Geneva - Figurative Prints
to
72
21,704
16,124
9
3
629
114
533
101
104
2
4
Overall Height
to
Overall Width
to
414
209
28
28
21
15
1
1
500
345
323
183
167
131
109
95
59
31
20
19
19
18
17
17
16
16
15
15
3
727
14
1
28
29
72
139
270
115
40
1
120
68
61
59
43
461
200
34
19
13
Item Ships From: Geneva
Jacques Villon - Woman - Original Etching
By Jacques Villon
Located in Collonge Bellerive, Geneve, CH
Jacques Villon - Woman - Original Etching
Circa 1949
Signed in pencil and numbered
Dimensions : 34.8 x 25 cm
Category
1940s Modern Geneva - Figurative Prints
Materials
Etching
Jean Jansem - Original Etching
By Jean Jansem
Located in Collonge Bellerive, Geneve, CH
Jean Jansem - Original Etching
Title: Loneliness
Dimensions: 40 x 30 cm
Edition of 175
Paper: vélin de Rives
1974
Category
1970s Modern Geneva - Figurative Prints
Materials
Etching
Jacques Villon - Man - Original Etching
By Jacques Villon
Located in Collonge Bellerive, Geneve, CH
Jacques Villon - Man- Original Etching
1951
Signed in pencil and numbered
Dimensions : 34.8 x 25 cm
Category
1950s Modern Geneva - Figurative Prints
Materials
Etching
Alexander Calder - Original Lithograph - Behind the Mirror
By Alexander Calder
Located in Collonge Bellerive, Geneve, CH
Alexander Calder - Original Lithograph - Behind the Mirror
1 Original lithograph created in 1976
Dimensions: 38 x 28 cm
Source: Derrière le miroir (DLM), n°221, 1976
Alexander Cald...
Category
1970s Modern Geneva - Figurative Prints
Materials
Lithograph
Eduardo Arroyo - Sphinx - Original Lithograph
By Eduardo Arroyo
Located in Collonge Bellerive, Geneve, CH
Eduardo Arroyo - Sphinx - Original Lithograph
1984
Conditions: excellent
Edition: 495
Dimensions: 37,3 x 58 cm
Editions: Trinckvel
Category
1980s Modern Geneva - Figurative Prints
Materials
Lithograph
after Henri Laurens - Cubism - Pochoir
By Georges Braque
Located in Collonge Bellerive, Geneve, CH
after Henri Laurens - Cubism - Pochoir
Published in the deluxe art review, XXe Siecle
1956
Dimensions: 32 x 24 cm
Publisher: G. di San Lazzaro.
Unsigned and unumbered as issued
Category
1950s Modern Geneva - Figurative Prints
Materials
Stencil
Jean Cocteau - Animalism - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Taureaux
Signed in the plate
Dimensions: 40 x 30 cm
Edition: 200
Luxury print edition from the portfolio of Trinckvel
1965
Jean Cocteau
W...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
Max Ernst - The Soldier - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst (1891-1976)
Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972
Colour lithographs on Arches paper
1972
Edition : 199
Dimensions: 40 x 30 cm
Refe...
Category
1970s Modern Geneva - Figurative Prints
Materials
Lithograph
after Jean Dubuffet - Personnage - Pochoir
By Jean Dubuffet
Located in Collonge Bellerive, Geneve, CH
after Jean Dubuffet
Personnage
Pochoir on paper
1956
Dimensions: 32 x 25 cm
Edition: G. di San Lazzaro.
From the art revue XXe siècle
Unsigned and unumbered as issued
Category
1950s Modern Geneva - Figurative Prints
Materials
Stencil
Antoni Clavé - Original Lithograph - For Pushkin's Queen of Spades
By Antoni Clavé
Located in Collonge Bellerive, Geneve, CH
Antoni Clavé - Original Lithograph - For Alexander Pushkin's Queen of Spades
Dimensions: 325 x 247 mm.
