Istanbul Hat Racks and Stands

'8' coat hanger in black terrazzo Measures: Ø23 cm × H 175 cm Bentu Design furniture and lightings derive its uniqueness from the simplicity of it...

Sama coat rack is part of the Sama collection, which provides functionality through simple, yet striking and sculptural forms that add a unique and elegant touch to its environment. Inspired by the poetry of whirling costumes worn...

Large brass coats hanger from the seventies. Great quality, rare.

Caio is a hanger unit that makes this coat hanger smart and intuitive. It finds its own space in hotels, as an alternative to the traditional wardrobe, and in the entrance hall of a ...

'HALO' collection by Buzao, wall hanger Laminated dichroic glass, gradient colors Size: 100 x 12 x H 8 cm Studio Buzao from Guangzhou (China) is exploring...

The three Y-shaped elements support each other, finding in unity an extremely stable balance. This makes Game of Trust an iconic, theatrical coat stand, where no component prevails. ...

COAT RACK J.M. Szymanski d. 2017 This unique coat stand is contemporary sculpture. A solid cast sphere supports a slender stand, which can hold between 5-...

I am offering for sale a magnificent coat rack signed by the designer Radomsko, designed in the iconic Thonet style. This coat rack, combining functionality and aesthetics, is a clas...

Five Sculptural large Italian brass coat hangers, 1940s five pieces are available.     

Mid-century metal clothes hanger. Clothes hanger in ochre metal, with worked legs. Good condition. Measurements: 157 x 51 x 135 H cm.  

Cosmic blue drab sculptural hanger by Zieta Dimensions: W 46 x H 188 cm Material: Stainless steel. Finish: Lacquered. Thermal coloring. Polished. Available finishes: Stainless Stee...

A Space Age design with the coat hanger by Studio BBPR. Graduates of the Milan Polytechnic, the four designers in their early work followed the themes of Italian Rationalism of the 1930s, although they were not an integral part of the main 'Group 7' Movement and MIAR, they collaborated on some projects with Figini and Pollini; these compositional canons can be clearly read in an exemplary building such as the colonia elioterapica in Legnano (1938), where they also realised popular housing units, the so-called Le Grazie working-class neighbourhood (1940-1942). They distinguished themselves for various town-planning schemes, the Pavia Master Plan (1932), the Tourism Plan for the Island of Elba (1939), and above all for the most important and far-reaching, the Valle d'Aosta Master Plan (1936-1937). During this period they took an active part in the controversy that arose between rationalists and traditionalists and at first, like others, felt they could support the clash for freedom of expression and the triumph of modern architecture within fascism, but after the introduction of the racial laws of 1938 that also affected one of their collaborators, the BBPR architects...