Germany - Landscape Drawings and Watercolors
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Item Ships From: Germany
Untitled_Dead Body on the Field #2 - Drawing, Blue, Orange, Contemporary
By Zsolt Berszán
Located in Baden-Baden, DE
Untitled_Dead Body on the Field #2, 2022
coloured pencils on paper
39 3/8 H x 27 9/16 W inches
100 H x 70 W cm
Signed on reverse
Zsolt Berszán embodies in ...
Category
2010s Neo-Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Color Pencil
Untitled_Body on the Field #6
By Zsolt Berszán
Located in Baden-Baden, DE
Untitled_Body on the Field #6, 2022
coloured pencils on paper
39 3/8 H x 27 9/16 W inches
100 H x 70 W cm
Signed on reverse
Zsolt Berszán embodies in his works the dissolution of t...
Category
2010s Neo-Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Color Pencil
Body in the Field #5 - Blue, Red, Drawing, Color pencil
By Zsolt Berszán
Located in Baden-Baden, DE
Body in the Field #5, 2022
coloured pencils on canvas
25 H x 16 W cm
Signed on reverse
Zsolt Berszán embodies in his works the dissolution of the human body through the prism of t...
Category
2010s Expressionist Germany - Landscape Drawings and Watercolors
Materials
Canvas, Color Pencil
Untitled_Body on the Field #2 - Green, Red, Contemporary Art, Drawing
By Zsolt Berszán
Located in Baden-Baden, DE
Untitled_Body on the Field #2, 2022
coloured pencils on paper
39 3/8 H x 27 9/16 W inches
100 H x 70 W cm
Signed on reverse
Zsolt Berszán embodies in his works the dissolution of t...
Category
2010s Neo-Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Color Pencil
Untitled_Remains. The Dead Body on the Field
By Zsolt Berszán
Located in Baden-Baden, DE
Untitled_Remains. The Dead Body on the Field, 2022
coloured pencils on paper
39 3/8 H x 27 9/16 W inches
100 H x 70 W cm
Signed on reverse
Zsolt Berszán em...
Category
2010s Neo-Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Color Pencil
Untitled_Body on the Field #7
By Zsolt Berszán
Located in Baden-Baden, DE
Untitled_Body on the Field #7, 2022
coloured pencils on paper
39 3/8 H x 27 9/16 W inches
100 H x 70 W cm
Signed on reverse
Zsolt Berszán embodies in his works the dissolution of t...
Category
2010s Neo-Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Color Pencil
Clay jug on a bench - The essence of the clay jar revealed by the sunlight -
By Hans Richard von Volkmann
Located in Berlin, DE
Hans Richard von Volkmann (1860 Halle (Saale) - 1927 ibid.), Clay jug on a bench. Pencil and Watercolour on paper. 20 x 26,7 cm (visible size), 37 x 45 cm (frame), dated and monogrammed lower left "Februar 1890 - HR. V. V."
- Minimally tanned. Framed behind glass in a passepartout.
About the artwork
Using the technique of his early youth - pencil and watercolour - Hans Richard von Volkmann depicts a still life. However, this is not a conventional indoor still life, but an open-air depiction, painted outdoors and not in the studio. It is therefore an open-air painting, characteristic of von Volkmann's oeuvre, which could have been painted in the Willingshausen colony of painters, where open-air painting was programmatically practised there and the artist stayed there that year.
And indeed, this painting is a manifesto of open-air painting. Von Volkmann demonstrates that leaving the studio for the light of nature leads to an entirely new quality of art. To prove this, he uses the genre of still life, which can be described as the studio subject par excellence. Moreover, light plays an essential role in the classical still life. It is the real protagonist of the still life. And it is precisely this moment, essential to the still life, that von Volkmann exploits to demonstrate the potential of plein-air painting: He presents the objects as they appear in the sunlight. The date of February and the bare branches in the foreground make it clear that this is a clear winter day in bright sunlight. The delicate plant in the foreground casts a clearly defined shadow, as does the jug. However, the shadow is most pronounced on the jug itself: The underside of the handle appears almost black, making the top, and therefore the jug itself, shine all the more brightly. The shining of the objects in the sunlight is also visible on the bench. As complementary phenomena to the shadow zones, light edges can be seen on the boards of the seats and the upper foot of the bench shines entirely in the light. To achieve this intensity of light, von Volkmann activated the bright white of the painting ground.
