Germany - Art

Vorort is a unique oil on canvas painting by contemporary artist Emanuel Schulze, dimensions are 80 × 100 cm (31.5 × 39.4 in). The artwork is signed, sold unframed and comes with a c...

Oil painting on canvas. Part of series in cubism style. Painting was exhibited and highly appreciated by critics. One-of-a-kind artwork with Virtual Projection. You can see it usin...

Black and white Print by Erich Andres, ca 1960. A vibrant scene from Miami Beach, Florida, captured in the 1960s, showcasing a bustling daytime view of the sandy shores crowded with ...

Looking for a perfect gift for your loved ones or a small treat for yourself? Consider these beautifully crafted, one-of-a-kind acrylic paintings with a textured finish. Each canvas...

110.03.98 is a limited-edition photograph by contemporary artist Klaus Kampert. It belongs to the series More Typographic Creations. In order to resemble typographic characters, Klau...

Superbe original painting on canvas depicting the portrait of a partially eaten donut in mid-air and a woman from a different sera in a fur coat observing the strange phenomena. keywords; fut coat...

Ary Bitter (1883 Marseille - 1973 Paris), Girl with Kid, around 1930. Green patinated bronze with cast plinth loosely mounted on a white-veined dark green marble base. Dimensions of the plinth: 5 cm (height) x 80 cm (length) x 24 (width), dimensions of the bronze 28 cm (height) x 72 cm (length) x 18 cm (width). Weight of the bronze 18.2 kg, total weight 39.2 kg. Signed “Ary Bitter.” on the plinth and stamped “L N Paris J L” by the foundry Les Neveux de Jacques Lehmann...

Bronze Sculpture 'O.T. VIII' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Bronze Polished Numbered and signed artwork Limited edition ...

Limited Edition 5 More sizes on request The photographic work of the internationally well-known Austrian photographer Andreas H. Bitesnich is captivating by its beauty and aesthetic...

Lavender - original watercolor 30x40 cm When I start a new artwork, I go to my garden and try to find a new topic. Every day something unusual happens there, new flowers bloom, the s...

The Sleep, 2022 collage, colour wax, acrylic, tempera on paper 50 H x 70 W cm Signed on reverse Raluca Arnăutu dreams the world through collages. A collage, dreamlike and surreal, ...

The Registrar, 2019 collage on paper 15 3/4 H x 11 13/16 W in. 40 H x 30 W cm The artist’s collages describe a series of faces composed of different materials – cardboards, textiles...

Voyeur Edition of 25 signed and numbered by the artist A shadow play of a sculpture in the museum. JJK is a pseudonym for one of the world's most successful photo artists. In his s...

Blue-grey and dark-green wash over various swirled forms, that have since been reduced to lines and drips. :: Painting :: Abstract :: This piece comes with an official certificate of...

Elvis Presley portrait

This black-and-white photo captures jazz legend Louis Armstrong playing his trumpet during a performance in Berlin in 1965. Armstrong, with intense focus, holds the trumpet close to his lips, his cheeks slightly puffed as he blows into the instrument. The lighting creates a dramatic effect, highlighting the shine of the trumpet and his facial expression, which conveys his passion and dedication to the music...

In HERMIT, a lone chimpanzee clings to a jagged iceberg, its dark fur stark against the vast expanse of ice and water. Its expression is pensive, almost melancholic, as if caught bet...

Untitled 06, 2016 Mixed media on metal sheet (Signed on reverse) 31 1/2 H × 70 9/10 W × 39 2/5 D in 80 H × 180 W × 100 D cm Zsolt Berszán’s work speaks of repulsion and fascination and at the same time speaks about shapes that lie on the border between hallucination and obsession wherein the identity and order were disrupted. Themes such as the double and the metamorphosis, otherwise put, themes of atrophied characters are all representations of the abject. Berszán’s creation is located at the fine border between the representation of identity and its dissolution thusly aiming to represent the non-symbolized. The dynamic separation and the transitional object...

The photographers note regarding this work is "Woman with a fox terrier crossing a square, Germany 1930s." This work comes to you as a new Fine Art Print on Hahnemühle William Turne...

This is a beautiful oil painting of an array of flowers in a vase in front of a colour gradient in the background. Reminding us of old master paintings, this is a brand new painting ...

154.08.11 is a limited-edition photograph by contemporary artist Klaus Kampert. It belongs to the series "Dancing the Cubes". In order to resemble typographic characters, Klaus Kampe...

