Germany - Art

Christian Schildbach was a very talented artist with his own style. Art painter in Plauen, then court painter in Dresden; around 1706 art painter in Vienna, also active in Bamberg (...

Walnut stain makes this beautiful turning globe a real stunning sculpture. Made from a whole piece of wood the way the sculpture is shaped is defined by how the tree grew. Sitting on...

Germany, 1937 – Photograph by Peter Cornelius In this expressive low-angle portrait by Peter Cornelius, taken in 1937, a young woman sits relaxed in the grass, leaning contentedly ag...

Germany, 1938 – Photograph by Peter Cornelius In this beautifully composed summer scene, captured by Peter Cornelius in 1938, a young woman reclines atop the folded soft-top of a For...

Lakeside scene - Germany, 1935 – Photograph by Heinz Pollmann This graceful lakeside scene, taken by Heinz Pollmann in 1935, shows a couple seated in a stylish Ford Eifel convertible...

"Girl in White Dress" is a small, free-standing bronze sculpture of y young woman lying stretched out in a white dress from established mid-career sculptress Susanne Kraißer. Edition...

Lignite is still one of Germany's largest energy suppliers. Energy production from coal has enabled our civilization to make great economic and social progress, but at the same time ...

After coal is burned in a fossil fuel power plant, the remains are pumped through pipelines into huge ponds. The ponds are used as a landfill to prevent the release of ash into the a...

Minimalism passion Neutral colors that you can't go wrong with and that definitely always looks classy Abstraction black and white 150 x 150 cm / 59“ x 59“ in Acrylics on...

Artist: Kuno Vollet Title: Infinitum Big This elegant original cast bronze sculpture by German artist Kuno Vollet brings energy into any art collection. Each sculpture is differen...

Pair of antique paintings, oil on canvas, portraits. Around 1850. Portrait of a well-known artist and his wife. Dimensions are per painting...

Reiner Schwarz (*1940 Hirschberg), Little mouse, 1968. Lithograph, 30 cm x 21 (sheet size), signed “R.[einer] Schwarz” in pencil lower right, dated “[19]68”, identified as copy no. 1...

With "Hommage to Vasarely" the renowned Belgian designer and artist Olivier De Schrijver has created a stunning retro-mirror wall sculpture honoring the art of Vasarely. The work is all hand-made, a unique series of only 6 works; signed and numbered on the back. Certificate. (3/6) Practical hanging mechanism on the back for easy handing on the wall. This Belgian designer reinvents the mirror by giving it a graphic role, like in his sought after "Hommage to Vasarely" whose projected lights create luminous tesserae onto walls and ceilings. His artwork invites you to escape into the imagination and the serenity offering a moment of intimacy. Through the subtle blend of poetry and fantasy on on head and the aesthetics and ergonomics on the other, Oliver De Schrijver could perfectly assume been gate design...

Christian Thomsen (1860 Kolding - 1921 Copenhagen), Carving boy, design around 1915, execution 1966. model number 905. First choice. Porcelain with underglaze painting. 18.5 cm (heig...

Portrait of Max Franz as coadjutor of the Teutonic Order Oil on canvas, 54 x 45 cm Maximilian Franz of Austria Austrian Archduke Maximilian II. Franz, was Grand Master of the Teutoni...

Antique Rococo Oil Painting, around 1800, Royal Dance in the Garden Oil on canvas. Canvas relined. Stretcher renewed. Dimensions are without fra...

Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Forest idyll, around 1915. Bronze, gold and golden brown patina, with cast plinth, mounted on a marble base (5 cm high), total height 36 cm, dimensions of the bronze: 31 cm (height) x 17 cm (length) x 12 cm (width). Weight 4,6 kg, signed on the plinth "R.[udolf] KAESBACH". - a few rubbed areas, overall in excellent condition for its age - Soulmate - The bronze sculpture depicts a young woman in an intimate exchange with a deer that accompanies her. The animal pauses to turn toward her, while the nude beauty slows her pace to look into the deer's eyes and tenderly caress it with her hand. The woman and the deer are in inner harmony. Even though her lips remain motionless, she speaks the language of the animal with which she is deeply connected. The golden patina, which contrasts with the more naturalistic coloring of the deer, gives the young woman the appearance of a saint, even if she cannot be identified as such. At the same time, she evokes memories of Diana, the goddess of the hunt, or a nymph. But she lacks the ferocity. In her innocent naivety, she is more like a vestal virgin, who is not at home in the solitude of the forest. And yet, the young beauty, moving unclothed in the heart of nature, looks like a priestess with her hair tied up and a carefully carried bowl on her way to a sacred grove. In order to open up the above-mentioned associations, Kaesbach deliberately designed the female figure in such a way that she cannot be identified as a specific person. He has created an allegory of natural femininity, characteristic of Art Nouveau, in which the deer is far more than a companion animal. It displays the same gracefulness as the young woman, and the inner resemblance between the two makes the deer appear as her other self. In animal terms, it embodies her inner being, which also gives the deer an allegorical character. About the artist Rudolf Kaesbach studied sculpture at the Hanau Academy and worked in a bronze foundry in Paris in 1900. In order to work as an independent artist, he opened a workshop in Düsseldorf, where he cast bronzes from models he designed. In 1902 he made his debut at the German National Art Exhibition in Düsseldorf. The following year Kaesbach went to the academy in Brussels. There he was inspired by contemporary Belgian sculpture, especially the work of Constantin Meunier. He moved to Berlin, where he opened a studio in the villa district of Grunewald and devoted himself to life-size marble sculptures and the design of bronzes. From 1911, he regularly presented his works at the major art exhibitions in Berlin, as well as in Düsseldorf and Malmö. Between 1936 and 1939, he also created models for the Rosenthal porcelain factory. From 1939 to 1944, Kaesbach was represented at the major German art exhibitions in Munich. GERMAN VERSION Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Waldidyll, um 1915. Gold und goldbraun patinierte Bronze mit gegossener Plinthe, auf einem Marmorsockel montiert (5 cm Höhe), Gesamthöhe 36 cm, Maße der Bronze: 31 cm (Höhe) x 17 cm (Länge) x 12 cm (Breite). Gewicht 4,6 kg, auf der Plinthe mit „R.[udolf] KAESBACH“ signiert. - vereinzele beriebene Stellen, insgesamt in einem altersgemäß ausgezeichneten Zustand - Seelenverwandtschaft - Die Bronzeplastik veranschaulicht eine junge Frau im innigen Austausch mit einem sie begleitenden Reh. Das Tier hält inne, um sich zu ihr hochzuwenden, während die nackte Schönheit ihren Schritt verlangsamt, um dem Reh ebenfalls in die Augen zu schauen und es zärtlich mit der Hand zu liebkosen. Die Frau und das Reh sind in einem inneren Gleichklang. Auch wenn ihre Lippen unbewegt bleiben, spricht sie die Sprache des Tieres, mit dem sie auf eine tief empfundene Weise verbunden ist. Die im Kontrast zur naturalistischeren Einfärbung des Rehs aufstrahlende goldfarbene Patina lässt die junge Frau wie eine Heilige erscheinen, auch wenn sich nicht als Heilige identifizierbar ist. Zugleich ruft sie Erinnerungen an die Jagdgöttin Diana oder eine Nymphe hervor. Dafür fehlt ihr allerdings die Wildheit. In ihrer unschuldigen Naivität gemahnt sie vielmehr an eine Vestalin, die freilich nicht in der Waldeinsamkeit zu Hause ist. Und doch wirkt die sich unbekleidet im Herzen der Natur bewegende junge Schönheit wie eine Priesterin, die sich mit hochgebundenem Haar und der vorsichtig getragenen Schale und dem Wege zu einem Heiligen Hain befindet. Um die gennannten Assoziationen zu eröffnen, hat Kaesbach die Frauenfigur bewusst so gestaltet, dass sie nicht als konkrete Person identifizierbar ist. Damit hat er eine für den Jugendstil charakteristische Allegorie natürlicher Weiblichkeit geschaffen, bei der das Reh weit mehr als ein Begleittier ist. Es weist dieselbe grazile Anmut wie die junge Frau auf und der innere Gleichklag der beiden lässt das Reh als ihr anderen Ich erscheinen. Es verkörpert – ins Animalische übertragen - ihr inneres Wesen, wodurch auch dem Reh ein allegorischer Charakter zukommt. zum Künstler Rudolf Kaesbach studierte an der Akademie Hanau Bildhauerei und war im Jahr 1900 in einer Pariser Bronzegießerei tätig. Um sich als eigenständiger Künstler betätigen zu können, eröffnete er in Düsseldorf eine Werkstatt, in der er Bronzen nach selbstentworfenen Modellen goss. 1902 debütierte er auf der Deutschen Nationalen Kunstaustellung in Düsseldorf. Im Folgejahr ging Kaesbach an die Akademie nach Brüssel. Dort wurde er von der zeitgenössischen belgischen Bildhauerei, insbesondere vom Werk Constantin Meuniers, inspiriert. Zurückgekehrt zog er nach Berlin, wo er im Villenviertel Grunewald ein Atelier eröffnete und sich neben dem Entwurf für Bronzen der lebensgroßen Marmorbildhauerei widmete. Ab 1911 präsentierte er seine Werke regelmäßig auf den Großen Berliner Kunstausstellungen, aber auch in Düsseldorf und Malmö. Zwischen 1936 und 1939 fertigte er zudem Modelle für die Porzellan-Manufaktur Rosenthal an. Von 1939 bis 1944 war...