By depicting the objects in glistening sunlight, von Volkmann demonstrates that this quality of light is only to be found outdoors. And this light leads to a new way of looking at the objects themselves. The jug on the bench seems like an accidental arrangement, as if the artist had stumbled upon this unintentional still life and captured it with fascination. And in this fascination there is a moment of realisation that refers to the objects themselves. It is only when they shine brightly in the sunlight that their true nature is revealed. In this way, sunlight allows the objects to come into their own, so to speak. Sunlight, which is not present in the studio, gives the still life an entirely new dimension of reality, which is also reflected in the colours interwoven by the sunlight: The bench and the jug stand in a harmonious grey-pink contrast to the green of the implied meadow.
The emphasis on the jug as the central subject of the picture also implies that the watercolour has not been completed. This non finito inscribes a processuality into the picture, making it clear that something processual has been depicted, the temporality of which has been made artistically permanent. This is why von Volkmann signed the painting and dated it to the month.
About the Artist
Von Volkmann made his first artistic attempts at the age of 14. He painted many watercolours of his home town of Halle. This laid the foundation for his later outdoor painting.
In 1880 his autodidactic beginnings were professionalised with his admission to the Düsseldorf Art Academy. There he studied under Hugo Crola, Heinrich Lauenstein, Johann Peter Theodor Janssen and Eduard von Gebhardt until 1888. Von Volkmann then moved to the Karlsruhe Academy, where he was Gustav Schönleber's master pupil until 1892.
In 1883 he came for the first time to Willingshausen, Germany's oldest painters' colony, at the suggestion of his student friend Adolf Lins...
Category
1890s Naturalistic Germany - Landscape Drawings and Watercolors
Materials
Watercolor
Untitled_Body on the Field #3 - Blue, Contemporary, Abstract, 21st Century
By Zsolt Berszán
Located in Baden-Baden, DE
Untitled_Body on the Field #3, 2022
coloured pencils on paper
39 3/8 H x 27 9/16 W inches
100 H x 70 W cm
Signed on reverse
Zsolt Berszán embodies in his works the dissolution of t...
Category
2010s Neo-Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Color Pencil
Remains (Body in the Field 1) - 21st Century, Work On Paper, Red, Contemporary
By Zsolt Berszán
Located in Baden-Baden, DE
Remains (Body in the Field 1), 2022
oil on paper (signed on reverse)
16 17/32 H x 11 13/16 W in.
42 H x 30 W cm
Zsolt Berszán embodies in his works the dissolution of the human body...
Category
2010s Abstract Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Oil
Untitled_Remains Body on the Field - Contemporary, 21st Century, Drawing
By Zsolt Berszán
Located in Baden-Baden, DE
Untitled_Remains Body on the Field #1, 2022
coloured pencils on paper
39 3/8 H x 27 9/16 W inches
100 H x 70 W cm
Signed on reverse
Zsolt Berszán embodies in his works the dissoluti...
Category
2010s Neo-Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Color Pencil
Body in the Field #10 - Contemporary, Red, Yellow, Green, 21st Century
By Zsolt Berszán
Located in Baden-Baden, DE
Body in the Field #10, 2022
coloured pencil on canvas
9.84 H x 6.29 W in.
25 H x 16 W cm
Signed on reverse
Zsolt Berszán embodies in his works the dissolution of the human body thro...
