JIM SHAW (B. 1952)
Stocks Painting
signed and dated 'J Shaw 2007' (on the overlap)
oil on canvas mounted on wooden board
82 x 121.5 cm. (32 ¼ x 47.7.8 in.)
Executed in 2006.

PROVENANCE
Metro Pictures, New York 

Famous as a collector of American
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Jim Shaw
Jim Shaw - Stocks Painting - Signed and Dated Oil on Canvas

2006

About

JIM SHAW (B. 1952) Stocks Painting signed and dated 'J Shaw 2007' (on the overlap) oil on canvas mounted on wooden board 82 x 121.5 cm. (32 ¼ x 47.7.8 in.) Executed in 2006. PROVENANCE Metro Pictures, New York Famous as a collector of American junk, including a trove of thrift store paintings once sought by art collector Charles Saatchi, Jim Shaw draws on his vast stores of pop cultural artifacts in his work. The My Mirage (1986–91) project comprises nearly 170 drawings, silkscreens, photographs, sculptures, films, and paintings based on a Shaw stand-in called Billy, who grows from childhood to psychosis to born-again Christianity. Billy exists amid a 1960s and ’70s visual overload of pulp novels, comic books, records, and psychedelic posters. The artist’s Oism project, initiated in the late 1990s, explores his fictional religion through media including video installations (recalling both Busby Berkeley musicals and 1980s aerobics videos) and found paintings in the “Oist style.” Shaw’s richly layered practice takes liberally from both art history (Art Brut, Vincent van Gogh, Salvador Dalí, Rene Magritte, Max Ernst) and America’s vernacular of coffeemakers and zombie films. 1952 born in Midland, MI, US Lives and works in Los Angeles, CA, US 1974 BFA, University of Michigan at Ann Arbor, MI, US 1978 MFA, California Institute of the Arts, CA, US One-person exhibitions: 2017 (Forthcoming) The Wig Museum, Marciano Art Foundation, Los Angeles, CA, US Massimo De Carlo, Milan, IT 2016 Rather Fear God, Praz-Delavallade, Paris, FR Rather Fear God, Praz-Delavallade & Vedovi, Brussels, BE 2015-2016 The End Is Here, New Museum, New York, NY, US Simon Lee Gallery, London, UK Entertaining Doubts, Mass MOCA - Museum of Contemporary Art, North Adams, MA, US 2014-2015 Jim Shaw. Oeuvres choisies : dessins – peintures – sculptures – vidéo, Galerie Guy Bärtschi, Geneva, CH 2014 The Hidden World. Jim Shaw / Didactic Art Collection, Centre Dürrenmatt, Neuchâtel, CH I Only Wanted You To Love Me, Metro Pictures, New York, NY, US 2013-2014 The Hidden World. Jim Shaw / Didactic Art Collection, Chalet Society, Paris, FR Simon Lee Gallery, Hong Kong, CN 2013 Blum & Poe, Los Angeles, CA, US Peter Saul, Jim Shaw: Drawings, Mary Boone Gallery, New York, NY, US Simon Lee Gallery, London, UK 2012-2013 The Rinse Cycle, Baltic Centre for Contemporary Art, Gateshead, UK 2012 Dreams, BFAS, Geneva, CH (in collaboration with Metro Pictures, New York) Metro Pictures, New York, NY, US 2011 Thrilling Stories from the Book of "O", Praz-Delavallade, Paris, FR Cakes, Men in Pain, White Rectangles, Devil in the Details, Patrick Painter Inc., Santa Monica, CA, US 2010 Left Behind, CAPC - Musée d’Art Contemporain de Bordeaux, Bordeaux, FR Bernier/Eliades, Athens, GR 2009 Wet Dreams, Erotic Dream Drawings by Jim Shaw, Praz-Delavallade (space II), Paris, FR The Whole: A Study in Oist Integrated Movement, Simon Lee Gallery, London, UK 2008 Extraordinary Rendition, Patrick Painter Inc., Santa Monica, CA, US Jim Shaw: New Arrivals, Metro Pictures, New York, NY, US 2007 Dr. Goldfoot and His Bikini Bombs, Metro Pictures, New York, NY, US 2012: Montezuma’s Revenge, Praz-Delavallade, Berlin, DE The Hole, Praz-Delavallade, Paris, FR The Donner Party, PS1 Contemporary Art Center, Long Island, NY, US Galleria Massimo de Carlo, Milan, IT Distorted Faces & Portraits 1978-2007, Blondeau Fine Art Services, Geneva, CH 2006 My Mirage 1986-1991, Skarstedt Gallery, New York, NY, US 2006-2007 DO (I was in my Japenese gallery/museum in Japan...), Patrick Painter Inc., Santa Monica, CA, US Left Behind #8, 9, 10, Patrick Painter Inc., Santa Monica, CA, US 2006 Vise Head, Patrick Painter Inc., Santa Monica, CA, US Bernier/Eliades, Athens, GR Emily Tsingou Gallery, London, UK Vise Head, Patrick Painter Inc., Santa Monica, CA, US 2005 The Inky Depths/The Woman in the Wilderness, Metro Pictures, New York, NY, US Art & Public, Geneva, CH Praz-Delavallade, Paris, FR The Dream That Was No More A Dream, Patrick Painter Inc., Santa Monica, CA, US 2004 O, Kunsthaus Glarus, Glarus, CH Emily Tsingou Gallery, London, UK 2003 Kill Your Darlings, Patrick Painter Inc., Santa Monica, CA, US Kill Your Darlings, Bernier/Eliades, Athens, GR O, Le Magasin, Grenoble, FR Drawings, Metro Pictures, New York, NY, US Drawings, Studies, O-ism, Art & Public, Geneva, CH 2002 The Rite of the 360° Degree, Praz-Delavallade, Paris, FR The Goodman Image File and Study, Swiss Institute, New York, NY, US Oist Thrift Store Paintings, Metro Pictures, New York, NY, US Galleria Massimo De Carlo, Milan, IT 2001 The Artist’s World, Logan Galleries, CCAC Institute, San Francisco, CA, US Dreamt of Drawings, Emily Tsingou Gallery, London, UK Metro Pictures, New York, NY, US Praz-Delavallade, Paris, FR Galleria Massimo de Carlo, Milan, IT 2000 Thrift Store Paintings, ICA, London, UK Patrick Painter Inc., Santa Monica, CA, US Everything Must Go (curated by Sue Spaid), MAMCO, Geneva, CH; travels to The Contemporary Arts Center, Cincinnati, OH, US Johnen + Schottle, Köln, DE 1999 Metro Pictures, New York, NY, US Praz-Delavallade, Paris, FR Everything Must Go, Casino Luxembourg - Forum d'Art Contemporain, Luxembourg, LU (traveling retrospective) 1998 Drawings (curated by Peter Weiermair), Rupertinum - Musée d’art moderne et contemporain, Salzburg, AT Eccentric Drawing (curated by Peter Weiermair), Frankfurter Kunstverein, Frankfurt, DE 1997 The Deep, Tokyo, JP Bookbeat, Detroit, IL, US Rosamund Felsen Gallery, Santa Monica, CA, US Praz-Delavallade, Paris, FR 1996 Massimo de Carlo, Milan, IT The Sleep of Reason, Metro Pictures, New York, NY, US Dreams, Cabinet Gallery, London, UK 1995 I Dreamed I Was Performing in an Alternative Space in My Maidenform Bra, Rosamund Felsen Gallery, Santa Monica, CA, US Dreams, Galerie Andreas Brändström, Stockholm, SE What Exactly is a Dream and What Exactly is a Joke..., Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV, US 1994 Dreams That Money Can Buy, Rena Bransten Gallery, San Francisco, CA, US 1993 Dreams That Money Can Buy, Metro Pictures, New York, NY, US Dreams That Money Can Buy, Linda Cathcart Gallery, Santa Monica, CA, US 1992 Life and Death, Texas Gallery, Houston, TX, US Metro Pictures, New York, NY, US Horror A Vacui (with Benjamin Weissman), Linda Cathcart Gallery, Santa Monica, CA, US Galleria Massimo de Carlo, Milan, IT 1991 Thrift Store Paintings, Metro Pictures, New York, NY, US New Works from My Mirage, Linda Cathcart Gallery, Santa Monica, CA, US 1990 My Mirage, Linda Cathcart Gallery, Santa Monica, CA, US My Mirage, Matrix Gallery, University Art Museum, University of California, Berkeley, CA; travels to St Louis Museum of Art, St Louis, MO; Feature Inc., New York, NY, US Thrift Store Paintings, Brand Library, Glendale, CA, US 1989 Dennis Anderson Gallery, Los Angeles, CA, US 1986 The Nuclear Family, EZTV, Los Angeles, CA, US 1981 Life and Death, Zero Zero Club, Los Angeles, CA, US Group exhibitions: 2017 I Love L.A., Praz-Delavallade, Los Angeles, CA, US 2016 Realisms, The State Hermitage Museum, St. Petersburg, RU Un autre monde (((Dans notre monde))), Galerie du Jour Agnès B., Maison de la poésie, Centre Wallonie-Bruxelles, Paris, FR Collection(s) et nouveaux ensembles monographiques, Mamco, Geneva, CH Physical: Sex and the Body in the 1980s, LACMA, Los Angeles, CA, US A History: Contemporary Art from the Centre Pompidou, Haus der Kunst, Munich, DE DO IT, Hab Galerie, Nantes, FR (organised