1946
Original lithograph of Antoni Clavé
Editio...
Category
1940s Modern Geneva - Figurative Prints
Materials
Lithograph
Jacques Villon - Cubist Man - Original Etching
By Jacques Villon
Located in Collonge Bellerive, Geneve, CH
Jacques Villon - Man- Original Etching
1949
Signed in the plate
Dimensions : 44.5 x 32.5 cm
Category
1940s Modern Geneva - Figurative Prints
Materials
Etching
After Delaunay - Color Compositions - Pochoir
By (after) Sonia Delaunay
Located in Collonge Bellerive, Geneve, CH
After Sonia Delaunay - Color Compositions - Pochoir
Dimensions: 32 x 24 cm.
From DELAUNAY, Sonia (1885-1979). Compositions couleurs idées. Paris
Éditions d'Art Charles Moreau.
Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker.
Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921.
During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911.
Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...
Category
1960s Abstract Geometric Geneva - Figurative Prints
Max Ernst - Birds - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst - Birds - Original Lithograph
Birds, 1964
Dimensions: 32 x 24 cm
From the art review XXe siècle
Unsigned and unumbered as issued
Category
1960s Surrealist Geneva - Figurative Prints
Materials
Lithograph
Jean Cocteau (after) - Europe Our Country - Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Lithograph after a drawing by Jean Cocteau
Title: Europe Our Country
Signed in the plate
Dimensions: 33 x 46 cm
Edition: 600
Luxury print edition from the portfolio of Sciaky
1961
Category
1960s Post-Modern Geneva - Figurative Prints
Materials
Lithograph
Leonor Fini - Red-Haired Girl - Original Lithograph
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Red-Haired Girl - Original Lithograph
The Flowers of Evil
1964
Conditions: excellent
Edition: 500
Dimensions: 46 x 34 cm
Editions: Le Cercle du Livre Précieux, Paris
...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
Jean Cocteau (after) - The Flamenco Dancer - Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Lithograph after a drawing by Jean Cocteau
Title: The Flamenco Dancer
1971
Dimensions: 38 x 28 cm
Lithograph made for the portfolio "Gitans et Corridas" published by Société de Diffu...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
after Jean Dubuffet - Meadow - Lithograph
By Jean Dubuffet
Located in Collonge Bellerive, Geneve, CH
after Jean Dubuffet - Meadow - Lithograph
1960
Dimensions: 32 x 25 cm
Edition: G. di San Lazzaro.
From the art review XXème siècle
Unsigned and unumbered as issued
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
Armodio - Original Composition - Signed Etching
By Armodio
Located in Collonge Bellerive, Geneve, CH
ARMODIO (1938)
Abstract Composition
Original Etching
Signed and justified c.p.a
Dimensions: 49,5 x 34,5 cm.
Armodio was born in Piacenza in 1938.
His training depends not so much on the attendance of the "Gazzola" Art Institute in his city, but also on the encounter with the painter Luciano Spazzali, whose study is the ideal place for experimentation and contamination. Here he met the painter Gustavo Foppiani, first teacher and then a fellow traveler; the two work together and then join the painter Carlo Bertè who will divide the study until 1980.
This formed a free grouping animated by curiosity towards the most varied manifestations of culture, intent on reading reality under the sign of irony and inclined towards playful transgression. The first Piacenza personal exhibition was in 1963 at the Genocchi Gallery in Piacenza and in 1964, thanks to Foppiani, the Obelisk of Rome...
Category
1960s Surrealist Geneva - Figurative Prints
Materials
Etching
Domergue - Elegance - Original Signed Lithograph
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean-Gabriel Domergue
Title: Elegance
Signed in the plate
Dimensions: 40 x 31 cm
1956
Edition of 197
This artwork is part of the famous portfolio "La Parisienne"
Category
1950s Impressionist Geneva - Figurative Prints
Materials
Lithograph
Leonor Fini - Cats Trio - Original Hand-Signed Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving
Mme.Helvetius' Cats
Original etching created in 1985
Hand-Signed
Conditions: excellent
Edition: 71/100
Support: Arches paper.