Category
2010s Expressionist Germany - Landscape Drawings and Watercolors
Materials
Canvas, Color Pencil
Body in the Field #7 - Contemporary, Blue, Red, 21st Century, Drawing on Canvas
By Zsolt Berszán
Located in Baden-Baden, DE
Body in the Field #7, 2022
coloured pencil on canvas
9.84 H x 6.29 W in.
25 H x 16 W cm
Signed on reverse
Zsolt Berszán embodies in his works the dissolution of the human body throu...
Category
2010s Expressionist Germany - Landscape Drawings and Watercolors
Materials
Canvas, Color Pencil
Body in the Field #14 - Contemporary, Green, Red, Blue, 21st Century
By Zsolt Berszán
Located in Baden-Baden, DE
Body in the Field #14, 2022
coloured pencil on canvas
9.84 H x 6.29 W in.
25 H x 16 W cm
Signed on reverse
Zsolt Berszán embodies in his works the dissolution of the human body thro...
Category
2010s Expressionist Germany - Landscape Drawings and Watercolors
Materials
Canvas, Color Pencil
Remains (Body in the Field 11) - Contemporary Art, 21st Century, Yellow, Blue
By Zsolt Berszán
Located in Baden-Baden, DE
Remains (Body in the Field 11), 2022
oil on paper
16 17/32 h x 11 13/16 w in.
42 H x 30 W cm
Zsolt Berszán embodies in his works the dissolution of the human body through the prism ...
Category
2010s Abstract Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Oil
Remains (Body in the Field 5) - 21st Century, Beige, Red, Blue, Contemporary
By Zsolt Berszán
Located in Baden-Baden, DE
Remains (Body in the Field 5), 2022
oil on paper (signed on reverse)
16 17/32 H x 11 13/16 W in.
42 H x 30 W cm
Zsolt Berszán embodies in his works the dissolution of the human body...
Category
2010s Abstract Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Oil
Remains (Body in the Field 8) - Contemporary, Green, Red, 21st Century
By Zsolt Berszán
Located in Baden-Baden, DE
Remains (Body in the Field 8), 2022
oil on paper (signed on reverse)
16 17/32 H x 11 13/16 W in.
42 H x 30 W cm
Zsolt Berszán embodies in his works the dissolution of the human body...
Category
2010s Abstract Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Oil
Remains (Body in the Field 19) - Contemporary, Painting, Blue, Beige
By Zsolt Berszán
Located in Baden-Baden, DE
Remains (Body in the Field 19), 2022
oil on paper (signed on reverse)
16 17/32 H x 11 13/16 W in.
42 H x 30 W cm
Zsolt Berszán embodies in his works the dissolution of the human bo...
Category
2010s Abstract Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Oil
Remains (Body in the Field 6) - Contemporary, Green, Blue, Red, 21st Century
By Zsolt Berszán
Located in Baden-Baden, DE
Remains (Body in the Field 6), 2022
oil on paper (signed on reverse)
16 17/32 H x 11 13/16 W in.
42 H x 30 W cm
Zsolt Berszán embodies in his works the dissolution of the human body...
Category
2010s Abstract Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Oil
Remains (Body in the Field 7) - Contemporary, Green, Grey, Blue, 21st Century
By Zsolt Berszán
Located in Baden-Baden, DE
Remains (Body in the Field 7), 2022
oil on paper (signed on reverse)
16 17/32 H x 11 13/16 W in.
42 H x 30 W cm
Zsolt Berszán embodies in his works the dissolution of the human body...
Category
2010s Abstract Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Oil
Remains (Body in the Field 12) - Contemporary, Green, Blue, Painting On Paper
By Zsolt Berszán
Located in Baden-Baden, DE
Remains (Body in the Field 12), 2022
oil on paper (signed on reverse)
16 17/32 H x 11 13/16 W in.
42 H x 30 W cm
Zsolt Berszán embodies in his works the dissolution of the human bod...
Category
2010s Abstract Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Oil
Remains (Body in the Field 10) - 21st Century, Abstract, Pink, Contemporary
By Zsolt Berszán
Located in Baden-Baden, DE
Remains (Body in the Field 10), 2022
oil on paper (signed on reverse)
16 17/32 H x 11 13/16 W in.