by Frac des Pays de la Loire) On verra bien, Galerie du Jour Agnès B., Paris, FR Nothing Compares to You (works from the collection of Martin & Rebecca Eisenberg), Riverview School, Cape Cod, MA, US 2015-2016 Drawing. The Bottom Line, S.M.A.K., Ghent, BE 2015 Free Admission, Praz-Delavallade, Paris, FR Better Than De Kooning, Villa Merkel, Esslingen am Neckar, DE Collecting Lines - Drawings from the Ringier Collection, Villa Flora, Winterthur, CH Magnificent Obsessions: The Artist as Collector, Barbican Centre, London, UK The Making of Personal Theory: Mysticism and Metaphysics in the Work of Sara Kathryn Arledge, Charles Irvin, and Jim Shaw, Armory Center for the Arts, Pasadena, CA, US Dominos, CIRCUIT, Lausanne, CH 2014-2015 What Nerve! Alternative Figures in American Art from 1960 to the Present (curated by Dan Nadel), RISD Museum, Providence, RI, US do it (homage), Utah Museum of Contemporary Art, Salt Lake City, UT, US; travels to Michaelis School of Fine Art, Capte Town, ZA; Garage Center for Contemporary Art, Moscow, RU Selections from The Permanent Collection, MOCA, Los Angeles, CA, US Onetorino: Shit and Die (organized by M. Cattelan, M. Ben Salah & M. Papini), Palazzo Cavour, Turin, IT (by invitation of Artissima) 2014 The Century of The Bed (curated by Vienna 2014), Galerie Steinek, Wien, AT As I Run And Run, Happiness Comes Closer (curated by Jérôme Sans), Emerige, Paris, FR The Crime Was Almost Perfect (curated by Cristina Ricupero), Witte de With, Rotterdam, NL Nothing Twice, Tadeusz Kantor Centre - Cricoteka, Krakow, PL Hearsay: Artists Reveal Urban Legends (curated by Wendy Sherman), California State University Fullerton Grand Central Art Center, Santa Ana, CA, US Grey Flags (curated by Timothée Chaillou), BackSlash Gallery, Paris, FR VEILS (curated by J. Dahl & A. Papademetropoulos), The Underground Museum, Los Angeles, CA, US The Crime Was Almost Perfect (curated by Cristina Ricupero), PAC - Padiglione d’Arte Contemporanea, Milan, IT My Little Boat of Sorrow, Rosamund Felsen Gallery, Santa Monica, CA, US 2013-2014 Donation Florence et Daniel Guerlain, MNAM - Centre Georges Pompidou, Paris, FR 2013 Oeuvres de la collection Philippe Cohen (curated by Ami Barak), Passage de Retz, Paris, FR The Universal Addressability of Dumb Things (curated by Mark Leckey), The Bluecoat, London, UK XXXL Painting (organized by the Museum Boijmans van Beuningen), Submarine Wharf, Rotterdam, NL Nuage, Musée Réattu, Arles, FR I'm Dreaming About A Reality, Galerie Chantal Crousel, Paris, FR Il Palazzo Enciclopedico / The Encyclopedic Palace (curated by Massimiliano Gioni) in The 55th Venice Biennale, The Arsenale, Venezia, IT More Young Americans (curated by Susanne Van Hagen), L'Enclos des Bernardins, Hôtel de Miramion, Paris, FR Coulisses, Frac Aquitaine, Bordeaux, FR Untitled. Works on Paper, Galerie Sophie Scheidecker, Paris, FR do it, Manchester Art Gallery, Manchester, UK 2012-2013 Faking It: Manipulated Photography Before Photoshop, Metropolitan Museum of Art, New York, NY, US LOST (in LA) (curated by Marc-Olivier Wahler, presented by FLAX), Los Angeles Municipal Art Gallery at Barnsdall Park, Los Angeles, CA, US 2012 Artists Merchandising Art (organized by René Luckhardt & Judith Rohrmoser), Wonderloch Kellerland, Berlin, DE / Los Angeles, CA, US Poule! (curated by Michel Blancsubé), Fundación/Colección Jumex, Ecatepec, MX Dogma (curated by Gianni Jetzer), Metro Pictures, New York, NY, US Panegyric, Forde, Geneva, CH For The Martian Chronicles, L&M Arts, Venice, CA, US 2011-2012 Destroy All Monsters: 1973-1976, Prism Gallery, Los Angeles, CA, US Incongru. Quand l'art fait rire, Musée cantonnal des Beaux-Arts de Lausanne, Lausanne, CH 2011 Interchange, Exchange LA, Los Angeles, CA, US All of the above (carte blanche à John Armleder), Palais de Tokyo, Paris, FR Secret Societies (curated by C. Ricupero, A. Vaillant & M. Ulrich), Schirn Kunsthalle, Frankfurt, DE; travels to CAPC - Musée d'art Contemporain de Bordeaux, Bordeaux, FR Fumetto - Festival International de la BD de Lucerne, Museum of Art, Lucerne, CH California Dreamin: Myths and Legends of Los Angeles, Galerie Almine Rech, Paris, FR All That is Unseen, Allan Nederpelt Gallery, Greenpoint, NY, US Echoes, Centre Culturel Suisse, Paris, FR (cat.) The Archaic Revival (curated by Dani Tull), Las Cienegas Projects, Los Angeles, CA, US Musique plastique, Galerie du jour Agnès B., Paris, FR Citysonic - Festival des Arts sonores, Grande Halle, Mons, BE The Spectacular of Vernacular, Walker Art Center, Minneapolis, MN; travels to Montclair Art Museum, NJ, US 2010-2011 The Artist’s Museum: Los Angeles, Artists 1980-2010, The Geffen Contemporary, The Museum of Contemporary Art, Los Angeles, CA, US Move: Choregraphing You, Hayward Gallery, London, UK; travels to Haus der Kunst, Munich; K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, DE Big Minis. Fetishes of Crisis, CAPC - Musée d'Art Contemporain de Bordeaux, Bordeaux, FR (cat.) 2010 Insiders: pratiques, usages, savoir-faire, CAPC - Musée d'art contemporain de Bordeaux, Bordeaux, FR Rive Gauche/Rive Droite (curated by Marc Jancou Contemporary & Azzedine Alaia), Breton & Blondeau Associes, Paris, FR Skin Fruit: Selections from the Dakis Joannou Collection (curated by Jeff Koons), New Museum, New York, NY, US Animal Politique, FRAC Poitou Charentes, Angoulême, FR Psychedelic: Optical and Visionary Art Since the 1960s, San Antonio Museum of Art, San Antonio, TX, US 2009 Les Années 80 - Second volet: Images & (re)présentations, Le Magasin, Grenoble, FR Spy Numbers, Palais de Tokyo, Paris, FR I DREAMED I WAS TALLER THAN JONATHAN BOROFSKY in Le Printemps de Septembre, Les Abattoirs, Toulouse, FR AUTO. SUEÑO Y MATERIA: Automobile culture as critical and creative territory, LABoral - Centro de Arte y Creación Industrial, Gijon; CA2M - Centro de Arte Dos de Mayo, Madrid, ES Les Enfants Terribles, Fundacion/Colleccion Jumex, Ecatepec, MX Houteff Banners, Cabinet Magazine, New York, NY, US Why Painting Now?, Blondeau Fine Art Services, Geneva, CH Los Angeles, Aspects of the Archaic Revival, Galerie Haus Schneider Uschi Kolb, Karlsruhe, DE You Can’t Expect to Get Back to Normal, Las Cienegas Projects, Los Angeles, CA, US The Sculpture Show, Patrick Painter Inc., Santa Monica, CA, US Major Works on Paper, Patrick Painter Inc., Los Angeles, CA, US Depression, Marres - Centre of Contemporary Culture, Maastricht, NL Regift (curated by John Miller), The Swiss Institute, New York, NY, US 2008 Sonic Youth etc.: Sensational Fix, Lieu International des Formes Emergentes, St Nazaire, FR; travels to Museion, Bolzano, IT; Kunsthalle Düsseldorf, Düsseldorf, DE Index: Conceptualism in California from the Permanent Collection, The Geffen Contemporary, Los Angeles, CA, US Collecting Collections. Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles, MOCA, Los Angeles, CA, US (cat.) Less is less and more is more, CAPC - Musée d'art contemporain de Bordeaux, Bordeaux, FR Glossolalia: Languages of Drawing, MoMA, New York, NY, US The Unruly and the Humorous: Imagery from Inner Consciousness (curated by Thomas Kidd), Angles Gallery, Santa Monica, CA, US In Geneva no one can hear you scream, Blondeau Fine Art Service, Geneva, CH Political Correct, Blondeau Fine Art Service, Geneva, CH Hommage to Modern Art, Galleria Massimo de Carlo, Milan, IT Zuordnungsprobleme, Johann König Gallery, Berlin, DE Mel’s Hole (curated by Doug Harvey), CFSU Grand Central Art Center, Santa Ana, CA, US Blasted Allegories - Works From The Ringier Collection, Kunstmuseum Luzern, Lucerne, CH Amateurs, CCA Wattis Institute for the Contemporay Arts, San Francisco, CA, US Martian Museum of Terrestrial Art, Barbican Art Center, London, UK Nobody Puts Baby in a Row (curated by S. Campagnolla & I. Bortolozzi), Isabella Bortolozzi Gallery, Berlin, DE The Brotherhood of Subrerranea (curated by Ben Judd), Kunstbunker, Nuremberg, DE In the Land of Retinal Delights: The Juxtapoz Factor, Laguna Art Museum, Laguna Beach, CA, US Dreaming / Sleeping, Passage de Retz, Paris, FR; Petah Tivka Museum of Art, Tel-Aviv, IL Animation / Fictions. Works from the FNAC Collections, FNAC, Paris, FR; travels to MNAC, Bucarest, RO Faces and Figures (Revisited), Marc Jancou Contemporary, New York, NY, US It’s A Celebration (curated by Sarah Cromarty), Circus Gallery, Los Angeles, CA, US Some Paintings in The 2007 LA Weekly Annual Biennial, Track 16, Santa Monica, CA, US Ne pas jouer avec des choses mortes, Villa Arson, Nice, FR Experimental: Folklore, Frankfurter Kunstverein, Frankfurt, DE Heroes and Villains, Marc Jancou Contemporary, New York, NY, US Hotel California, Galerie Georges-Philippe & Nathalie Vallois, Paris, FR 2007-2008 Strange Things Permit Themselves The Luxury of Occuring, Camden Arts Centre, London, UK 2007 If everybody had an Ocean: Brian Wilson, une exposition, CAPC - Musée d’art contemporain de Bordeaux, Bordeaux, FR Du Machinique et du Vivant, Galerie Xippas, Pacy-sur-Eure, FR Eden’s Edge: Fifteen L.A. Artists, Hammer Museum, Los Angeles, CA, US L’homme-paysage, Villa Oppenheim, Berlin, DE Emily Tsingou Gallery, London, UK Traum und Trauma, works from the Dakis Joannou Collection, MUMOK, Wien, AT 2006-2007 Magritte and Contemporary Art: The Treachery of Images, LACMA, Los Angeles, CA, US Red Eye: L.A. Artists from the Rubell Family Collection, Rubell Family Collection, Miami, FL, US 2006 Los Angeles 1955-1985, MNAM - Centre Georges Pompidou, Paris, FR Works on Paper, Patrick Painter Inc., Santa Monica, CA, US Dormir, Rêver... et autres nuits, CAPC - Musée d'art contemporain de Bordeaux, Bordeaux, FR JSA, Rental Gallery, Los Angeles, CA, US The Aesthetics of Art and Music: Punk, Le Magasin, Grenoble, FR Olaf Breuning, Jim Shaw, Cindy Sherman, Metro Pictures, New York, NY, US Ab Ovo (curated by Steven Hull), Arena 1, Santa Monica, CA, US Twice Drawn, Tang Museum, Saratoga Springs, NY, US Noir c’est la vie, Abbaye Saint-André - Centre d’art contemprain, Meymac, FR 2005-2006 Masters of American Comics, MOCA, Los Angeles, CA, US 2005 Mike Kelley, Martin Kippenberger, Louise Lawler, Robert Longo, John Miller, Jim Shaw, Cindy Sherman, Gary Simmons, Metro Pictures, New York, NY, US 100 Artists See God, ICA, London, UK Self Portraits, Skarstedt Gallery, New York, NY, US Very Early Pictures, Luckman Gallery, California State University, Los Angeles, CA, US Drunk vs. Stoned 2, Gavin Brown Enterprises, New York, NY, US Closing Down, Bortolami Gallery, New York, NY, US 2004 The meeting, Center for the Arts Eagle Rock, Los Angeles, CA, US Walking on elbows (curated by Mindy Shapero), Anna Helwing Gallery, Los Angeles, CA, US The Dogs, Karyn Lovegrove Gallery, Los Angeles, CA, US Selected Works…, Marc Jancou Fine Art, New York, NY, US 100 Artists See Satan, Grand Central Art Center, Santa Ana, CA, US Disparities & Deformations, SITE, Santa Fe, NM, US 100 Artists See God (organized by Independent Curators International), Naples Museum of Art, Naples, FL; The Jewish Museum, San Fransicso, CA; Laguna Art Museum, Laguna Beach, CA; Memorial Art Gallery, Universtity of Rochester, Rochester, NY, US; ICA, London, UK; Contemporary Art Center of Virginia, Virginia Beach, VI; Freedman Art Gallery, Albright College, Reading, PA; Checkwood Museum of Art, Nashville, TN, US Paper, Emily Tsingou Gallery, London, UK Diaries and Dreams. Contemporary Drawings, Galleria d’Arte Moderna, Bologna, IT Drawings, Praz-Delavallade, Paris, FR La fabrique du Sensible, Musée Departemental d’Art Contemporain de Rochechouart, Rochechouart, FR Expérience Pommery #1. Genesis Sculpture, Domaine Pommery, Reims, FR Planet B. The Aesthetics of B-movies in Contemporary Visual Arts, Magasin 4, Vorarlberger Kunstverein, Bregenz, AT 2003 Variations on the Theme of Illusion, Emily Tsingou Gallery, London, UK LA Post-Cool, Ben Maltz Gallery, Otis College of Art & Design, Los Angeles, CA, US Plus, si affinités, FRAC Poitou Charentes, Angoulême, FR Il Passato Non Esiste, Aurora, Rovereto, IT Extra, Swiss Institute, New York, NY, US (cat.) Ivan Morley, Christian Schumann, Jim Shaw, Patrick Painter Inc., Santa Monica, CA, US 2002 LA Post-Cool, San Jose Museum of Art, San Jose, CA, US Subréel, MAC - Galeries contemporaines des Musées de Marseille, Marseille, FR 2002 Biennial Exhibition, Whitney Museum of American Art, New York, NY, US Metro Pictures, New York, NY, US Amused, Perth Institute of Contemporary Art, Perth, AU; Kunstlerhaus Bethanien, Berlin, DE Super Heroes, Galerie Edward Mitterand, Geneva, CH (The World May Be) Fantastic, Museum of Contemporary Art, Sydney; Art Gallery of New South Wales, South Wales, AU Shoot the Singer: Music on Video, Institute of contemporary Art, University of Pennsylvania, Philadelphia, PA, US 2001 All Work and No Play Makes Jack a Dull Boy, Bern, CH 22nd Annual Benefit Art Auction, L. A. C. E, Los Angeles, CA, US Amused, Carrie Secrist Gallery, Chicago, IL, US The Artist’s World, Logan Galleries, CCAC Institute, San Francisco, CA, US (cat.) The Magic Hour, Neue Galerie Graz im Künstlerhaus, Graz, AT Tony Oursler, Jim Shaw, John Miller, Mike Kelley, Galerie Biedermann, Munich, DE Rena Bransten Gallery, San Francisco, CA, US Pop & Post-Pop (On Paper), Texas Gallery, Houston, TX, US 2000 El Poder De Narrar, Espai d’Art Contemporani De Castello, Castello, ES Musée des Arts Modestes, Sète, FR Diary, Cornerhouse Gallery, Manchester; The Minoris, Colchester, UK Dreaming Machines, London, UK Jim Shaw, Yoshitomo Nara, Johnen + Shottle, Köln, DE Destroy All Monsters, CoCa, Seattle, WA, US La Biennale de Montreal 2000, Montreal, CA Made in California, LACMA, Los Angeles, CA, US Representing LA, Frye art Museum, Seattle, WA, US Projection 24/7 (curated by Yvonne Force), The Standard, Hollywood, CA, US 1999 Ainsi de suite 3, CRAC Languedoc Roussillon, Sète, FR Basement Series #1 (curated by N. Roussel & M. Corompt), Pasadena, CA, US Drawn by..., Metro Pictures, New York, NY, US In Sickness and in Health: Jim Shaw and Marnie Weber. Recent Works, Project Gallery, Wichita, KS, US I, Me, Mine (curated by Mike Mehring), Luckman Gallery, California State University, Los Angeles, CA, US Drawn from the Artist’s Collections (curated by Anne Philbin & Jack Shear), Hammer Museum, Los Angeles, CA, US Pasadena Adjacent, Richard Heller Gallery, Santa Monica, CA, US God Don’t Make No Junk, Angstrom Gallery, Dallas, TX, US Videos of Artist Discussions, Rupertinum, Salzburg, DE At Century’s End, Museum of Contemporary Art, Lake Worth, FL, US Drawings, Copenhagen, DK 1998 Tell me a Story, Le Magasin, Grenoble, FR The New Surrealism, Pamela Auchincloss, New York, NY, US From Head to Toe: Concepts of the Body in 20th Century Art, LACMA, Los Angeles, CA, US Educating Barbie, Trans Hudson Gallery, New York, NY, US (cat.) LA on Paper: Relax, Galerie Krinzinger, Wien, AT Life Lessons: How Art Can Change Your Life: The Judy and Art Spence Collection, Laguna Art Museum, Laguna Beach, CA, US Slip Stream, Modern Institute, Glasgow, UK Night Vision (curated by Michael Miller), Junior Arts Center Gallery, LA Municipal Art Gallery, CA, US Spread, Rena Bransten Gallery, San Francisco, CA, US Graphic, Monash University Gallery, Clayton, AU (cat.) Fictional Biographies (curated by Julie Joyce), Rio Hondo College, Whittier, CA, US The Bean Show (curated by Marc Pally & Rhonda Sabbof), Dirt Gallery, Hollywood, CA, US Everybody Loves a Clown, Baby, Why Don’t You?, Guggenheim Gallery, Chapman University, Orange, CA, US (cat.) Affinities and Collections, California Center for the Arts, Escondido, CA, US Eccentric Drawing, Frankfurter Kunstverein, Frankfurt, DE I Rip You, You Rip Me (Honey, We’re Going Down in History), Museum Boijmans