Reiner Schwarz (*1940 Hirschberg), Little mouse, 1968. Lithograph, 30 cm x 21 (sheet size), signed “R.[einer] Schwarz” in pencil lower right, dated “[19]68”, identified as copy no. 1...

Untitled 019 [Remains of the Remains 019], 2019 oil on canvas 78 47/64 H x 55 1/8 W in 200 H x 140 W cm The large-sized paintings, signed by Zsolt Berszán, addresses the subject of ...

Lilly Muth's architectural paintings transport viewers on a visual journey to a different world, where imagination knows no bounds and the boundaries between reality and fantasy blur...

"Through Silvered Silence" is a journey into a world where subtlety and light merge in a harmonious dance. Delicate flowers, sculpted from textured paste, seem to pause in anticipati...

Ed Feingersh photographed Marilyn Monroe for Redbook magazine in March 1955 for a story which would follow Monroe through her daily routine, the photography to be candid and shot wit...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

„Rose Cottage“ is a middle-sized acrylic floral painting on heavy mat-board. The main colors are yellow, white, green and a light pink. I...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." – Eckhart Tolle Abstract te...

Contemporary figurative painting with lots of details and movement. Beautiful statement piece for any art collection. Combining a lot of different colors in any interiors and setting...

The first plein air painting of the season 2022, painted at the Schnakenpohl, a pool near my Studio. The Schnakenpohl is a relict from the ice age. For me one of the most beautiful s...

Body in the Field #9, 2023 oil on canvas 15 3/4 H x 11 13/16 W in. 40 H x 30 W cm Zsolt Berszán embodies in his works the dissolution of the human body through the prism of the frag...

Looking for a perfect gift for your loved ones or a small treat for yourself? Consider these beautifully crafted, one-of-a-kind acrylic paintings with a textured finish. Each canvas...

Osvaldo Salas, widely recognized as one of the world’s great press photographers, was born in Havana, Cuba in 1914. At the age of fourteen, he left Havan...

Edition 5 Abstract painting with Loony Tunes JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour,
he addresses stereotypes of modern society and his work, both playful and profound, stimulates us to question conventional social conceptions. JAY-C is a barometer responding to the world around us. Having had his first solo exhibition in 2018, in the same year he did a collaboration with BoConcept on their iconic Imola chair...

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

When I start a new paintong, I go to my garden and try to find a new topic. Every day something unusual happens there, new flowers bloom, the seasons change. My garden is always a so...

Christof Kindlinger is an artist who delves deeply into the intensity and vibrancy of colour. Inspired by visual impressions - such as the delicate bloom of a flower—Kindlinger trans...

Experience the beauty and interconnectedness of nature through my original artwork. This abstract textured acrylic painting on canvas measures 60x70x3,5 cm (23,6x27,5x1,7 inches) and...

Add coziness and harmony to your home with my exclusive painting! This work was painted with love and care to remind you of the beauty that surrounds us. Special offer! When you...

Ulysses, 2012 Canvas, pigment, reinforcing mesh (Signed on bottom) 39 2/5 H × 60 1/5 W × 47 1/5 D in. 100 H × 153 W × 120 D cm Unique The sculpture "Ulysses" was exhibited in the so...

Edition 5 Portrait of Pink Panther in Basquiat Style JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a dist...

Vintage, Montage, signed, Number 1977/2

This collection brings together many small-format paintings, each of which is a unique butterfly, unique and full of inner light. They soar upward like light fragments of dreams, sca...

This collection brings together many small-format paintings, each of which is a unique butterfly, unique and full of inner light. They soar upward like light fragments of dreams, sca...

A striking image from the 1960s capturing two horseback riders overlooking the expansive desert landscape of Big Bend National Park, Texas. The riders, dressed in traditional Western...

Edition 15, Lenticular In this image Michael Jackson is doing the moonwalk and is x-rayed. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside...

Whispers of Shadows captures a quiet and contemplative moment where the bare branches of a tree cast delicate shadows on the sunlit walls of an old building. Painted en plein air wit...

Edition of 10 Portrait of the young Monica Bellucci. Fashion and fine art embrace each other in the photography of Jacques Olivar (b. 1941), where th...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

156.03.11 is a limited-edition black & white photograph by contemporary artist Klaus Kampert from the series entitled Torsi. In this series the model is stripped of identity. The pos...

Henri Honoré Plé (1853 Paris - 1922 Paris), The Victorious David, around1890. Red-brown and brown patinated bronze with terrain plinth mounted on a round base. 42 cm (total height) x...