"The Gates Skyline in the Snow" is a 2005 limited-edition original photograph. It is hand signed by Christo in the lower right hand corner. It depicts his Central Park Project in Ne...

Ludwig von Hofmann (1861 Darmstadt - 1945 Pillnitz), Female nude from the back, around 1900. Red chalk drawing on watermarked drawing paper, 36 cm x 44 cm (sheet size). Artist's liga...

Sun Chaser is a beautiful impasto landscape painting of the seaside. Rolling waves come in at the beach. Within her impressionist landscape paintings, her experiences abroad truly co...

"Orange" is a small, unique oil on canvas painting of German artist Willi Bucher. It depicts an abstract, metaphysical landscape in thick orange oil colo...

Extremely decorative and large oil painting from the 17th century. Restored in places.   Signed and dated Simon Peter Tileman 1658 fecit 'lower right Dimensions without frame. From Wikipedia, the free encyclopedia: Simon Peter Tilemann (1601, Lemgo – 1668, Vienna), was a German Baroque painter who was active Bremen, Kassel and Italy. According to Houbraken he first learned to paint flowers and he had a daughter who could paint flowers in watercolors. He was a good landscape painter who spent many years in Italy, but later switched to portrait painting and who painted the portrait of Ferdinand...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

"Daffodils for Victory" is a painting about rebirth and the power of life. It has become a symbol of the triumph of good over evil, of life over death. The daffodils depicted on the...

My paintings are very personal, they capture my everyday life, my reaction to things I experienced, either yesterday, in my childhood or even events I imagine. My portraits pick up o...

"Playboy" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. It is a sexy, minimalist work formed as a hand-made a...

"KATE", 2018, 140 x 120 cm, is a mixed media work by German artist Devin Miles. The mixed media work on canvas creates an impressive depth and three-dimensionality due to the artists...

Here’s a large piece in pretty that is also rather monochrome in turquoise and black and gray. Starting to finetune my new technique slowly getting where I want to be. This paintin...

Dave Buonaguidi Party Like It's 1999, 2021 Medium: Screenprint on paper Dimensions: 42 x 29.7 cm Edition of 60: Hand-signed and numbered in pencil Condition: Excellent (sold unframed)

I Can’t Tell If I’m Experiencing Heartbreak, Or I Just Think That I’m Experiencing Heartbreak / Wisteria Vine An abstracted version of a digital drawing of a wisteria vine t...

French School, Portrait of a Lady, Rococo, 18th Century, Fine drawing in Pastel/ Oil Pastel on Paper in the style of Vivien. The Lady might be a woman from Marie Antoinette's Court. It is part of a Pendant (see the other listing with the portrait of Queen Marie Antoinette...

Artist: Emmanuel Okoro Dimensions (HxWxD): 83 × 26 × 20 cm Materials: Bronze Resin Sculpture with Green Patina Edition: 4 of 12 Signed on back Jezebel the Warrior Queen:- I am the...

The painting was painted from life in Paris on the Seine embankment on a sunny summer day. In the foreground we see the embankment pavement in the lacy shadow of the trees growing on...

"Golden Egg" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 29 x 25 cm framed in a silver wood-framing with si...

Paul Ludwig Kowalczewski (1865 Mieltschin - 1910 Berlin), Field worker with rake, around 1900. Brown and brown-greenish patinated bronze with ...

Delicate blossoms unfold across a misty grey background, rendered in a wide spectrum of colors—soft yellows, whites, pinks, reds, blues, and deep greens. Applied with a palette knife...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

"Flat Iron" is a black and white fine art photograph of Michael Götze. It is an Edition 5 (2/5), Archival Pigment Print on Baryta Paper. 100 x 90 cm, signed on back, comes with certi...