Van Beuningen, Rotterdam, NL Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, CT, US (cat.) Time After Time…, Emily Tsingou Gallery, London, UK Carte Blanche Galerie Praz-Delavallade, Institut Français, Turin, IT 1997 The Magic Show (curated by Jeffrey Vallance), Magic and Movie Hall of Fame, O’Sheas Casino, Las Vegas, NV, US Performance Anxiety, Museum of Contemporary Art, San Diego, CA, US Drawings, Meyerson and Nowinski, Seattle, WA, US Engel: Engel, Kunsthalle Wien, Wien, AT; Galerie Rudolfinum Prag, Prague, CZ Display, The Charlottenborg Exhibition Hall, Copenhagen, DK (cat.) Sunshine & Noir, Louisiana Museum of Modern Art, Humlebaek, DK; travels to Kunstmuseum Wolfsburg, Wolfsburg, DE; Castello di Rivoli, Museo d’Arte Contemporanea, Turin, IT; Hammer Museum, Los Angeles, CA, US KunstlerInnen, Künsthaus Bregenz, Bregenz, AT I Have a Dream (curated by John Miller), Richard Telles Fine Art, Los Angeles, CA, US Slad (curated by Janice Krasnow & Mary Jones), Apex Art / Metro Pictures, New York, NY, US 1996 Group Show, Melma, SE Dean Jensen Gallery, Milwaukee, IL, US The Comic Depiction of Sex in American Art, Sabine Knust Gallery / Galerie Im Haus 19 / Andreas Binder Gallery / Mathias Kampl Gallery, Munich, DE Anomolies, The Contemporary Arts Collective, Charleston, Las Vegas, NV, US Psy-Fi, Real Art Ways (RAW), Hartford, CT, US Popocultural, South London Gallery and Southampton City Art Gallery, London, UK Be Specific (curated by Michael Duncan), Rosamund Felsen Gallery, Santa Monica, CA, US 1995 Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC, US (cat.) Metro Pictures, New York, NY, US Galleri Andreas Brändström, Stockholm, SE (with Marnie Weber) Feature Inc., New York, NY, US From L.A. With Love, Praz-Delavallade, Paris, FR Raymond Pettibon, Jim Shaw, Benjamin Weissman, Praz-Delavallade, Paris, FR It’s Only Rock and Roll, Contemporary Arts Center, Cincinnati, OH; travels to Lakeview Museum of Arts and Sciences, Peoria, IL; Virginia Beach Center for the Arts, VI; Tacoma Art Museum, WA; Museum of Art, Jacksonville, FL; Bedford Gallery, Regional Center for the Arts, Walnut Creek, CA; Phoenix Art Museum, AZ; Lowe Art Museum, University of Miami, FL; Milwaukee Art Museum, WI; Arkansas Art Center, AK, Fresno Metropolitan Museum, CA; Austin Museum of Art, TX, US (cat.) 1994 Summer Academy I, PaceWildenstein Gallery, New York, NY, US Metro Pictures, New York, NY, US Arrested Childhood, Center of Contemporary Art, North Miami, FL, US (cat.) Single-Cell Creatures: Cartoons and their influence on the Contemporary Arts, Katonah Museum of Art, Katonah, NY, US Laura Carpenter Fine Art, Santa Fe, NM, US (with Tony Oursler) Can You Always Believe Your Eyes? De Beyerd, Breda, NL Facts and Figures: Selections from the Lannan Collection, Lannan Foundation, Los Angeles, CA, US 1993 The Language of Art, Kunsthalle Wien, Wien, AT Summer Reading, Texas Gallery, Houston, TX, US Kustom Kultur, Laguna Art Museum, Laguna Beach, CA, US SoHo at Duke IV, Duke University Museum of Art, Durham, NC, US Four Centuries of Drawing 1593-1993, Kohn Abrams Gallery, Los Angeles, CA, US The Return of the Cadavre Exquis, The Drawing Center, New York, NY, US Der Zerbrochene Spiegel (Thrift Store Painting Collection), Staatliche Akademie der Bildenden Kuenste, Wien, AT; Deichtorhallen, Hamburg, DE (cat.) Prospect ‘93, Frankfurter Kunstverein / Schirrn Kunsthalle, Frankfurt, DE The Broken Mirror, Kunsthalle Wien / Vienna Festival, Wien, AT 1992 The Day the Earth Stood Still, Cirrus Gallery, Los Angeles, CA, US True Stories, ICA, London, UK American Art of the 80’s, Museo d’Arte Moderna e Contemporanea, Trento, IT (cat.) Drawings, Stuart Regen Gallery, Los Angeles, CA, US Just Pathetic, American Fine Arts Co., New York, NY, US How It Is, Tony Shafrazi Gallery, New York, NY, US Ronald Jones, Robert Longo, Mike Kelley, Jim Shaw, Metro Pictures, New York, NY, US Helter Skelter: L.A. Art in the 1990’s, Museum of Contemporary Art, Los Angeles, CA, US (cat.) Tattoo Collection: Autour du tatouage, une collection de projets, photos et textes, Air de Paris / Urbi et Orbi, Paris, FR; Daniel Bucholz, Köln, DE Irony and Ecstasy; Contemporary American Drawings, Center of the Arts, Wesleyan University, Middletown, CT, US LAX, Galerie Ursula Krinzinger, Wien, AT Re-framing Cartoons, Wexner Center for the Arts, The Ohio State University, Columbus, OH, US Songs of Innocence / Songs of Experience, Whitney Museum of American Art at Equitable Center, New York, NY, US (cat) Rosamund Felsen Clinic and Recovery Center (curated by Ralph Rugoff), Rosamund Felsen Gallery, Los Angeles, CA, US 1991 Thrift Store Paintings, Metro Pictures, New York, NY, US The Store Show, Richard/Bennett Gallery, Los Angeles, CA, US (cat.) HAH, Roy Boyd Gallery, Santa Monica, CA, US Ovarian Warriors vs. Knights of Crissum, Sue Spaid Fine Art, Los Angeles, CA, US California North and South, Aspen Museum of Art, Aspen, CO, US The Kelly Family, Esther Schipper, Köln, DE 1991 Biennial Exhibition, Whitney Museum of American Art, New York, NY, US (cat.) No Man’s Time, Villa Arson, Nice, FR (cat.) Presenting Rearwards (curated by Ralph Rugoff), Rosamund Felsen Gallery, Los Angeles, CA, US 1990 Total Metal, Simon Watson Gallery, New York, NY, US Recent Drawings: Roni Horn, Charles Ray, Jim Shaw, Michael Tetherow, Whitney Museum of American Art, New York, NY, US (cat.) Thrift Store Paintings, Brand Library Art Galleries, Glendale; Contemporary Arts Forum, Santa Barbara, CA, US 1989 No Stomach, Installation Gallery, San Diego, CA, US Amerikarma, Hallwalls, Buffalo, NY, US Romancing The Stone, Feature Inc., New York, NY, US Thick and Thin, Fahey/Klein Gallery, Los Angeles, CA, US Buttinsky, Feature Inc., New York, NY, US LA Six, Rena Bransten Gallery, San Francisco, CA, US Dennis Anderson Gallery, Los Angeles, CA, US Erotophobia, Simon Watson Gallery, New York, NY, US boys will be boys, Linda Cathcart Gallery, Santa Monica, CA, US 1988 Saxon-Lee Gallery, Los Angeles, CA, US Dennis Anderson Gallery, Los Angeles, CA, US 1987 LA2DA, Museum of Contemporary Art, La Jolla, CA, US (cat.) Heterodoxy, Rosamund Felsen Gallery, Los Angeles, CA, US Cal Arts; Skeptical Belief(s), The Renaissance Society, University of Chicago, Chicago, IL; Newport Harbor Art Museum, Newport Beach, CA, US LA: Hot and Cool: The Eighties, MIT List Visual Arts Center, Cambridge, MA, US (cat) 1986 Hang 12, Piezo Electric Gallery, Venice, CA, US Social Distractions, Los Angeles Contemporary Exhibitions, Los Angeles, CA, US 1985 The Magic Show, Atelier Gallery, University of Southern California, Santa Monica, CA, US TV Generations, Los Angeles Contemporary Exhibitions, Los Angeles, CA, US (cat.) B & W, Los Angeles Institute of Contemporary Art, Los Angeles, CA, US 1984 The Floor Show, Los Angeles Contemporary Exhibitions, Los Angeles, CA, US 1976 Rackham Gallery, Ann Arbor, MI, US Catalogues / Publications: 2016 Jim Shaw - Rather Fear God, Paris, Praz-Delavallade, 2016 2015 Jim Shaw - The End Is Here, New York, Skira Rizzoli/New Museum, 2015 2014 Wahler, Marc-Olivier (ed), The Hidden World, London, Koenig Books, 2014 2013 Gros de Beler, Aude (dir.), Nuage, Arles, Actes Sud / Musée Réattu, 2013 2012 Kelley, Mike (dir.), Return of the Repressed: Destroy All Monsters 1973-1977, Brooklyn, PictureBox Inc, 2012 (cat.) Sillars, Laurence (ed.), Jim Shaw. The Rinse Cycle, Gateshead, London, Baltic Centre for Contemporary Art, Koenig Books Ltd, 2012 2011 Bovier, Lionel, Stroun, Fabrice (ed.), My Mirage, Zurich, JRP Ringier, September 2011 Vaillant, Alexis (ed.), Big Minis - Fétiches de crise, Bordeaux, CAPC, Berlin/New York, Sternberg Press, 2011 Dream Object Book by Jim Shaw, Bruxelles, Mfc - Michèle Didier, 2011 Secret Societies. To know, to dare, to will, to keep silence, Cologne, Snoeck, 2011 McLean K., Johnson P. (ed.), The Spectacular