Geneva

Salvador Dali - Perrier - Vintage Lithographic Poster On Golden paper Signed in the plate 1970 Dimensions: 60 x 42 cm Reference: Field page 233 Some folding

Oil on wood sold with frame Total size with frame 50x43 cm

Italian telescopic floor lamp in green leather and brass in the style of Guglielmo Ulrich or Angelo Lelli the height can vary from 150 cm to 190 high it opens and unfolds from 55 cm ...

Original Lithograph - Pablo Picasso "Le Peintre et son Modèle" - Original Lithograph from "Picasso Lithographe IV" Dimensions: 32 x 25 cm 1964...

Gubelin Diamond Jaspe Onyx Lapis Lazuli Yellow Gold 18K Toucan Brooch. Dimensions: Lenght: 7.80 centimeters Height: 1.80 centimeters Thickness: 1.20 centimeters Weight: 22.46 grams

romeo rega style set of fire place

Falcon Yellow Gold 18k Pendant Charm Pendant. Total length: 1.38 inch (3.50 centimeters) including bail. Total weight: 8.24 grams

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe II Year: 1975 Edition: 5,000 Image Size: 10" x 1...

Necklace and earrings in 18kt white gold set with 2 oval cut rubies 0.53 ctss and 41 baguette cut diamonds 0.51 cts and 40 diamonds 0.28 cts

coffee table with brass base in the shape of a tree trunk , the glass is damaged see photo

1.15 carat Fancy Dark Grey Yellowish Green Chameleon Diamond Oval on Diamond White Gold 18K Ring. Size upon request.

Vintage square cane, brass, chrome and glass ashtray in the manner of Willy Rizzo, Romeo Rega or Gabriella Crespi... Made in Italy ca. 1970s. 20 x 20 x 2.5 cm

Hanging lamp Atomique from Robert Haussmann for Swiss Lamp International 1960s. 55cm/40cm. This lamp is exceptional in almost perfect condition. It will give your place a unique a...

Original Lithograph by Jean Cocteau Title: Actress Signed in the plate Dimensions: 65 x 44 cm Jean Cocteau Writer, artist and film director Jean Cocteau was one of the most influen...

Stunning in its simplicity Chrsitian Dior fit and flare dress with flounces at side. It features a hidden back zipper. Collection: 2000’s Fabric: 100% wool ...

SALVADOR DALI The Oak and the Reed (La chêne et le roseau) from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 Conditions: A small tear defect has been restaured...

Impressive vintage Hollywood Regency brass and bamboo bed, circa 1970s Very good condition. Size: 200 x 165 cm Fit for a matress of 190 x 150 cm Height of headboard 122 cm Easil...

Jean Cocteau - Angel - Original Handcolored Lithograph Signed in the plate Stampsigned Handcolored in pencil. Edition : /XXV Dimensions: 47.5 x...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...

From an Italian Lady. Dazzling Ear Pendants pavé Round cut Diamond mounted on yellow gold 750 18k. Circa 1970. Total Length: 1.97 inches (5.00 centimeters) Gross weight: 35.09 grams.

Pair of French eglomise glass and brass side table

A beautiful chrysoberyl with an unusual pastel green colour set with light pink sapphires in 18k rose gold. The pink sapphires are set approximately 2/3 of the way around the band. T...

Cartier Diamond Leaf Ring with approx. 5 carats Diamonds, made in 18K White Gold. Signed Cartier, numbered. French marks. Circa 2000.

Armand Cacheux (1868–1965) was a Swiss painter and engraver born in Geneva. He studied at the Geneva School of Fine Arts under Barthélemy Menn and Hugues Bovy, and at the Geneva Scho...

Pierre Chapo, Cabinet, Model 'R18A', Solid Elm, France, circa 1960 This model is a first edition, created according to Pierre Chapo's original artisanal methodology. The "R18" sideb...

Vintage coffee table attributed to Guy Lefevre for Maison Jansen, 1970`s ca, France. Quality Neoclassical style geometric brass square frame with a glass shelf. Both smoked brown g...

Pink gold wedding ring round diamond 0.50 carat. White gold wedding ring brillants. Ref. B4077952. Yellow gold wedding ring round diamond 1.00 carat. Ring size: 52 / 6 US. Total ...

This beautiful pre-owned top from Christian Dior features a metallic multicolor horizontal wave like pattern and a round neckline. Fabric: 40% viscose, 31% cotton, 14% silk, 8% cupr...

Salvador Dali - Old Faust - from "Faust" Original Etching Embossed signature From the edition of 731 Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1 / Michler & Lopsinger 305

1.01 carat Fancy Deep Yellow Pear Fluo Medium Yellow, GIA report on 18K White Gold mounting ring. Natural white diamond round 0.92 carat VS/G color.

Chronograph watch in steel bezel set with 96 diamonds 1.88 cts blue dial, prong buckle alligator strap quartz movement.            

Necklace in 18kt white gold set with 195 princess and marquise cut  diamonds 14.03 cts and 1414 diamonds 14.03 cts          

Impressive Citrine Diamond Yellow Gold Ring. Circa 1950.490 Total length: approx. 3.60 centimeters. Total width: approx. 2.60 centimeters. Ring size: 60 / 9.25 US Total weight: 32.5...

