France Figurative Sculptures

'L'Etoile du Matin', an Art Nouveau patinated bronze sculpture by renowned French sculptor Adrien Etienne Gaudez (1845 – 1902). This evocative piece depicts a mythological lady in fl...

Antique statue life sized Roman Greek natural stone old sculpture. The antique statue displayed in this Ad is one of 12 reclaimed life sized limestone statues. In this specific ...

Bronze with a brown patina, depicting Napoleon Bonaparte (1769-1821), wearing his famous bicorne hat, standing, his right hand in his waistcoat and the other behind his back, holding...

Art Deco Sculpture The Archer Hercules by Max Le Verrier This sculpture shows the classic pose of The Archer / Hercules, son of Zeus, drawing his bow....

Pablo Picasso Hibou 1954 Pichet tourné H. 24,5 cm. Larg 13 cm R.A terre de faience blanche, décor à l'oxyde sur émail blanc Bleu Tiré à 500 exemplaires Edition Picasso, Madoura. Répe...

Bronze statue in the style of Guillaume Marly. The horses of Marly were commissioned by Louis XV to sculptor Guillaume Coustou to decorate the entrance of the park of Marly castle. ...

Pierrot under the Moon sculpture, France, ca.1900. Polychrome plaster and mirror. Pierrot sits on a stone balustrade and plays the mandolin under the moon. The moon is represented b...

Sculpture La Ferrari with all structure in assembled aluminium pieces (4mm thickness), all painted with original Ferrari rosso corsa paint. Limited Editio...

French Art Deco ceramic sculpture by BERLOT-MUSSIER (Vierzon), France, 1920s. Young Lady among flowers in the style of René Buthaud in colored crackle glaze ceramic. Measures: Height...

This work depicts a woman accompanied by two greyhounds, made of metal with a patinated black and gold finish. The young woman is walking her dogs on a leash, as suggested by the gol...

A striking French Art Deco sculpture of a man by Campbell, created in France ca.1920. Crafted from spelter, marble, and onyx, this impressive piece showcases the bold, dynamic style ...

French Art Deco Terracotta Sculpture by Demetre Chiparus (1886-1947), France, 1920s. This exquisite French Art Deco terracotta sculpture, created by the renowned artist Demetre Chipa...

Roger Capron (1922-2006) Stylized woman ceramic bottle "Lavande" signed by Roger Capron, Vallauris, 1950s Nice condition, with original glass bottle inside.  

Antique statue life sized Roman Greek natural stone old sculpture. The antique statue displayed in this Ad is one of 12 reclaimed life sized limestone s...

Antique statue life sized Roman Greek natural stone old sculpture. The antique life sized statue displayed in this Ad is one of 12 reclaimed life sized ...

Bronze sculpture of a Gaulish chief, signed FREMIET. Bronze sculpture signed FREMIET, representing a Gaulish chief, 19th century, Napoleon III period. H: 37cm, W: 26cm, D: 8,5cm

French Art Deco showjumper porcelain bottle by Georges BASTARD (Paris), France, ca.1924. Designed by Margerie. White porcelain made in Limoges. Height : 10.5"(26.7cm), Width : 3.9"(1...

Antique statue life sized Roman Greek natural stone old sculpture. The antique statue displayed in this Ad is one of 12 reclaimed life sized limestone statues. In this specific ...

Beautiful Baroque hand carved wooden angel-wing. Rare and very decorative item placed on a wooden base, Italy, circa 1750. Weathered. Measurement is inclusive the wooden base.

Virgin and child in majesty Origine: castille Epoque: early 14th century Measures: Height: 72cm Length: 30cm Depth: 25cm Polychrome and gi...

Emmanuel HANNAUX (1855-1934, France) : "Mercury and Cupid" Nuanced brown patinated bronze showing latine god Mercury holding Cupid in its arms Signed "E.Hannaux" on the rotating ba...

Charming ceramic subject from the naive and warm world of Lisa Larson. In perfect original condition, the piece is signed on both feet of the sculpture. Lisa Larson - b.1931 d.2024 ...

Important virgin and child in majesty Origin : Germany Or Eastern France Époque : Second Half Of The 13th Century Height: 104.5 cm Length: 3...

Sculpture R2D2 life size model star wars. Set upon a millennium falcon base. sculpted in resin and with accurate lights and sounds. With rotative hea...

