Georgia - Paintings
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Item Ships From: Georgia
Australian Aboriginal Dreamtime Painting Nyurapayia Nampitjinpa
Located in Atlanta, GA
A stunning abstract painting by Australian Aboriginal artist Nyurapayia Nampitjinpa (also known as Mrs. Bennett; 1935-2013). Acrylic on Belgium Linen and painted in 2006. Untitled, t...
Category
Early 2000s Australian Modern Georgia - Paintings
Materials
Canvas, Acrylic
Australian Aboriginal Painting Rain Dreaming Ronnie Tjampitjinpa
By Ronnie Tjampitjinpa
Located in Atlanta, GA
A contemporary painting by Australian Aboriginal artist Ronnie Tjampitjinpa (1943-2023). Entitled "Rain Dreaming", the artwork was acrylic on canvas and painted in 1999
Fully documented: originally purchased in 1999 from Kimberley Australian Aboriginal Art, Melbourne, cat. no. KA 708/99; The in the collection of The Kelton Foundation, Santa Monica; It was exhibited in: "G'Day LA" Australia Week, in partnership with the Australian Consulate Los Angeles, Pacific Design Center, West Hollywood, CA, 15-25 January 2004. It is housed in a black thin wood frame.
Ronnie Tjampitjinpa was born in Pintupi land at Muyinnga, about 100 kilometres west of the Kintore Range, just across the Western Australian border. He is the son of Uta Uta Tjangala’s older brother, Minpuru Tjangala (c.1899–1976).
Artist's Biography (Courtesy of Art Gallery NSW)
After his initiation into Pintupi law at the site of Yumari, Tjampitjinpa and his younger brother Smithy Zimran Tjampitjinpa walked into the Aboriginal community of Yuendumu. They later joined their parents and other siblings – who had come in to Ikuntji (Haasts Bluff) in 1956 from the Dover Hills/Yumari area – at the new settlement of Papunya. Tjampitjinpa worked as a labourer, assisting with the fencing of the aerodromes at Papunya and Ikuntji. He was one of the youngest of the group of men who began painting at the start of the Western Desert art movement in 1971, and was a founder of Paunya Tula Artists.
During the 1970s, Tjampitjinpa was preoccupied with returning to his traditional lands and became a strong advocate for the outstation movement, travelling between meetings in Papunya, Yuendumu, Wirrimanu (Balgo) and Mount Doreen Station. His goal was finally achieved with the establishment of the Walungurru (Kintore) settlement in 1981. Tjampitjinpa moved there with his young family in 1983, establishing an outstation at Ininti (Redbank) and serving as chairman of the Kintore Outstation Council. During this period, he emerged as one of Papunya Tula Artists’ major painters, pioneering the bold, scaled-up, linear style that came to dominate many of the Walungurru painters’ work during the 1990s. His distinctive aesthetic preoccupa-tion is exemplified in the untitled works of 1994 and 2001. Now one of the last founding members of Papunya Tula Artists, Tjampitjinpa’s career spans more than 40 years. He has had six solo exhibitions since 1989 in Australia, most recently at Utopia Art, Sydney.
Throughout the 1980s Tjampitjinpa worked devotedly on a land claim for Ininti, holding meetings in Darwin, Warmun (Turkey Creek...
Category
1990s Australian Modern Georgia - Paintings
Materials
Canvas, Acrylic
Australian Aboriginal Painting Tjukurla Country Nyurapayia Nampitjinpa
Located in Atlanta, GA
A stunning abstract painting by Australian Aboriginal artist Nyurapayia Nampitjinpa
(also known as Mrs. Bennett; 1935-2013). Entitled "Tjukurla Country", this work was acrylic on Be...
Category
Early 2000s Australian Modern Georgia - Paintings
Materials
Canvas, Acrylic
Contemporary Australian Aboriginal Painting by Kenny Williams Tjampitjinpa
Located in Atlanta, GA
Entitled "Two Kuniya (Pythons) During Tingari Cycle", this mesmerizing painting was painted by Australian aboriginal artist Kenny Williams Tjampitjinpa...