Patterns 150.0 x 100.0 x 1.0, 1.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Patterns (2010) The collection reveals patterns that we select and follow, either consciously or subconsciously, in our life. patterns which may affect significant aspects of our life." About the Artist: "Leila Rezvani...

Edition of 12 more sizes on request A big male lion standing proud in the savannah. Joachim Schmeisser is represented by leading Galleries worldwide. His photographs are among the ...

It is just a head of onion, but its play of light and shadows reminds us of the harmony that exists in nature. This work was painted with love and care to remind you of the beauty t...

Jörg Olberg (*1956 Dresden), Agony, 1987. etching, E.A. (edition of 30), 24 x 17 cm (image), 46 x 37 cm (sheet), each signed in pencil lower right "Olberg" and dated "IX [19]87", inscribed lower left "E.A. [Epreuve d'Artiste]". - minimal crease and dust stains in the broad margin - The architecture of decay - About the artwork Jörg Olberg draws here the sum of his artistic study of the Berlin ruins, which were still present in the cityscape well into the 80s. With his work "Agony" he creates an allegory of decay. Positioned in the landscape of ruins, a ruined house grows before the viewer, rising like the Tower of Babel into the sky, its roof and gable brightly illuminated by the sun. But already the roof shows mostly only the rafters, and as the gaze is drawn further down, the building visibly disintegrates, the beams protruding in all directions looking like splintered bones. Slowly but inexorably - in agony - the house will collapse in on itself and become nothing more than the burial mound of itself. At the same time, the small-scale stone composition and the plaster form a pattern-like ornamentation of decay. The tension in the picture is fed by the counter-movement of growth and collapse, which is heightened by the dramatic formation of clouds. The swirls of clouds are reminiscent of a world landscape...

