Geneva - Art

Work on canvas Dimensions with frame 58 x 66 x 5 cm This painting depicts three massive draft horses, majestically posed in an open field, under a soft, cloudy sky. The artist captur...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Work on paper without frame slightly damaged on the sides, to be framed

Work on wood Golden wooden frame 24 x 30.5 x 3 cm This striking work represents two dogs in an interior of warm, enveloping hues. The deep red background gives a rich and theatric...

Salvador Dali - Dawn - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Guillard SIGNATURE : plate signed by Dali. LIMITED : 233 copies. SIZE : 41 x 33 cm REFERENCES : Fiel...

Oil on canvas sold with frame Total size with frame 70x81 cm Benjamin II VAUTIER is an artist born in Switzerland in 1895 and died in 1974. His w...

Tortue 1973 Edition Artcurial I Ed. 55/100 pcs Stamped and hammered brass 13 x 26 x 18 cm Monogramed, dated and numbered : FXL, (19)73, 55/100 Certifica...

Oil on canvas sold with frame Total size with frame 48x58 cm Anne Marie Mulder was born in 1921. After secondary school she trained at the national Academy of Visual Art in Amsterd...

Work on cardboard Golden wooden frame 54 x 45 x 4.5 cm

Total size with the frame: 77x56cm Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he ...

Work on canvas This artistic work depicts a captivating rural scene, imbued with tranquility and simplicity. In the center of the composition, a dirt road invites the viewer to get lost in this picturesque landscape. Earthy tones dominate the canvas, evoking an autumnal or winter atmosphere, where leaves are absent, leaving bare branches dancing in the gray sky. The house with its red roofs immediately catches the eye, contrasting with the shades of browns and greens in the rest of the painting. This pop of bright color serves as a focal point, suggesting warmth and refuge beyond the apparent coldness of the surroundings. The trees, stripped of their foliage, stand on either side of the path, forming a sort of natural corridor that guides the eye towards the background. The juxtaposition of the stone walls on the left and the wooden fence on the right creates a visual tension between nature and human architecture, reflecting a harmony typical of country landscapes. The use of light is subtle but effective, casting a soft glow that envelops the scene in a soft and serene aura. The cloudy sky brings an additional dimension, accentuating the impression of calm and silence...

Work on canvas Wooden frame 74 x 61.5 x 4 cm

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours On the reverse: another black and white original lithograph Year: 1960...

Oil work on canvas with frame. Total size with frame is 38x78 cm Signed E. Brandt

Paul Delapoterie, born in 1930, is a painter from Geneva, Switzerland. His work spans various styles, including abstract landscapes, figurative portraits, and surrealist pieces. Know...

Work on canvas dimensions with frame : 101 x 86.5 x 3 cm This painting presents a seated nude woman, expressing a captivating presence. The rich, varied tones of the palette, from de...

Work on canvas

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Work on paper

Work on canvas Molded frame in plaster and gilded wood 59 x 49.5 x 5 cm

Oil on canvas Frame with glass and « passe-partout » Total size with frame: 28x24 cm

Of Germanic descent, the painter Jean Krillé was born in 1923 in Switzerland. His father, writer and poet, oriented him towards art and culture. From the age of 16, he enrolled at th...

Salvador Dali - Nude with Snail - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Paul Wunderlich Leaf Bronze Sculpture Signed, Numbered 248/350 Dated 1979 Paul Wunderlich, (1927 - 2010) Born in Eberswalde on 10 March 1927. The German painter studied at the K...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Work on canvas Wooden frame and gilded plaster 70 x 86 x 6 cm

Work on canvas

Salvador Dali - Serenade - Original Handsigned Lithograph Dimensions: 51 x 71 cm 1970 Signed in pencil and numbered Edition : /CXX References : Field 70-8

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Pichet Têtes, by Picasso, Pitcher, 1950's, Edition, Black and white, Design Pichet Têtes Ed. 500 pcs 1956 White earthenware, decoration with oxidized par...

Leonor Fini - Dressed-up - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsig...

Work on wood Plaster molding frame and gilded wood 36.5 x 28.5 x 4.5 cm

Work on cardboard Plaster and gilded wood frame 46 x 55.5 x 5 cm

Work on watercolor paper

Work on canvas Golden wooden frame 52 x 45 x 3.5 cm

Work on wood Golden wooden frame 30.5 x 25 x 2.5 cm

Work on paper Ed: 63/75

Work on canvas

Ian Edwards - Surrender - Original Signed Bronze Sculpure Dimensions: 32 x 60 x 60 cm Edition of 9 Edwards’ practice expresses the power and determination of human endeavour. He draws inspiration from natural forces, with his powerful masculine figures often bearing the surface texture of time enduring landscapes. Edwards uses this external inspiration to explore very internal themes of fortitude and self-discovery. Edwards’ sensitive hand as a sculptor incorporates classical ideas about the sculpting process. In both Self Made Man and Creation of Self, a figure carves himself out of a mass of rock, reminiscent of Michelangelo's idea of seeing a form within a piece of marble and ’setting him free'. This is deeply metaphorical, reflecting timeless themes of purity, effort and self-belief. Poetic concepts such as these run throughout Edwards’ practice, with each piece subtly informed through mythological storytelling, creation beliefs and philosophical thinking. Edwards served a five-year apprenticeship at the world renowned G&H Studios...

Work on canvas Beige wooden frame 63 x 85.5 x 6.5 cm

Work on canvas Gray wooden frame 46 x 58.5 x 5.2 cm This work of art beautifully captures the essence of a peaceful, bucolic landscape. The trees, painted with vigorous brushstrokes,...

Work on cardboard With frame include 50.5 x 48.5 x 4 cm This work is a striking depiction of an Alpine village, bathed in soft, natural light. The traditional houses, with their gre...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

Work on cardboard Golden wooden frame 41 x 50.5 x 6 cm

Illegible signature Work on wood golden wooden frame 51 x 41 x 4 cm

Work on canvas Flush frame in gilded wood 119.5 x 84 x 4 cm

Salvador Dali - Nude at the Window - Original Handsigned Lithograph Dimensions: 76.5 x 57 cm 1970 Signed in pencil and numbered Edition : /CXX References : Field 70-8 Salvador Dali Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...

Work on canvas Dimensions with frame : 65 x 85 x 6 cm This captivating work presents a still life of great finesse, featuring an assortment of fresh fish, spread out on a table. A la...

Work on canvas This captivating work illustrates a natural landscape where serenity and complexity mingle. The color palette, dominated by shades of gray, green and blue, evokes a p...

Work on paper to frame

Marino Marini - Rider - Original Lithograph 1955 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Artwork on canvas board Gilded wood frame 47 x 37 x 3 cm

Work on paper

Salvador Dali - Don Quixote Reading in his Room - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Detruit. SIGNATURE : plate signed by Dali. LIMITED : 197 copies. SIZE : 4...

Work on watercolor paper Golden wooden frame with glass pane 67.5 x 74 x 4.5 cm

PABLO PICASSO Visage no.111 (A.R. 476), 1963 Ed. 500 pcs Decor with engobes and enamel under cover black, green, blue and red decor D. 25.5 cm I D. 10 in D. 33.2 cm I D. 13 1/8 in (...

Work on canvas Beige wooden frame 80.5 x 93.5 x 6 cm

Work on canvas Light gray wooden frame and gold edges 81 x 66 x 5 cm

Illegible signature Work on canvas Golden wooden frame 56.2 x 74.5 x 3.5 cm