of Vernacular, Walker Art Center, 2011 2010 Jancou, Marc (ed.), Rive Gauche Rive Droite, Zurich, JRP Ringier, 2010, pp.84-85 2008 This Is Not To Be Looked At: Highlights from the Permanent Collection of MOCA, Los Angeles, The Museum of Contemporary Art, 2008, pp.92-93 Jim Shaw, Milan, Galleria Massimo de Carlo, 2008 Ruf, Beatrix (ed.), Blasted Allegories: Works from the Ringier Collection, Zurich, JRP Ringier, 2008, pp.170-171, 277 Sonic Youth etc.: Sensational Fix, Saint-Nazaire, LIFE; Bolzano, Museion; Köln, Verlag der Buchhandlung Walther König, 2008, pp.664-667 2007 Molon, Dominic, Sympathy for the Devil: Art and Rock Since 1967, Chicago, Museum of Contemporary Art, 2007, pp.228-231 Bernstein, Joanne, The UBS Art Collection: Drawings, Zurich, UBS AG, 2007, pp.230-233 Red Eye: L.A. Artists from the Rubell Family Collection, Miami, Rubell Family Collection, 2007, pp.202-203 Garrels, Gary, Eden`s Edge: Fifteen LA Artists, Los Angeles, Hammer Museum, 2007, pp.34-41 Jim Shaw, Distorted Faces & Portraits 1978-2007, Zurich, JRP/Ringier, 2007 2006 Richter, Francesca, Rosenzweig, Matthew (ed.), No.1, New York, D.A.P., 2006, p.342 Jim Shaw: Selected Dream Drawings, Santa Monica, Patrick Painter Inc., 2006 O, Zurich, JRP/Ringier, Grenoble, Le Magasin, Glarus, Kunsthaus Glarus, 2006 Multiplicity: Prints and Multiples from the Collection of Museum of Contemporary Art and the University of Wollongong, Sydney, The Museum of Contemporary Art, 2006 Fifth Interpretation of the Collection, Pachuca, La Coleccion Jumex, 2006, pp.90-91 2005 Private View 1980-2000 Collection Pierre Huber, Zurich, JRP/Ringier, 2005, pp.203-205 Kantor, Jordan, Drawing from the Modern: After the Engames, New York, MoMA, 2005, p.122 Hamilton, Elizabeth (ed.), The Blake Byrne Collection, Los Angeles, MOCA, 2005, p.87 2004 100 Artists See God, 2004, p.115 2003 Une Collection pour une Région, 1982-2002, FRAC Haute-Normandie, 2003, pp.8, 263 2002 Biennale of Sydney, Sydney, Museum of Contemporary Art, 2002, pp.189-192 Video Acts, Long Island, P.S.1 Contemporary Art Center, 2002, pp.189-191, 197 2001 The Artist’s World, San Francisco, The CCAC Institute, 2001, p.25 Painting at the Edge of the World, Walker Art Center, 2001, pp.149-150 2000 Minh-ha, Trinh T., L'innécriture: Inescriptura in El Poder de Narrar, September 2000, pp.192-256, 260, 282-285 1999 Everything Must Go, Santa Monica, Smart Art Press, 1999 (essays by D. Harvey, N. Roussel, F. Stroun, A. Gerstler) 1998 Träume, Frankfurt, Frankfurt Kunstverein, 1998 Price, Dick, The New Neurotic Realism, London, The Saatchi Gallery, 1998 Pop Surrealism, Ridgefield, Aldrich Museum of Contemporary Art, 1998 (essays by R. Klein, D. Nahas, I. Schaffner) Educating Barbie, New York, Trans Hudson Gallery, 1998 (essays by D. Burrows, M. Harris) 1997 Sunshine & Noir, Louisiana Museum of Modern Art; Kunstmuseum Wolfsburg; Castello di Rivoli, Museo d'Arte Contemporanea; Hammer Museum, 1997 Larsen, Lars-Bang & Anderson, Mikael, "Jim Shaw" in Display, Copenhagen, The Charlottenborg Exhibition Hall, 1997, pp.62-63 Engel: Engel (forward by Cathrin Pichler), Wien, Kunsthalle Wien; Prague, Galerie Rudolfinum, 1997 1996 Werner, Peters, Society On the Run: A European View of Life in America, New York, M.E.Sharpe, Inc., 1996 1995 Dreams, Santa Monica, Smart Art Press, 1995 Art on Paper, Greensboro, Weatherspoon Art Gallery, University of North Carolina, 1995 It's Only Rock and Roll, Contemporary Arts Center, 1995 1993 Kissick, John, Art: Context and Criticism, Britol, Communications, Inc., 1993 Thrift Store Paintings: Jim Shaw, Wien, Kunsthalle Wien; Hamburg, Deichtorhallen Hamburg, 1993 1992 Gudis, Catherine (ed.), Helter Skelter. LA Art in the 1990s, Los Angeles, Museum of Contemporary Art, 1992 Saltz, Jerry, American Art of the 80's, Trento, Museo d'Arte Moderna e Contemporanea, 1992 True Stories, London, ICA, 1992 1991 Biennial Exhibition, New York, Whitney Museum of American Art, 1991 Texts and Publications: 2015 Talk about "Entertaining doubts", Artforum, March 2015, pp.244, 247. 2012 Mike Kelley (1954-2012): Ten Tributes, Frieze, n°146, April 2012 Image of the People. Mike Kelley (1954-2012), Artforum, vol.L, n°9, May 2012, pp.241, 245 Oneiromancy, Annual Magazine, n°5, 2012, pp.56-57 2010 Inédit, Jim Shaw, Roven, Printemps-été 2010, pp. 31, 35 2002 The Very Best Of...The Perfect Me, Los Angeles, The End is Here Publications, 2002 (sound recording) 1998 Shaw, Jim, Jim Shaw's Top Ten, Artforum, n°3, November 1998, p.44 1991 Shaw, Jim, Project for Artforum (insert), Artforum, March 1991, p.81 1990 Thrift Store Paintings, Los Angeles, Heavy Industry Publications, 1990 1986 Secret-Star-A Shocker Creating O, Los Angeles, AIOAEUIE NTNLNQRR, The End is Here Publications, 1986 New Abducted By To Lose, Los Angeles, AIOAEUIE NTNLNQRR, The End Is Here Publications, 1986 1981 Life and Death: a non narrative narrative by Jim Shaw, Los Angeles, The End Is Here Publications, 1981 1978 The End is Here, Los Angeles, The End Is Here Publications, 1978 Bibliography: 2016 Kreimer, Julian, Reviews: Jim Shaw. New York, at New Museum, Art in America, March 3, 2016 Steadman, Ryan, An Artist Taps Into America's Disturbed Psyche at the New Museum, Observer Culture, January 7, 2016 Sokol, Zach, 'The Things I'm Interested in Have to Be Cheap and Strange': Talking to Artist Jim Shaw, January 10, 2016 McMahon, Katherine, L.A. Habitat: Jim Shaw, April 19, 2016 Jim Shaw Exhibition at Praz-Delavallade, Paris, April 6, 2016 Jim Shaw - Rather fear god, April 30, 2016 Le top 5 des expos de la semaine, April 7, 2016 Benhamou-Huet, Judith, En Galerie. Jim Shaw, Le Point, April 14, 2016, p.110 Gasnier, Maxime, Jim Shaw expose ses rêves et ses fantasmes à la galerie Praz-Delavallade, Numéro, n°872, April 11, 2016 2015 Reisman, David, Review: Jim Shaw, December 10, 2015 Questionnaire: Jim Shaw, Frieze, n°174, October 2015, p.268 Taft, Catherine, 1000 Words: Jim Shaw Talks About “Entertaining Doubts”, Artforum, March 2015, pp. 244-245 Bell, Natalie, Subliminal Drift, Mousse Magazine, n°50, October 2015, pp.254-267 Kennedy, Randy, Jim Shaw, From Trash Bins and Swap Meets, a Prodigious Body of Work, NY Times, October 4, 2015 Indrisek, Scott, Jim Shaw On Dream-Drawing, Happiness, and Art School, Blouin October 7, 2015 Johnson, Ken, Jim Shaw at the New Museum: A Kaleidoscope of Giddy Delirium, NY Times, October 15, 2015 Davis, Ben, New Museum Wrestles with Jim Shaw’s Fascinating Fanaticism, , October 20, 2015 Hoberman, J., Crackpot Gothic, The New York Review of Books, October 25, 2015 Knight, Christopher, Review: ‘Jim Shaw: The End Is Here’ Taps Public’s Id in A Weird, Humorous Way, LA Times, October 27, 2015 Liberty, Megan N., At The New Museum, Jim Shaw Plays Artist and Curator, , November 12, 2015 Miranda, Carolina A., Jim Shaw Celebrates The Fabric and Weirdness of America at New Museum, LA Times, December 4, 2015 Taft, Catherine, Previews: "Jim Shaw: The End Is Here", Artforum, September 2015, p.207 Museum Previews: Jim Shaw, Art in America, July 2015 Davis, Ben, Ben Davis's 20 Most Memorable New York Museum Shows of 2015, November 25, 2015 Gopnik, Blake, At the New Museum, Jim Shaw Reveals America's Esoteric Side, October 14, 2015 Mohammad, Sehba, Jim Shaw Reveals Erotic Dreams and UFO Cults at the New Museum, October 8, 2015 Weinstein, Matthew, ‘The Spirals Of His Mind Are Tightly Wound And Mysterious’: Matthew Weinstein On Jim Shaw At The New Museum, October 29, 2015 Young, Lola, Jim Shaw Distorts Your Senses: The Cult American Artist Takes Over The New Museum, Hero November 3, 2015 Saul, Peter, The End of Jim Shaw, Interview October 23, 2015 Schjeldahl, Peter, America at the Edges, The New Yorker, October 19, 2015 Smith, Roberta, An Odd Career Gets Its Due, NY Times, October 4, 2015 Walsh, Brienne, A Conversation with Jim Shaw, July 10, 2015 