Eugène Laurent (1832 Gray - 1898 Paris), Joan of Arc, around 1880. Brown patinated bronze on a cast rectangular plinth with tree trunk and distaff. 40 cm (height) x 15.5 cm (length) x 15.5 cm (depth), weight 6.1 kg. Signed “E.[ugène] Laurent.” on the plinth and inscribed “HZ” on the reverse. - somewhat stained due to patina, traces of oxidation behind the distaff, slightly rubbed in places, overall still in very good condition for its age - The Liberating Power of Faith - At the age of 13, Jeanne, a peasant girl born in Lorraine around 1412, heard the voices of Saints Catherine and Margaret and the Archangel Michael telling her that she had been chosen to liberate France from English occupation. By 1428, Henry VI's troops had advanced to the Loire and besieged Orléans, a strategic city for the further conquest of France. Joan of Arc went to the exile of Charles VII and, with the king's consent, led the French army into battle against the besiegers. After four days of fighting, the English were defeated and Orléans was liberated. Other victorious battles followed, until in 1430 she fell into the hands of the enemy, who had her executed as a witch by the Inquisition. In May 1431, Joan of Arc was burned at Rouen. After the final expulsion of the English, the "Maid of Orleans" was rehabilitated by the Church in 1456. She was finally canonized in 1920. By then, Joan of Arc had become a national heroine and the patron saint of France. After the French Revolution, the strengthening of the nation-state and the Franco-Prussian War of 1870-71, Joan of Arc was again venerated and depicted in numerous bronze statues. Eugène Laurent depicts the young girl listening to the voices of the saints who reveal her destiny. With her eyes wide open, she gazes at the sky as if she were looking at the revealed future. Her hands are clasped in prayer, indicating her willingness to face her destiny. Leaning against a tree trunk, she treads with one foot on a raised stone, which, together with her upward gaze, gives her an upward movement that announces her higher mission. At the same time, however, she steps down from the stone to the earth, emphasizing her earthly mission, for which she has already taken the first step. In doing so, she steps over the discarded distaff, which refers to her "lower" origins and belongs to the life she has now left behind. Laurent manages to capture the fateful emotion that makes us look at Joan of Arc in awe, even though she is a simple peasant girl. Even if the design is aimed at the overall impression, the artist has nevertheless worked out certain details, such as the tied waistcoat, very realistically and, in addition to the skin, has particularly depicted the material quality of the textiles. About the artist Eugène Laurent studied at the École des Beaux-Arts in Paris, where he won a prize in 1860. He then joined the studio of Jacques Antoine Theodore Coinchon. As a freelance artist, he supplied the Paris Salon with statues, portrait busts, and medallions from 1861 to 1893. He also created large sculptures such as the monument to Jacques Callot in Nancy (1877) and the statue of François Boucher at the Paris City Hall. GERMAN VERSION Eugène Laurent (1832 Gray - 1898 Paris), Jeanne d’Arc, um 1880. Braun patinierte Bronze auf mitgegossener rechteckiger Plinthe mit Baumstamm und Spinnrocken. 40 cm (Höhe) x 15,5 cm (Länge) x 15,5, cm (Tiefe), Gewicht 6,1 kg. Auf der Plinthe mit „E.[ugène] Laurent.“ signiert und rückseitig mit „HZ“ bezeichnet. - patinabedingt etwas fleckig, Oxidationsspuren hinter dem Spinnrocken, stellenweise leicht berieben, insgesamt in einem altersgemäß noch sehr guten Zustand - Die befreiende Kraft des Glaubens - Als 13jähige vernahm das um 1412 in Lothringen geborene Bauernmädchen Jeanne Stimmen der Heiligen Katharina und Margarete und des Erzengels Michael, die ihr verkündeten, auserwählt zu sein, Frankreich von der englischen Besatzung zu befreien. 1428 waren die Truppen von Heinrich VI. bis zur Loire vorgerückt und belagerten die für eine Weitereroberung Frankreichs strategisch wichtige Stadt Orléans. Jeanne d’Arc begab sich ins Exil Karls VII. und führte mit der Einwilligung des Königs das französische Heer gegen die Belagerer ins Feld. Nach viertätiger Schlacht unterlagen die Engländer und Orléans war befreit. Es folgten weitere siegreiche Kämpfen bis sie 1430 in die Hände des Feindes fiel, der bei der Inquisition ihre Hinrichtung als Hexe erwirkte. Im Mai 1431 wurde Jeanne d’Arc in Rouen verbrannt. Im Anschluss an die endgültige Vertreibung der Engländer wurde die „Jungfrau von Orléans“ 1456 von der Kirche rehabilitiert. 1920 erfolgte schließlich ihre Heiligsprechung. Inzwischen galt Jeanne d’Arc als Nationalheldin und Schutzpatronin Frankreichs. In der Nachfolge der Französischen Revolution, dem Erstarken der Nationalstaatlichkeit und dem Deutsch-Französischen Krieg von 1870/71 erfuhr Jeanne d‘Art eine neue Verehrung und wurde in zahlreichen Bronzestatuen dargestellt. Eugène Laurent zeigt das junge Mädchen wie sie die Stimmen der Heiligen vernimmt, die ihr das von der Vorsehung bestimmte Schicksal offenbaren. Mit weit geöffneten Augen blickt sie gen Himmel als ob sie die offenbarte Zukunft schauen würde. Dabei hat sie die Hände in Gebetshaltung geschlossen, was zugleich vom Willen kündet, sich ihrem Schicksal zu stellen. An einen Baumstamm gelehnt, tritt sie mit dem einen Fuß auf einen erhöhten Stein, was ihr – zusammen mit dem aufwärts gerichteten Blick – eine von ihrer höheren Mission kündende Aufwärtsbewegung verleiht. Zugleich tritt sie aber auch von dem Stein auf die Erde herab, wodurch ihre irdische Mission hervorgehoben wird, zu der sie bereits den ersten Schritt getan hat. Dabei steigt sie über den abgelegten Spinnrocken hinweg, der auf ihre ‚niedere‘ Herkunft verweist und zum nun abgelegten Leben gehört. Laurent gelingt es, die schicksalhafte Ergriffenheit zur Darstellung zu bringen, die uns Jeanne d‘Arc, obwohl sie ein einfaches Bauernmädchen ist, ehrfürchtig betrachten lässt. Auch wenn die Gestaltung auf den Gesamteindruck zielt, hat der Künstler doch einzelne Details, wie die zugebundene Weste, äußerst realitätsnah herausgearbeitet und neben der Haut insbesondere die stoffliche Qualität der Textilien zur Darstellung gebracht. zum Künstler Eugène Laurent studierte an der Pariser École des Beaux-Arts und wurde 1860 von der Akademie mit einem Preis ausgezeichnet. Anschließend trat er in das Atelier Jacques Antoine Theodore Coinchon ein. Als freischaffender Künstler beschickte er von 1861 bis 1893 den Pariser Salon mit Statuen, Porträtbüsten und Medaillons. Zudem schuf er Großplastiken wie das Denkmal Jacques Callots in Nancy (1877) und die Statue...