France - Cabinets

Pair of oak nightstands "Pyrénées" signed by Sébastien Lamarre. This french side cabinets were made by Sébastien Lamarre for Maison Marie Anne. The creator chose for the Pyrénées mo...

Cabinet Art Deco, French, circa 1930 Two drawers and three doors Height dimension of the buffet without the mirror: 39.37 in. (100 cm) walnut and brass Very nice flowers carved finis...

Stylish oak bobbin wood side cabinet from mid-century France C1950. Beautifully turned and carved, medium oak, three-tiered side table with a single drawer in the style of Charles Du...

This cabinet bar by Maison Jansen was made in the 1940s, with beautifully carved wood feet, body frame and door handles, and with iron pieces between the legs, all fully gilt. It fea...

Rare dairy store creamery counter in colored earthenware, Circa 1900 period. White and grey marble top. This case piece bears the label - Heinrich Nax, Frankfurt. Minor restorations ...

This bedside cabinet cabinet with the traditional technique is chalet chic style thanks to its simple aesthetic and its bronze handle. This pair of oak nightstands of the "Pyrénées" ...

French three doors cabinet. A bevelled mirror on the central door. Mahogany veneer and brass. 11 drawers in the two part sides. Two of the little drawers can be locked. Made circa 1...

Buffet cocktail bar made from a sewing machine cabinet Walnut lacquered Marble has been inlaid at the sewing-machine level, giving it a quality design that's practical for placing gl...

This 3 doors bookcase is a handmade reproduction of the French Directoire Style at the end of the 18th century. This period style is remarkable with its straight, classical and timel...

This 1-door and 3-drawer sideboard is designed by Eric Gizard - Paris. It is 100% made in France with solid ash wood, veneer and lacquered doors in MDF panels. Each door and each ...

French side cabinets nightstand of 1960s. Oak bedside tables with red marble top Nightstands of midcentury period. Good condition, with varnish refinihing. Shipping: L68 P5...

Italian hand-painted Venetian style cabinet, C1960 Beautiful Venetian style painted cabinet c1960s Italy. Simple neoclassical style, wonderfully complimented by the delicate figurati...

This bedside cabinet cabinet with the traditional technique is brustalist chic style thanks to its simple aesthetic and its bronze handle. This pair of oak nightstands...

Pair of oak nightstands "Pyrénées" signed by Sébastien Lamarre. This french side cabinets were made by Sébastien Lamarre for Maison Marie Anne....

Pair of French side cabinets Louis XV style nightstands Bedside tables Original mirror tops Two drawers Good vintage condition. Shipping: 1 pack: 69 / 50.5 / 59 cm 20.6 kg.

French side cabinets nightstand of 1960s. Marble and oak hand carved with floral motifs This 20th midcentury nightstands are remarkable for their atypical shape. One drawer and o...

This bookcase is made with 2 parts is made of French cherrywood and also available in oak. - The Upper part has 3 glass doors and 3 removable shelves on wooden racks. - The Lower ...

This 1-door and 3-drawer cabinet is designed by Eric Gizard - Paris. It is 100% made in France with solid ash wood, veneer and lacquered doors in MDF panels. Each door and each dr...

SIENNA Collection This bookcase is part of the contemporary collection SIENNA designed by Christophe Lecomte in Vendée. SIENNA is characterized by taut lines slightly softened by curved handles or drawers. The oak, a noble species from the French forests is, with SIENNA, highlighted with finishes using a trendy, slightly bleached natural color in contrast with matte black or a chestnut color in harmony with a more "charm" interior. For a practical and maximum access to the storage niche, the opening of the upper glass flap door is from down to up and the opening of the lower glass flap door is from up to down with a cable opening system. 1 adjustable wooden shelf is avaialble and adjustable between the 2 wooden swing...

French art déco administrative storage unit with 26 drawers and storage cabinets. Each drawer has its own handle and label holder. Interior dimensions of drawers 13.99 x 12.40 x 1.38...

The cabinet’s upper body, slightly recessed is topped by an overlapping entablature and cornice supported both in the front and the rear by four fluted columns. The lower body stands on four squared feet and a moulded base. Each door-leaf’s panel is centred by a low-relief carving presenting one of the four evangelists...