Dimensions: Pape...
Category
1980s Modern Geneva - Figurative Prints
Materials
Etching
Marc Chagall - The Bible - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Édit...
Category
1950s Modern Geneva - Figurative Prints
Materials
Lithograph
Théo Tobiasse - A Man Talking About Mornings - Original Lithograph
By Théo Tobiasse
Located in Collonge Bellerive, Geneve, CH
Théo Tobiasse
Title: Un Homme Raconte les Matins
Signed and Numbered
Dimensions: 57 x 76 cm
Information : Edition of 175
Condition : Excellent
Category
1980s Surrealist Geneva - Figurative Prints
Materials
Lithograph
Salvador Dali - The Museum of Genius - Original Signed Engraving
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - The Museum of Genius and Whim - Original Signed Engraving
Handsigned in pencil and Numbered
Edition: F195/195
- Printer: Atelier Rigal.
- Paper: Rives vellum ; each ...
Category
1970s Surrealist Geneva - Figurative Prints
Materials
Etching
Pierre Bonnard - The Street - Original Etching
By Pierre Bonnard
Located in Collonge Bellerive, Geneve, CH
Pierre Bonnard - The Street - Original Lithograph
Dimensions : 13 x 10".
Paper : Rives vellum.
Edition : 225 copies.
1927
From Tableaux de Paris, Emile-Paul Freres, Paris
CHARLES...
Category
1920s Modern Geneva - Figurative Prints
Materials
Etching
Sonia Delaunay - Living Painting - Colour Pochoir
By (after) Sonia Delaunay
Located in Collonge Bellerive, Geneve, CH
Full-page, colour pochoir of costume designs after Sonia Delaunay-Terk's original drawings.
Edition 331/500 copies on Velin Aussedat
Dimensions: 28.5 x 19.5 cm.
From 27 Living Paint...
Category
1960s Abstract Geometric Geneva - Figurative Prints
Salvador Dali - Spiky Buttocks - Original Stamp-Signed Etching
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Spiky Buttocks - Original Stamp-Signed Etching
Stamp signed by Dali
Edition of 294 copies.
Paper : Arches vellum.
Dimensions : 16x12".
Catalogue Raisonné : Field 6...
Category
1960s Surrealist Geneva - Figurative Prints
Materials
Etching
After Pablo Picasso - Wildlife of Antibes - Lithograph
Located in Collonge Bellerive, Geneve, CH
After Pablo PICASSO (1881-1973)
One plate from the book: Jaime Sabartés. "Faunes et flore d'Antibes" (Greenwich, Conn: New York Graphic Society, 1960).
Color Lithograph
63 x 47 cm
...
Category
1950s Modern Geneva - Figurative Prints
Materials
Lithograph
Dali - De Draeger - Portfolio Luxury edition - 1968
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Dali -De Draeger, Portfolio by Max Gérard
Luxury edition inside special packaged box bearing a cover with “soft melting pocket watch” and bronze medal of “L'Unicorne Dyonisiaque” minted and numbered by Monnaie de Paris...
Category
1960s Surrealist Geneva - Figurative Prints
Materials
Bronze
Jean Cocteau - Europe Our Homeland - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Europe Our Homeland
Signed in the plate
Dimensions: 33 x 46 cm
Edition: 200
Luxury print edition from the portfolio of Sciaky
1961
Jean Co...
Category
1960s Post-Modern Geneva - Figurative Prints
Materials
Lithograph
Alexander Calder - Original Lithograph - Behind the Mirror
By Alexander Calder
Located in Collonge Bellerive, Geneve, CH
Alexander Calder - Original Lithograph - Behind the Mirror
1 Original lithograph created in 1976
Framed
Dimensions: 38 x 28 cm
Source: Derrière le m...