42 H x 30 W cm
Zsolt Berszán embodies in his works the dissolution of the human bod...
Category
2010s Abstract Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Oil
Remains (Body in the Field 16) - Contemporary, Abstract, Grey, Beige
By Zsolt Berszán
Located in Baden-Baden, DE
Remains (Body in the Field 16), 2022
oil on paper (signed on reverse)
16 17/32 H x 11 13/16 W in.
42 H x 30 W cm
Zsolt Berszán embodies in his works the dissolution of the human bod...
Category
2010s Abstract Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Oil
Remains (Body in the Field 21) - Contemporary, Blue, Green, 21st Century
By Zsolt Berszán
Located in Baden-Baden, DE
Remains (Body in the Field 21 ), 2022
oil on paper
16 17/32 h x 11 13/16 w in.
42 H x 30 W cm
Zsolt Berszán embodies in his works the dissolution of the human body through the prism...
Category
2010s Abstract Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Oil
Remains (Body in the Field 14) - Contemporary, Green, Yellow, Pink, 21st Century
By Zsolt Berszán
Located in Baden-Baden, DE
Remains (Body in the Field 14), 2022
oil on paper
16 17/32 h x 11 13/16 w in.
42 H x 30 W cm
Zsolt Berszán embodies in his works the dissolution of the human body through the prism ...
Category
2010s Abstract Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Oil
Remains (Body in the Field 22) - 21st Century, Pink, Contemporary, Work On Paper
By Zsolt Berszán
Located in Baden-Baden, DE
Remains (Body in the Field 22), 2022
oil on paper
16 17/32 h x 11 13/16 w in.
42 H x 30 W cm
Zsolt Berszán embodies in his works the dissolution of the human body through the prism ...
Category
2010s Abstract Expressionist Germany - Landscape Drawings and Watercolors
Materials
Paper, Oil
Meridional VIII - Contemporary, Drawing, Yellow, Blue, Red, Landscape, Sun
By Alexandru Rădvan
Located in Baden-Baden, DE
Meridional VIII, 2013
Tempera on Paper
27.55 H x 39.37 W in.
70 H x 100 W cm
The series "Meridional" from 2014 shows colorful landscapes under some occasional exemptions.
The tre...
Category
2010s Contemporary Germany - Landscape Drawings and Watercolors
Materials
Paper, Egg Tempera
Island for Umberto 03 - 21st Century, Drawing, Nature, Summer
By Alexandru Rădvan
Located in Baden-Baden, DE
Island for Umberto 03, 2014
Pencil on paper ( Signed and dated front lower-right corner, framed)
11.6 H x 16,5 W in.
29.5 H x 42 W cm
"Island for Umberto" has the literary source in...
Category
2010s Contemporary Germany - Landscape Drawings and Watercolors
Materials
Paper, Pencil
Island for Umberto 06 - 21st Century, Drawing, Nature, Summer
By Alexandru Rădvan
Located in Baden-Baden, DE
Island for Umberto 06, 2014
Pencil on paper ( Signed and dated front lower-right corner, framed)
11.6 H x 16.5 W in.
29.5 H x 42 W cm
"Island for Umberto" has the literary source in...
Category
2010s Contemporary Germany - Landscape Drawings and Watercolors
Materials
Paper, Pencil
Island for Umberto 05 - Contemporary, Drawing, Nature, Trees, Landscape
By Alexandru Rădvan
Located in Baden-Baden, DE
Island for Umberto 05, 2014
Pencil on paper ( Signed and dated front lower-right corner, framed)
11.6 H x 16,5 W in.
29.5 H x 42 W cm
"Island for Umberto" has the literary source in...