Category
21st Century and Contemporary Australian Modern Georgia - Paintings
Materials
Linen, Acrylic
Pennsylvania Fraktur Bird & Flowers, 19th Century
Located in Savannah, GA
A Pennsylvania fraktur bird and flower, 19th century.
On stationary paper with embossed maker mark upper left of oval profile bust.
piece: 4 ½ by 7 inches
frame: 8 ⅛ by 11 ⅜ in...
Category
19th Century American Folk Art Antique Georgia - Paintings
Materials
Glass, Wood, Paper
Contemporary Australian Aboriginal Painting by Walangkura Napanangka
Located in Atlanta, GA
A striking abstract painting by Australian Aboriginal painter Walangkura Napanangka (1940-2014), one of the matching pair painted in 2007 in Alice Spring. Entitled "Kutungka", acrylic on Belgium linen, inscribed on reverse with gallery catalog no.
"Kutungka" depicts the landscape of a country where an old woman named "Kutungka" travelled from Malparingya to Kaltarra in Western Desert during the Dreamtime creation. The highly abstract forms are the dreamtime memory of the land features, such as rock piles and waterholes.
Provenance: Grasstree Gallery, Australia.
It comes with a COA from the gallery as well as progressive photos taken during the creation of this painting by the artist in 2007.
Brief biography From Australian Art Gallery...
Category
Early 2000s Australian Modern Georgia - Paintings
Materials
Acrylic, Wood, Linen
Large-Scale American Folk Art Carnival Game Board, Very Graphic
Located in Atlanta, GA
Large-scale Folk Art Carnival game board, American, circa 1940s. This painted carnival game board came from Texas and combines wonderfully patinate...
Category
1940s American Folk Art Vintage Georgia - Paintings
Materials
Wood, Cork
Contemporary Australian Aboriginal Painting by Walangkura Napanangka
Located in Atlanta, GA
A striking abstract painting by Australian Aboriginal painter Walangkura Napanangka (1940-2014), one of the matching pair painted in 2007 in Alice Spring. Entitled "Kutungka", acrylic on Belgium linen, inscribed on reverse with gallery catalog no.
"Kutungka" depicts the landscape of a country where an old woman named "Kutungka" travelled from Malparingya to Kaltarra in Western Desert during the Dreamtime creation. The highly abstract forms are the dreamtime memory of the land features, such as rock piles and waterholes.
Provenance: Grasstree Gallery, Australia.
It comes with a COA from the gallery as well as progressive photos taken during the creation of this painting by the artist in 2007.
Brief biography From Australian Art Gallery artist...
Category
Early 2000s Australian Modern Georgia - Paintings
Materials
Linen, Acrylic, Wood
Beautiful 19th Century French Oil on Canvas
Located in Stockbridge, GA
Beautiful 19th century, French oil on canvas.
Category
Mid-19th Century French Antique Georgia - Paintings
Materials
Giltwood, Canvas
Italian 19th Century Classical Romanesque Framed Wall Painting
Located in Atlanta, GA
An Italian large-sized painted wall panel from the 19th century, artist unknown. This antique artisan painted and framed wall panel from Italy is a ...
Category
19th Century Italian Antique Georgia - Paintings
Materials
Wood
Aboriginal Body Painting Terrence Gurruwiwi Elcho Island, Australia
Located in Atlanta, GA
Title: Gumatj Ceremonial chest paint
Medium: Acrylic on canvas
Size: 32" H x 28.5" W
Date created: November 2006
Artist: Terrence Gaypamany Gurruwiwi
Language: Glapu
Date of birth: 06/09/1984
The painting depicts the traditional body paint onto the chest during ceremonies of the local aboriginal communities. It is
signed by the artist on verso as shown and also retains a stamp from Elcho Island Art...
