Geneva

Discover a beautifully crafted pair of Brazilian armchairs from the 1960s, epitomizing the sophistication and natural warmth that defines Brazilian mid-century design. These chairs c...

Ian Edwards - Born within Fire - Original Signed Bronze Sculpure Dimensions: 160 x 60 x 60 cm Edition of 12 Edwards’ practice expresses the power and determination of human endeav...

Work on cardboard Unsigned work

A Emilio Pucci two piece printed ensemble in silk jersey from the 60's. Fits approx. : US 2-4 / FR 36 Measurements (taken flat) : Waist approx. 34.5 cm (13.6 inches) Width (f...

Decorative green glass pitcher

This beautiful pre-owned but New coat from Givenchy is crafted in a superb classic Prince of Wales checked pattern wool. It features black wool-blend panels at the back and a matchin...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

Work on canvas

Brass, glass and black lacquered base shelving by Romeo Rega, Italy ca. 1970s Measures: H 220 x L 180 x D 42 cm Good vintage condition, few little chips on a couple of glass shelves,...

Swiss alp escabelle A67

Swiss alp bench

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Green glass ashtray

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

A versatile piece of haute couture, this 60’s Nina Ricci dress suit can be worn as a set for a very chic coordinated look or alternatively, the jacket can be teamed with jeans or tro...

1970s metal bracelet

Joan Miro - Blue Maze - Original Lithograph Artist: Joan Miro Editor: Maeght Year: 1956 Dimensions: 23 x 38 cm Unsigned and unnumbered as issued From Miro by Jacques Prevert Referenc...

Blue ceramic decorative vide poche

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Chouette 1969 Ed. 127/250 pcs Earth of white faience, decoration with engobe engraved with the mirette under partial cover with the brush H. 27 cm Numbered and stamped underside : Ma...

Alexandre de Spengler (1893–1973) was a Swiss painter and engraver active in Geneva and Paris. He is known for his land and seascapes, as well as...

Flower Bracelet yellow gold 18kt set with natural diamonds 11.080 carats, 125 pieces, and round natural 1 pieces, 0.010 carats.

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Swiss alp escabelle A62

This 70's ruffled boho blouse is constructed of lightweight black silk chiffon woven with gold metallic "fil coupé" polka dots. Cut for a flowing fit, it has a sexy sheer finish. Two...

Salvador Dali - Nude at the Window - Original Handsigned Lithograph Dimensions: 76.5 x 57 cm 1970 Signed in pencil and numbered Edition : /CXX References : Field 70-8 Salvador Dali Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

Paul Jenkins - Composition - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Paul Jenkins, American (1923 - 2012) Paul Jenkins, an artist originally associated with abstract expressionism, exhibits in his mature works a redefining of color, light and space on the canvas surface. Born in Kansas City, Missouri in 1923, Jenkins worked as a teenager in a ceramics factory, where he was first exposed to color intensity and the creation of form. From age 14 to 18, he studied drawing and painting at the city's Art Institute. Initially interested in drama, Jenkins received a fellowship to the Cleveland Playhouse, then continued his dramatic studies in Pittsburgh at the Drama School of the Carnegie Institute of Technology. Deciding to become an artist, Jenkins moved to New York City in 1948 and studied at the Art Students League. During Jenkins's three years at the League, Yasuo Kuniyoshi and Morris Kantor were his influential instructors. While Jenkins continued to live and paint in New York City, his personal explorations took a metaphysical turn, which would ultimately become dominant in his work. P.D. Ouspensky's The Search of the Miracu/ous changed the artist's thoughts on human growth and limitations, while the Chinese I Ching, through its thematic emphasis on constant change, heightened his interest in flowing paint on canvas. Painting for Jenkins became an intuitive, almost mystical process. He commented, "I paint what God is to me." In 1953, Jenkins traveled to Paris, where, a year later, he had his first one-man show. While working at the American Artists Center, he continued to experiment with flowing paints, pouring pigment in streams of various thicknesses, with white thin spills as linear overlays. Jenkins's intent was to deny stasis and create a literal and metaphysical sense of dynamism, while maintaining a sense of unity. Beginning in 1958, Jenkins titled each canvas Phenomena, with additional identifying words. He believed the work to be descriptive of the discovery process inherent in each painting. Paralleling his beliefs, the artist's paintings have undergone subtle but definite changes. Beginning in the early 1 960s, a shift of color saturation and exposure of the white areas gave Jenkins's canvases an enhanced feeling of illumination. If Jenkins's technique is unorthodox, he is in many other ways a traditional artist. He works in an acrylic medium on traditional linen canvas or fine rag paper. Often he uses an ivory knife...

Leonor Fini - Pregnant - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Oil on paper mounted on cardboard The Haberjahn family, of Norwegian origin – Habrian or Haberian – had settled in Germany at the beginning of the 19th century, before settling in Y...

Decorative painting on paper dated December 87

Salvador Dali - John Kennedy - Original Handsigned Etching Dimensions: 38 x 28 cm 1968 Signed in pencil EA in Sanguine Jean Schneider, Basel References : ...