Category
2010s Contemporary Germany - Landscape Drawings and Watercolors
Materials
Paper, Pencil
Island for Umberto 04 - Contemporary, Drawing, Nature, Trees, Island, Summer
By Alexandru Rădvan
Located in Baden-Baden, DE
Island for Umberto 04, 2014
Pencil on paper ( Signed and dated front lower-right corner, framed)
11.6 H x 16.5 W in.
29.5 H x 42 W cm
"Island for Umberto" has the literary source in...
Category
2010s Contemporary Germany - Landscape Drawings and Watercolors
Materials
Paper, Pencil
Island for Umberto 11 - 21st Century, Drawing, Island, Summer, Sea, Orange, Blue
By Alexandru Rădvan
Located in Baden-Baden, DE
Island for Umberto 11, 2014
Colored pencil on paper ( Signed and dated front left corner, framed)
11.6 H x 16.5 W in.
29.5 H x 42 W cm
"Island for Umberto" has the literary source i...
Category
2010s Contemporary Germany - Landscape Drawings and Watercolors
Materials
Paper, Color
Wettersteinkamm - The blue of the mountains -
Located in Berlin, DE
Adalbert Holzer (1881 Munich - 1966 Munich). Wettersteinkamm. Watercolour, 29 x 34.5 cm (visible size), 37.5 x 43 cm (frame), signed and dated at lower right 'ADALBERT HOLZER [19]23'.
Framed behind glass. Frame shows signs of wear.
- The blue of the mountains -
About the artwork
The Wetterstein ridge is revealed to the viewer from a gentle, snow-covered hill. In contrast to conventional depictions of mountains, the painting is composed entirely of shades of blue, which condense into the blue-grey of the rock or fade into the white of the snow. As a complementary colour to the blue, Holzer virtuously activates the ochre ground. The uniform yet exciting polarity of the colours emphasises the massive majesty of the mountains and at the same time underlines the special character of the Wetterstein ridge. Holzer transferred the translucency of glass painting, in which he was originally trained, to watercolour and developed a pictorial language related to the art of Ferdinand Hodler, which earned him the nickname 'Master of Blue' and led to the appreciation of his watercolours in particular.
About the artist
After an apprenticeship as a stained glass painter at the Kunstgewerbeschule, Adalbert Holzer studied at the Munich Art Academy under Carl von Marr...
Category
1920s Realist Germany - Landscape Drawings and Watercolors
Materials
Watercolor
Untitled 07 - Contemporary, Monochrome, Abstract, Black, Organic, Small, Drawing
By Zsolt Berszán
Located in Baden-Baden, DE
Untitled 07, 2015 - 2016
Mixed technique: oil paint, adhesive on paper
(Signed on reverse, Framed)
8.26 H x 5.9 W in
21 H x 15 W cm
Zsolt Berszán’s work speaks of repulsion and fasc...
Category
2010s Abstract Germany - Landscape Drawings and Watercolors
Materials
Paper, Adhesive, Oil
Untitled 02 - Contemporary, Abstract, Gray, Organic, Small, Drawing
By Zsolt Berszán
Located in Baden-Baden, DE
Untitled 02, 2015 - 2016
Mixed technique: oil paint, adhesive on paper
(Signed on reverse, Framed)
8.26 H x 5.9 W in
21 H x 15 W cm
Zsolt Berszán’s work speaks of repulsion and fasc...
Category
2010s Minimalist Germany - Landscape Drawings and Watercolors
Materials
Paper, Adhesive, Oil
Royal Dreams - 21st Century, Drawing on Paper, Tree, Crown, Blue, Fantasy
By Raluca Arnăutu
Located in Baden-Baden, DE
Royal Dreams, 2013
Black and colored fine liner on paper
16.53 H x 11.69 W in
42 H x 29.7 W cm
Raluca Arnăutu creates a zoomorphic world, where animals...
Category
2010s Surrealist Germany - Landscape Drawings and Watercolors
Materials
Paper, Color Pencil
Shady hollow way - Into the heart of the forest -
By Hans Dvoràk
Located in Berlin, DE
Hans Dvořák (19th century). Shady hollow way in a sunny forest. Watercolour and pen-and-ink drawing, 58.5 x 43 cm (visible size), 70 x 55.5 cm (frame), signed and dated "Hans Dvořák ...