Category
1970s Modern Geneva - Figurative Prints
Materials
Lithograph
Marc Chagall - The Bible - Adam and Eve - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograh depicting an instant of the Bible.
Technique: Original lithograph in colours (Mourlot no. 234)
On the reverse: another black and white original litho...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
Konrad Klapheck - Original Lithograph
By Konrad Klapheck
Located in Collonge Bellerive, Geneve, CH
Konrad Klapheck - Original Lithograph
1976
Dimensions: 32 x 25 cm
Revue XXe Siècle
Edition: Cahiers d'art published under the direction of G. di San Lazzaro.
Konrad Klapheck (born...
Category
1970s Abstract Geometric Geneva - Figurative Prints
Materials
Lithograph
Eduardo Arroyo - Resistance in the Snow - Original Lithograph
By Eduardo Arroyo
Located in Collonge Bellerive, Geneve, CH
Eduardo Arroyo - Resistance in the Snow - Original Lithograph
1984
Conditions: excellent
Edition: 495
Dimensions: 37,3 x 58 cm
Editions: Trinckvel
Category
1980s Modern Geneva - Figurative Prints
Materials
Lithograph
Jacques Villon - Landscape - Original Etching
By Jacques Villon
Located in Collonge Bellerive, Geneve, CH
Jacques Villon - Landscape - Original Etching
1949
Signed in pencil and numbered
Dimensions : 28 x 38 cm
Category
1940s Modern Geneva - Figurative Prints
Materials
Etching
Eduardo Arroyo - Jeanne d'Arc - Original Lithograph
By Eduardo Arroyo
Located in Collonge Bellerive, Geneve, CH
Eduardo Arroyo - Jeanne d'Arc - Original Lithograph
1984
Conditions: excellent
Edition: 495
Dimensions: 37,3 x 58 cm
Editions: Trinckvel
Category
1980s Modern Geneva - Figurative Prints
Materials
Lithograph
Marc Chagall - The Bible - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Éditions de la Revue Verve, Tériade, Paris
Printed by: Atelier Mourlot, Paris
Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257
Marc Chagall (born in 1887)
Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985.
The Village
Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work.
At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well.
Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged.
The Beehive
Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period.
Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come.
War, Peace and Revolution
In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos.
To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia.
In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good.
Flight
After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research.
Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion.
With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way.
Haunted Harbors
Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky.
But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...
Category
1950s Modern Geneva - Figurative Prints
Materials
Lithograph
Jean Cocteau - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Untitled Original Lithograph by Jean Cocteau
with the printed signature, as issued
Dimensions: 40 x 30 cm
Including artist's stamp
Jean Cocteau
Writer, artist and film director Je...
Category
1950s Modern Geneva - Figurative Prints
Materials
Lithograph
Le Gôut du Bonheur: one plate
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
Artist: Pablo Picasso (after)
Medium: lithograph, Arches paper
Portfolio: Le Goût de Bonheur
Year: 1970
Edition: Total of 1998 copies (666 each in German, French and English), reprod...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
Marc Chagall - Woman Angel - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Édit...
Category
1950s Modern Geneva - Figurative Prints
Materials
Lithograph
Marc Chagall - The Bible - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet)
Published by: Édit...
Category
1950s Modern Geneva - Figurative Prints
Materials
Lithograph
Pablo Picasso (after) Helene Chez Archimede - Wood Engraving
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
Pablo Picasso (after)
Helene Chez Archimede
Medium: engraved on wood by Georges Aubert
Dimensions: 44 x 33 cm
Portfolio: Helen Chez Archimede
Year: 1955
Edition: 240 (Here it is on...
Category
1950s Modern Geneva - Figurative Prints
Materials
Wood, Archival Paper, Engraving
Max Ernst - Birds - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst - Birds - Original Lithograph
Birds, 1964 (BNF, 63)
Dimensions: 32 x 24 cm
Revue Art de France
ax Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age.
