Georgia Jars

A Japanese storage jar (tsubo) made in the ancient Echizen ware tradition by Fujita Jurouemon VIII. Echizen is one of the six ancient kilns in Japan, directly influenced by the Sue ware...

A French provincial green glazed pottery jug from the 19th century, with double handles, front spout and unfinished base. Created in France during the 19th century, this jug features a green glazed body showcasing a nicely distressed patina. Accented with a large double handle with front spout, this 19th century French provincial green glazed jug...

A group of four celadon jars made in Thailand for Rosenthal-Netter, circa 1960s. Larger: 9 inches wide by 15 ½ inches tall other three: 7 ½ inches wide by 8 ½ inches tall

A rare porcelain vase by Makuzu Kozan (1842-1916) circa 1870-81 (late Meiji period). The vase is dated to the earlier work from Kozan's studio during his early period (Takauki-ware p...

A Japanese lidded ceramic jar from the kiln of Onda Yaki, circa 2007. The stoneware jar impresses the viewer with a robust bulbous form. and exuberantly splashed and dripped glaze in...

A French rustic double handled jug from the 19th century, possibly from Normandy. Indulge in the charm of French pastoral life with this rustic double-handled jug hailing from the 19th century, likely originating from the heartland of Normandy. This antique jug...

A white porcelain Asian lidded jar with scrolling foliage motifs and slightly tapering lines. This exquisite white porcelain Asian lidded jar is...

A white porcelain Asian lidded jar with scrolling foliage motifs and slightly tapering lines. Behold the serene elegance of this white porcelain...

A Japanese glazed ceramic jar with a lacquered wood lid circa 19th century of late Edo to early Meiji Period. The stoneware tsubo was used as a storage vessel for produce such as tea...

A glazed stoneware jar with lid by American Ceramist Robert Chapman Turner (1913-2005) entitled "Ashanti". The vessel was made in 1974, purchased in 1978 and held in the same collection since. It was published in the artist's monograph as shown below. One of the classic forms with variations in Turner's repertoire since 1970s, the jar feature a slightly irregular form with numerous surface patching and markings under an overall black glaze with blue tint. The dome-shape lid has a cross-shaped handle with small markings. The form was inspired by Ashanti culture he observed during his trips to Africa. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. For this piece, see page 33 in "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn.

Large urn shaped clay jar with ornamental lid having a bronze and green patina and stamped by the maker. The jar has a pair of handles near the mouth of the vessel, attractive horizo...

A stoneware vase by Paul Chaleff (1947-) made in 1984. Chaleff is known for his wood fired ceramic vessel without glaze or sometimes natural ash glaze. The vase on offer is of a highly geometrical form with handcut multifaceted lower body that rises and morphs into a rounded upper body with two hand-molded ears above the shoulder. The surface shows nice firing color variations due to the iron oxidation in the kiln and also carved lines left intentionally by the artist. It is marked with the artist's incised signature and date 84. This piece has a very strong Japanese wabi-sabi appeal which is the aesthetic influence of the artist's work and makes a visually arresting center piece for any interior. "Paul Chaleff is known for his large-scale wood fired ceramic sculptures and vessels. He also created a large body of wheel thrown functional vessels. His vessels are strongly influenced by Japanese pottery, especially the work of one of Japan’s National Living Treasures, Takeshi Nakazato. Chaleff was one of the first American potters using a Japanese style Anagama kiln and became a leader in the introduction of this form of wood-burning kiln. In 1989, he began a regular collaboration with the British sculptor Sir Anthony Caro. Over a period of thirteen years, they created nearly 50 works, both figurative and abstract. Caro’s sculpture has had direct influence on Chaleff’s work as has the sculpture of Isamu Noguchi, and the ceramics of John Mason...

A large stoneware jar by Paul Chaleff (1947-) made in 1987 and was purchased directly from the artist's studio in New York. Wood fired ceramic vessel with h...

A Korean ceramic storage jar circa 18th century of Joseon Dynasty. The jar is of a classic Maebyong form (known in Chinese as Plum Vase or Meiping...

A Guatemalan ceramic jar on stand. This Guatemalan jar, from the early 20th century, features a wide body, four handles, and has a nice patina with r...

Song jarlet with deep brown glaze, 12th century. This small piece is all about purity of form, enhanced by the rich color of its glaze, which has a subtle crackle. The glaze, which covers almost the entire piece except for the very edge of its foot, looks like melted chocolate poured over...