Category
1880s Realist Germany - Landscape Drawings and Watercolors
Materials
Watercolor
High Moorland Landscape in the fog - The world as a transcendent phenomenon -
Located in Berlin, DE
Charles Edward Brittan Jr (1870 Plymouth - 1949). High moor landscape in the fog. Gouache, signed at lower left "Charles E. Brittan", 18 x 34.5 cm (passepartout), 45 x 62 cm (frame)....
Category
Early 20th Century Realist Germany - Landscape Drawings and Watercolors
Materials
Watercolor
The Ruins of St. Clement's Church in Visby, Sweden / - Real romanticism -
Located in Berlin, DE
Otto Günther-Naumburg (1856-1941), The Ruins of St. Clement's Church in Visby, Sweden. Watercolor and ink, heightened with white, on sand-colored paper, mounted on cardboard, 33 x 24...
Category
Early 20th Century Realist Germany - Landscape Drawings and Watercolors
Materials
Paper
In the forest of Durlach - Quiet ripple in a secret place -
Located in Berlin, DE
Franz Xaver Graessel (1861 Oberasbach/Baden - 1948 Emmering). In the forest of Durlach. 1881. Pencil drawing, heightened with white, on grey-green paper. 33 x 41.7 cm. Signed, dated and inscribed by the artist himself: 'Franz Graessel. Durlach, 12 April 1881".
About the artwork
The drawing depicts a view of the woods which, as if sharpening the visual focus, remains diffuse at the edges and does not allow the viewer to locate himself in the picture. As a result, the landscape appears to be an apparition, but at the same time it is given real substance by the solidity of the massive arched bridge made of quarry stone. As the main motif of the painting, the bridge, which blends in with nature like an archaic relic, also acts as a visual guide, drawing attention to the white, raised waters of the stream and the surrounding vegetation. The diffusion of perception that takes place there, however, draws the eye back to the bridge and thus to the overall view. This movement initiating a constant alternation of diffusion and concretion, which is the specific tension of the painting that brings the landscape to life. The materialisation and dematerialisation, however, does not take place solely through the eye's wandering through the picture; it is simultaneously linked to the viewer's approach to and distance from the picture, which loses its richness of detail precisely in the close-up, only to reconfigure itself with increasing distance.
In this work, which dates from Graessel's studies in Karlsruhe, the artist reflects on the emergence of pictorial objectivity. Here, however, nature is more than a mere motif. The real connection between culture and nature is symbolically expressed by the choice of green paper.
The drawing is an impressive testimony to Graessel's mastery of the sprezzatura with which he skilfully applies the most abstract of strokes, which visibly merge towards the centre of the picture. The signature and the exact date prove that Graessel gave this work more than the character of a mere sketch.
About the artist
Franz Graessel grew up in an environment that was to nourish his later key motifs: his parents' house was a mill. After attending the Karlsruhe Academy of Art from 1878 to 1884, where he studied under Carl Hoff, Graessel continued his training at the Munich Academy from 1886 to 1890 as a pupil of Wilhelm von Lindenschmidt. Trained primarily in genre and portrait painting, he initially portrayed the life of Black Forest farmers. From 1894 he turned increasingly to animal painting, concentrating on the depiction of ducks and geese, which earned him the nickname 'Enten-Graessel'. Graessel's work thus parallels that of Alexander Koester...
Category
1880s Naturalistic Germany - Landscape Drawings and Watercolors
Materials
Chalk, Pencil, Paper
"View of a Bulgarian weaving mill", Watercolor on Cardboard bei Ferdinand Weeser
Located in Berlin, DE
Watercolour and gouache on paper, mounted on cardboard. Signed lower right. Framed.
Dimensions: Height: 19.49 in ( 49,5 cm ), Width 31.5 in ( 80 cm )
Ferdinand Weeser-Krell was the...