Laster, Paul, Shock and Shaw, Time Out NY, October 7-13, 2015 Laster, Paul, Artist Jim Shaw Talks Sexy Tinker Bell and The Seven Deadly Sins, Time Out NY, October 9, 2015 Halle, Howard, The 10 Best Art Shows of 2015, Time Out NY, December 10, 2015 Saltz, Jerry, How Jim Shaw Birthed a New Era of Appropriation, December 8, 2015 2014 Malfettes, Stéphane, Un Shaw complotiste, Mouvement.net, January 8, 2014 Johnson, Ken, 'I Only Wanted You To Love Me', NY Times, September 26, 2014, Schad, Ed, Jim Shaw. Blum & Poe, ArtReview, January-February 2014, p.126 Hoeber, Julian, Artists at Work: Jim Shaw, East of Borneo, April 30, 2014 Graphic Content: Art and Animation, Artforum, Summer 2014, p.299 Indrisek, Scott, 5 Must-See Gallery Shows: Daria Irincheeva, Jim Shaw and More, September 25, 2014 Schellenberg, Samuel, Jim Shaw, l'art de faire croire, Le Courrier, October 4, 2014 2013 Chardon, Elisabeth, Jim Shaw collectionne l'imagerie sectaire, évangélique ou apocalyptique, Le Temps, October 29, 2013 Elias, Chad, Reviews: Jim Shaw - BALTIC, Frieze, n°153, March 2013, p.162 Withers, Rachel, Reviews: Jim Shaw - Baltic Centre for Contemporary Art, Artforum, vol. LI, n°9, May 2013, p.340 Onderzeebootloods - XXXL Painting - Jim Shaw in Rotterdam, Frenchy But Chic, June 9, 2013 Russeth, Andrew, "Made in Space" at Gavin Brown's Enterprise and Venus Over Manhattan, Gallerist NY, July 23, 2013 Pagel, David, Review: Jim Shaw's Juxtapositions Keep Viewers Guessing, LA Times, November 27, 2013 Zellen, Jody, Jim Shaw, ArtScene, n°4, December 2013, pp.16-17 Lauwaert, Maaike, Jim Shaw - Chalet Society, December 2013 2012 The Hole, Incognitum Hactenus, vol.3, 2012 Ocmanek, Annie, Previews: Jim Shaw: The Rinse Cycle, Artforum, vol.51, n°2, October 2012, p.119 Harvey, Doug, Mad World. Jim Shaw's Wondrous and Difficult Year, Modern Painters, November 2012, pp.72-77 + cover Herbert, Martin, Now See This: Ten Exhibitions You Don’t Want to Miss This Month, Art Review, December 2012, p.25 Lavrador, Judicaël, Les ateliers d'artistes aujourd'hui, Beaux Arts, n°332, February 2012, pp.46-47 2011 Taft, Catherine, Beroep: dilettant - Interviews met Jim Shaw, Metropolis M, June-July 2011, pp.34-41 (+ cover) Nin, Bettie, Jim Shaw at Galerie Praz-Delavallade, September 2011 Mizota, Sharon, Art Review: Jim Shaw at Patrick Painter, May 22, 2011 Go See: Jim Shaw "Cakes, Men in Pain, White Rectangles, Devil in the Details" at Patrick Painter, , June 9, 2011 Jim Shaw "The Thrilling Stories From The Book Of 'O'" at Praz-Delavallade, Mousse Blog, November 2, 2011 Lemaître, Isabelle, Jim Shaw - The Thrilling Stories From The Book of "O", Flux News, n°56, October-December 2011, p.25 Jim Shaw in Art in L.A., Artforum, vol.L, n°2, October 2011, p.259 Diary: Jim Shaw at Praz-Delavallade, Mousse, n°30, October-November 2011, p.224 Stroun, Fabrice, Curator's Key - Fabrice Stroun, Spike, n°30, Winter 2011, pp.44-46 Wood, Eve, Jim Shaw: Cakes, Men in Pain, White Rectangles, Devil in the Details, May 2011 Happy Birthday Fumetto!, Annabelle, April 6, 2011, p.52 Fumetto - Künstlicher Kosmos, Apero, April 6, 2011, p.10 Oehen, Berta, Witzig-abgründige Welt der Comics, Willisauer Bote, April 15, 2011, p.6 2010 Schad, Ed, Jim Shaw, Flaunt, n°107, 2010, pp.98-101 Broqua C., Vergès C., Certains l’aiment Shaw, Spirit supplement du journal Sud Ouest, April 30, 2010 Prodhon, Françoise-Claire, Jim Shaw, un éclectisme foisonnant, AD, June 2010, pp.84-85 Tumlir, Jan, Previews: Jim Shaw - Left Behind, Artforum, May 2010, p.143 Lavrador, Judicaël, Freak Shaw, Les Inrocks, n°755, May 19, 2010 Lavrador, Judicaël, Jim Shaw, Apocalypse Now à Bordeaux, Beaux Arts, May 2010 Mine, Molly, Jim Shaw fait son show à Bordeaux, La Gazette Drouot, May 14, 2010, p.189 Lequeux, Emmanuelle, L’Univers fourmillant de Jim Shaw effeuille les traumas de l’Amérique, Le Monde, June 1, 2010 Youssi, Yasmine, Jim Shaw raconte l'Amérique à Bordeaux, La Tribune, June 3, 2010, p.30 Bernard, Paul, Jim Shaw au CAPC, 02, Summer 2010 Gallais, Jean-Marie, Jim Shaw, Kaleidoscope, n°7, Summer 2010, p.73 Chaillou, Timothée, L'Amérique en questions, Archistorm, 2010 Déjean, Gallien, Le complot de l'ornement, May, n°5, October 2010, pp.134-143 Le Chevalier, Yann, Subversif Jim Shaw, Parcours des Arts, n°23, July-August-September 2010, pp.56-57 Chaillou, Timothée, Jim Shaw, Standard, n°28, July-August 2010 Bernard, Etienne, Jim Shaw: Vernacular Mysticism, 02, n°55, Autumn 2010, pp.24-27 Arnaudet, Didier, Jim Shaw, Artptress, n°369, July-August 2010, p.94 Lorient, Claude, Grand Shaw théâtral à Bordeaux, La Libre Belgique, July 24-25, 2010, pp.50-51 Estève, Julie, Jim Shaw, Une approche éclectique et chaotique est le meilleur moyen d'aborder le présent, Art Actuel, n°69, July 2010 Le côté obscur selon Jim Shaw, Connaissance des Arts, n°683, June 2010, p.38 Blain, Françoise-Aline, Jim Shaw, le gentleman de la contre-culture, Parcours des Arts, n°22, April-May-June 2010, pp.40-41 Duponchelle, Valérie, Jim Shaw et ses BD de l'Apocalypse, Le Figaro, May 18, 2010, p.36 Godfrey, Dominique, L'Apocalypse selon Shaw, Sud-Ouest, May 7, 2010, p.44 Barachon, Charles, Le cauchemar américain, Technikart, 2010, p.112 2009 Benhamou-Huet, Judith, Toulouse Lyon, l'art contemporain s'expose, Les Echos, October 1, 2009, p.17 Jim Shaw: London, Art Papers, July-August 2009, p.57 Harvey, Doug, Artists Collection. Prop Department, Modern Painters, February 2009, pp.22-23 Sumpter, Helen, The Joy of Sects, Time Out London, February 19-25, 2009, pp.45-48 2008 Barliant, Claire, The Artless Dodger: Jim Shaw and His Endless Compendium, Afterall, n°19, October 2008, pp.91-97 Buckley, Annie, Critic's Picks: Jim Shaw at Patrick Painter,December 2008 Harvey, Doug, Duking It Out at Patrick Painter with Jim and Peter and Glenn, LA Weekly, December 9, 2008 Harvey, Doug, Jim Shaw's Real Mirage: A Partial Inventory, Afterall, n°19, October 2008, pp.98-106 T.D. Neil, Jonathan, Special Focus: Reviews Marathon, ArtReview, February 2008, p.82 Smith, Roberta, Jim Shaw, The New York Times, January 2008, p.E38 Myers, Holly, Art Utopia, January 9, 2008 2007 Ascari, Alessio, Jim Shaw, Mousse, n°10, September 2007, pp.18-21 Tremblay, Nicolas, Rêves éveillés, Numéro, 2007 Knight, Christopher, Eden's Edge: Fifteen L.A. Artists' : an L.A. Art History Exhibit that Twists, Turns and Looks Back, LA Times, May 23, 2007 Swantie, Karich, Visuelle wirbel und makabre end zeitstimmung, FAZ, December 2, 2007 Jim Shaw Talks With Dani Tull About His Paintings, Arts Magazine, November-December 2007 Drohojowska-Philp, Hunter, Reviews: Eden's Edge, Art News, October 2007, pp.219-220 Muller, Dominikus, Neu unterm S-Bahnbogen: Von der Seine an die spree: Praz-Delavallade startet mit Jim Shaw, Berliner Zeitung, n°289, December 11, 2007 Damagnez, Véronique, Jim Shaw - Demolition Man, Mixte, 2007, pp.122-123 Schwendener, Martha, Jim Shaw: The Donner Party, The New York Times, August 3, 2007, p.E31 Wolff, Rachel, The Annotated Artwork: The Donner Party, New York, May 28, 2007, p.84 2006 Danby, Charles, Jim Shaw, Frieze, June-July-August 2006, p.275 Satz, Aura, Jim Shaw, Tema Celeste, July-August 2006, p.79 The Artists' Artists: Jim Shaw, Artforum, December 2006, p.111 Bonnin, Anne, Le Show de l’hérétique, 02, Autumn 2006 Duncan, Michael, Opening Salvos in L.A., Art in America, November 2006, pp.76-83 Roussel, Noëllie, Los Angeles: Elsewhere is Everywhere, Artpress, n°322, April 2006, pp.34-44 Lack, Jessica, Monsters ink, ID, May 2006 2005 Lavrador, Judicaël, Jim Shaw - Le gourou californien, Beaux-Arts, 2005 Harvey, Doug, Night Vision, LA Weekly, January 2005 Harvey, Doug, Shawmix, LA Weekly, November 17, 2005 Look What the Artist Dreamed Up, LA Times, January 2005 Jim Shaw: The Inky Depths / The Woman in the Wilderness, Time Out New York, October 13-19, 2005 2004 Mitchell, Charles Dee, Report