Inspired by the fire and radiance of our superlative diamonds, Tiffany Victoria uses a unique combination of cuts for a distinctly romantic sensibility. The beautiful shape of these classic diamond earrings allows the stones to play off of each other's glorious sheen. Tiffany Diamond Stud Earrings...

Work on paper This captivating work reveals an interior scene rich in detail and texture. At the heart of the composition, a figure draped in flowing fabrics stands by a blazing fire...

Omega Cocktail Gold 14K Wristwatch. Leather stap. Circa 1950. Total length: approx. 15.50 centimeters. Dimensions case: approx. 2.70 centimeters x 1.30 centimeters. Total weight: 10...

Art Deco Diamond White Gold Ear Clips. Circa 1950. These Art Deco Diamond White Gold Ear Clips, circa 1950, are a stunning example of mid-century elegance, inspired by the geometric...

Swiss alp escabelle B23

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Van Cleef and Arpels Vintage basket weave wide Yellow Gold 18K Set composed by Earrings and Necklace. Circa 1980. Signed Van Cleef and Arpels, marked and numbered. French marks. N...

Work on canvas Unsigned work

Paul Mathey (1891–1972) was a Swiss painter associated with the artistic scene of the Suisse Romande region. His work was featured in significant exhibitions throughout Switzerland, ...

Vintage teak and black leather Safari chair by Arne Norell and produced by Arne Norell AB, Sweden ca. 1960's Good condition except ...

Ian Edwards - Surrender - Original Signed Bronze Sculpure Dimensions: 32 x 60 x 60 cm Edition of 9 Edwards’ practice expresses the power and determination of human endeavour. He draws inspiration from natural forces, with his powerful masculine figures often bearing the surface texture of time enduring landscapes. Edwards uses this external inspiration to explore very internal themes of fortitude and self-discovery. Edwards’ sensitive hand as a sculptor incorporates classical ideas about the sculpting process. In both Self Made Man and Creation of Self, a figure carves himself out of a mass of rock, reminiscent of Michelangelo's idea of seeing a form within a piece of marble and ’setting him free'. This is deeply metaphorical, reflecting timeless themes of purity, effort and self-belief. Poetic concepts such as these run throughout Edwards’ practice, with each piece subtly informed through mythological storytelling, creation beliefs and philosophical thinking. Edwards served a five-year apprenticeship at the world renowned G&H Studios...

vintage cast iron adjustable candlestick made in Denmark by Jens Quistgaard produced by Dansk ca. 1960 H 48 x D 20 cm Signed under the base

Vintage Gold Set Bracelet Necklace Earrings. Bracelet: approx. 18 centimeters x 0.40 centimeters, 2.49 grams. Necklace: approx. 45 centimeters x 0.40 centimeters, 4.92 grams. Earrin...

Swiss painter Artist born in 1915, says Franz Sti. Died in 1997. Work on canvas Black American box with gold borders 65 x 75,5 x 3 cm

Swiss alp escabelle B 86

Baume & Mercier Classique Monte Carlo gold plated and stainless steel quartz wristwatch. Two tone dial, approximate case diameter: 25mm x 20mm, Swiss ...

Cartier Ring Orchidée Diamond and White Gold 18K. Signed Cartier, numbered and marked. With original box. Dimensions Orchidée: approx. 2.30 centimeters x 2.30 centimeters. Ring Si...

Decorative bronze ashtray

Beautiful never worn 80’s YSL fuchsia gloves trimmed in matching leather diagonal stitching. Both gloves was linked by the original sealing thread. "Yves S...

Salvador Dali - Apparition de Dulcinée - Original Lithograph Joseph FORET, Paris, 1957 SIGNATURE : printed in the image LIMITED : 197 copies. SIZE : 41 x 33 cm REFERENCES : Field 57...

Cartier Casque Collection Diamond Set White Gold 18K Wristwatch. Signed Cartier, numbered and marked. White gold 18K box set with brilliant-cut diamonds, silver sunburst-patterned d...

Set of bronze candlestick

Théobald Charles Henri Weissenbach (1891–1966) was a Swiss visual artist known for his contributions to painting. Born in Fribourg, Switzerland, and later active in Geneva, Weissenb...

In a vibrant sunny yellow shade that really stands out, this Gucci cocktail dress is made from a double layer of soft silk jersey artfully draped, folded like an envelope, which comf...

Vintage Credit Suisse 1 gram Fine Gold 999.9 Wristwatch. Black dial with 1 gram Fine God 999.9. Black leather strap. The glass is scratched. Battery re...

Scirocco" Safari Chairs by Arne Norell, 1960s Introducing a pair of iconic "Scirocco" safari chairs, designed by the esteemed Swedish designer Arne Norell in the 1960s. These chairs...

Oil on canvas sold with frame Total size with frame 65x57 cm Maurice BARRAUD is an artist born in Switzerland in 1889 and died in 1954. His works have been sold at public auction 2,0...

Van Cleef and Arpels Diamond Pendent Chain Necklace. Frivole collection. Frivole Mini Pendant, white gold 18K, round diamonds. 25 Diamond quality D...