Category
1950s Realist Germany - Landscape Drawings and Watercolors
Materials
Watercolor, Gouache, Cardboard
A Landscape Scene with two figures, a great tree and an obelisk, English School
Located in Greven, DE
A Landscape Scene, perhaps in a Parc, with a great tree and an Obelisk. in The foreground two figures are shown.
English School
inscribed "Pieter Rysbraeck?"
on paper, with passepart...
Category
18th Century Rococo Germany - Landscape Drawings and Watercolors
Materials
Handmade Paper
Landscape by Moonlight, Waterfall, Monthelier, French Romantic Art, Christmas
Located in Greven, DE
Fine Watercolour Drawing by Alexandre Jules Monthelier. He was a French Artist who worked in France and created many drawings of famous landscape and sceneries (e.g. the cathedral of...
Category
19th Century Romantic Germany - Landscape Drawings and Watercolors
Materials
Watercolor, Handmade Paper
Tropical Landscape with Palm Trees and Flamingo, German Romantic Art, Nature Art
Located in Greven, DE
Signed Pencil Drawing by Andreas Geist, a German painter of animals and theatre sceneries.
Andreas Geist was born as the son of the painter Joseph Gei...
Category
19th Century Romantic Germany - Landscape Drawings and Watercolors
Materials
Crayon, Handmade Paper
Southern Landscape, Ships, Old Master Drawing, 19th Century, by Von Stengel
Located in Greven, DE
Southern Landscape with View of a Castle and Ships passing by
Pen and brush in brown and black over pencil, brown and grey wash, 17,5 x 22,7cm
Plain black moulding with golden pearl ...
Category
19th Century Romantic Germany - Landscape Drawings and Watercolors
Materials
Paper, Gouache
Old Master Drawing, Westerkerk Keizersgracht in Amsterdam, 17th century, Dutch
Located in Greven, DE
Jan van der Heyden (1637 Gorinchem - 1712 Amsterdam), attributed.
Old Master Drawing, Westerkerk Keizersgracht in Amsterdam, 17th century, Dutch
Westerkerk and Keizersgracht in Amsterdam
Backside: later drawn backside with village church of the 18th century
Chalk and pen on paper
23,5 x 18,5 cm
Preliminary drawing for a painting from the creative period c. 1667 - 1670. This painting has been published a few years ago by Peter C. Sutton in the catalogue raisonné of the artist.
Van der Heyden was initially a pupil of a glass painter, but later turned exclusively to architectural painting and went to Amsterdam, where he painted views of churches, castles, palaces, public squares, streets, canals, etc., most of which are richly decorated with staffage. In addition, van der Heyden was also active as an inventor, for example, he developed a street lighting system for Amsterdam by means of oil street lamps, which was in operation from 1669 to 1840. After a stay in London, he painted the London fire of 1666, which he either witnessed himself or had seen the consequences of. Certainly influenced by this, he did much to further the technical and organisational development of the fire brigade from 1669 onwards. His greatest invention was probably the fire hose, which enabled significant improvements in fire-fighting technology and tactics. He also improved the hand-operated fire engines of the time by making them smaller, more mobile and more powerful, and he developed the series connection of several pumps to increase the pressure in order to achieve a greater range for the water jet. In 1690, together with his son, he was the author and illustrator of the Brandspuiten-boek, the first manual for fire fighting.
Johann Lingelbach, Adriaen van de Velde and Eglon van der Neer...
Category
17th Century Dutch School Germany - Landscape Drawings and Watercolors
Materials
Paper, Chalk
Pair of Sea Views, decorative Drawings, Marine Interior, French Coast, Moin
Located in Greven, DE
A Pair of Drawings, Framed
Signed and dated 1855
Chalk in black, brown wash, heightened with white, on paper
each sheet, 46 x 31 cm . Framed.