John Baldessari (American, 1931-2020) Two Assemblages (with R, O, Y, G, B, V Opaque), 2003 Medium: Lithograph and screen print on vellum Dimensions: 61.6 x 91.5 cm Edition of 50: Han...

Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

These works explore our relationship with the incredible biodiversity of our planet Earth. Visual representations of flowing colours, smells, sounds and the feeling of our life sourc...

These works explore our relationship with the incredible biodiversity of our planet Earth. Visual representations of flowing colours, smells, sounds and the feeling of our life sourc...

Rudolf Nehmer (1912 Bobersberg - 1983 Dresden), The Zero Hour, 1948. Woodcut on yellowish wove paper, 20 cm x 14.8 cm (image), 43 cm x 30 cm (sheet size), signed “Rud.[olf] Nehmer” i...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

"The Garden of Gauguin" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. It is a witty reference fo...

"BrokenChain", is a unique abstract acrylic on canvas work by German artist Horst Güntheroth. 100 x 100 cm, certificate of authenticity on back. Dr. Horst Güntheroth (1959), is a Ge...

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

Homage to Ali: Neil Leifer pays tribute to the legendary Muhammad Ali in an exclusive set of classic photographs. Each photograph is in an edition of 40 signed dye-sublimation prints...

I painted this painting in a field near Isenstedt, Germany. I spotted the bales in my car on the B239 and drove over there immediately. The farmer was very friendly and allowed me ac...

Lorna Simpson (b. 1960) III (Wish #1, Wish #2, Wish #3), 1994 Medium: Complete set of three ceramic, rubber and bronze wishbones within molded felt printed with waterless lithography...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Herbert Seidel (1906 Berlin - 1974 Rüdersdorf), Landscape verso Forest interior, around 1950. India ink on grained, bleached paper, 40.5 x 58 cm, signed “Herbert Seidel” in pencil on...

Unique piece in this size Signed on front More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old ...

Edition of 3 More sizes on request. A portrait of a mal lion. Tyler Shields is an American Photographer, screenwriter, director and former professional inline skater who has been labeled by some as “Hollywood’s favorite photographer”. He is best known for his unparalleled, controversial, shock evoking photographs of Hollywood Celebrities. Shield’s images often incorporate violence and eroticism, such as his 2011 photograph of Lindsay Lohan in which she appears seductive while being covered in blood and holding a knife. Continuing to push the boundaries, in preparation for his Life Is Not A Fairytale (2011) exhibit in 2011, Shields collected blood from twenty celebrities to paint with, onto a canvas. Shields also appeared to stage the “shooting” of a party-goer with a gun the same year at a release party for his book “Collisions” as an appropriated piece of performance art en homage to the cans of Fluxus artist, Piero Manzoni. Shields is not shy to controversy, in 2012 he also released a photograph of Francesca Eastwood, burning, sawing and biting a $100,000 Hermès Birkin Bag for a photoshoot. Moreover, his series “Suspense” (2013) portrays and depicts stars such as Emma Roberts, Francesca Eastwood and Lydia Hearst frozen in mid-air falling and voluntarily jumping off buildings and bridges creating a sense of movement, adrenaline, and excitement. “Suspense is not about death; it’s about life” explains Shields. Rather than focusing on the person in the frame, these images are more concerned with the action, environment, and landscape. In 2015. Shields created the series “Historical Fiction” which focuses on historical events such as the deaths of James Dean, John F Kennedy, Dr. Martin Luther King among many more historical events. This series put the American Civil Rights Era at the forefront of his work, as these images explore dark moments in history with many of them honing in on moments that confront the country’s racist past. Furthermore, in 2015 Shields created his hit series “Chromatics” which surrounds the theme of “beauty in chaos” captured through freeze frames of surreal, technicolor violence with colored powder. In order to create this violence, he lined up 20 people up against each other and made them fight with powder. Shields’ talent goes beyond shock. His unique, sinister and daring lens through which he composes and creates his work enables him to push boundaries and experiment with tweaking the Hollywood mystique. The mystery behind his relationships and habits captivate the media, not unlike the art world’s best-known friend of the famous, Andy Warhol. _Photography, nude, woman, naked, story teller...

Stramonia by Rudolf Kosow is an monochrome oil painting that evokes a dreamlike interplay between figure and flora, where the blurred contours of the subject dissolve into the organi...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Unique piece in this size More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket ...

Floral encounters, suddenly (Abstract painting) Acrylics, oil, spray paint on unprimed canvas - Unframed Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a den...

„ The sea! the sea! the open sea! The blue, the fresh, the ever free!â€

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...