Rare orientalist bust in polychrome terracotta of an Arab, bearing the mark R St K, for Riessner, Stellmacher and Kessel, as well as the number 1525 The features are very fine, maki...

Giraffe in Love XS floor lamp by Qeeboo Collection: Giraffe In Love Type: Floor lamp in glass resin Materials: Polyethylene (PE) Designer: M...

Religious sculpture representing the nativity, carved wood from the 16th century. Carved wood sculpture, walnut wood and oak wood base, sculpture representing the nativity, circa 16...

A set of 3 strong and spectacular metal cactus, contemporary brutalist sculptures, unique pieces by artist ESOJ, France 2020. Dimensions : The higher : H 101.5 x D 23 cm / H 40 x D 9 inch The medium : H 50 x D 17 cm / H 20 x 6.7 inch The smaller : H 21 x D 16,5 cm / H 8.2 x 6.5 inch These pieces allow to be presented independently, as well as together (recommended) allowing various esthetic compositions. They are made to be set up indoor as radical sculptures, as well as outdoor on a terrasse or in any garden or even wild nature to create a trouble illusion between wildness and modernity. We represent ESOJ and organized his exhibition "Metal Spirit", November 2022, in our gallery in Paris, and this unique piece was presented during this event. Esoj's work is rooted in a direct link to daily life, to the visual value of consumer objects. Whether they are elements of nature or products of pop culture, he fixes them in the metal to give them a definitive appearance, a form of immortality: a box of opened chocolates will be there forever, nothing will not erase Mickey's sluggish smile, nor his middle finger; a succulent plant frozen in iron will no longer need water... A parallel world under construction, a world of avatars springing from a metallic quintessence which confronts man with himself, with matter, with progress, to the flow of time. Beyond their symbolic force, Esoj's sculptures express as much the visceral gesture of the artist in a world losing meaning, as they catalog his universe in a subjective archive. For his first collaboration with us, Esoj looks away from his Barbie dolls, Playmobils and bags of M&Ms, to sketch a sort of return to Nature and vibrate an ancestral wisdom evident in his new series of cacti, succulents, vases and masks murals with shamanic connotations. A wisdom that he draws from his Portuguese origins, this saudade: “tension between opposites, on the one hand the feeling of a lack, on the other hand the hope and the desire to find what we lack”, embodied here by a particularly inhabited desert; where cacti are next to agaves, aloes, prickly pears, plants which are certainly ornamental but also hallucinogenic and healing, sometimes fatal; where the series of containers suggests an almost medicinal link between these inert objects, even more obvious in the wall piece inspired by Korean...

Superb and extremely rare ROBJ Templar and Saracen chess set from the French Art Deco Period circa 1930. Beautiful and playful detail on the pieces. Exotic wood chess board of orig...

Very beautiful art deco statue in cracked ceramic representing a woman coming out of the bath. Signed Louis Rivet on the base. Very good quality and large s...

Wonderful hand carved standing Baroque angel figure. Unique period piece with its original paint . Spain, circa 1650-1750 Weathered. . Measurement here below includes the wooden ba...

Sculpture circa 1920 in spelter entitled "The Wounded Bird". Executed by Hippolyte François Moreau. Signed H Moreau. Small chip on the marble, see on the l...

Sculpture Bloomen 14 by Zanellazine Ceramics Dimensions: W 26 x D 23 x H 43 cm Materials: Red and white clay, Green semi-refractorie clay. About: Giovanna Zighetti, ceramist and se...

Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...

This buddha is in Jade, in, a green color. He is sitted on his wood base. It has been done in china during the 20th century.

Antonine de Saint-Pierre, signed. “Eva” bas-relief panel, in cut and blue lacquered metal. Contemporary artist’s work signed and numbered. Dimensions: H 139 x W 126 x D 8 cm Ref...

Edouard Marcel Sandoz (1881-1971) Figure "Pierrot Musicien", ca. 1917. Hard-paste porcelain with a white glaze, and painted gold. Signed to the base, appears to be Théodore Havil...

Sculpture Pirate Champagne Playmo with all structure in bio-based styrene plastic. Playmobil customized, hand- painted as Ruinart champagne pirate with imitation Hermes scarf, with...