Renaissance cabinet from Burgundy Or Lyon Region Origin : Burgundy Or Lyon, France Period : Second Half 16th Century, C. 1580 Height : 209cm Length : 184cm Depth : 71cm Good condition Walnut wood, original keys and keyholes Around the middle of the 16th century the conception and ornamentation of French furniture evolves. The start of major building projects, such as the castle of Fontainebleau, gives artists a new impulse. Inventive and rich formulas are developed there, before spreading to all of Europe thanks to engravings and printed leaflets. Furthermore, Italian artists working on such construction sites bring French artists and patrons a renewed taste for the Antique. Regarding the art of furnitures, the most complex scenes and figures are drawn from illustrated books, ornament and emblem compendiums and engraving compilations. Rather than copying those images the artisans feed their inspiration and decline the motifs in numerous variations. The ornamental grammar marks a return to the Antique : palm leaf, acanthus, egg-and-dart, greek, scroll, fluted pilaster… It is in Primaticcio’s and Il Rosso’s stuccos made around 1540-1550 that we have to look for the origin of leather cut-outs, masks, chimaeras, harpies, sheathed figures, fruit and flower garlands that soon enrich every pieces of French furniture. The structure of the pieces of furniture also evolve thanks to the re discovery of Antique architectures, rigorously used as a model. This cabinet presents an imposing structure and a rich and original decor exemplifying the production of the late 16th century, infused with Italian, Antique and Fontainebleau influences. It stands on a moulded base ornate with palm leaves. It opens with four door-leaves and two drawers in the belt. Six whimsical terms divide the facade. The lower body is horizontally divided by three sheathed female terms. The two standing on the lateral posts are topped with fruits while the body is covered by acanthus leaves carved with precision, belted at the waist. The term standing on the central door-jamb is crowned with laurel leaves and is draped in the Antique fashion. A wincing mask hides the key hole. The two door-leaves are centred by a beautiful mask carved in a strong relief. They wear stylised feathered headdress and are set on draperies. Straps, leather scrolls, acanthus leaves and a shell are spread around the masks. The recessed panels are secured in frames ornate with acanthus leaves. The belt is flanked by two large mouldings enriched with variations of acanthus leaves. The drawers are carved with choux bourguignons and palm leaf motifs minutely executed. The consoles between each drawer bear tormented wincing masks, showing horns as if they were fauns or imps. The upper body is framed by two male terms characterised by a strong and nervous musculature, their manhood hidden by drapes secured thanks to a winged lion head. The term on the left appears to be younger and is wincing while the one on the right has a beard. The central female term brings contrast with her youth and sensuality. As it is the case on the lower body, the key hole is hidden behind the mouth of a faun’s mask placed on the drapes barely covering the intimacy of the caryatid. The panels of the upper body present an idealised architecture comprising pilasters and sinuous broken pediments. The pilasters are flanked by two satyrs with goat legs. In the centre appears an important lion mask. The terms of the upper body support the cornice. The entablature carries palm leaves and roses alternating as well as an egg-and-dart frieze. The cornice is adorned with acanthus motifs. On the sides, the carving is executed flat. A central rose is surrounded by scrolls, flowers and choux bourguignons. We can admire the variety of the elements employed. The artist vary with great genius many different ornamental motifs : palm leaf, egg-and-dart, laurel leaf, roses, scrolls … But the artist went even further as each profile and each face is individualised and presents different features. You can take a look at the faces of the satyrs flanking the upper body’s panels. The talent of the artist is undeniable. It makes no doubt the patron who commissioned this cabinet was an aesthete looking for the greatest quality. The artist who authored this cabinet had a great mastery of composition both in the general design and in the individual panels. They probably drew inspiration from engravings and drawings made especially for the making of this piece of furniture or not. They seem to be familiar with the style of Jacques Androuet du Cerceau. Indeed, we can find in Du Cerceau’s engravings the same juxtapositions of leather cut-outs, masks and fruits. The terms and caryatids used on the facade could very well be inspired by his work as well. The cabinet-maker was also undoubtedly observant of Hugues Sambin, the most famous cabinet-maker and sculptor in the Burgundy of the time. Like Du Cerceau, Sambin left an important ensemble of models particularly useful for the design of cabinets. His publication De l’Oeuvre de la diversité des termes dont on use en architecture (1572) was an essential book for every artisan. All the motifs testify of the artisan’s high knowledge of forms as well as the precision of their tools : super imposition of ornamental elements, foliages, architectural cut-outs, flat and high reliefs alternating, palm leaves inscribed in circular spaces, wincing faces. It is also a testimony of the artisan’s familiarity with Italian and Fontainebleau productions. Because of the proficiency of the cabinet-maker in so many different models, this cabinet truly is a master-piece authored by the hand of an authentic master. The generous carvings executed with great rigour and virtuosity evoke an origin close to Burgundy and Lyon workshops. This cabinet was made by a master of the region during the Second French Renaissance. Literature BOCCADOR Jacqueline, Le mobilier français du Moyen-Âge à la Renaissance, Édition d’art Morelle Mayot, 1996 BOS Agnès (dir.), Mobilier du Moyen âge et de la Renaissance, La collection du musée du Louvre, Louvre éditions...