In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school.
Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico.
During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements.
It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks.
In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance.
In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery.
Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists.
When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...
Category
1960s Surrealist Geneva - Figurative Prints
Materials
Lithograph
Jacques Villon - Nude - Original Etching
By Jacques Villon
Located in Collonge Bellerive, Geneve, CH
Jacques Villon - Nude - Original Etching
1947
Signed in pencil and numbered
Dimensions : 55.6 x 39.5 cm
Category
1940s Modern Geneva - Figurative Prints
Materials
Etching
Salvador Dali - Bicephale - Original Etching on Silk
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Bicephale - from "Les Amours de Cassandre"
Original Etching
From the suite on Silk made for editions 9 to 34
Dimensions: 38,5 x...
Category
1960s Surrealist Geneva - Figurative Prints
Materials
Etching
Raoul Dufy - Church - Original Etching
By Raoul Dufy
Located in Collonge Bellerive, Geneve, CH
Raoul Dufy - Church - Original Etching
Dimensions: 13 x 10".
Edition of 200
1940
Edition Les Bibliophiles du Palais, Paris
Unsigned and unumbered as issued
Category
1940s Modern Geneva - Figurative Prints
Materials
Etching
after Jean Dubuffet - Flowers - Pochoir
By Jean Dubuffet
Located in Collonge Bellerive, Geneve, CH
after Jean Dubuffet - Flowers - Pochoir
1957
Dimensions: 32 x 25 cm
Edition: G. di San Lazzaro.
From the art review XXe siècle
Unsigned and unumbered as issued
Category
1950s Modern Geneva - Figurative Prints
Materials
Stencil
Jean Cocteau - Portrait - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Taureaux
Signed in the plate
Dimensions: 40 x 30 cm
Edition: 200
Luxury print edition from the portfolio of Trinckvel
1965
Jean Cocteau
W...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
after Jean Dubuffet - Man - Pochoir
By Jean Dubuffet
Located in Collonge Bellerive, Geneve, CH
after Jean Dubuffet - Man - Pochoir
1956
Dimensions: 32 x 25 cm
Edition: G. di San Lazzaro.
From the art review XXè siècle
Unsigned and unumbered as issued
Category
1950s Modern Geneva - Figurative Prints
Materials
Stencil
Faust - Limoges Porcelain Blue and Gold
By (after) Salvador Dali
Located in Collonge Bellerive, Geneve, CH
Limoges porcelain in "Bleu de Sèvres" and gold.
Artist: Salvador Dali
Exclusive limited edition to 2000 copies "Raynaud & Co. Limoges", France, 1968.
"Faust" drawn by Salvador Dalí...
Category
1960s Modern Geneva - Figurative Prints
Materials
Porcelain
Max Ernst - The Soldier - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst (1891-1976)
Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972
Colour lithographs on Arches paper
1972
Edition : 199
Dimensions: 40 x 30 cm
Refe...
Category
1970s Modern Geneva - Figurative Prints
Materials
Lithograph
(after) Roger Bissiere - Landscape - Lithograph
By Roger Bissière
Located in Collonge Bellerive, Geneve, CH
(after) Roger Bissiere - Landscape - Lithograph
1964
Dimensions: 32 x 25 cm
Edition: G. di San Lazzaro.
from XXè siècle
Unsigned and unumbered as issued
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
Bengt Lindstrom - Original Handsigned Engraving
By Bengt Lindström
Located in Collonge Bellerive, Geneve, CH
Bengt Lindström - Original Handsigned Engraving
The Seven Deadly Sins.
76 x 56 cm
Signed in pencil by Bengt Lindström
Paris, ABCD, 1976.
Original etching in color
Limited edition 90 ex.
This is the unique copy offered to Claude Manesse,
The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse.
Bengt Lindström (1925-2008)
Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North.
1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint.
1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model).
1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics.