From Santa-Fe: Everything in Excess, Art in America, November 2004, pp.84-91 Purcell, Greg, Unpopular Authorship: The Drawings of Jim Shaw, NY Arts, January-February 2004, p.62 Tumlir, Jan, Destroy All Monsters - Jan Tumlir on Motor City Madness, Artforum, October 2004, pp.85-86, 276-278 Schneider, Nadia, Im banne des O-ismus, Ostschweiser kulturmagazin saiten, n°120, March 2004, pp.32-33 2003 Bonnin, Anne, Jim Shaw, Art Press, n°294, October 2003, pp.77-78 Lavrador, Judicaël, O-culte, Les Inrocks, Summer 2003 Jim Shaw et l'O-isme, Art actuel, July-August 2003, p.58 Levine, Cary, Jim Shaw at Metro Pictures and the Swiss Institute, Art in America, n°3, March 2003, pp.126-127 Pécoil, Vincent, Série O, 02, Summer 2003, pp.8-11 Harvey, Doug, Cracked Abstraction: the Geometrical Designs of Alfred Jensen, the "O-ist" Discoveries of Jim Shaw, LA Weekly, February 7-13, 2003 Pagel, David, Eye-to-eye with forgotten codgers, LA Times, January 17, 2003, p.E34 Magnuson, Ann, L.A. Woman: new World ‘O’rder, Paper, February 2005, p.53 Art, Tavee, Between Rock and a Hard Place, Contemporary, n°55, 2003, pp.96–99 Falconer, Morgan, Interview with Jim Shaw, Contemporary, n°55, 2003, pp.78-83 Church, Amanda, Jim Shaw, Metro Pictures, Flash Art, November-December 2003, p.54 Pollack, Barbara, The New Visionaries, ARTnews, December 2003, pp.92-97 2002 Summers, Francis, Hungry for Death?, Untitled, n°28, Summer 2002, pp.16-19 Rivoire, Annick, Entrées Imaginaires dans le Réel, Libération, September 30, 2002 Troncy, Eric, La Clé des Songes, Numéro, November 2002 Wilson, Michael, Critics' Picks: Jim Shaw, September 26, 2002 Stern, Steven, Shaggy Dogma Stories: Visit Jim Shaw’s Two Next Exhibits and Get Converted to O-ism, Time Out New York, October 3-10, 2002, p.58 Kimmelman, Michael, Jim Shaw: Swiss Institute, The New York Times, October 4, 2002, p.E33 Stern, Steven, Sweet Charity, Frieze, June-August 2002, pp.94-97 Klein, Mason, AD, n°20, March 2002 Saltz, Jerry, A World Apart, The Village Voice, May 8-14, 2002 Douglas, Sarah, Jim Shaw: the Goodman Image File and Study, The Art Newspaper, September 2002, p.2 Burnett, Craig, Praise the Big ‘O’, Modern Painters, Autumn 2002, p.153 Williams, Gregory, Jim Shaw– Swiss Institute, Artforum, December 2002, pp.137-138 Leith, Anne, Jim Shaw, Modern Painters, Winter 2002, pp.148-150 2001 Klein, Mason, Finding My Religion, Sleazenation, vol 4, n°8, September 2001 Klein, Mason, Cabinet, n°5, Winter 2001 Brown, Neal, A Noble Art/Jim Shaw, Frieze, n°57, March 2001, p.104 Dannatt, Adrian, It Is All Just A Dream, The Art Newspaper, n°113, April 2001, p.77 Klein, Mason, Jim Shaw- Metro Pictures, Artforum, Summer 2001, p.184 Oursler, Tony, Jim Shaw, ITS, n°3, November-December 2001, pp.54-63 2000 Falconer, Morgan, Priceless, Art Review, n°52, October 2000, pp.44-45 Le "BAC" crée une synergie sans précédent, Le Journal des Arts, March 17, 2000 Guerrin, Michel, Le grand déballage de Jim Shaw, Le Monde, April 14, 2000 Lehmeier, Anita, Zwischen Alltag und Alptraum, Die Besten, n°8, February 21, 2000 Maurer, Simon, Die Auswüchse der US - Einheitskultur, Tages Anzeiger, 2000 Grandjean, Emmanuel, Chaud chaud, le Jim Shaw, Tribune de Genève, January 29, 2000 Rugoff, Ralph, Rules of the Game, Frieze, January-February 2000, pp.46-49 Chauvy, Laurence, Le Mamco s’ouvre au monde de Jim Shaw, artiste aux mille et un styles, Le Temps, February 2, 2000 Clarinval, France, Expos & Autres Culturiosités, Nightlife.lu, May 2000, pp.35-37 (+cover) Grandjean, Emmanuel, Le Mamco termine l’hiver avec le bouillonnant Jim Shaw, Tribune de Genève, February 2000 Nicola, Jacques, Attendant 2002, le Mamco cible l’imaginaire americain, Le Courrier, February 3, 2000 Havanne, Bill, Exposition Jim Shaw au MAMCO. Un delire americain, Le Messager, February 10, 2000 Harris, Hanna, Jim Shaw; ja amerikkalainen unelma, Suomen Kuvalehti, March 25, 2000 Basting, Barbara, Im Erbe schäumend kraulen, FAZ, March 31, 2000 Piron, Francois, The Shaw Must Go On, Mouvement, April-June 2000 Boyer, Guy, Jim Shaw sur deux niveaux, L’Oeil, April 2000 Troncy, Eric, Artiste du Mois: Jim Shaw, Beaux-Arts Magazine, April 2000 Alles muss möglich sein, Der Bund, April 4, 2000 Baumann, Daniel, Jim Shaw at Mamco, KunstBulletin, May 2000 Tremblay, Nicolas, Jim Shaw: MAMCO, Flash Art, Summer 2000, pp.120-121 Harvey, Doug, Crazy Summer, LAWeekly, July 7, 2000, p.43 Kushner, Rachel, A Thousand Words: Jim Shaw Talks About his Dream Project, ArtForum, November 2000, pp.128-129 Duncan, Michael, Shaw’s Carnival of the Mind, Art in America, December 2000, pp.86-91, 134 Harvey, Doug, Ten Shows That Rocked My World: Jim Shaw at Patrick Painter, LA Weekly, December 29, 1999 - January 4, 2000 Jim, the Obscure, Wrong, vol.1, n°2, 2000, pp.2-13 Behrman, Pyle, Jim Shaw, Everything Must Go, Contemporary Visual Arts, June-July-August 2000, p.43 Viladas, Pilar, Barn Again, The NY Times, August 27, 2000, pp.50-51 Farquharson, Alex, Inside Art, Art Monthly, December-January 2000, p.242 personaLIST, LIST, Spring-Summer 2000, p.124 1999 Grabner, Michèle, Jim Shaw, New Art Examiner, vol.27, n°3, November 1999, p.68 'Time After Time' at Tsingou, Flash Art, January-February 1999, p.3 Schneider, Caroline, Jim Shaw - Everything Must Go 1974-1999, Artforum, May 1999, p.80 Pollack, Barbara, Jim Shaw: Review, Artnews, June 1999, p.128 Verwoert, Jan, Jim Shaw: Casino Luxembourg, Frieze, November-December 1999, p.99 L’Oeil, n°503, February 1999 Breerette, Geneviève, A l’Est, quoi de nouveau?, Le Monde, February 14-15, 1999 Angus, Denis, Jim Shaw. Respect Pop Culture, Omnibus, n°27, January 1999, pp.12-13 Leydier, Richard, Jim Shaw: Casino Luxembourg, Art Press n°249, September 1999 Rugoff, Ralph, Rules of the Game, Frieze, January-February 1999, pp.46-49 Johnson, Ken, Art In Review: Jim Shaw, The NY Times, March 19, 1999, p.E39 1998 Forward/Slash: Bits From the Web, The Web Magazine, January 1998, p.12 Gerstler, Amy, Jim Shaw: Rosamund Felsen, Artforum, April 1998, p.112 Duncan, Michael, Variations in Noir, Art in America, April 1998, pp.57-61 Harvey, Doug, Jim Shaw at Rosamund Felsen, Art in America, May 1998, p.134 Rian, Jeff, 'Sunshine & Noir' and 'LA Times', Flash Art, October 1998, pp.61, 67 Drolet, Owen, Pop Surrealism, Flash Art, Summer 1998, p.61 McCormick, Carlo, Surrealism Goes Pop, Juxtapoz, Winter 1998 Zimmer, William, Recipe for a Good Time: Surrealism and Pop Culture, The NY Times (Connecticut section), August 2, 1998 Kimmelman, Michael, How the Tame Can Suddenly See Wild, The NY Times (Arts & Leisure section), August 2, 1998 Madoff, Steven, Pop Surrealism, Artforum, vol.37, n°3, October 1998, p.120 Kimmelman, Michael, In Connecticut Where Caravaggio First Landed, The NY Times (Arts & Leisure section), July 17, 1998 Lombardi, Dominick, An Art Lover's Candy Store at the Aldrich Museum, The Record-Review, June 26, 1998 Dietsch, Scott, The New Surrealism Gets Real, The Villager (Arts & Entertainment section), November 4, 1998, p.1 1997 Angus, Denis, Shaw Business, Technikart, n°11, 1997 Dunham, Caroll, Jim Shaw, ARTnews, January 1997, p.118 Van de Walle, Mark, Jim Shaw: Metro Pictures, Artforum, March 1997, pp.90-91 Reisman, David, The Sleep of Reason, Texte zur Kunst, March 1997, pp.117-119 Special Feature: Mike Kelley & the LA Art Scene, BT, February 1997, pp.16-80 Albertini, Rosanna, Jim Shaw: Rêveries d'un artiste conceptuel - Reveries of a conceptual artist, Art Press, n°223, April 1997, pp.47-51 Knight, Christopher, Lots of 'Sunshine,' Little Light, LA Times (Arts section), July 27, 1997, pp.4-5, 85 Nilsson, Hakan, Sunshine and Noir, Flash Art, November-December 1997, p.74 Bang Larsen, Lars, Sunshine & Noir: Art in LA 1960-1997, Frieze, September-October 1997, pp.93-94 Kozloff, Max, Sunshine & Noir: Art in LA 1960-1997, Artforum, December 1997, pp.110-111 1996 Saltz, Jerry, Jim