Two Landscape and Sea View Old Master Drawings, Paris, 18th Century, by Mozin
Charles Louis Mozin (* 12 March 1806 in Paris; † 7 November 1862 in Trouville-sur-Mer) was a French painter. He is the grandfather of the Post-Impressionist Fernand Piet.
The brother of the composer Théodore Mozin was a pupil of Xavier Leprince. He is considered the "discoverer" of Trouville-sur-Mer, which developed into a popular seaside resort at the end of the 19th century. At the age of nineteen, he first came to the fishing village on the coast...
Category
19th Century Romantic Germany - Landscape Drawings and Watercolors
Materials
Paper, Chalk
Painting, 20th century, charcoal drawing "Venice - Gondolier" by Paul Kuhfuss
By Paul Kuhfuss
Located in Berlin, DE
Painting, 20th century, charcoal drawing "Venice - Gondolier" by Paul Kuhfuss
Original drawing. Signed and dated. Title "Traghetto".
Framed, behind glass.
Drawing unfortunately torn.
Dimensions with frame 65.5cm x 51cm.
Age-related condition.
For magazines from the publishers Scherl, Mosse, Ullstein, youth (Munich) he worked as an illustrator.
In October 1935, he was denounced to the Gestapo by a member of the artist association "Berlin North" for "expressionist impact" and "resistance to Nazi cultural propaganda" and the defense of Jewish colleagues after an exhibition opening in the castle Niederschönhausen. After that, participation in art exhibitions in Berlin was no longer possible.
From 1945 he was until January 1960 lecturer at the Volkshochschule Berlin. From 1949 to 1954 he was in charge of the class "Act, Set Design and Costume Design" at the Textile and Clothing School Berlin.
From 1912 to 1960 he participated in 173 exhibitions, in particular the Great Berlin Art Exhibitions...
Category
20th Century Germany - Landscape Drawings and Watercolors
Materials
Paper, Charcoal
Painting, 20th century, charcoal drawing "Venice - Venezia" by Paul Kuhfuss
By Paul Kuhfuss
Located in Berlin, DE
Painting, 20th century, charcoal drawing "Venice - Venezia" by Paul Kuhfuss
Original drawing. Signed and dated. Title "Venezia".
Framed, behind glass.
Dimensions with frame 65.5cm x 51cm.
Age-related condition.
For magazines from the publishers Scherl, Mosse, Ullstein, youth (Munich) he worked as an illustrator.
In October 1935, he was denounced to the Gestapo by a member of the artist association "Berlin North" for "expressionist impact" and "resistance to Nazi cultural propaganda" and the defense of Jewish colleagues after an exhibition opening in the castle Niederschönhausen. After that, participation in art exhibitions in Berlin was no longer possible.
From 1945 he was until January 1960 lecturer at the Volkshochschule Berlin. From 1949 to 1954 he was in charge of the class "Act, Set Design and Costume Design" at the Textile and Clothing School Berlin.
From 1912 to 1960 he participated in 173 exhibitions, in particular the Great Berlin Art Exhibitions...
Category
20th Century Germany - Landscape Drawings and Watercolors
Materials
Paper, Charcoal
"Hölzerne Hängebrücke über einen Fluss" ( Plank Bridge Across The River ), 1925
By Franz Lenk
Located in Berlin, DE
Drawing by Franz Lenk ( 1898-1968 ), Germany. An example of Neue Sachlichkeit ( New Objectivity ). Monogrammed and dated lower left: FL 1925. Framed....
Category
1920s Germany - Landscape Drawings and Watercolors
Materials
Pencil
Franz Xaver Unterseher Watercolor Painting untitled, 1935
By Franz Xaver Unterseher
Located in Berlin, DE
Watercolor Painting, 1935. Dated and signed in pencil lower left: 25.8.35 F.X. Unterseher
Sheet dimensions: 8.66 x 11.02 in ( 22 x 28 cm ) Framed: 15.2 x 17.72 in ( 38,6 x 45 cm )
F...
Category
Mid-20th Century Germany - Landscape Drawings and Watercolors
Materials
Watercolor