Cabinet Art Deco, French, circa 1930. Credenza buffet burr walnut. Two doors and one shelf. The varnish was redone. Good condition. Shipping: L 160, P 52, H 91 46 Kg.

Pair of sofa end tables in varnished Oregon pine, designed by Pierre Guariche for Hôtel Le France in La Plagne, circa 1965. These end tables feature the clean, minimalist lines chara...

A rare carved walnut wardrobe opening with four door-leaves and two drawers in the lower part. The doors bear architectural views in low reliefs, fluted pilasters and Ionic capitals. Upper Body Two door-leaves with carved architectural perspectives open the wardrobe framed by three fluted pilasters with Ionic capitals. Each door-leaf depict two semi-circular arcades whose cornice and base shows a central vanishing point. Likewise the pavement’s lines act for the artisan as a way to create depth. The vaulting instead leads us to think the vanishing point has to be situated where the handle is, between the two complementaries reliefs. The elegant moulded belt hides an internal secret space, accessible through a moveable plank in the upper body. Lower Body Two door-leaves identical to those of the upper body framed by three fluted pilasters with Doric capitals. The base of the wardrobe opens with two large drawers. The sides also bear panels depicting architectural perspectives. The external pilasters share their Ionic capital with the facade’s pilasters. Thus we can observe on the wardrobe’s sides the capital’s lateral parts with the elegant volute specific to the Ionic order. This palace wardrobe is topped by an overlapping cornice standing on three consoles for the facade and two consoles on each sides. Placed right above the pilasters each console are adorned by fully expanded leaves. During the 15th century a major interest for architecture and perspective studies arises and influences patrons tastes. The work of great theorists such as Leon Battista Alberti...

This French nightstand bedside table was made circa 1910. This side cabinet has a white marble top. One drawer and one cabinet. Ar...

Pretty XIXth century Chinese wardrobe in black lacquered wood decorated with court scenes, opening with two doors. The interior has a shelf with two drawers decorated with golden plant motifs, the handles of the drawers are decorated with burnt perfume vases.

Safe luxury watches forged in steel with 9 bi-directional steel bolts, secure electronic Sargent and Greenleaf keypads, wrapped in top grain cowhide lea...

This English cocktail cabinet is particularly unusual and elegant. Made of magnificent honey color golden walnut, from 1920's ,I t features on its front, 1 fake cupboard, I fake drawer and 1 real double drawer. . Its top section pops up to reveal a full set of glasses and decanters . And when it closes down, it closes very softly by itself automatically thanks to its elaborate inside mechanism. It features a divided hinged top opening to a rising platform all fitted with a complete set of cut crystal glasses 4 cut crystal decanters. ... When it is open, there are 2 glass top inside its opening lid that you can use for service. Its bottom drawer opens in 2 times and is also fitted with matching glasses. It is a real surprise cabinet as from its exterior ,one can't imagine what is inside but when it opens, it is breathtaking with its rising platform full of different size cut crystal glasses... It is a top quality dry bar with solid brass hardware. This metamorphic cabinet...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

 This English cocktail cabinet is particularly unusual and elegant. Made of magnificent brown color walnut, from 1950's , it has all glass sides and glass top section.Its top section pops up to reveal a full set of 6 large Baccarat glasses, 6 small Baccarat...

Oratoire D.João V / D.José sur pied Bois sculpté, polychrome, marbré et doré Portes intérieures à panneaux peints représentant deux anges avec les instruments de la Passion du Chris...

This exceptional canteen table is very elegant as it features a beautiful serpentine front shape. It is all flamed walnut, in a very warm golden color. It is a 2 sections piece of fu...

Commode or chest of drawers in the English military campaign style. 19th century Good condition age with minor marks of use.

Superbe et rare armoire dressing vintage des années 70 80, Maison Regain, en magnifique orme blond, très beau design. 3 portes, beaucoup de ra...

Éric Miomandre, by. Two-leaf wardrobe in blond beech veneer, rectangular in shape. Dimensions: H 195 x W 65 x D 39.5 cm French work realized in the 20th century. Reference: LS517...