Shaw - The Sleep of Reason, Time Out New York, October 1996, pp.17-24 Albertini, Rosanna, Jim Shaw - The Graphic Obsession - Remains of the Dreams, Neue Bildende Kunst, February 1996, pp.36-38 Killam, Brad, L.A. Stories, New Art Examiner, vol.24, October 1996, p.49 Dreams (portfolio and back cover), Grand Street, vol.14, n°4, 1996, pp.123-133 Jim Shaw, New Yorker, October 7, 1996, p.24 Greene, David A., California Dreaming, The Village Voice, 1996, p.95 Preston, Janet, New York Letter Bomb, Coagula Art Journal, n°24, 1996, p.18 (review of "Sleep of Reason" show at Metro Pictures) Johnson, Ken, California Dreamer, Art in America, December 1996, p.89 Koether, Jutta, Unterhalb der Metaebenen, Spex, n°12, December 1996, p.52 1995 Kandel, Susan, Art as Therapy, LA Times, January 12, 1995, p.F10 Tumlir, Jan, Jim Shaw at Rosamund Felsen, Artweek, vol.24, March 1995, p.37 Muchnic, Suzanne, Jim Shaw, Art News, April 1995, p.154 Carducci, Vincent, Destroy All Monsters, New Art Examiner, April 1995, p.46 Greene, David A., Jim Shaw's Dream Drawings, Art Issues, n°38, Summer 1995, pp.20-21 McKenna, Kristine, The Night Watchman, LA Times Calendar, January 8, 1995, pp.7, 84 Urban, Hope, Jim Shaw, Juxtapoz, Summer 1995, pp.26-30 1994 Kohen, Helen L., Art Review (Arrested Childhood), The Herald Tribune, May 22, 1994, p.11 Clearwater, Bonnie, Arrested Childhood, Art Press, December 1994, pp.33-40 1993 Kandel, Susan, Art Reviews: Jim Shaw at Linda Cathcart, LA Times, May 6, 1993, p.F12 Duncan, Michael, L.A.: The Dark Side, Art in America, March 1993, pp.41-43 Heath, Chris, Artful Dodgers, Details, November 1993, pp.119-123, 175-176 Duncan, Michael, Jim Shaw at Linda Cathcart,Art in America, December 1993, p.110 1992 Liebman, Lisa, Jim Shaw, Artforum, January 1992, p.101 Knight, Christopher, "Constellations": Yearbook of Adolescent Yearnings, LA Times, April 23, 1992, p.F4 Gardner, Colin, Helter Skelter at the Temporary Contemporary, Artforum, April 1992, pp.103-104 Kutner, Janet, An artist with a thirst for Pop, Dallas Morning News, June 12, 1992, pp.1C-2C Knight, Christopher, An Art of Darkness at MoCA, LA Times, January 28, 1992, pp.F1, F4, F5 Nesbitt, Lois, Art's Bad Boys, Elle, March 1992, pp.91-93 Rugoff, Ralph, Jim Shaw: Recycling the Subcultural Straitjacket, Flash Art, March-April 1992, pp.91-93 Whitington, G. Luther, L.A.'s new look, Art & Auction, January 1992, pp.83-85, 116 Kalil, Susie, Schlock Value, Houston Press, November 26, 1992, pp.31-34 Plagens, Peter, Welcome to Manson High, Newsweek, March 2, 1992, pp.65-66 1991 Kandel, Susan, New York in Review: Jim Shaw, Arts, March 1991, pp.106-107 Heyler, Joanne, Jim Shaw: Nostalgia of Wow, Flash Art, March-April 1991, p.135 Aletti, Vince, Thrift Store Paintings, The Village Voice (Literary Supplement), February 1991 Pagel, David, Jim Shaw at Linda Cathcart, Art Issues, April-May 1991, p.33 Nesbitt, Lois E., Books, Arts, Summer 1991, p.106 Walsh, Kelly, Interview, September 1991, p.68 Homes, A. M., Jim Shaw at Feature, Artforum, September 1991, p.132 Nesbitt, Lois E., American Psycho, Artscribe, n°88, September 1991, pp.44-47 Cameron, Dan, Not-Quite-Art, Art & Auction, November 1991, pp.84-90 Johnson, Ken, Generational Saga, Art in America, 1991, pp.45-50 Kandel, Susan, Teen Trauma, LA Times, November 28, 1991, p.F5 Kimmelman, Michael, At the Whitney, a Biennial That's Eager to Please, The NY Times, April 19, 1991 1990 Helfand, Glen, Boy's Life, SF Weekly, November 14, 1990, p.11 Knight, Christopher, "Thrift Store" Show: It's Priceless, LA Times, March 28, 1990, pp.F1, F8 Saltz, Jerry, Lost in Translation: Jim Shaw's Frontispieces, Arts Magazine, Summer 1990 Knight, Christopher, Shaw's Wildly Funny Narrative Saga, LA Times, December 7, 1990 Paul Tin, Nyo, Jim Shaw, Artweek, December 13, 1990 Baker, Kenneth, Datebook Galleries, San Francisco Chronicle, December 8, 1990 Rinder, Lawrence, Interview with Jim Shaw, Matrix, 1990 Schjeldahl, Peter, Low Cal, The Village Voice, December 25, 1990 Bonetti, David, My Mirage reflects new image, San Francisco Examiner, November 23, 1990, 1989 Curtis, Cathy, Galleries, LA Times, December 29, 1989, p.F24 Hickey, Dave, Jim Shaw, Stopping the Image Wheel, Visions, vol.4, 1989, pp.6-9 Gerstler, Amy, Jim Shaw, Artforum, Summer 1989, p.151 Knight, Christopher, Recycling Art from a Heap of History, Los Angeles Herald Examiner, March 31, 1989, p.4 Weissman, Benjamin, Reviews: Jim Shaw at Saxon-Lee, Art Issues, January 1989, p.23 Clothier, Peter, The Next Wave, Artnews, December 1989, pp.113-117 Performances: 2009 Blinding the Ears (curated by Andrea Bellini) in ARTISSIMA 09, Teatro Carignano, Turin, IT A Tone, Meant for Your Sins (curated by Andrea Bellini) in ARTISSIMA 09, Teatro Carignano, Turin, IT Videos / Screenings: 2013 Artists' Film Club: Jim Shaw, ICA, London, UK 2011 Cali-Stories, Le Quartier, Quimper, FR (with Mike Kelley, Paul McCarthy, Catherine Sullivan, Marnie Weber) 1993 Sampler - Southern California Videotape Collection (organized by Paul McCarthy), David Zwirner Gallery, New York, NY, US; Studio Guenzani, Milan, IT Into the Lapse, Royal Academy of Fine Art, Copenhagen, DK 1992 Into the Lapse, 1301, Santa Monica, CA, US 1990 Video and Dream, MoMA, New York, NY, US Berlin Film and Video Festival, Berlin, DE 1989 Acceptable Entertainment & About TV, Appropriation and Parody in Contemporary Video Art, L.A. Municipal Art Gallery, Los Angeles, CA, US 1988 1988 Videonale, Bonn, DE Telling Tales, Artists Space, New York, NY, US In the Afterglow of TV Land, Infermental VIII, Tokyo, JP Feature Gallery, Chicago, IL, US 1987 New California Video, A Survey of Open Channels: Open Channels III, Long Beach Museum of Art, Long Beach, CA, US (cat.) Other Projects: 2011 Trespass Parade, presented by West of Rome Public Art, Los Angeles, CA, US Conferences and Panel Discussions: 2015 Jim Shaw in Conversation with Massimiliano Gioni, New Museum Theater, New York, NY, US MASS MoCA, North Adams, MA, US 2013 Jim Shaw: In Conversation, Baltic Centre for Contemporary Art, Gateshead, UK 2011 Entretiens sur l'art - Introduction à l'O-isme, Fondation d'entreprise Ricard, Paris Grants / Awards / Resedencies: 2004 Guggenheim Fellowship Grant, US 1998 Visiting Artist in Residence, University of North Texas, TX, US 1997 Visiting Artist in Residence, Malmö, SE 1996 Visiting Artist in Residence, Malmö, SE 1995 Visiting Artist in Residence, University of Nevada, Las Vegas, NV, US; Malmö, SE 1989 Louis Comfort Tiffany Foundation, US 1988 Art Matters Inc. Grant, US 1987 Long Beach Museum of Art, Open Channels Grant, US 1986 National Endowment for the Arts, US Collections: Metropolitan Museum, New York, NY, US Fri-Art Museum, Fribourg, CH MNAM, Paris, FR MNAM - Centre Georges Pompidou, Paris, FR Whitney Museum of American Art, New York, NY, US Musée cantonnal des beaux-arts, Lausanne, CH Solomon R. Guggenheim Museum, New York, NY, US FRAC Haute-Normandie, FR MoMA, New York, NY, US MOCA, Los Angeles, CA, US MAMCO, Geneva, CH CNAP/FNAC - Fonds national d'art contemporain, Paris, FR Galleria d'Arte Moderna e Contemporanea, Palazzo Forti, Verona, IT Albright-Knox Art Gallery, Buffalo, NY, US Des Moines Art Center, Des Moines, IA, US Hammer Museum, Los Angeles, CA, US Walker Art Center, Minneapolis, MN, US LACMA, Los Angeles, CA, US Patchett Collection, San Diego, CA, US

Details

  • Artist
    Jim Shaw (1952, American)
  • Creation Year
    2006
  • Medium
  • Dimensions
    H 32.29 in. x W 47.84 in. x D 0.4 in.H 82 cm x W 121.5 cm x D 1 cm
  • Gallery Location
    Collonge Bellerive, Geneve, CH
  • Reference Number
    LU16121741383
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About the Seller

4.8 / 5
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Located in Collonge Bellerive, Geneve, CH
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