Marc Chagall - A Midsummer Night's dream - Original Handsigned Lithograph 1975 Dimensions: Sheet : 97.5 x 71.5 cm Image : 80 x 60 cm Handsigned and numbered Edition: 50 Reference: ...

Old mine cut Diamond centering a yellow gold 18K ring. Maker's mark Ilias Lalaounis.

This table lamp by Kerim Babur, designed in 1972 and produced by Bonomi Form in Italy, is a striking example of avant-garde lighting design. Its sculptural, flexible form, crafted fr...

Necklace in 18kt white gold set with 170 pear-shaped, baguette, princess marquise cut diamonds 8.42 cts and 1188 diamonds 15.06 cts

This is an original etching representing an important monument in Geneva during the 19th century. The work is sold framed. Total size with the frame 34x31 cm. Signed C. Bernier

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

The Chubby Collection is an ode to the Colombian figurative artist Fernando Botero. Chubby borrows the roundness which becomes a sensual way to sculp...

10.38 carat Natural Zambian Emerald Minor Oil mounted on a Diamond pave white gold Ring. Accompanied by a Grs Swiss Laboratory Certificate.

Jean Cocteau - Under the Fire Coat - Lovers - Original Lithograph Signed "Jean" in the plate and dated 1954 in the plate. Joseph Forêt Editions Dimensions: 4...

Bangle in 18kt yellow gold set with 277 diamonds baguette, princess, square and tapers 15.05 cts and 178 diamonds 2.96 cts. Inner circumference: Approximately 15.7 centimeters (6.18...

Tall Game of Stone Side Table, Blue by Josefina Munoz Game of Stone Collection Dimensions: H55 x Ø45cm Material: Marble Palissandro Blue Available in: Low, Small and XS sizes. ...

Introducing our radiant Bracelet in 18kt White Gold, designed to captivate with its exquisite beauty. Set with 278 brilliant baguette-cut diamonds weighing a total of 3.56 carats, al...

b.1957 in Montevideo, Uruguay, lives and work between Geneva, Switzerland and Barcelona, Spain "I was born in 1957 in Montevideo, Uruguay, which was a pleasant, welcoming place at the time. Seeking refuge from hunger and war in Europe, immigrants were appreciative of their new country. My maternal grand-parents had arrived there from Moscow and Odessa, while my father's family, from Bilbao and St Jean de Luz...

Work on paper

Red ceramic and metal signed sculpture G .Olivier

This Pair of Leather Armchairs, designed by Bruno Gecchelin and produced by Busnelli, Italy, in 1961, is an iconic example of mid-century modern Italian design. The armchairs feature...

Decorative Copper Danish pendant lamp by Verner Schou produced by Coronell Elektro ca. 1960s Warm light, very good condition Diameter : 40 Total Height ...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Art Deco Diamond Brooch. Circa 1930. Total length: approx. 5.00 centimeters / 1.97 inches. Total width: approx. 2.80 centimeters / 1.10 inches. Total weight: 13.18 grams.

Ring in 18kt yellow gold set with 119 diamonds  1.96 cts Size 55  

The Candlestick, from Jean Leymarie, Vitraux pour Jérusalem (Jerusalem Windows), André Sauret, Monte Carlo, 1962 (see M. 366-72; see C. books ...

Oval Amethyst approx. 54.00 carats, Cabochon Turquoise approx. 60.00 carats and 8/8 Diamond approx. 2.60 carats on Platinum and Yellow Gold 18K Ear-Pendants. French marks. Rare and ...

Tapis blanc circa 1927 Hand-knotted wool 260.4 x 146.1 cm Signed and embroidered on the back : LEGER Marie Cuttoli and Lucie Weill Edition. Provenance: Private collection, USA (acquired from Madoura Workshop, Antibes in 1982) Exhibited: Fernand Léger . Peinture dans l'espace, Museum Ludwig of Cologne, from April 9th to July 3rd, 2016, another similar piece exhibited. Literature: Encyclopédie des métiers de l'art : Décoration Moderne Vol.I, Paris, 1930, gouache study illustrated in color under no.10, pl.97. An Exhibition of Contemporary French Tapestries, by Albert Chatelet Constantine, Charles E.Slatkin Galleries, 1965, illustrated in color p. Rob Mallet-Stevens, by S.Day, Paris, 1980, picture of a similar piece in the living room of Robert Mallet-Stevens in Paris, illustrated p.280. Marie Cuttoli, Myrbor et l'invention de la tapisserie moderne, by D.Paulvé, Paris, 2010, similar piece on the archive picture of the the office of Paul du Bousquet decorated by Pierre Barbe...

Joan Miro - 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) reserved for collaborators, there was also a larger edition of 2000 From "Prints from the Mo...

Late sixties silk crepe printed dress attributed to Ungaro couture. Lovely A-line cut, zipped in the back. Fully lined in ivory silk. Fits approx. : US 2-6 (small US 6) / FR 36-38...

Work on canvas Gilded wood frame 28,5 x 38 x 3 cm

Sonia Delaunay - Original Watercolor on paper Dimensions: 21 x 21 cm. Authentified by her son Charles Delaunay on the back. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...