This beautiful two doors cabinet is made of black and red lacquered wood presenting Chinese sceens and decorations in gold tones. This is a French work. Circa 1940

17th Century Italian Tabernacle Altar Magnificent 17th-century Italian tabernacle altar in carved, painted, and gilded wood. This architectural devotional piece features a richly ad...

Cabinet Linea with structure in solid walnut, with clear glass doors and clear glass shelves. With metal base in matt black finish. Intside drawer in solid walnut with rails in solid...

18th century oak sideboard opening with two doors with panels in the lower part with wooden buttons and three belt drawers with brass catches. The upper part of the cupboard, set back slightly, has three molded doors and a projecting cornice surmounted by a frieze in genoese and finished at the corners by two small balls...

This is a unique and monumental Dutch Baroque cupboard called “Kussenkast" from the late 17th century, probably circa 1670-1680. Made of rosewoo...

This English cocktail cabinet is particularly unusual and elegant. Made of honey color golden walnut, from 1910-1920's , it features 4 straight legs and storage compartment on each sides to store bottles and biscuits . Its top section pops up .It features a divided hinged top opening to a rising platform all fitted with complete set of beautiful cut crystal glasses ,a little removable wood tray as well as 3 cut crystal decanters. And inside its top, there is one tray by flap. And when it closes down, it closes very softly by itself automatically thanks to its elaborate inside mechanism. It is a real surprise cabinet as from its exterior ,one can't imagine what is inside but when it opens, it is breathtaking with its rising platform full of beautiful crystal glasses... This metamorphic cabinet...

Bring a touch of character to your home with this small Art Deco sideboard, both practical and refined. Designed to stylishly delineate spaces, this piece embodies the elegance of th...

Bar Adria with structure in solid walnut wood with 2 parts, up and down with 2 curved doors each with iced glass details. Up part back covered with sol...

Chinese wardrobe in solid wood, late 19th, early 20th century. Aesthetic and practical, it will be perfect in a current decoration. The color of the wood is bright and warm. Of ...

Small oak wall cabinet circa 1920 with three-glass beveled door and brass knob. Ideal for entrance hall, powder room, toilet Shipping: 37/23 H38 6Kg

French Armoire all blue painted and patinated with green and yellow floral decoration. Two doors with one key. Four shelves and two little drawers. Massive wood. Made circa 1900. Dec...

Cocktail bar cabinet, mid-century circa 1950. Two parts, one to store bottles and glasses. Marquetry nets on the shelves. French, iroko veneer and brass. Good condition. Shipp...

Designed passionately and exquisitely by the incomparable talents, the Cabinet was created to grace the most regal of dining rooms with its elegance and splendor. Inspired by the aristocratic palaces of the Alexandrian pashas of Egypt, the mother of pearl Cabinet...

Antique Miniature Bamboo Pine Wardrobe Wall Armoire Mirror Dollhouse Furniture

French wide buffet in the chalet style. Four doors and four drawers. Pine and iron. Good condition.

This 3 doors bookcase is a handmade reproduction of the French Directoire Style at the end of the 18th century. This period style is remarkable with its straight, classical and timel...

This walnut veneer armoire, dating from the Art Deco era of the 1930s, is a true masterpiece of design and functionality. It is distinguished by its three doors, the central one of w...

Cocktail bar cabinet, French, mid-century Spanish, pine tree Good condition Shipping: P 37/L 71/H 86.5 cm 15.2 kg.     

A RARE RENAISSANCE WALNUT CABINET WITH ITS FREESTANDING CARVED COLUMNS ORIGIN : FRANCE, BURGUNDY PERIOD : 16th CENTURY Height : 218 cm Length : 152 cm Depth : 67.5 cm Walnut Thi...

Scroll down and click "view all from Seller" to see more than 500 other unique products. (2) Adorned with long legs, this elegant cabinet hides behind her silky coat as many bottles...

EXCEPTIONAL CABINET KNOWN AS THE SUMÈNE CABINET   ORIGIN : FRANCE, NÎMES PERIOD : 16th CENTURY   Height: 199 cm Width: 180.5 cm Depth: 69 cm   Walnut wood Good state of preservation ...

Petite 19th-century armoire in ebony veneer, adorned with brass inlay decoration. 
It opens with two doors with panels of Chinese lacquer from the 17th century, featuring birds on fl...

The Gallery collection showcases exclusive designs by Reda Amalou. The pieces are crafted by some of the best artisans around the world and are edited as a series of 8 and 4 artist’s proofs. Each piece is signed and numbered. Sophisticated simplicity for our new cabinet, a piece of our Gallery Collection made with traditional art of enamel cloisonné tiles...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...