Art Deco Terracotta Sculpture BrownColor Woman Head France 1980 Signed

Wall ceramic mask, circa 1950 French midcentury ceramic mask with elegant black ceramic glaze color. Original perfect conditions Measures: Height 24 cm, large 22 cm, depth 7...

Sculpture entitled “Eva” in black lacquered metal, a stabile whose different parts can be tilted to obtain different shapes resting on a rectangular travertine base. Work of contemp...

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

Monica Machado Born in Lisbonne (Portugal) in 1966. Lives in Paris since 1981. Technique : wood, furniture leg, armrest, chair, drawer, wiring, mortar, tow, water pump, lighting,...

This sculpture is in solid wood. Hand carved by a french artist in the 1950's Brown Color. Made in Oak

Monica Machado Born in Lisbonne (Portugal) in 1966. Lives in Paris, since 1981. Technique: Assembly of architectural elements in ceramics and fairy tales characters. Each room is...

Important 15th century polychrome wood virgin and child Origin: Southern Germany Period: Late 15th Century, Ca. 1480-1490 Height : 125 cm Polychrome limewood Good condition Provenance : Private collection, Alsace, France. As soon as 1430, sculpture starts a major and deep stylistic evolution than will unfold over a century, until around 1530. We call it the International Gothic. This production is particularly interested in a quest for realism. This important Virgin and Child wears a long red dress with a round gilded neckline. A delicate golden belt...

French Art Deco sculpture by J.d'Arsenes, France, 1920s. Robin Hood. Spelter, bakelite and marble. Height : 26"(66cm), Width : 19"(48.4cm), Depth : 7.1"(18cm). Fashionable theme at ...

Crackle glaze ceramic caravel ship sculpture by Lejan at Orchies, France, circa 1920. One of the largest Art Deco crackle glaze ceramic pieces. Measures: Width 15" (38cm), Height 19"...

French Art Deco ceramic woman sculpture, designed by Charles Lemanceau for the ceramic manufacture Saint-Clément in the 1930's. Perfect condition.

Sculpture black skull in blackened glass paste, handcrafted piece, made in France. Exceptional and unique piece.

French Art Deco sculpture by Scolisse, France, ca.1920. Young Girl & Antelope. Spelter, bakelite and marble. Width : 25.6"(65cm), Height : 16.9"(43cm), Depth : 6.8"(17.2cm). Weight :...

Sculpture in patinated bronze after Fernando Botero, 20th century. Sculpture after Fernando Botero in patinated bronze, marble base, 20th centur...

Pretty alabaster sculpture of a young man removing a thorn from his foot. Theme taken up many times in the sculpture, the oldest known example of the boy with thorn...

Item: sculpture ruth Author: g.B.Lombardi (italian, 1823-1880) Special features: signed and dated 'gb. Lomardi / f. Roma / 1869' and carved to the front 'ruth' In 1852, Giovanni...

French Alabaster Sculpture, France, Late 19th Century – Monkey Smoking a Pipe. This delightful French alabaster sculpture, created at the end of the 19th century, depicts a monkey leisurely smoking a pipe. The sculpture is crafted in alabaster, with intricately detailed features that capture the playful yet thoughtful expression of the monkey. Notably, the eyes are made of glass, adding a unique touch of realism to the piece. Dimensions: Height: 9.8" (25 cm), Width: 6.7" (17 cm), Depth: 4.4" (11.2 cm). The sculpture is in good condition, with only slight scratches and small chips on the base, which are consistent with age. A whimsical and charming example of late 19th-century French sculpture, this piece would make an intriguing addition to any collection of animal-themed art or antique stone...

Beautiful metal weathervane representing a rooster or cockerel, France, 1850-1900. Weathered and small losses. Measurement here below is inclusive the wooden base.

This elegant harp statuette by Royales de Champagne is crafted in clear molded crystal, featuring a refined combination of polished and satin finishes. The intricate design showcases...

ML Elegant porcelain ceramic fruit realised circa 1980 Green and gold ceramic glazes colors Signed under the base Original French mid-century design Measures: Height ...

Illusion: Sculpture representing a naked dancer, playing with 2 hoops, standing on a stepped base in black marble Green patina spelter, the base is signed by Fayral (pseudonym used ...

Amazing 18th century carved wooden Baroque arm of a Saint figure. This piece was once part of a procession Saint figure. The arm is now placed at a wooden base and as visible on the ...