Category
Early 2000s Australian Tribal Georgia - Paintings
Materials
Canvas
Exquisite 18th Century French Oil on Canvas
Located in Stockbridge, GA
Exquisite 18th century French oil on canvas. There is a note at the back of the painting saying...
"Oil on canvas given to me by my ...
Category
Early 18th Century French Antique Georgia - Paintings
Materials
Giltwood, Wood
An Australian Aboriginal Painting from Elcho Island
Located in Atlanta, GA
Title: Djirrididi Design
Artist: Jeffery Walkundjawuy (1955-)
Medium: Acrylic on canvas
Size: 18 x 27 inches
DOC: November 2006
Provenance: Galiwin'ku Community Art Center, Elcho Island, Northern...
Category
Early 2000s Australian Tribal Georgia - Paintings
Materials
Canvas, Acrylic
Aboriginal Painting on Hollow Log
By Hamish Karrkarrhba
Located in Atlanta, GA
Artist: Hamish Karrkarrhba.
Year of birth: 1968.
Nationality: Australian.
Region: West Central Arnhem Land.
Language group: Kuninjku.
Medium: Wood and ochre paint.
Measurement:...
Category
21st Century and Contemporary Australian Tribal Georgia - Paintings
Materials
Wood
Aboriginal Diptyque Paintings by Raelene Kerinauia
By Raelene Kerinauia
Located in Atlanta, GA
A lovely diptyque paintings by Australian Aboriginal artist Raelene Kerinauia (1962- ). Born in 1962 (Tiwi People), Wurrumiyanga, Mantiyupwi Country, Bathurst Island, Northern Terri...
Category
21st Century and Contemporary Australian Modern Georgia - Paintings
Materials
Canvas
Framed Korean Folk Shamanistic Painting of Seven Stars
Located in Atlanta, GA
A Korean folk painting watercolor on linen (silk) with a cloth mat and walnut wood frame. The work is in the shamanistic style and depicts the Tao...
Category
Early 20th Century Korean Folk Art Georgia - Paintings
Materials
Textile
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19th c. Mexican Retablo "Veronica's Veil" c.1880
Located in San Francisco, CA
ABOUT
An original 19th century Mexican folk retablo "Veronica's Veil" or "El Divono Rostro" in Spain . Oil paint on tin.
The Veil of Veronica, known in Italian as the Volto Santo or Holy Face, is a Roman Catholic Relic which, according to legend, bears the likeness of the Face of Jesus that was imprinted on it prior to Jesus' crucifixion. According to Roman Catholicism, Saint Veronica encountered Jesus in Jeruselum on the way to Calvary. When she paused to wipe the sweat (Latin, suda) off his face with her veil, his image was left on the veil.
In the small village of Osa de la Vega in Spain, there lived a couple who led a very pious life. They were Gregorio de la Torre and Isabel Corral. From their father, Juan Montilla, they inherited a picture of the Face of Jesus or the Divino Rostro. A story that is told one day, to the amazement of many who confirmed its veracity, the picture began to perspire with living blood. News of this extraordinary event spread swiftly and widely throughout the land.
CREATOR Unknown.
DATE OF MANUFACTURE c.1880.
MATERIALS AND TECHNIQUES Oil Paint on Tin.
CONDITION Good. Wear consistent with age and use.
DIMENSIONS H 14 in. W 10 in.
HISTORY
Retablos, better known as 'laminas' in Mexico, are small oil paintings on tin, wood and sometimes copper which were used in home altars to venerate the almost infinite number of Catholic saints. The literal translation for 'retablo' is 'behind the altar.' This unique genre of art, deeply rooted in European history, was brought to Mexico with the arrival of the Spanish and then ultimately adopted by New World mestizo natives to become what is known today as the Mexican folk retablo.
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H 10.25 in W 12.25 in D 0.75 in
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