displaced by decades of war, deeply rooted in Iraq, Faraj’s work contemplates the intersection of place and identity and explores the dynamics between overarching societal concerns and the highly personal.  Her visual vocabulary is colour and basic geometric forms; an ideal realm for harmony and order.  Amid an aesthetic informed by architectural discipline is a complex web of references bridging East and West, ancient and contemporary, often pondering on ‘spirituality’ and the transience of human existence. Her career spans four decades with work in various mediums, creating subtle interplay between two and three-dimensional forms. Furthermore, Faraj has been an integral figure in the rise of the modern Middle East Art scene; curatorial work includes the first international showcase of Iraqi art (tour UK/USA 2000-3) exploring  the work of pioneering Iraqi artists and subsequent generation. She is editor of the seminal publication  Strokes of Genius: Contemporary Iraqi art...

DESCHIENS – ASTRUC (1861) Table settings with Orchids Oil on canvas signed down right Frame gilded with gold leaves Dim canvas : 82 X 116 cm Dim Frame : 107 X 141 cm DESCHIENS – ASTRUC Pauline Hélène (1861-NC) French school 19th - 20th century Born the 25th of August 1861 in Angers Painter of flowers and marines. Pupil of Pierre Bourgogne...

Maysaloun Faraj is an Iraqi/American born (1955) London based painter and sculptor.  Growing up between the USA (1950s-60s), Baghdad (1970s) and London (from 1982) with intermittent bouts in Paris, collectively contributed to shaping Faraj’s creative output and artistic accomplishment. Graduated with a BSc in Architecture, University of Baghdad (1978) and went on to study sculptural ceramics at Putney School of Art and Design and was resident at the Cité Internationale des Arts, Paris (2015/17/18). Displaced by decades of war, deeply rooted in Iraq, Faraj’s work contemplates the intersection of place and identity and explores the dynamics between overarching societal concerns and the highly personal.  Her visual vocabulary is colour and basic geometric forms; an ideal realm for harmony and order.  Amid an aesthetic informed by architectural discipline is a complex web of references bridging East and West, ancient and contemporary, often pondering on ‘spirituality’ and the transience of human existence. Her career spans four decades with work in various mediums, creating subtle interplay between two and three-dimensional forms. Furthermore, Faraj has been an integral figure in the rise of the modern Middle East Art scene; curatorial work includes the first international showcase of Iraqi art (tour UK/USA 2000-3) exploring  the work of pioneering Iraqi artists and subsequent generation. She is editor of the seminal publication  Strokes of Genius: Contemporary Iraqi art...

Augustin Lesage is a French painter attached to the movement of art brut. Jean Dubuffet included the paintings of Lesage in his collection in 1948, onl...