1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris.
1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children).
1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery.
1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture.
1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin.
1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods.
1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden.
1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland.
2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women).
2003 : Bengt fell ill and was unable to paint, but the exhibitions went on.
2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy.
2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden.
2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe.
2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden.
Main exhibitions
1952 Fair Réalités Nouvelles – New realities, Paris, France.
1953 Craven Gallery, Paris, France.
1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France.
1958 Breteau Gallery, Paris, France.
1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland.
1960 Rive Gauche Gallery, Paris, France.
1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France.
1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France,
1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement.
1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark.
1966 Museum of Modern Art, Gothenburg, Sweden.
1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris.
1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976.
1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984.
1973 Galliera Museum, Paris, France.
1974 Gallery 111, Lisbon, Portugal.
1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany.
1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries.
1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France.
1985 Gallery Italia, Alicante, Spain.
1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear.
1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany.
1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France
1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England.
1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France.
1991 Gallery Michèle Sadoun, Paris, France.
1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy.
1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...
Category
1970s Modern Geneva - Figurative Prints
Materials
Engraving
Marc Chagall - The Bible - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograph depicting an instant of the Bible.
Technique: Original lithograph in colours
Year: 1956
Sizes: 35,5 x 26 cm / 14" x 10.2" (...
Category
1950s Modern Geneva - Figurative Prints
Materials
Lithograph
Alexander Calder - Original Lithograph - Behind the Mirror
By Alexander Calder
Located in Collonge Bellerive, Geneve, CH
Alexander Calder - Original Lithograph - Behind the Mirror
1 Original lithograph created in 1976
Framed
Dimensions: 38 x 28 cm
Source: Derrière le miroir (DLM), n°221, 1976
Alexand...
Category
1970s Modern Geneva - Figurative Prints
Materials
Lithograph
Eduardo Arroyo - Can You Play Piano ? - Original Lithograph
By Eduardo Arroyo
Located in Collonge Bellerive, Geneve, CH
Eduardo Arroyo - Can You Play Piano ? - Original Lithograph
1984
Conditions: excellent
Edition: 495
Dimensions: 37,3 x 58 cm
Editions: Trinckvel
Category
1980s Modern Geneva - Figurative Prints
Materials
Lithograph
Alexander Calder - Original Lithograph - Behind the Mirror
By Alexander Calder
Located in Collonge Bellerive, Geneve, CH
Alexander Calder - Original Lithograph - Behind the Mirror
1 Original lithograph created in 1976
Framed
Dimensions: 38 x 28 cm
Source: Derrière le miroir (DLM), n°221, 1976
Alexand...
Category
1970s Modern Geneva - Figurative Prints
Materials
Lithograph
After Pablo Picasso - Cubist Still Life - Pochoir
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
After Pablo Picasso - Cubist Still Life - Pochoir
Dimensions: 48.5 x 36 cm
1962
Edition of 260
Daniel Jacomet, LEDA, Editions d'Art
Pablo Picasso
Picasso is not just a man and his ...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
Alexander Calder - Original Lithograph - Behind the Mirror
By Alexander Calder
Located in Collonge Bellerive, Geneve, CH
Alexander Calder - Original Lithograph - Behind the Mirror
Original lithographs produced in 1976
Dimensions: 38 x 56 cm
Source: Derrière le miroir (...
Category
1970s Modern Geneva - Figurative Prints
Materials
Lithograph
Recently Viewed
View AllMore Ways To Browse
Vintage Long Island Posters
Ceramic Man And Child
Brilliantly Engaged
Chagall 1983
St Petersburg Poster
Vintage Easter Eggs
Hard Hat
French Circus Poster
Dried Flower Collage
Miro 1938
Picasso Antibes
Sarah O
Vintage Beehive Art
Gucci 1985
Suitcases Vintage Style
Flower Model Albert
Green Day Bed
Original Comic Strip Art